Best 3577 quotes in «film quotes» category

Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.

Our film industry, must cease portraying us as a nation of decayed values, fallen moralities and juju-obsessed people.

Our peace is our purpose.

Outside the cinema I had not yet learned to live, but within it I had most certainly learned to die. I could die for you in every way known to man, and in a few ways known only to scriptwriters. I could see now that provided that I remained fit, the future held many more deaths yet. I could only hope that they would serve some purpose, and that perhaps a reputation may come in the same way as a coral formation, which is made up of a deposit of countless tiny corpses.

Out of the ugliness of the ironworks lepers will eat, children will be born, their parents will grow old.

Over the years, I have been subjected to many indignities, all for the sake of Art. If I ever catch him, I'm going to kill the guy.

Peace is when we look upon the world together.

People always say that digital cameras are much more stable than film cameras, but the truth is that digital cameras, or any kind of digital technology, is one of the most unstable things in the world. A film camera can last decades if you know how to look after it, but digital things can break down instantly. A violent storm, a nuclear bomb, even something as minor as a cracked screen or the releasing of newer models, can make a digital product just a block of useless metal.

People are often wary of reading or watching anything in the horror genre because in their minds, it's just senseless gore, death and violence. Well, I can tell you from avid experience, that's not what horror is about. The horror genre teaches us that sometimes really bad things happen to really good people, but that hope always prevails in even the darkest of situations. That's a very important lesson, no matter how frightening you think the teacher is, and to be in the top of her class, all you need to do is to go in with an open mind.

People love a seer, until he starts to look beyond them.

People see a Macbeth film. They imagine they have seen Macbeth, and don't want to see it again; so when your Mr. Hackett or somebody comes round to act the play, he finds the house empty. That is what has happened to dozens of good plays whose authors have allowed them to be filmed. It shall not happen to mine if I can help it.

People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

People represented in book or film travel vast oceans of life unrecorded; studeo time costs money, and pens grow heavy.

Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 1984 and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (...), is to suggest that there is no moral distinction between the United States, the Taliban and the Ba'ath Party, and that the war against jihad is about nothing. If Moore had studied a bit more, or at all, he could have read Orwell really saying, and in his own voice, the following: The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists, whose real though unacknowledged motive appears to be hatred of western democracy and admiration for totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writing of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States… And that's just from Orwell's Notes on Nationalism in May 1945. A short word of advice: In general, it's highly unwise to quote Orwell if you are already way out of your depth on the question of moral equivalence. It's also incautious to remind people of Orwell if you are engaged in a sophomoric celluloid rewriting of recent history.

... Play the age as comedy if you want to get away with murder.

photographs are very interesting, and you can look into them a million times and still find a new meaning in them, something in the past that was caught in the film itself…

Pet Sematary 1 is one crazy story and film.

Reflecting on the creation of the songs and vocal performances, Peter [Schneider] speaks with respect and regret: "It's sad that Howard [Ashman] never saw the finished movie of Beauty and the Beast, because it's basically him. It was his conception, it was his idea, it was his songs, it was his emotions, it was his storytelling. Alan [Menken] was a very important partner in this: you can't discount Alan. But it was Howard's vision that made this all happen. And what survives is these characters and these emotions and these songs. They will be around a lot longer than we will. And given the choice, that's what he would have chosen to have survive.

Popcorn and I have a long love affair, never candy. Once in awhile, a soda, but always and forever, no matter the venue, or film, I grab popcorn. Usually minus the butter.

Really good films don't diminish anything, they don't close things off. On the contrary, they open up new insights, they make new thoughts thinkable. They crowd us, they deflate our slovenly lifestyle, our thoughtless way of chattering and pissing away our time and energy and passion. Believe me, films can teach us a huge amount. And they give us a true picture of the way life is." Mari laughed. "Of our slovenly lifestyle, you mean? You mean, maybe they teach us to piss our lives away with a little more intelligence, a little more elegance?

...she found it made things easier if she dramatised them. Or melodramatised them. It was easier, for example, to face the fact of Uncle Philip if she saw him as a character in a film, possibly played by Orson Welles.

Remember the start of 2001: A Space Odyssey? Bunch of monkeys collecting bones. What‘s that got to do with space? They don‘t even have lasers! Cut that shit. And what about Citizen Kane? If they‘d wanted to gross some dollar, they should‘ve called it Dude, Where‘s My Sled?

