Best 2475 quotes in «photography quotes» category

Life is brighter than we think and better as we are. We just have to open our eyes.

Living in the desert makes a lot of things very clear. It really gives you an unobstructed view. The severity of the landscape opens people up to their inner selves. St. Anthony went into the wilderness and was tormented by demons. Jesus was tempted by the devil in the desert. In an unexpected way, the Mojave is a very spiritual place.

Looking at Loh’s photographs, it is obvious that there is nothing simpler and richer than a face when stripped of all effects and affects, poses and postures, stances and pretences. The Singaporeans featured here are almost expressionless, as if the photographer wanted to leave us clueless about them. What do their faces tell us? Why are they so familiar? Why do we feel we know this auntie that we don’t know? And this guy with the nondescript look? And this girl with no distinguishing mark? Have we met before?

Looking into the mirror I ask myself: "You live in a house equipped with air conditioning. You eat tasty food. You utilize convenient transportation to travel. You utilize convenient information technology to live. Could you not say that you, who do all this, are not a dictator? Isn't it right that you life is supported by somebody else's death? Doesn't your life that exists at the expense of somebody else's sacrifice infinitely resemble the life of a dictator who only cares about his own life?" -Yasumasa Morimura (excerpt from "Mr. Morimura's Dictator Speech").

Look― shoot all you want. With a camera you can barely capture a soul at a time. With planned obsolescence, you can terminate everyone's future at once and they'll never know what hit them.

Lovers tend to be philosophical, achievers are practical.

Mandy was thinking back to when she was five years old, when she, her parents and Jud went outside before Christmas and had a snowball fight with the gray snow of Sydney Mines. “This is a wicked blast,” Jud would say, and Mandy would snap photos with a 35mm disposable film camera, photos she wished very much she could step into sometimes.

Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.

Me and my Photographs are a bit romantic. I do not take photographs in a normal light. Either at sunrise, or sundown, or early in the morning. Besides I want to explain something in every frame. Every image has to have a message.

Most of the views are visible to everyone but only those who had passion can see it beyond.

…Maybe I’ll be watching super-8 home videos,” Alecto told her, smiling bleakly. “I love my super-8 camera, it’s an Eastman Kodak one… Kodak stopped manufacturing them, the world went digital and now Kodak has stopped making Kodachrome film and all kinds of traditional film products… it’s sad.” “Well, uh… well, have fun watching your home movies then,” Mandy finished, but she didn’t have the slightest idea what he was talking about.

Most people feel that the world looks like the photograph. I've always assumed that the photograph is nearly right, but that little bit by which it misses makes it miss by a mile. This is what I grope at.

Nature is a picture waiting to be taken.

My best photo will be the last one, that I want to be taken.

My camera is my weapon. When I shoot, my photos are the evidence.

Nature is beautiful in all its chaos. However, a nature photograph is beautiful only in the absence of chaos.

One question that especially intrigues me is exactly when humpbacks started coming to Hawaii and why. In artwork and oral histories of ancient Hawaiians there is no record of humpback whales being there, and there is no evidence that humpbacks were there in large numbers in the mid-1800's during the heyday of whaling. The whalers who provisioned in Hawaii in the winter couldn't have overlooked the numbers of whales that are in Hawaii now. We really don't know what happened, but everything points to a recent colonization of humpbacks. (p.162).

No man thinks the same story when looking at a photo because every mind lived a different story!

Non so cosa ci sia all'interno di questa scatoletta di plastica, e non so nemmeno se lo saprò mai. E il problema sta tutto lì. Potrei saperlo; avrei potuto aprirla nel giro di un'ora, avrei potuto esaminarne il contenuto e sapere una volta per tutte se c'è una speranza...o meno. Ma se lo faccio, e poi scopro che c'è speranza, cosa succede se c'è solo quella? Solo un briciolo di speranza? Cosa succede se scopro che era solo una bolla di sapone? Perché se c'è una cosa che odio della speranza è che la speranza improvvisa è la strada spianata verso l'improvvisa disperazione.

