Best 3577 quotes in «film quotes» category

Fozzie Bear: [holds up a photo of Constantine] Check this out! [covers the mole] Walter: Oh, look, it's Kermit! [Fozzie uncovers the mole] Walter: [shrieks] What did you do with Kermit?

From one side what Steve Jobs has planted in his brain "That everyday is his last day..." - is a great idea and I can support it. But to think that everyday will be your last they won't be some kind a wanting to die soon or to be more close to say to fate "Come here, I want to die. Please take first my soul then the other people soul?". Sometimes by doing this and saying in my mind I feel like this I challange the fate. You can check out the film about Paul Averhoff - Check out what this guy has done he is runner, but look what happen in his life!

Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness.

Good film, television, or music keeps you awake, anxious for the next movement or act, and wanting more when it is finished.

Healthy entertainment is a beautiful blend of stimuli that can connect with the viewer at a sentimental level, then sow the seeds of a certain idea or feed the mind with inspiration and courage. In short, healthy entertainment does not evoke raw emotions in the mind of a viewer only to make them wreak havoc, rather it guides those emotions in a healthy direction. This leads to not only an entertained viewer, but also an inspired soul. And that should be the purpose of film-making, and indeed the entire entertainment industry, rather than feeding the general population with garbage.

Gratefulness heightens awareness.

Green Inferno was the truth, everything can be saw, how we were in the privous centuries, how did we survive and many other interesting stuff. So do you have the guts?

Hasta la vista, baby.

Having somebody help you doesn't mean that you have failed. It just means that you're not in it alone

Greatness is achieved through kindness, compassion, and love.

Happiness is individualized. Don't box it in. Let it fly.

Healthy entertainment does not evoke raw emotions in the mind of a viewer only to make them wreak havoc, rather it guides those emotions in a healthy direction.

Home is what we know we ought to want but can't really take. America is not so much a home for anyone as a universal dream of home, a wish whose attraction depends upon its remaining at the level of a wish. The movies bring the boys back but stop as soon as they get them back; for home, that vaunted, all-American ideal, is a sort of death, and an oblique justification for all the wandering that kept you away from it for so long.

Her words are her wings. She's flying.

Hey Alecto, film this!” she called out. With the slide being as tall as a two-storey house, it felt slightly risky being up there. “On second thought, why don’t you come up here? It’s a blast being up here.” “I don’t really like to be in high places,” said Alecto as he filmed her, the camera lens reflecting the entire playground, which was partially secluded by tall trees that cast otherworldly shadows dancing across the ground. “If you don’t like being in high places, then why’d you take so many drugs in the seventies?” Mandy questioned jokingly. “Do you want me to go up there and push you off the top of that slide?” Alecto threatened coldly. “You’d never do that, we’re best friends!” Mandy pointed out. She reached over and picked a bright red maple flower from one of the long branches of the trees, tossing it down to him. “Even in this failing 21st century, where people are cell phone addicts and crude humor and violence is the norm, even when society falls apart and drowns in its own mistakes, we’ll still be best friends!” She looked incredibly eccentric, never mind the fact that she was an adult woman wearing a trippy rainbow Pucci dress from the 1970’s, standing on top of a slide at a children’s playground. Alecto didn’t seem to mind, he just continued to film her with his camera like she’d asked him to.

Hollywood shines by virtue of light within.

Horror is a curiousity, it's used we to go over on real horror it just prepare us for the hard battles. To laugh at somebody's harm... there is even and scientific explanation.

How much you are close you see less!

Here's the most startling irony I know in film history: Antonioni, who is often denigrated by left-wing critics as a formalist and aesthete gives us radical realism through the long take, and what he gives us--this is his metaphysical wager--is real outside the film, off the set, beyond the camera and underneath the surface of everyday life.

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.

Herkesin hayatı bir film olabilir ama bu tür filmlerin çoğu sıkıcı olacaktır!

Her words dance on the page.

Hidup Kita adalah Film Terbaik

His eyesight was possessed by the colours of trauma, cracking and bubbling like an old Super Eight film to remind him of his near-death drowning some two months ago in that very moment when he needed to act.

Hollywood's Studio Era was part of a Golden Age because it didn't need profanity (unlike reality-television today)

How may a mortal, face and defeat the Kraken

How promising today's generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I'd like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination - things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.

I admire nudity and I like sex, and so did a lot of people in the Thirties. But, to me, overexposure blunts the fun…Sex as something beautiful may soon disappear. Once it was a knife so finely honed the edge was invisible until it was touched and then it cut deep. Now it is so blunt that it merely bruises and leaves ugly marks. Nudity is fine in the privacy of my own bedroom with the appropriate partner. Or for a model in life class at art school. Or as portrayed in stone and paint. But I don’t like it used as a joke or to titillate. Or be so bloody frank about.

How you feel after watching something indicates not what you watched but where you are at.