Saw... then The Cube and many other films which I have saw or I will be on the way to see are brutal. But as far as last which as for now I have watched is Old 37, it's very brutal. Unfortunately, I will call this film or I will add that there are facts out there which show that it's based on true stuff. There are outside such type of people which do such thing, that you haven't saw. Feel happy, if you see them you won't go back you should run.

Selamat menyimak wawancara dalam buku ini yang bertaburan gagasan-gagasan menyentak.

So fast you couldn't realise it, from one face to another - that's called an actor. Then what happens?? Victim a killer, victim a killer wow. One time be a part of a victim, other being a part of a killer - awesome just awesome.

Since the earliest days of the art form, humans have been the most difficult characters to animate. The more realistic the human being, the more difficult the animation becomes. Audiences will accept distortions in the actions of a cartoony character: no one has ever seen a four-foot-tall rabbit walk on its hind legs, so an artist animating Bugs Bunny enjoys considerable freedom. But everyone knows how human beings move, and if those movements are not rendered accurately, viewers won't believe in the characters. Ward Kimball, one of Disney's "Nine Old Men," commented, "As long as we deal in fantasy, we are on safe ground. The eye has no basis for comparison. But the more we try to duplicate nature realistically, the tougher our job becomes. The audience compares what we draw with what it knows to be true. Any false movement is easily detected.

She loves filming and taking photographs. I can imagine her making beautiful films in France or India or somewhere with a gorgeously colourful culture. She somehow reminds me of my favourite place in the world, she and Paris I can romanticize and immortalize in ceaseless poetry for the rest of my life.

She was born under the sign of Gemini. And that stands for the good and evil twin. Dr. Jekyll and Mr. Hyde both hiding and residing inside her heart. Her good twin was not bad at all. But her evil twin was even better, and showed up to be way too fatal!

Suppose every photo of me ever taken was an infinitesimal piece? Every magazine ad, every negative, every frame of motion picture film - another tiny molecule of me, stolen away to feed an audience that is *never* satiated. And when someone is fully consumed - vampirized - they move on, still hungry, to pick their next victim by making him or her a star. That's why they're called consumers. ("Red Light")

Somebody hearing me saying the film is stupid?? Talking about "The Hospital 2"?... THey just said it, in the film! (In other words in the film there was scene saying "STUPIDDDDDDDDD

Some stories, some visions, demand celluloid film and what it can deliver.

Somewhere along the way, the conversation was shifted away from the vision of directors to that of producers. Yes, art is commerce, but I sometimes wonder if general audiences truly like art, or do they prefer accounting?

Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!' Her big luminous eyes seemed to be looking right at Lew Stahl as she spoke. Her finger came out and pointed, and it seemed to aim straight at him and him alone. It was weird; he almost stopped in his tracks, then went on again. He hadn't eaten all day; he figured he must be woozy, to think things like that. ("Dusk To Dawn")

Super 8 film is the language of silence.

Take the clapper and become the alarm that the world so desperately needs.

That's scary, all the time to be afraid Wreck 2015 (Film, you should check it out).

That's the illusion of stillness. There is no secret. Only the implication of one by its possesor".

The best stories will come from jail, the people which are in the prison, also and from the victims.

That you rescued few peoples lifes or somebody's life. Doesn't mean that they we return this back! They could decide to kill you..., who knows? (Person Of Interest)

The art of filmmaking is the most influential form of art that has ever existed throughout the history of human artistic endeavors.

The best characters which always say the truth and show it and somehow put you in reality are the villiance, like The Joker, the guy from The Shinning, The guy from the Storm of the Century, but not only they the victims also the people in The 33, The story of the Mr.Nobody, Unbroken the power of will... and many other people are in this category!

The best writing speaks when the heart whispers.

The body lay outside an abandoned, boarded-up theater. The theater had started as a first-run movie house, many years back when the neighborhood had still been fashionable. As the neighborhood began rotting, the theater began showing second-run films, and then old movies, and finally foreign-language films.

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of "happily ever after" films. But some victors didn't feel too good about their spoils. They'd seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression — nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it — and liked it.

The characters in Person of Interest are unique in incredible way.

The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression.

The Curious Case of Benjamin Button", great story, great film.

The fairy tale of film—created with the magic of animation—is the modern equivalent of the great parables of the Middle Ages. Creation is the word. Not adaptation. We can translate the ancient fairy tale into its modern equivalent without losing the lovely patina and savor of its once-upon-a-time quality. We have proved that age-old kind of entertainment based on the classic fairy tale recognizes no young, no old.

The Den, the best horror - You never know who is the Original!

The flower doth not worry, and the tree doth not waver.