Best 3577 quotes in «film quotes» category

I believe, the Japanese film industry must be open.

I came out of independent film, that's my roots. I used my independent film as a laboratory, and used what I could discover in that laboratory.

I came out of independent film, that's my roots.

I can cry at the drop of a hat. I've always found that easier than laughing in films.

I came up with more money, took all the footage, got a great editor and made this film [Dream of Life]. But I really didn't go into it with the intention of making a movie.

I can be intimidating, but not within the confines of a film shoot.

I can honestly say I've never chosen a film because where it's shot is convenient.

I can multitask very well. But I know exactly when to block off anything coming in from the outside and just stay focused on the film.

I can not watch either of the "Paranormal" films alone.

I can say, hands down, 'Annapolis' is the most challenging film I've ever taken on.

I can still recall the thrill of shooting my first film.

I can't always be making "British films". Why should we be making films about corsets and horses and girls learning to drive when Americans send over an event movie and make five or 10 million?

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

I can't even remember not wanting to go to film school.

I can't let in the light.It will destroy my performance like light destroys film

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

I can't make a film that I don't feel comfortable with.

I can't say I've ever finished a film and been particularly thrilled with myself or patted myself on the back. And maybe that's what keeps me going, and that's a good thing. It speaks volumes about how I perceive myself.

I can't think of any one film that improved on a good novel, but I can think of many good films that came from very bad novels.

I can write songs, I've had songs in movies, but I can't compose film scores, you know?

I can wait for film projects without having to do things to live.

I care about cinema even though I haven't made many films.

I categorically resist this idea that films are supposed to be autobiographical and the only stories you tell are about your own life.

Iceland is fascinating; really an amazing place to visit, and great for a film to go there.

I come from a background of independent films.

I collect fantasy swords, replicas from films, and have them displayed on the wall as you go up the stairs.

I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.

I come from a family where my father is a filmmaker and professor of film.

I chose films made by people I wanted to work with, about subject matter I thought was intriguing.

I consider myself a novice film actor.

I consider all my films experiments.

I could have made a small film and kept all the money from 'Life is Beautiful'. Instead, I spent more money than I had on 'Pinocchio', a very risky film.

I could be equally happy on a film set or in the middle of a field.

I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.

I couldn't imagine a better place [Australia] for making a film on the end of the world.

I couldn't see my father's films because they were restricted and we didn't have videos or DVDs back then.

I could not do the film Spinal Tap because I was already at MTV and it was occupying all my time.

I'd be lying if I said I had confidence in every choice I've made, that I have faith in every film I do on every shot.

I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.

I danced in a Lifetime film. We shot in Canada and I got to work with a lot of the dancers who do So You Think You Can Dance, Canada.

I'd be fine if there weren't film festivals, and you just made your films and didn't have to do anything from that point on. That would be really great, wouldn't it? I don't know. I'm in kind of an aloof time, where I'm not taking anything too seriously.

I'd be happy doing anything on a film set.

I'd done "Gosford Park," a film that Julian Fellowes had written that Robert Altman directed.

I cry at films and TV and even adverts.

I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects.

I dare make those comparisons, but we often said 'the making of' would be as interesting if not more interesting than the film.

I'd been a fanatic of movies since I was a wee lad, so I got into the films before I got into the comics.

I'd been working so hard making the film that I hadn't even emotionally processed the fact that I was a director.

I decided to an actress because of the film 'La Dolce Vita.

I definitely want to record an album, direct a film and start my own religion.