Best 2475 quotes in «photography quotes» category

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    If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.

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    I forget nothing and then, one day, there will be revenge. Innocence isn't exactly everywhere. But I will say innocence also takes you far in photography.

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    I found that I wanted to be best friends with almost all the women I interviewed because they had been through something. They were closing in on the circle of their journey and they had a kind of wisdom that comes from their long life.

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    I found that the camera was a comforting companion. It opened up new worlds, and gave me access to people's most intimate moments. I discovered the privilege of seeing life in all its complexity, the thrill of learning something new every day. When I was behind a camera, it was the only place in the world I wanted to be.

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    If people are fans of 'Mindfreak,' they are going to be so excited with 'Believe.' They are actually going to see those illusions that people think can only happen with trick photography.

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    If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.

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    If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.

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    If photographers are responsible for creating or reflecting an image of women in society, then I must say, there is only one way for the future, and this is to define women as strong and independent. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.

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    If photography is allowed to supplement art in some of its functions, it will soon have supplanted or corrupted it altogether, thanks to the stupidity of the multitude which is its natural ally.

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    If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul.

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    If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.

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    If the bottom dropped out of the market and the artist was not going to sell anything, he or she will keep working, and the dealer will keep trying to find some way to convince somebody to buy this stuff.

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    If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.

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    If the quality of professional materials continues to erode or even dries up, then many of us silver photographers would have to follow the digital tidal wave. It certainly wouldn't be the end of the world, but in my opinion, having no silver material available would be a huge loss to photography.

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    If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [...] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.

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    If there is something occurring that is so bad that it could be considered a crime against humanity, it has to be transmitted with anguish, with pain, and create an impact in people - upset them, shake them up, wake them out of their everyday routine.

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    If they want a photograph, then just take it.

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    ... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality.

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    If we examine a work of ordinary art, by means of a powerful microscope, all traces of resemblance to nature will disappear - but the closest scrutiny of the photogenic drawing discloses only a more absolute truth, a more perfect identity of aspect with the thing represented.

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    If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.

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    If you are bored with your own photography you are really bored with what you are photographing, so pick a new subject about which you are knowledgeable and enthusiastic.

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    If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.

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    If you are intent on drawing or painting on your prints, you must first learn to draw and paint at least as well as you photograph.

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    If you are interested in photography because you love it and are obsessed with it, you must be self-motivated, a perfectionist, and relentless.

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    If you are not passionately devoted to an idea, you can make very pleasant pictures but they won't make you cry.

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    If you can smell the street by looking at the photo, it's a street photograph

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    If you can capture the element of surprise, you're way ahead of the game.

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    If you cannot think of anything to say that is useful or enlightening about your images, then don't say anything. There are plenty of other people who would love to put words in your mouth.

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    If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman.

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    If you do not see what is around you every day, what will you see when you go to Tangiers?

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    If you're going to paint from photos, make sure you've painted for at least ten years.

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    If you don't have a camera, the best thing you can do is describe how great it looked.

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    If you love something, the work will be just fine.

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    If youre not interested in life, then photography has no meaning

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    If you're not shooting in the right direction, it doesn't matter how well you're shooting.

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    If you're not your own severest critic, you are your own worst enemy.

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    If you look at most photography, especially the pictures that grab you, they are not objective at all. Sometimes gut wrenching and sometimes lovely, but the moment someone decides to release the shutter, it is an editorial statement.

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    If you want to photograph a man spinning, give some thought to why he spins. Understanding for a photographer is as important as the equipment he uses.

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    If you scratch a great photograph, you find two things; a painting and a photograph.

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    If you take photos, don't speak, don't write, don't analyze yourself, and don't answer any questions.

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    If you take pictures does that make you an art thief?

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    If you view your life as a piece of fabric or a tapestry, the photography is the stitching. It keeps everything together.

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    If you scratch through the deceitful artifice of contemporary photography, you'll find the real artifice underneath.

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    If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.

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    If you want to write you should learn the alphabet. You write and write and in the end you hava a beautiful, perfect alphabet. But it isn’t the alphabed that is important. The important thing is what you are writing, what you are expressing. The same thing goes for photography. Photographs can be technically perfect and even beautiful, but they have no expression.

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    I get so confused about life photography art.

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    I get totally out of myself. It's the closest I come to not existing, I think, which is the best - which is to me attractive.

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    I got into photography because of the immediacy of the medium. I used to sit in front of a canvas for weeks trying to create something. Now I can see the image right away.

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    I got a lot of flak originally for writing with photographs, because the great cliche in photography is that one photograph is worth a thousand words, and photographers are usually dodo birds anyway.

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    I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.