Best 266 quotes in «cartoon quotes» category

I can still do clothing, movies, cartoons. I'mma get mine regardless. Whether I put an album out or not, I'm still gonna see a check.

I constantly watch 'The Simpsons' and an English cartoon called 'The Raccoons' and 'Gummi Bears.' I was obsessed with ninja films, and the 'Teenage Mutant Nina Turtles,' I used to love that as well.

I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.

I did speak out about celebrities because I thought it was appalling. I thought that if the cartoon became popular, it was only going to last as long as the career of the people who are in it. They didn't make up timeless voices. They used their own. They brought nothing to the table, in other words. There was no alchemy. That's why a cartoon was so alluring, was that a human being went into a place and created this supernatural sound, or whatever sound it was supposed to be that was totally unlike their own, and did it in multiples.

I didn't invent anything; it's all there in the culture; it's not a big mystery. I just combine my personal experience with classic cartoon stereotypes.

I didn't watch cartoons, I was too busy playing football.

I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.

I dont really watch a lot of TV, but I do watch Adventure Time, The Amazing World of Gumball, and Looney Tunes and old classic cartoons.

I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.

I don't think there's more than half-a-dozen cartoons that I've been really truly happy with in all the time I've been doing it.

I don't wanna play this kind of cartoon character anymore.

I don't want all of American cinema to be big cartoons that are just made to be digested by the entire world.

I enjoy the fact that we have these mobile comics now, which are sort of a cross between a comic book and an animated cartoon.

If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.

If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.

If the cartoon were completely accurate, though, life would be a cacophany of spoinks.

If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.

If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing.

If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.

If you watch a stretch of TV for a few hours, there is a good chance you'll hear me on some commercial or in some documentary or on a cartoon as some voice of a character.

I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.

I grew up, obviously, watching tons of animation; Saturday morning cartoons or anything that we could get our hands on. And then when 'The Simpsons' premiered, that just kind of changed the landscape of everything. We hadn't had prime time animations since 'The Flintstones.'

I grew up with comic books and cartoons and action movies. To find myself in the position to do work in these mediums is just an opportunity I couldn't have even asked for. It's just pure luck, really.

I grew up with Thundercats and She-Ra: Princess Of Power. That was sort of my take on fantasy: the women after-school cartoon world.

I had - I was pretty hell bent on getting into the cartoon business specifically as an artist from the get-go.

I had studied William Shakespeare in Oxford, England and I had this sort of high faluttin' education but I had also worked in comic books. So, I wasn't too proud to work in something like cartoons.

I had rather, if cruelty has been prevented by the four prints [The Four Stages of Cruelty], be maker of them than of the [Raphael] cartoons.

I hated Woody Woodpecker and Scooby-Doo, but I was a cartoon freak.

I have a cartoon where the guy is pretty much, he's a regular-sized guy, but he's the size of the island. He's saying no man is an island, but I come pretty damn close.

I have a personal definition of cartooning, which is, simply, "imaginative drawing." Anything you're drawing that is not in front of you but is a mental construct that you want to express in a drawing is, to me, a cartoon.

I have long thought that his [Rupert Murdoch's] social philosophy was contained in his cartoon show, The Simpsons: all politicians and public officials are crooks, and the masses are a vast lumpen proletariat of deluded and exploitable blowhards.

I have no idea what readership is of written editorials, but it doesn't come anywhere close to the readership of editorial cartoons.

I just devoured all of his [Buster Keaton’s] films because his sense of comic timing was amazing. He’s the closest a human being has ever come to a cartoon character. And I was just amazed at his sense of character and timing, the humor. It's all just so…sophisticated, even when you watch it today.

I just really love the cartoon form. I love the plasticity of it.

I just like The Little Mermaid cartoon. Say what you want. I have a fish tank, it's a long story. I have a fascination with the ocean, and you put a hot chick in there, it just adds more to it! I liked The Little Mermaid. It's a cool movie. It's one of those I watch over and over again.

If you look at a cartoon on a computer screen, it really jumps and can be quite effective.

I'm in a Road Runner cartoon, Sinclair. And I'm the coyote.

I'm not sure about that role any longer. The role used to be to mix things up and I think to a great extent it still is, but the quality of the work of the political cartoon has been succeeded by the wisecrack, the gag cartoon, so that the cartoonist becomes more of the equivalent of the Jay Leno monologues, or David Letterman monologues.

I did this within a philosophical framework, and a moral and legal framework. And I have been turned into a cartoon of the greatest villain in the history of lobbying.

I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.

I know that telling the story, there are certain events I want to skip, and certain events I want to hit. The time passing allows for - if you're really following people's lives, and this isn't a cartoon - someone gets pregnant, a child will be born, etc. You really don't want to be locked into "Every episode is a month later." The show is very intense to make. There's always going to be some downtime between seasons, and to me, it really helps to come back to the next season in the reality of that world, and have almost as much time passed in their lives as has passed in yours.

I know, too, that millions and millions of people voted for Trump not because they are cartoon racists, but because they did not like Hillary Clinton for a variety of reasons, because they had real economic and social grievances.

I like a strange, wide range of stuff. I like classical music and industrial noise bands. John Waters films and Peanuts cartoons. Barry Manilow and GG Allin. I should have my head examined.

I liked the girly cartoons. I was very much a girly-girl.

I like physics, but I love cartoons.

I like the idea of bringing cartoon characters to life... and although the Americans have already attempted this, their culture is not sufficiently humane to make it work.

I love an underdog. No, I don't necessarily mean the cartoon. I mean like David, as in Goliath, or the Bears, as in The Bad News Bears.

I love CNN. I love the Cartoon Network. I mean, I thought these things up.

I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better - as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.

I loved the movies and I loved cartoon superheroes - superheroes in general. I had all the pajama costumes and I would wear my underwear on the outside of the pajamas because that's what Superman does.