Best 71 quotes of Manolo Blahnik on MyQuotes

About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.

Alas, passion is conducive to certain other things because when you have too much passion and you have too much work, you possibly end up having black holes. The danger is too much passion.

A lot of things trigger my inspiration. It can be the most banal things.

But it is hard to resist the feeling that 70th was some kind of golden age.

David Lynch is démodé now, if you look at his films. I looked at them the other weekend.

Everything is global now. It's not London, it's not Spain, it's not Italy - everything is everywhere. So you have to be everywhere, I guess.

I adore Jean-Louis Trintignant - even at 100 years old he's fabulous.

I am not a movie star or a football player, I just do my thing.

I'd been to Saint Petersburg before, but there's been a change in people's minds. Maybe it's a fashionable thing, but people have returned to the churches. I went to a Russian Orthodox and a Catholic church - both of the queues, enormous!

I didn't need it [formal training], because I've got the best taste in the world.

I do enjoy my own company. I cannot imagine anybody entertaining me more than I do. If it sounds selfish, I don't care. I made it a religion almost.

I don't consider myself a fashion designer.

I don't even think about the word. But I do have certain things where I just go, "Aaaaahhh," irritatingly boring and insistent because I want it to look that way and I can do it - I don't even know if you'd call it passion or obsession. Obsession, possibly, but I really love what I do.

I do think one should have clean feet.

If I look back I feel frightened, not happy, because my life is a bit of a mystery to me.

If I was a woman, I would be dressed in the same thing for a month and just change my hat and gloves. Maybe my shoes too; yes, I see what you mean but, really, it's jewels that change an outfit.

I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.

I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.

I love exaggerated, and I love eccentric, but you must be comfortable. Otherwise it is nonsense. There is nothing charming about a woman who cannot walk in her shoes.

I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.

I'm a great observer of delicate situations and women. I really like that bygone type of movement, and for a long time I had been looking for it.

I'm always kind of contradictory to what people want and what's selling. But maybe I should care now because I have two or three more outlets. I have to be more adaptable color-wise to what people want. It's usually just black and pink, and that's it.

I'm an old bag - I like old things.

I'm going to do what I do, even more exaggerated. This is my attitude always. I don't betray myself at all.

I'm loyal to my friends, but I have so few now.I force myself to see people when they're here. Or when I'm here. I don't live in England that much now in the sense that I spend time in factories. I'm such a factory man now. This is really what I enjoy doing.

I'm loyal to my thoughts, to my friends. This is what I really like the best. Loyalty. Sounds goody-goody. Maybe that's not the one you wanted.

I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.

I never wanted to be the most famous, the most beautiful, the most extravagant.

I never watched those Spice Girls. I didn't enjoy that at all. So I didn't know Victoria Beckham well. But she came out with this pretty boy, got married, and the boy got more tattoos and more tattoos. And then I met her a few times, and we started work, and something happened. You know, she wanted it. She loves what she's doing.

I only saw one collection of Victoria Beckham, and I thought it was very much like Pierre Cardin or Marcel Rochas dresses. She's thought about it, and she knows what she wants. And people buy it, so that means she works. She has this incredible will power to do something that she likes to do. And I love that. I respect that.

I really connect with Victoria Beckham's desire to do something that she wants to do. Of the girls we've been talking about, she's one of the few that has this incredible sort of "I want to do it, and I want to do it well.

I saw these girls like Sherilyn Fenn and Lara Flynn Boyle that should be working now instead of these anonymous girls. They're all the same.

I saw this vision with a beautiful plastic bag in Kensington High Street, ... and then you didn't see the face because he had this blond thing [indicating a sweeping fringe across his face] that was, you know, too much!

I think Lucy Ferry, now Birley, is absolutely beautiful. She's a modern girl, but she moves beautifully. Amanda [Harlech] moves beautifully when she's not working. All those English leftover society girls.

I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.

It's the only thing I get inspired by! I get inspired by dreams. Who cares about the rest?

It's the only thing I really enjoy - so fresh, even now that I'm doing the new sampling. I'm dying to go to the factory, which is like nobody's idea of fun. But it's mine.

It was a different social structure. I'd go to [David] Bailey's for dinner at 10:30. There were always girls there and a house full of . . . I don't know, anybody. Cecil Beaton, Diana Cooper . . . And there I am sitting down with these creatures of the 20th century, and it was normal to us.

It was so interesting that the girls were moving in such a different way.

I've never been tempted to do these hideous furniture shoes.

I was a young man, and this is the kind of London it was, but so many people are just not here anymore. Not even Tina [Chow], who was to me absolutely the most important girl of the time. Tina was absolutely the chicest thing, the way she kept herself, the way she moved. You're born like that - you cannot acquire it. All those upper-class girls, people like Catherine Tennant, they used to be there in Chelsea, sitting on the couch. Now Chelsea is full of Russians.

I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [Michelangelo] Antonioni, I loved and I realized: how modern.

I wish I was making shoes instead of reading or watching movies, which is what I do in my free time.

Maintenance is terribly important.

Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.

My shoes are special shoes for discerning feet.

Paris is paramount for fashion, always was - always will be.

Passion is passion. It's a sort of madness and possession of what you do or what you think. This is the difference of life: passion and commerce, which most of the people know as "P.C." But people have just got "C" now instead of "P.

People walk differently in high heels. Your body sways to a different kind of tempo.

Peter Hinwood found all these old pictures - Polaroids - and when I saw them, I just didn't believe that the person in them was connected with me. I was in a hotel room with one of those front-and-back mirrors, and I thought, Who the hell is that? I used to be thin as a rake. I used to have the nice-shaped pecs. It's sad. No, it's not sad, it's the reality, and I've accepted this now.