Not every artistic person should have to be a photographer, but every photographer should be artistic.

No, you don't shoot things. You capture them. Photography means painting with light. And that's what you do. You paint a picture only by adding light to the things you see.

One of the most magical things about photography happens when you place one picture next to another picture to create new meanings.

Only Creative People understand the importance of being alone.

No, I don't work here, I'm taking pictures of messy bathrooms for a photo essay on the American West. But I'm always up for clean, so if you want to pitch in, I've got Pine Sol and a sponge in my car... It's that VW microbus parked next to the dumpster, and you don't need a key, just pull hard.

Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.

Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever.

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn’t care. Super 8 had integrity, it wasn’t just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life’s best moments, and capturing something beautiful in only three minutes.

One of the most magical things about photography happens when you place one picture next to another picture to create new meanings. When you see a picture of a person and another of a place, your mind automatically fills in the gaps as if they're connected.

orang yg sering pake foto hitamputih itu tau arti kejujuran ketimbang orang yg selalu pakai kamera yg mengandung zat pewarna!

Original art emanates in the mind ... and lessons society's confusion from self indulgence, avarice and greed to trust, hope and love.

Our photographs are our best proof to others that we lived the things we lived in the past!

Other people used photographs as a way to keep close to the events of their lives; she had used them as a way to stand apart. She had never looked at the Kitchen Counter series and remembered the days before and after, the grocery shopping or the leftovers in the refrigerator, didn't look at the photographs of Ben's action figures or even the plateau of his baby back and think of which toys he'd preferred or when those faint dimples at the base of his spine had given way to the firmer flesh of childhood. She'd denatured parts of her own existence by printing and framing and freezing them.

Our eyes captures thousands of beautiful pictures everyday.

Our thoughts, feelings and whereabouts: Food we dish up on plates called photographs and status updates; to feed Facebook, Twitter, Instagram, etc.; beasts with insatiable appetites.

Outside the window of the balcony room, three metal guys were building a new patio for the defunct pool. The pool was slowly filling with red dust carried across the highway by intermittent breezes. At some point I stood up from the table and pulled back the curtain a bit and watched the half naked bodies of the guys climbing in and out of their trucks for tools or to turn up the volume of the music. I felt like a detective with only the window glass and the curtains camouflaging my desire. For a moment I was afraid the intensity of my sexual fantasies would become strangely audible; the energy of the thought images would become so loud that all three guys would turn simultaneously like witnesses to a nearby car crash.

People always say that digital cameras are much more stable than film cameras, but the truth is that digital cameras, or any kind of digital technology, is one of the most unstable things in the world. A film camera can last decades if you know how to look after it, but digital things can break down instantly. A violent storm, a nuclear bomb, even something as minor as a cracked screen or the releasing of newer models, can make a digital product just a block of useless metal.

Painting is the mother of Photography

People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

Photobomb me at your own risk!

People, there's no such thing as, THE BEST CAMERA BRAND, but yes there will always be THE BEST CAMERA AT ANY GIVEN TIME. Technology will change, but not art.

Photoghraphic projects can be as short as an afternoon or as long as a lifetime.

Photographers are history makers, Every picture is a moment which gone forever and can't re shoot.

photographs are very interesting, and you can look into them a million times and still find a new meaning in them, something in the past that was caught in the film itself…

Photography is all about the perspective!

Photography is not selfish. Although it captures the moment, it doesn’t keep it. Photography gives back to the viewer the fraction of time which it once captured. Making it generous for years and even generations to come.

Photos of yesterday give good evidence of how yesterday was and they are a true prove of history!

Photographs had the advantage of uniting two contradictory features. Their credentials of objectivity were inbuilt. Yet they always had, necessarily, a point of view.

Photography for me is Like the happier I am, the more creative I am.

Photography is a Passion Not a Hobby!

Photography is basically an art of arranging the angles!