Best 3577 quotes in «film quotes» category

I have fun making films. I love making films. It's the only thing I know how to do. And I do it well.

I have had unsuccessful films, but I learned a lot from those films. I give my failures as much importance as my success.

I have learned a lot through defeats, and, until today, it's - I'm still haunted by defeats, and they do happen. Sometimes, a film of mine is rejected. And how do you deal with it? And you have to learn how to deal with it and survive anyway.

I have lately obtained the opinion of a number of Chief Constables, who declare with almost complete unanimity that the recent great increase in juvenile delinquency is, to a considerable extent, due to demoralising cinematograph films.

I have little art piece, a kind of short film thing I filmed with my friend. It's going to be 20 minutes, and we're going to submit it into festivals but also going to art galleries.

I have lots of favourite memories but I can't say that I have a favourite film.

I have made almost as many films in England as I have in America. I will come back to England again and again.

I have never been sorry to see my sets being struck, provided they are well photographed. They're not works of art but part of making a film.

I have never seen it (Jaws 4) but by all accounts it is terrible. However, I have seen the house that it built and it is terrific.

I have no control over a film. I don't know what will be left on the cutting floor.

I have not been a follower of how many millions my films made or did not make.

I have not given much credence to reviews of my films. Sometimes they're wrong, but it didn't matter to me.

I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema.

I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.

I haven't read a review of one of my films for the best part of 10 years.

I haven't worked with people who are jealous or competitive. That's a particularly deadly attitude to have when you're working on a film.

I haven't done an international film for a long time.

I haven't watched it [the film 'Pink Floyd at Pompeii'] in years. I find it excruciating.

I haven't got anything against films that are about the minutia of relationships or customs, but I love extremes.

I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.

I have seen the film The Alamo and right now I feel like I've got Davy Crockett behind me. Sometimes I feel like I could put my head in a bucket of water

I have seen 'Thor', yeah. It's fantastic. Being that close to something, it's often pretty hard to watch yourself, but the film in so many ways is so impressive that I was swept along with it like an audience member, and that's a pretty good sign.

I have some calls out to Tom Cruise, Brad Pitt and Eddie Murphy. I said, 'I won't star in any blockbuster films if you stay out of animated films.' They just won't call me back.

I have the feeling that I didn't make it by myself, but that I was conducted by feelings that were completely different from those in my previous work. When I start making a film I don't know what I'm doing.

I have this theory that if you do a film, those who have not fallen asleep or left the cinema, they will live with the film much longer, and it will really enter their imagination and the subconscious much more profoundly.

I have these guilty pleasures, these failed films that don't work at all, but I'll watch them if they're on. Like 'The Game'.

I have this embedded faith in the process through which films of a certain type get discovered on longer timelines.

I have to make a living, and I have been in a few films I wish I hadn't been in, but I don't know where things will lead me next, and that's exciting.

I have too many control issues, so it just is not good for me to go and watch a film, too soon after I make it.

I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.

I have tremendous respect for film composers.

I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.

I hear filmmakers saying, 'I wanted to make to make a film about this issue, or this theme,' but I never start like that.

I honesty feel that each film has its own particular challenges.

I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!

I hope I don't become just an animation [with a digital film].

I honestly don't understand the big fuss made over nudity and sex in films. It's silly.

I hope my films will never completely be without the ability to mark anybody.

I hope to be 70 and sitting at the table with journalists, talking about my films.

I hope to do films. Right now I'm just doing projects that are interesting.

I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be made.

I imagine the film ["300"] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.

I hope that Requiem is better than Pi. I hope that Pi is better than my student films, and I'm hoping that I'm getting better as I get older.

I hope to do a visual for every 
single thing, even if it’s as small as a gif or as big as a whole dance music film.

I hope to build a house with my films. Some of them are the cellar, some are the walls, and some are the windows. But I hope in time there will be a house.

I initially moved to Switzerland for work on an animated feature film, and have been here ever since.

I just adored working in London. It was in London where I first had the idea of making a film.

I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.

I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'

I just like comedy in general. My film work, which has been at times more dramatic, has been satisfying. But I never feel quite as good and as light and blissful as when I'm doing comedy.