Best 3577 quotes in «film quotes» category

My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.

My main aim has always been to do good quality films with roles that have some substance. With Power and Beauty there were loads of things that I liked about the movie, which made me opt for it.

My M.F.A was in directing, and all the films I've made, for film school and after, I've written, directed and shot.

My mother did movies from the New Wave, but I was quite shocked I didn't know much about that period. Bernado showed us film of the demonstrations of the time.

My movement from painting to film was a very conscious one.

My mum never understood how much I earned. When I told her I earned a million pounds a film, she said, 'How much is that?'

My nickname is Bondy. But not because of the Bond films - it was my surname a long time before I did those.

My original goal was just to do stand-up but then I became interested in films - writing a film, shooting one someday, and getting to act in them.

My own sense and taste in 3D films has been I don't really like it when it feels like it's a gimmick and it's coming at me, it's flying at me.

My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

My personal problem is that I take the business of film-making so seriously that I find it very difficult to relax.

My plan was to stay in Canada to make films.

My point was that it's hard to make good films, but I'm not under any illusion that you do all the time.

My private life has nothing to do with my films.

My producers give me total freedom. No one asks me for anything; they just tell me to make a good film, and that's what I do.

My process differs... my process for a Richard Linklater film is very different than a process for Training Day.

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

My protest against digital has been me saying, "What's going to happen to film?" The result is that Kodak is out of business. That's a national tragedy. We've got to keep making film.

My quest to find a great role for myself started long before this film [ "Our Brand Is Crisis"]came around.

My roommate at Yale University introduced me to the auteur theory of filmmaking. I soon became a big fan of the works of John Ford, Kenji Mizoguchi, Ernst Lubitsch, and Stan Brakhage. I then decided to make my own films!

My stage successes have provided me with the greatest moments outside myself, my film successes the best moments, professionally, within myself.

My Toussaint [Louverture] film is in limbo. We still hope after all this time that we can find another way to get this film done.

My whole experience into the sitcom world, it was, like, "This is like theater, this is like film... This is a hybrid of everything I love to do. A live audience and rehearsals and... more food!

My whole career is based on taking a left turn after each film and doing the opposite of what I've just done.

My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...

My wish is to bring my heroes to the big screen, and many of them have already appeared in my films.

Never take no for answer, and try to make films that turn you on.

Near the end, she [Marilyn Monroe] was badly treated by Fox Studios, during the 'Let's Make Love' film shoot in 1960, they threw her off the set because she had a cold.

Nollywood is a genre, and not the entire Nigerian film industry.

Ninety percent of films are pretty mediocre, but they have a built-in audience and open on 3,000 screens.

No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.'

No film ever ends up exactly as you would like it to, but with minor exceptions, THX came out pretty much as I had visualized it, thanks to some excellent assistance -- and a whole lot of luck.

No, I did a film called 'Death and the Compass' as well.

No matter how great the script, the actual film will only be a distant relative of it - it will never be an identical twin.

No matter how widely spread out the films are, how different, you still are you.

No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.

New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.

No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.

No-one gets beaten to death quite like Hilary Swank

Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.

Not write, maybe develop. Direct, sure. As an actor, you work on so many films, you sort of start to see who directs well and who doesn't.

Nothing's really changed since the Harry Potter films came along.

Nothing regarding man is ever inhuman. That's why I make films, not iceboxes.

Not so much a film as a visual essay, exquisitely directed and photographed (by Sacha Vierny)... Difficult to watch but well worthwhile for those willing to be challenged.

Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.

Now I’m the go-to-girl for silent films.

Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor.

Now it really is, believe it or not, 90% of the films are green lit, not by the studio heads, but by the marketing department.

Now Tarantino is making DJANGO UNCHAINED. Everybody is telling me I am in the movie but I've not been asked by Tarantino officially. Not yet. There were many, many other Django films following mine, with other actors and directors, but there is only one Django.

Now that I've got some films under my belt, I have the courage of my convictions regarding acting. It gives me a leg to stand on.