Best 2475 quotes in «photography quotes» category

My programme, The Art of Creative Expression, empowers young people with tools to express themselves. We teach photography, art and drama, but it's not just the medium that's important, it's about what you are trying to say.

Mysteries lie all around us, even in the most familiar things, waiting only to be perceived.

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.

My sympathies have always been with the everyday people... the center of my photography.

My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.

My true program is summed up in one word: life. I expect to photograph anything suggested by that word which appeals to me.

My use of the medium - photography - is in some ways traditional.

My whole artistic life has been devoted to battling myself and my ability to externalize my deepest emotions. As I have gotten older, the work has become more direct, perhaps reflecting the fact that for the first time in my life I feel really free. I have been fascinated with wings all my life. I have had an obsession with transcendence, the need to push forward and metaphorically fly.

My way of photographing is my way of life. I photograph from my experience, my way of seeing things.

My wife Mariana is a good photographer too and, like me, she just picks up a camera and takes a picture when she sees something, rather than looking too deeply into it.

My wife convinced me to try doing the restorations digitally. I thought I could learn the photo editing software over the Thanksgiving weekend. It took me until May of the next year before I sold anything I did with it.

My 'work' is about seeing not about ideas.

My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.

My work is my language and I don't discuss it very easily. It's difficult for me to verbalize my feelings, or to intellectualize my work. In fact, it used to annoy me when Ansel Adams and Paul Strand yak-yak-yakked about what photography meant, and I told them so.

... nature photographs downright bore me for some reason or other. I think: 'Oh, yes. Look at that sand dune. What of it?'

Nature photography... that acknowledges what is wrong, is admittedly sometimes hard to bear - it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves.

Never ever say the word shoot when you are taking a picture with a camera because a camera is not a violent weapon.

Never let anyone define what you are capable of by using parameters that don’t apply to you.

Never put lettering in your photos unless you want it read.

Never say you're going back - SHOOT IT NOW!

News photography teaches you to think fast.

No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.

No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.

No individual photo explains anything. That’s what makes photography such a wonderful and problematic medium.

Nobody ever discovered ugliness through photographs. But many, through photographs, have discovered beauty.

No language on earth speaks as comprehensively as photography, always providing that we follow the chemical and optic and physical path to demonstrable truth, and understand physiognomy.

None of the editors I've worked with have ever asked me to pull my punches. They've never asked me to give them anything other than my own interpretation of events.

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer.

None of us works entirely in a vacuum. Unless you are uncompromisingly working to please yourself you must think to whom your photography is directed and how is it likely to be received.

No one can really explain in a rational way what makes a good photograph or a bad photograph... This is why the art world will not throw billions of dollars at photography the way it has at painting; and that is what makes it an exciting medium.

No one can do inspired work without genuine interest in his subject and understanding of its characteristics.

No photographer should be blamed when, instead of capturing reality, he tries to show things he has seen only in his imagination. Photography is the youngest art form. All attempts to enlarge its frontiers are important and should be encouraged.

No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film.

No one moment is most important. Any moment can be something.

Nothing is ever the same as they said it was.

Notebook. No photographer should be without one!

Nothing is more hateful to me than photography coated with gimmicks, poses and false effects. Therefore let me speak the truth in all honesty about our age and the people of our age

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.

Nothing is more abhorrent to me than sugary-sweet photography full of pretense, poses, and gimmickry. For this reason, I have allowed myself to tell the truth about our times and people in a sincere manner.

Nothing is more intriguing than a still photograph in the middle of a motion picture... Just as an accident is a cry changed into silence and not a silence after a cry, photography is speed rendered motionless.

Nothing proves the truth of surrealism so much as photography. The Zeiss lens has unexpected faculties of surprise!

Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography.

Not only has photography so thoroughly saturated our visual environment as to make the invention of visual images seem archaic, but it is also clear that photography is too multiple, too useful to other discourses, ever to be wholly contained within traditional definitions of art.

Not only did she [Marilyn Monroe] master her own image, create it and ultimately control it, she was the subject of many of the great masters of photography of the 20th century.

Not only do we end up with a vivid, surprising and soulful sense of one artist and his work, but Leigh also offers us a commanding view of a city, London, and country at the dawn of the modern age and of a man being overawed and overtaken by new technologies such as photography and the railways. As ever with Leigh, 'Mr Turner' addresses the big questions with small moments. It's an extraordinary film, all at once strange, entertaining, thoughtful and exciting.

Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.

Nowadays shots are created in post-production, on computers. It's not really photography.

Now Ben Folds is my photography older brother. He was kind enough to give me a photo of his for my 40th birthday.

Now very often events are set up for photographers... The weddings are orchestrated about the photographers taking the picture, because if it hasn't been photographed it doesn't really exist.

Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.