Best 3577 quotes in «film quotes» category

It was a tough film ["Selling Isobel"] to make anyway, because we had limited resources.

It was a small room with dim light coming in the window, reminiscent of old Polish films.

It was a tough experience with Alan Horn, who didn't like anything that was R-rated. So you can imagine he hated some of my films.

It was a sad thing. I don't know how he learned that.

It was important to me to make a film where I don't show the past but where the spectators can see the past.

It was easy for me to show the films to the studio and the network and say, "This is who I'm hiring.

It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.

It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time.

It was never a deliberate decision to make films about the 'woman experience'.

It was lucky that Ralph [Fiennes] is someone who understands both film and theater and we were able to understand that scene so well before we took it to the set.

It was one of the marvellous feelings of the film, having the music going in your head while doing scenes.

It wasn't just British gangster films that really did for me as a kid, personally, it was British films in general.

It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.

It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable

It would be great to make a movie that had the style of a great '30s film or a movie of David's Lynch or some other director I love that could also make money, because that would say to the corporation, "Yes, you can make money and still do art." But it's tricky.

It would be hypocritical of me to take issue with anything in questionable taste, seeing that I invented bad taste in films.

It wouldn't kill you to watch a film or pick up a newspaper once in a while.

I understand, as the young, attractive woman in film, that there's always going to be people seeking out extra salacious things for you to do.

I use a lot of film images, analogies, and imagination.

I used to be a huge fan. "The Simpsons" taught me a lot about filmmaking. It imitates film, but it's drawn, so everything is super clear

I used to be a die-hard defender of physical film, which I still am. I love shooting on physical film and I think it's great.

I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film.

I used to like watching Helen Mirren's early films, because she was always naked. It's titillating.

I used to think about video games, "This is clearly an amazing, new narrative medium, and it's going to be mind-blowing when people get to grips with what's possible within this medium." It took us a century to get really good at film. Video games are at a much earlier stage.

I used to say that theatre was my favourite thing. But the more I do film, the more I appreciate it.

I use the film industry as a pleasure for work and that kind of thing and it's not a pursuit to make me feel happy in my life.

I usually befriend the camera department very early on in the film and drive them nuts. I'm constantly bombarding them with questions and going through the stills photography. A film set is a great place for me and I love it.

I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.

I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.

I've always been a huge fan of thrillers like David Fincher's 'Se7en.' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.

I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.

I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.

I've always been very left of center and the radio never had much diversity and film did.

I've always found bad films more enjoyable than good ones.

I've always described parts as tattoos. For actors our tattoos are in the form of films.

I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.

I've always done indie films, but things started picking up more for, for a lack of a better word, more professional things.

I've always believed film is most close to music of all the other arts.

I've always felt so grateful that I dropped out of school, that I never had to do a thesis. I wouldn't know how to organise and structure myself to film so that B follows A and C follows B.

I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.

I've always felt that an independent film is a film that almost doesn't get made.

I've always felt that I've made films, period. I wanted to leave the "ghetto." And here I am, I'm out.

I've always got a book in my hands, a novel in my hands. The more I get into film, the more paranoid I get that I'm going to stop seeing things.

I've always loved... actually I didn't always love horror films. I started out and I only liked comedies and dramas.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I've always intended to eventually make films. I've always been very aware of tone and shots. But documentaries are a great proving ground for me.

I've always kind of hated films about climate change.

Ive always loved musical films; I find them really thrilling and exciting; it was part of what made me want to be an actress, that feeling of being really transported.