Best 3577 quotes in «film quotes» category

We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.

We don't believe in splitting the experience. We don't believe in taking a row out and putting in motion seats [that shake and move in response to cues from a film]. If you walk into that auditorium you're going to have a communal experience.

We don't see many films in which someone with schizophrenia is the main character.

We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed.

We found in 'The Matrix' that people were willing to accept something more. It was a smarter film.

We get along really well, but TV and film aren't reality. We're best friends, but we do have our fights!

We got on a moving train there. That's more of a financing arrangement on that [Dracula] film. It would be disingenuous to say we're producing it. So it was really about getting into business with our partner at Universal.

We had a great producing staff and great filmmakers, but for me, my mission , as a producer, was to make sure that the creators were happy with the film Death Note and that their voices were heard. I felt, if the creators were proud and happy with the film, then in turn, the fans would be proud and happy with the film because the creators know the fan base, inside and out.

We have so many American and English films in Australia that we hear those accents often, so they're not too hard to pick up, but it's always a challenge.

We have to look forward and keep filming new films and not get stuck in the past.

We just constantly worked on second Saw film, it's not an Academy award level film, but we worked as hard we could to make it plausible.

We learned early on that we had chemistry and I was so grateful for that. It's like one of the few magical things about film that still exists.

We live in far too permissive a society. Never before has pornography been this rampant. And those films are so badly lit!

Well consciously what we were doing when making the film was, we really wanted to make sure it was a film about - in our mind it was never really a sequel, it was its own movie going forward and it's why the movie doesn't have a number by it.

Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.

Well, I guess what's caught on film is caught on film, and it would be hard for me to stand here and say that it wasn't, you know me.

Well I'm not much of a singer. But it's been a really nice time to do film, television, theater and have it all happening at once. That wasn't planned but it just happens.

Well I think always, when you remake films, I always think the first one is most original, authentic.

Well it's always been an element of the horror film to show us the gross out. I mean that's one option for all filmmakers making a horror film and it's not something I've found myself above either.

Well, it was the beginning of my film career. It was amazing to me that I got nominated for an Academy Award.

We look at it as the multiverse. We have our TV universe and our film universe, but they all co-exist.

Well, TV series tie you up. You can't do films while you're doing a TV series.

Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.

Well I was on the jury duty on the Deauville Film Festival, a few years ago.

Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.

Well that's the point: People don't normally take away things from films anymore. You go and see a $100 million film, half an hour later, your biggest concern is what are you going to be eating.

We once believed we were auteurs but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.

We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.

We petitioned to get access to film [Suffragette] at the Houses of Parliament and we whooped with joy when we were allowed in, as this is the first ever commercial film to shoot there.

We're all waiting for the opportunity to do big films but you have to wait your turn - unless you get offered something like Twilight when you're 20! Otherwise, you just have to keep slogging away.

We're all forgotten sooner or later. But not films. That's all the memorial we should need or hope for.

We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.

We're excited for when Sony greenlights the $50 million film a "Bunch Of Swirling Colors" starring George Clooney and a lava lamp.

We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.

We're in a situation now where fewer and fewer small films get made. People want these big giant tentpole sort of things, and I don't know, it's getting harder and harder to make a small movie.

We're in a time now where technology is such that we can create anything, and that's what's new about television and film these days.

We're not a media company. We don't own media. We don't own music. We don't own films or television. We're not a media company. We're just Apple.

Western audiences can gain an impression of China from my films. This is an excellent channel for promoting China`s culture.

Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.

Western civilization shapes the content of my films, provides me with subjects that haven't been used before.

We show a lot of film [with Regis Philbin] from my career which is most enjoyable. I enjoy watching it.

Western films don't do very well in India.

We thought by setting the film ["Selling Isobel"] in the cloak of... let's call it an indie-Hollywood thriller, it would appeal to a wider range of young women who would see this cautionary tale and say, "Hang on, I've got to think twice about what I get myself into.

We've evolved from sitting back on our tripods and shooting wildlife films like they have been shot historically, which doesn't work for us.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.

We were in another planet and we were reaching for something closer to a fable. It was something fabulous. I started looking at the film as if it happened in another planet and that allowed me even more freedom.

We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.

We wanted to make sure that the film covered the main issues of his life. Musicianship, appearance.

We were very clear that this film's [Young Adam] so much about a relationship that's borne out through the sexual contact, and that that's the way they communicate.