Best 2475 quotes in «photography quotes» category

Wilderness, to me, is a spiritual necessity. The mysterious spiritual experience of being close to natural restored my soul [after the death of his son]. My experience reinforced by dedication to use the art of photography as an inspiration for others to work together to save nature's places of spiritual sanctuary for future generations.

Winston, I don't know what I want, but I want you to go out and get it. When I see it, I'll know if it's what I thought I wanted. (Quoting a photography client.)

With a camera like that you don't believe you're in the masterpiece business. It's enough to be able to peck at the world.

With a painting, you're taking basic building blocks and making something that's more complex than what you started with. It is a synthetic process. A photograph does the opposite: It takes the world, and puts an order on it, simplifies it.

With chemical film, it was possible to alter photographs, but you had to be an expert. That's not true any more. The LA Times fired a photographer at the beginning of the Iraq War for editing two shots together. Photography is crumbling. Certainly it is for the newspapers a bit now, isn't it? There will be painting again, absolutely!

With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.

Without my photography life would be boring. Photography adds an extra dimension to my life. Somehow it confirms my place in the world

With photography, you are lucky if you get people to look at your pictures at some point. There's no formal way to show them.

With photography, I like to create a fiction out of reality. I try and do this by taking society's natural prejudice and giving this a twist.

With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.

With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.

Woman has been the target of much that is sordid and cheap, especially in photography. To raise, to elevate, to endorse with timeless reverence the image of woman, has been my mission.

'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography.

Words of wisdom for every photographer: 'Thinking is more interesting than knowing, but less interesting than looking'. So said Goethe.

Working myself into a position of total versatility, so that I can do anything I want to do at the time I want to do it. Whether I do it or not is another question.

[X-ray's] accidental discovery in the late 1800s fits seamlessly into modernity's fascination with, and belief in, the power of technological transparency: the desire to domesticate time (cinema), to preserve and capture the surface of the fleeting (photography), to see inside (x-ray).

Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.

Yet it seems so easy to take a photograph! One forgets that, apart from the technical aspects, photography can be a mental creation and the affirmation of a personality. What is marvelous about a photograph is that its possibilities are infinite; there aren't any subjects 'done to death'.

You are either born to be a photographer or not. The art of photography is not something you can learn in the classroom or by watching someone do it.

You are lucky if you have one or two epiphanies in your life, particularly a creative one.

You can look at a picture for a week and never think of it again. You can also look at the picture for a second and think of it all your life.

You become things, you become an atmosphere, and if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it and I think a photographer can do that too and that I would call the dreaming with open eyes.

You can find pictures anywhere. It's simply a matter of noticing things and organizing them.

You can observe a lot by just watching.

You cannot explain the whole world in one photograph. Photography pretends. You can see everything that's in front of the camera, but there's always something beside it.

You don't have to reinvent the wheel every day. Today you will do what you did yesterday, and tomorrow you will do what you did today. Eventually you will get somewhere.

You can't teach people photography, they've got to learn how to do it the best way possible for them. They can learn from looking at pictures taken by well-known people, but they don't really get intimate with the medium until they've made a few bad shots!

You couldn't make a cheap drama. That would be too low-budget. Drama has to have good photography and well-known actors.

You don't study photography, you just do it.

You don't understand, photography is not about getting the right picture, it's about documenting your everyday life.

You had to be aware that I saw that photography was a mere episode in the history of the optical projection and when the chemicals ended, meaning the picture was fixed by chemicals, we were in a new era.

You have a 45mm automatic pistol on your lap, and I have a 35mm camera on my lap, and my weapon is just as powerful as yours. (To Black Panther militant Eldridge Cleaver)

You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.

You have to follow your instinct all the time. Otherwise you don't make it.

You have to devote yourself totally to be successful at it.

You know exactly what I think of photography. I would like to see it make people despise painting until something else will make photography unbearable. (In a letter to Alfred Stieglitz)

You have to pick the right tool for the point you're trying to make and there is no one solution.

You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.

You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

You know, my parents have always been incredibly supportive. I'm an only child, so we're very close. There's just the three of us. They're exceptional parents but also great friends. My father was able to take his hobby, photography, and turn it into a beautiful career. So when they saw how much I loved acting, they were 100 percent behind me.

You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.

You learn to see by practice. It's Just like playing tennis, you get better the more you play. The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can't be photographed. You just have to keep doing it.

"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects.

You must have a visual sense if you want to be a photographer. It is a very subtle thing, this visual business.

You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.

You only do exercises in art school. That's not the real thing. A little bit tells you so much. You have to find your own self. And you don't know what you are! But that's what you have to search for.

Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision.

Your own photography is never enough. Every photographer who has lasted has depended on other peoples pictures too - photographs that may be public or private, serious or funny, but that carry with them a reminder of community.

Your photography is a record of your living, for anyone who really sees.

Your nightmare existence in a trunk is over... At long last you will be recognized as the inventor of photography. This picture will prove it to all the world. (On his discovery of the first photograph, made by Joseph Nicéphore Niépce.)