I don't know a lot of stuff. - First I know that there is Paradox! - Second it's like a faith! - And Third It can't be changed! (Paradox 2016 - Film)

I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.' And he said,'Well, we have to look into that.' And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?' And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!' He said, 'I'll have to give you medication.' I said, 'I don't want medication! I want the girl!' And he said, 'We have to work this through.' So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...

I don't know.  I don't really like old movies.  The acting is so, 'Hey buddy, ol' pal.  Let's go wear our hats and have a big misunderstanding

I don’t need a medal to tell me I’m a good guy.

If you're early, you're on time. If you're on time, you're late.

If a Writer births the baby, then a Producer raises the child and sends it off to school.” ― Rona Edwards, I Liked It, Didn't Love It: Screenplay Development from the Inside Out

If I know the end of a book or a film I want to know why it happen...

If Stalin gives you a love advice, it has to succeed.

If you can't explain it better leave it... (Dexter Season 2....)

If a fleet of jet-black CHOPPERS ain't cresting over a back-lit hill by the end of Act II, you've got to start asking yourself whether this is a movie or a fucking art installation.

If a picture is worth a thousand words then, film is immeasurable speech.

If everyone knows so much about it, why do they need to make a documentary?

If Wagner lived today, he would probably work with film instead of music. He already knew back then that the Great Art Form would include a sort of fourth dimension; it was really film he was talking about.

If you can film an idea in your mind, follow that film idea shot for shot, scene for scene, that idea is worth making.

If you can film an idea in your mind, follow that film idea shot for shot, scene for scene and enjoy it, that idea is worth making for the world to see. It can change someone's life.

If you think that you can hide what your interests are, what your prurient interests are, what your noble interests are, what your fascinations are, if you think you can hide that in your work as a film director, you're nuts.

I got hold of a copy of the video that showed how Saddam Hussein had actually confirmed himself in power. This snuff-movie opens with a plenary session of the Ba'ath Party central committee: perhaps a hundred men. Suddenly the doors are locked and Saddam, in the chair, announces a special session. Into the room is dragged an obviously broken man, who begins to emit a robotic confession of treason and subversion, that he sobs has been instigated by Syrian and other agents. As the (literally) extorted confession unfolds, names begin to be named. Once a fellow-conspirator is identified, guards come to his seat and haul him from the room. The reclining Saddam, meanwhile, lights a large cigar and contentedly scans his dossiers. The sickness of fear in the room is such that men begin to crack up and weep, rising to their feet to shout hysterical praise, even love, for the leader. Inexorably, though, the cull continues, and faces and bodies go slack as their owners are pinioned and led away. When it is over, about half the committee members are left, moaning with relief and heaving with ardent love for the boss. (In an accompanying sequel, which I have not seen, they were apparently required to go into the yard outside and shoot the other half, thus sealing the pact with Saddam. I am not sure that even Beria or Himmler would have had the nerve and ingenuity and cruelty to come up with that.)

I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much; my heart fills up like a balloon that’s about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can’t feel anything but gratitude—for every single moment of my stupid, little life. You have no idea what I’m talking about, I’m sure; but don’t worry….you will someday.

I guess if there’s one thing I can say about the 21st century, it’s that the 21st century is all flash and no substance… everything is digital, nothing but files of invisible electronic data on computers and mindless zombies on their cellular phones… it’s sad how because of the digital age, society is ultimately doomed. Nothing in the digital age is real anymore, and you know, they say celluloid film and ray tube televisions and maybe even paper might become obsolete in this century? …What’s most annoying is that nobody cares, they’ve just learned to accept the digital age and get addicted to it… none of them are ever going to step up and say to the world, “you’re all a bunch of sheep!” and even if they did say anything, I doubt anyone would listen… they’re all too obsessed and attached to their cellular phones and overly big televisions and whatever other moronic things they’ve got these days… it almost makes me want an apocalypse to happen, to erase digital technology and force the world to start over again.

I grew up in an era that was a golden age of the blockbuster, when something we might call a family film could have universal appeal. That's something I want to see again. In terms of the tone of the film, it looks at where we are as a people and has a universality about human experience.

I just got another kitten, you know. Found another trademark. It's quite embarrassing I missed it." "Nine cats? They can send you to prison for that." He pushed his glasses back on his nose. "I'm calling him Murad, after the cigarettes." "Never heard of them." "They're an obsolete Turkish brand, popular in the 1910s and '20s. Murad means 'desire' in Arabic. The only brand that ever appears in a Cordova film is Murad. There's not one Marlboro, Camel, or Virginia Slim. It goes further. If the Murad cigarette is focused upon by the camera in any Cordova film. The very next person who appears on-screen has been devastatingly targeted. In other words, the gods will have drawn a great big X across his shoulder blades and taped an invisible sign there that reads FUCKED. His life will henceforth never be the same.