Best 2475 quotes in «photography quotes» category

Every photography is an open ended visual statement.

Every time the long-forgotten people of the past are remembered, they are born again!

Every time we raise the camera to our eyes, we become morally responsible to “the photographed” as well as the viewers. Photography cannot be just a privilege, it’s a responsibility that should not be abdicated.

Every traveler should make their own observation.

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took.

For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to "give a meaning" to the world, one has to feel oneself involved in what one frames through the viewfinder. This attitude requires concentration, a discipline of the mind, sensitivity, and a sense of geometry.

For me Photography is about telling a story with Images.

How can we hold onto those fleeting moments in our lives? Hold onto the moments that otherwise evaporate into the forgotten past? Or moments that become faded and morphed into our own version of reality as they sit in the corners of our memories, losing their truth and shifting focus? The only way to hold onto these moments and share them for years to come, in all their beauty and truth and glorious imperfections, without losing accuracy is through a photograph.

Frozen finger shot brings the warmest picture

Getting away from the media was the first step of breaking away from the crowds, and let me clearly state, not in 1 day, 5 days, 10 days but in 4-5 months, I started to feel relief in myself, and I had the ability to think more positively about the things I experienced. I know that there are millions of people around me who believe that following current events and knowing them, as I did once, is an important thing. Besides, I also know that they are the millions of people who have not been able to build their own world yet.

..giving power to negative thoughts or fears was bringing ideas to life in physical world,idea in mind became emotion in heart,emotion turned into words spoken,written,painted,strummed across guitar strings,or vibrantly held note by Tibetan singing bowl, thoughts affected physical world.

He'd never need a camera to remember this, and damn if he ever wanted anyone but him to see her like she was at this moment.

He nods, looking through the pictures on the screen on the back of his camera. Some relationships can only exist as memories. But unlike ephemeral digital images that can be sorted and deleted, we can’t erase the past. We have to learn to live with all the images that are stored in love's archive, memories tagged good and bad. No Photoshopping. Accept the negative before moving forward.

He who seeks beauty will find it.

Having a camera is not enough. You must understand, appreciate, and harness the power you hold!

He wanted to live life to the extreme, but without any mess or complications. He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph. Things should look right. Fun; there should be a lot of fun and no more sadness than absolutely necessary.

How promising today's generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I'd like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination - things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.

I always see the crack in the glass before I see the window.

I also have to add that if Rembrandt had been given a camera then that guys understanding of light and form would have blown the rest of us shooters into a black hole of despair.

I am a firm believer that digital imaging has already rivaled the chemical process in its ability to make fine prints. An exceptional digital print, on a fine quality paper, can take on all the delicacy of a masterful photogravure. Each is, after all, ink on paper. The unfortunate thing is that skillful digital fine art photography is being created by so few, and today’s artworld is brimming with hastily made, conceptually oriented, digital bric-a-brac.

I believe all photographers want to be remembered for their images. They reflect a piece of their soul.

I believe, in life, there is no such thing as a bad idea. Only ideas that work and ideas that do not.

i dream my photograph, and i photograph my dream...

I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, which can mold us, but which can also be affected by us. A balance must be established between these two worlds—the one inside us and the one outside us.

I cannot make your memories, But I can save some for you.

I developed a thirst for great art, but it wasn’t until I was 20 that I finally visited my first museum, the Prado in Madrid. There, in 1968, my interest was caught by the paintings of Luis de Morales, a 16th-century artist from the harsh Extremadura region of Spain. Morales was a Mannerist, like El Greco or Parmigianino, who painted very graceful figures with long necks and limbs. He did a magnificently smooth sfumato modelling. But the effect that impressed me the most was a fine line that he applied around all of his figures. He didn’t need those illustrative lines, but they really made his figures ‘pop’ off the background.

I don't need a day to celebrate as world photography day. As a photographer for me every day is photography day.

If a picture is worth a thousand words, why did God invent captions?

I expect you know what this is, don’t you?” Rincewind stared down at the box. It had a round glass eye protruding from the center of one face, and a lever at the back. Not wholly”, he said. It’s a device for making pictures quickly”, said Twoflower. „Quite a new invention. I’m rather proud of it but, look, I don’t think these gentlemen would – well, I mean they might be – sort of apprehensive? Could you explain it to them? I’ll reimburse them for their time, of course.” He’s got a box with a demon in it that draws pictures”, said Rincewind shortly. Do what the madman says and he’ll give you gold.

I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards paid with their lives for their willingness or even their eagerness to pose on the barricades: defeated, they were recognized by Thiers's police and shot, almost every one).

If Life worked on auto mode then manual mode for photography would have never existed.

