Best 3577 quotes in «film quotes» category

I wish I would have had more to do in the film. I hated to get killed so soon.

I won't make shorthand films, because I don't want to manipulate audiences into assuming quick, manufactured truths.

I won't go back to the theater. I like some of the things they're doing but it's different now, not something I could do. I'll go on making films the rest of my life.

I worked as hard to write the worst film of the year as I did to write the best film of the year.

I worked on a film short with Frank Sinatra when I was a kid.

I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.

I work very fast and steadily, and I don't hardly ever notice that I'm working. It feels like just breathing or walking when I do films.

I would have liked to come back in 300; they did an origins film of 300 just recently, and it would have been fun to come back and see what happened to my character.

I would define independent film as a movie that is not financed by any of the smaller film companies. Because then, those are movies that in all likelihood are made without stars. And then they have to rely just on the material.

I would have preferred to have been in a film where I could've been more authentic or more human, where the dialogue and my approach to the part could have been more real.

I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.

I would have to say that working on 'Warrior' felt more like working on a play than any other film I've ever done.

I would have to say movies are my favorite. I love doing TV, too, but it's always rush, rush, rush. With a feature film, those moments and scenes get a chance to breathe, because you don't have to accomplish as much in one day.

I would like to do more feature work. I intend to do that. To be really honest, it's an economic thing because when you make a film that doesn't make what it cost back, it's very difficult to get back in the ring.

I would loathe to work on modern films.

I would love to. A dream of mine is to produce films, as well as to produce content for television.

I would like to produce films, but I feel I am an unsuccessful producer. Thats the fact.

I would like to sing the theme tune of a big film - something like 'Titanic'.

I would love to do more science fiction. I always envisioned the Riddick franchise as a continuing mythology, so I always imagined that there would be many other films to follow.

I would love to get into feature films; Im willing to do an action flick, Im willing to do a romantic comedy.

I would love to have a varied career, like Hugh Jackman. He started in musical theater, then established himself in film, but he still does a lot of stage work. And he does it all beautifully.

I would love to work in a Bollywood film as there is so much drama and colour in the films there.

I would love to occasionally do English-speaking films, but the script is as important for me as the director.

I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.

I would love to shoot on film, but you can't really shoot a lot of footage on film, and you can't print a lot of it.

I would never sign up to film my personal life.

I would love to try action films.

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?

I would never stop watching film. The reason why I say I like the old ones is I like the subject matter better. I thought they had more variety to them, they had more romantic comedies and things that appealed to me more.

I would never knowingly go into a film that I wouldn't pay to see, or something that didn't challenge me.

I wouldn't do nudity in films. For me, personally... To act with my clothes on is a performance; to act with my clothes off is a documentary.

I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.

I wouldn't make an anti-American film. I'm one of the most pro-American foreigners I know. I love America and Americans.

I would rather do many small roles on TV, stage or film than one blockbuster that made me rich but had no acting.

I would rather do really good French films than 'American Pie.'

I would rather my films be well-known than I be well-known.

I would rather not watch myself in movies. I enjoy the experience, but I won't really see the film until they're on cable deep on into my life so I can pretend it's someone else at another time.

I would say music, film, and talented people inspire me.

I would've been intrigued by being a film director. I would've been intrigued by politics. I thought about architecture.

I would say, while I think audiences are savvy enough, I think that the effects work in the teaser is quite a bit more than presentable. I think they look good and representative of the film. The harder thing with the teaser, interestingly enough is, how much to show.

I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.

I write box notes for Kino International, which specializes in distributing foreign films.

I write and film history; I don't make it.

I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.

I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.

[Jack Reacher] is the longest I'd ever shot anything - and let's be clear, this is my first studio feature film - so there was a huge learning curve.

I wrote the novel [Room], and then I thought, "This could work on film, and I want to be the one to do it." So I went ahead and drafted it.

Jerry Bruckheimer says that he makes films that he would want to see, and it seems that that coincides with what a lot of people want to see.

James Cameron's films have always been distinguished by ground-breaking technical excellence.

John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.