Best 3577 quotes in «film quotes» category

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    You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.

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    You see, I have many friends in the Hindi film industry.

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    You see in Once Upon a Time in the West the whole film moves around her [Claudia Cardinale]. If you take her out, there's no more film. She's the central motor of the entire happening.

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    You set the tone on the set that you want to see in the film.

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    You seldom get that in film where you're lucky if you get any say at all in the final cut.

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    You see these actresses who have had Botox or something else done, and it takes you out of the film.

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    You should bear in mind that almost all my documentaries are feature films in disguise.

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    You should love literature. You should live in the library. Forget about films.

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    You shouldn't dream your film, you should make it!

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    You shouldn't think of these movies as being 'The Lord of the Rings.' The Lord of the Rings is, and always will be, a wonderful book - one of the greatest ever written. Any films will only ever be an INTERPRETATION of the book. In this case my interpretation.

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    You want to know if anyone's going to go see your film. You shouldn't worry about it or get hung up on it. So yea, you kind of monitor it.

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    You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.

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    You will learn more by walking from Canada to Guatemala than you will ever learn in film school.

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    You will never see'Altman's Great Film of the Seventies: The Director's Cut' because you have never seen a film of mine that wasn't the director's cut. I have never permitted it.

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    You will never age for me, nor fade, nor die.

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    You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman.

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    [Zwarte Piet] is unfortunate, and just like the early American blackface films, if it offends a segment of the population, it shouldn't be shown again.

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    7500 film, 273 passengers, but unfortunately not alone...

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    A brick is a biographical film in which a young orphan brick from the wrong side of the track grows up to be one of the most important bricks in all brick kind, as it is now quite literally the cornerstone of one of America’s greatest ballparks.(Fenway)

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    Academia is the death of cinema. It is the very opposite of passion. Film is not the art of scholars, but of illiterates.

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    Acting, like love, is a lonely pursuit.

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    After all it was for one justice which is short..., but the journey up to this justice was very long. (Red 2008 Film)

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    After all, nobody could get out from the dangerous place, something was going bad and I could be felt... (Hidden 2015)

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    After all there isn't way out, there isn't security. (Film Hidden)

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    A great director gives life to a work of art- gives it a heartbeat… a pulse… opens its eyes to the world.

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    A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.

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    A good friend is a healing friend.

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    All film technique, I am convinced (and like many of my theories I am probably alone in adhering to it), originates in dreaming. We could dream slow motion before the moving camera was invented. In our dreams we could cut between parallel actions, we assembled montage shots long before some self-important Russian claimed to show us how. This is where film derives its particular power. It re-creates on screen what has been going on in our unconscious.

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    Alecto… what do you think would happen if people found out about you? Your abilities, your life, Mearth’s super 8 films, those powers of yours… how would they react?” “I don’t know,” said Alecto, “but ordinary people like a show, especially when it’s a disturbing one. They enjoy seeing misery… probably because it allows them to pretend that they themselves are not so miserable, too. Also, they would probably find out about you, how you know about Personifications, how you saw the films… they would put us in cages and throw peanuts at us, I guess.” “All joking aside, Alecto.…” “Who is joking, Mandy Valems?

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    All Sam Peckinpah ever did in his movies was show that getting hit on the chin doesn't sound like [makes a small popping noise]. When one grown man hits another grown man in the face, it splatters like an overripe tomato. And it's not fun getting killed. It's bloody and gory and altogether unpleasant. That's all Sam Peckinpah ever did.

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    All the promise of a movie is in the trailer.

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    A loving heart, determination, faith, courage, trust, belief, truth, and a solid soul create the wings with which we fly.

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    AN ACADEMIC DEFINITION of Lynchian might be that the term "refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former's perpetual containment within the latter." But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that's ultimately definable only ostensively-i.e., we know it when we see it. Ted Bundy wasn't particularly Lynchian, but good old Jeffrey Dahmer, with his victims' various anatomies neatly separated and stored in his fridge alongside his chocolate milk and Shedd Spread, was thoroughgoingly Lynchian. A recent homicide in Boston, in which the deacon of a South Shore church reportedly gave chase to a vehicle that bad cut him off, forced the car off the road, and shot the driver with a highpowered crossbow, was borderline Lynchian. A Rotary luncheon where everybody's got a comb-over and a polyester sport coat and is eating bland Rotarian chicken and exchanging Republican platitudes with heartfelt sincerity and yet all are either amputees or neurologically damaged or both would be more Lynchian than not.

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    A movie is not a movie, it is a potential nuclear furnace of inspiration, courage and conscience.

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    An actor is just a part of a movie, but director - he is the movie.

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    And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from.

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    An author is an expert in the written word. The author must make a choice; to either trust and support the filmmaker’s approach, or not have a film made at all.

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    And the book... and the work.. and the life goes to the whole beginning... and trying to answer how in real did we met. (Mr.Nobody, No One Tell)

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    A poet is someone who can use a single image to send a universal message.

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    Any time you design a character for a Disney picture, especially a fairy tale, it's going to become the definitive design for that character, so you don't want to hack something out. You need to put in the kind of care it warrants if it's going to live in history.

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    Believe so brightly that everyone sees the beauty in believing.

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    ...as if Hollywood were the name of the enchanted forest where you loose yourself and find yourself, again; the wood that changes you; the wood where you go mad; the wood where the shadows life longer than you do.

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    A world that won't forget is a world drowned in its not forgetting. Do we want a world full of unedited memory? To be human is to be finite.

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    Before I start a film or a play, I try to build a world in my mind. An imaginative world which the character lives in; and I create that with novels, with painting, with music, with films. I try and understand tone. Tone is so important. Is this a thriller, is this a Gothic romance, is this an action film, is this a love story? Then, once I understand that, I just jump into it. This might be like an incomplete way of describing it, but it's like I build a swimming pool, then I just dive in. Do you know what I mean?

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    Artists are the architects of our future. The messages they deliver through music, film and television are what guides popular culture. If we want to see more love, peace and prosperity in the world, artists must take responsibility and lead.

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    Awesome, Monk have a brother from the film Monk 2000, however... what makes you think that film and reality are different?

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    Baik, kalau begitu pinjami aku Blue Velvet? Blue Velvet? Iya, masa kamu tidak tahu, sutradaranya David Lynch Oh, Black Velvet maksudnya Tuan? Blue Velvet Apa sih Blue? Wah, guru SD-mu siapa? Blue ya biru dong! Apa sih biru itu, Tuan? Din, kamu mabuk? Saya kira Tuan yang mabuk, dari dulu juga Tuan tahu judul karya David Lynch itu Black Velvet

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    Beauty is light set free.

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    Be one with yourself and revel in eternal bliss.

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    Be still in peace and reach your highest peak.