Best 3577 quotes in «film quotes» category

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    What you try to become is a bringer of magic, for magic and the truth are closely allied and movies are sheer magic ... when they work, it's, well, it's glorious.

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    When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.

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    When a filmmaker does not make films it is as if he is jailed. Even when he is freed from the small jail, he finds himself wandering in a larger jail. The main question is: Why should it be a crime to make a movie? A finished film, well, it can get banned but not the director.

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    When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.

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    When American producers see my film, they think that I had a big budget to do it, like 23 million. But in fact I had 10 percent of that budget. I did Mars et Avril for only 2.3 million.

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    Whenever I don't get injured, the film is a dud. I didn't bleed on 'Rhinestone.' I didn't bleed on 'Stop! Or My Mom will Shoot.'

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    Whenever I see a cut of a film and something is gone, I don't notice it unless it obviously should have been kept.

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    Whenever I'm making a feature film, I wish I were filming a documentary, because making feature films is so stressful. It happens every time.

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    When I begin a film, I want to make a great film. Halfway through, I just hope to finish the film.

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    When I am making a film, I know what to do in front of a camera. What frightens me are the scenes with dialogue. Sometime they really want me to speak perfectly and I don't like that.

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    When I am told that I am a huge star, I accept it, knowing that success is relative - the films I do have to work.

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    When I began making films, they were just movies: 'What's the new movie? What are you doing?' Now they're called 'adult dramas.'

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    When I do film, I really take on roles and I take on characters.

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    When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'

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    When I did small films like Lily and Buenos Vista, everyone thought my career would be ruined.

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    When I first read Lord of the Rings I wanted to see a film of it. But at that time the technology wasn't there, there was no such thing as CGI.

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    When I got back into the film business after college, I started out as a production assistant.

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    When I got cast in 'Rocky IV,' I had never seen a film camera before. And here I was in this boxing movie.

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    When I go the cinema, unfortunately nowadays, especially with the big commercial films, the audience is spoon-fed through the entire experience and they don't have to do any work.

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    When I graduated from high school, I got accepted to York University, Fine Arts film program.

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    When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.

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    When I heard about the first Tomb Raider, I was very interested and I would have liked to have directed that. When I was approached for the second film, I was delighted.

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    When I make a new movie, I always get stuck with, "That's not an Oliver Stone film." But I don't know what to do about that except just move on.

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    When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.

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    When I made my student film, a feature, nobody wanted to talk to me and I was, like, in the desert for 12 years.

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    When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.

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    When I'm promoting a film, I'm not going to get caught up in anything else, and that includes all my personal things.

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    When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

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    When I really love a movie, I don't want to spoil it by too frequent visits. But I like to come back to certain films, which I admire.

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    When I said I was going to audition for a film, I got a hearty laugh from all my family.

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    When I see a film I've finished, it's like another person made it. Like another mind.

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    When I start a movie, I already feel like I'm in it. I'm not a jobbing actor anymore; most of the films I do, I'm involved with development. Some, I've taken from scratch, and worked so heavily on the script, I'm embodying a lot of the character by the time I even get close to filming, because I've asked so many of the questions that I do. There is nothing better than being able to ask all the questions, do all the work. It's when you let it go that you fly.

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    When I show a film at a festival, I am showing myself. Everything is at stake for me.

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    When I started making films, I wanted to make Frank Capra pictures. But I`ve never been able to make anything but these crazy, tough pictures. You are what you are.

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    When I started out in independent films in the early 70s, we did everything for the love of art. It wasn't about money and stardom. That was what we were reacting against. You'd die before you'd be bought.

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    When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I was periodically interested in films, and so I just kept asking her if I could come around.

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    When I started in film, I was living and working in Asia, and when we did films there, it was so fast. It was much like TV.

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    When I started I had no knowledge of films whatsoever. I was an engineering major at Stanford. And I found out as a senior that they had two film critics on the Stanford Daily, and they got free passes to all the theaters in Palo Alto. So I thought, I'll do that, and I became a film critic. And then I became interested in films. But I had no time to study anything in that area because I was a senior, just finishing up as engineering.

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    When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!

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    When I stopped making films, they were getting on to the more realistic films and the explicit films and all. They were depicting life as it is, and some of it was unpleasant. I gradually moved away from that.

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    When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.

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    When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me.

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    When I used a woman in my films or wrote a woman into my film, I wanted her to be a central point and a motivating point or a catalyst to function in the film.

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    When I was in film school, it was said that all good films were characterised by some form of humour.

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    When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them. They weren't frightening at all. I'm sure they'd be very funny now.

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    When I was doing 'The Sopranos,' I liked putting music together with the film; that was my favorite part of it.

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    When I was five. That's when I started to love film.

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    When I was asked to make the film, I decided that it was like taking on a new career at the age of sixty-eight. I've never acted before. And taking direction is not something I'm very good at. I've always known who I am and what I was going to do, and I've always just done it.

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    When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.

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    When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.