If it can happen in your mind, it can happen in your camera

If life worked on auto mode then there manual mode for photography would have never existed.

If you don’t capture the moments, it will be gone forever.

If the eye does not see, the camera would not either

If the same visual seen differently by different persons they will be photographers.

if you have the tools but do not have the visual concept, the tools do not work

If your photo looks happy while you are unhappy, then the photo has no meaning! If your photo looks unhappy while you are happy, again the photo has no meaning! Only if a photo captures your true emotions, it will be meaningful!

If you're waiting for a sign from the skies to become a great photographer, the extraordinary images that suddenly appear before you are exactly those signs you are looking for!

I guess if there’s one thing I can say about the 21st century, it’s that the 21st century is all flash and no substance… everything is digital, nothing but files of invisible electronic data on computers and mindless zombies on their cellular phones… it’s sad how because of the digital age, society is ultimately doomed. Nothing in the digital age is real anymore, and you know, they say celluloid film and ray tube televisions and maybe even paper might become obsolete in this century? …What’s most annoying is that nobody cares, they’ve just learned to accept the digital age and get addicted to it… none of them are ever going to step up and say to the world, “you’re all a bunch of sheep!” and even if they did say anything, I doubt anyone would listen… they’re all too obsessed and attached to their cellular phones and overly big televisions and whatever other moronic things they’ve got these days… it almost makes me want an apocalypse to happen, to erase digital technology and force the world to start over again.

I had a dream about you last night. We were in your old Civic. Nine Inch Nails was turned up on the stereo and I was taking pictures of you behind the wheel with my disposable camera. We went through the drive through at El Pollo Loco, placed an order for a hundred bucks worth of food, and then just drove off at the window. I miss being stupid with you.

I grew up in an era that was a golden age of the blockbuster, when something we might call a family film could have universal appeal. That's something I want to see again. In terms of the tone of the film, it looks at where we are as a people and has a universality about human experience.

I look for ambiguity because life is ambiguous!

I have a dream… photography allows me to share it with you.

I have always loved being behind the camera. I love how it sets you apart in a crowd, so that you can float at the edges, pausing only occasionally to capture a moment. In its own way it’s easier than writing. As a writer, I have to know people, to talk to them, to barge into silences with a dozen of those little lighthearted quips that lead up to a conversation. And even then, they’re guarded around you. Nobody wants their drunken conversation written down somewhere. Being a photographer is different. People come to you. They smile. They flirt. They make sure you see only their best side. Nobody wants to upset the camera.

I have found my way, step by step, proceeding from touch points that have emerged, some through conscious choice and some through dream state discovery.

I have a print - you can buy them at the Victoria and Albert Museum - of a photograph of the village street of Thetford, taken in 1868, in which William Smith is not. The street is empty. There is a grocer's shop and a blacksmith's and a stationary cart and a great spreading tree, but not a single human figure. In fact William Smith - or someone, or several people, dogs too, geese, a man on a horse - passed beneath the tree, went into the grocer's shop, loitered for a moment talking to a friend while the photograph was taken but he is invisible, all of them are invisible. The exposure of the photograph - sixty minutes - was so long that William Smith and everyone else passed through it and away leaving no trace. Not even so much of a mark as those primordial worms that passed through the Cambrian mud of northern Scotland and left the empty tube of their passage in the rock. I like that. I like that very much. A neat image for the relation of man to the physical world. Gone, passed through and away.

I'm not constantly looking for the "right" in my thoughts. I am, actually, scared of absolute “rights”. Therefore, I don't think my book will appeal to people who seek concrete formulas from me to be happy and who have designed their lives mechanically. But I do believe my book can give something to people who live their lives going from information to information like a bee, who depend on their own syntheses as the outcomes and have flexible thought, and who could be an "individual".

In a few years, it is very likely that this series will be considered a milestone in the history of Singapore photography.

In a field where else you found a stack of revealing nature photographs, of supernude nature photographs, split beaver of course nature photographs, photographs full of 70s bush, nature taking come from every man from miles around, nature with come back to me just dripping from her lips. The stack came up to your eye, you saw: nature is big into bloodplay, nature is into extreme age play, nature does wild inter- racial, nature she wants you to pee in her mouth, nature is dead and nature is sleeping and still nature is on all fours, a horse it fucks nature to death up in Oregon, nature is hot young amateur redheads, the foxes are all in their holes for the night, nature is hot old used-up cougars, nature makes gaping fake-agony faces, nature is consensual dad- on-daughter, nature is completely obsessed with twins, nature doing specialty and nature doing niche, exotic females they line up to drip for you, nature getting paddled as hard as you can paddle her, oh a whitewater rapid with her ass in the air, high snowy tail on display just everywhere.