Best 3577 quotes in «film quotes» category

I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film.

I used to like watching Helen Mirren's early films, because she was always naked. It's titillating.

I used to think about video games, "This is clearly an amazing, new narrative medium, and it's going to be mind-blowing when people get to grips with what's possible within this medium." It took us a century to get really good at film. Video games are at a much earlier stage.

I used to say that theatre was my favourite thing. But the more I do film, the more I appreciate it.

I use the film industry as a pleasure for work and that kind of thing and it's not a pursuit to make me feel happy in my life.

I usually befriend the camera department very early on in the film and drive them nuts. I'm constantly bombarding them with questions and going through the stills photography. A film set is a great place for me and I love it.

I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.

I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.

I've always been a huge fan of thrillers like David Fincher's 'Se7en.' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.

I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.

I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.

I've always been very left of center and the radio never had much diversity and film did.

I've always found bad films more enjoyable than good ones.

I've always described parts as tattoos. For actors our tattoos are in the form of films.

I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.

I've always done indie films, but things started picking up more for, for a lack of a better word, more professional things.

I've always believed film is most close to music of all the other arts.

I've always felt so grateful that I dropped out of school, that I never had to do a thesis. I wouldn't know how to organise and structure myself to film so that B follows A and C follows B.

I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.

I've always felt that an independent film is a film that almost doesn't get made.

I've always felt that I've made films, period. I wanted to leave the "ghetto." And here I am, I'm out.

I've always got a book in my hands, a novel in my hands. The more I get into film, the more paranoid I get that I'm going to stop seeing things.

I've always loved... actually I didn't always love horror films. I started out and I only liked comedies and dramas.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I've always intended to eventually make films. I've always been very aware of tone and shots. But documentaries are a great proving ground for me.

I've always kind of hated films about climate change.

I've always liked clothes. I usually work very closely with the costume designer when I work on films, picking the fabrics and the clothes. And colors convey feelings. I like swatches and things like that. It makes me feel at home.

I've always loved animation and animated films.

I've always loved comic books, which is why I've done films like Hulk and The Punishers.

I've always listened to a lot of film music, actually.

Ive always loved musical films; I find them really thrilling and exciting; it was part of what made me want to be an actress, that feeling of being really transported.

I've always shot on film, but the times are changing.

I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.

I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.

I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.

I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.

I've been fortunate to be in films that are classic, that are going to be around.

I've been doing a lot of music for films and television for quite a few years.

I've been in enough films where the studio wanted that extra little cuteness to make it sellable.

I've been lucky. I've made films that I really like. It's been a combination of what comes to me and what I choose. I've gone after lots of things that I didn't get, pet projects that everybody ends up chasing after. Really, you're lucky if you get anything.

I've been number two in films for donkey's years.

I've been lucky because my films have consistently made a profit, almost all of them have made a profit. Never a huge profit, but nobody gets hurt. And therefore I get a lot of freedom.

I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things.

I've been told that I'm a very different person on the set than I am in postproduction when the movie's over and I'm editing, in that I get so wound up in the film that I become selfless to the point where I lose too much weight.

I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.

I've discovered I can't make a film about people I dislike.

I've done a lot of films that have become iconic, not necessarily because of me.

I've dealt with Hollywood about having my work made into a film or cartoon but nothing came of it. That's not to say I wouldn't like to see something happen.