Best 2876 quotes in «design quotes» category

Every day as I wave to my children when I drop them off at school, or let one of them have a new experience—like crossing the street without holding my hand—I experience the struggle between love and non-attachment. It is hard to bear—the extreme love of one’s child and the thought that ultimately the child belongs to the world. There is this horrible design flaw—children are supposed to grow up and away from you; and one of you will die first.

Every design choice we make has a sensory effect on us.

Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography.

Everything and everyone represents at least one brand. Therefore, to brand or not to brand is not even a question.

Exploitations for other purposes happens only when we are living outside the design of the creator’s intention

Failure analysis is as easy as Monday-morning quarterbacking' design is more akin to coaching. However, the design engineer must do better than any coach, for he is expected to win every game he plays. That is a tough assignment when one mistake can often mean a loss. And when defeat occurs, all one can hope is to analyze the game films and learn from the mistakes so that they are less likely to be repeated the next time out.

For a brief period of time the American electric-sign industry looked beyond its most immediate market and collaborated with store designers and architects in creating a style which became known as 'stream-line.' Later it became known as 'American Déco.' Whatever it was called or will be called in the future, it represents in terms of neon a thrust away from isolated signage toward an area of architectural ornamentation in which signage is but one element in an overall plan. — Rudi Stern

For centuries, the Japanese have been a great influence on how we can incorporate nature into our homes by incorporating natural fibers and materials and blurring the boundaries between indoors and out. The Japanese emphasis on connecting with nature comes from the roots of the Shinto religion. Shinto temples incorporated the belief that Kami (Shinto gods or deities) live inside of every living thing, from the mountains to water to rocks and trees. To be closer to Kami the Shinto temples were built around trees, rocks, and mountains in harmony with nature.

For good or for bad, we define ourselves in many ways by the gadgets we use and the clothes we wear. We don't want to surround ourselves with cheap products. Nobody really aspires to that. We also don't want to pay for a diamond-encrusted ereader. We don't need bling; we just need to feel like the design speaks to us.

For a thing’s beauty we ought to compliment not its owner but its maker.

For example, they recently had a piece on a character--I think his name was Ambrosio D'Urbervilles--whose "design statement" was to stuff an entire apartment from floor to ceiling with dark purple cottonballs. He called it "Portrait of a Dead Camel Dancing on the Roof of a Steambath.

God designed life to be enjoyed by all, but human being turned things around and made it to be endured.

For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know--without ever having constructed one ourselves--that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209)

Frequently, trite ideas or unimaginative translation of those ideas is the result not of poor subject matter but of poor interpretation of a problem.

Further, the same Arguments which explode the Notion of Luck, may, on the other side, be useful in some Cases to establish a due comparison between Chance and Design: We may imagine Chance and Design to be, as it were, in Competition with each other, for the production of some sorts of Events, and many calculate what Probability there is, that those Events should be rather be owing to the one than to the other.

Forse una via di uscita sta nel sottrarsi alla lotta tra consumare ed essere, tornando al fare.

For the very nature of the product designer's role in industry tends to militate against his effectiveness. He is schooled--and presumably motivated--to design things for people; but he is retained to design things for the market.

(found in Just My Type by Simon Garfield p. 19) If you don't get your type warm it will be no use at all for setting down warm human ideas ... By jickity, I'd like to make a type that fitted 1935 all right enough, but I'd like to make it warm - so full of blood and personality that it would jump at you.

Freedom is more than just a patriotic concept; it is the purest intent of our design. Be you. Be free. Be nice.

Good design is as little as possible. Less, but better, because it concentrates on the essential aspects, 
and the products are not burdened with non-essentials. Back to purity, back to simplicity.

Golden Ratio is a powerful mathematical constant woven into the very fabric of biology. It is the unique visual tension between comforting symmetry and compelling asymmetry, and its thoughtful application can bring beauty and harmony and intrigue to all manner of designed things.

Good design is obvious. Great design is transparent.

Good design adds value

Good designs are in special places for those who has appreciation; bad designs are everywhere.

Graphic Design for its own sake will never happen, because the concept cancels itself out — a poster about nothing other than itself is not Graphic Design, it's … makin' ART.

great brands always balance identity, integrity, and efficiency.

Great design is no longer an advantage, it's a prerequisite. Brands: get sharp or get cut out.

Great design = getting people to do what you want.

Hate destroys, love builds: be a creator. Fear closes, love opens: be an advocate for life. Guilt stagnates, love permits: be a peaceful warrior. Anger takes away, love gives: be a foundation for life. A defeatist attitude makes its own bed while love has the power to design its very own house.

He was ego-free, which was very rare in the design student world. Most design students had lots of ego and very little talent. Jony was the other way around.

Helvetica is good for typographers who do not know what to say.

He realized that he needed a clear mind and clear emotion to draw and execute well from the beginning to the end of his work. We draw our most potent creativity from deep wells. That is not to say we cannot exercise energy as we execute. But we often mistake time pressures, stress and deadlines, alongside the cacophony of an always-on world, as the necessary stimuli to create great work. I believe great work comes from a place of stillness where one's focus is total on the action in hand, directed fully by the heart.

He took The Runaway Prince home and renewed it twice online, at which point a gray pop-up box that looks like an emissary from 1995 tells you, “the renewal limit for this item has been reached.

Humans are perfectly Imperfect

Humans are often credited with having real foresight, in distinction to the rest of biology which does not. For example, Dawkins compares the 'blind watchmaker' of natural selection with the real human one. 'A true watchmaker has foresight: he designs his cogs and springs, and plans their interconnections, with a future purpose in his mind's eye. Natural selection . . . has no purpose in mind'. I think this distinction is wrong. There is no denying that the human watchmaker is different from the natural one. We humans, by virtue of having memes, can think about cogs, and wheels, and keeping time, in a way that animals cannot. Memes are the mind tools with which we do it. But what memetics shows us is that the processes underlying the two kinds of design are essentially the same. They are both evolutionary processes that give rise to design through selection, and in the process they produce what looks like foresight.

Humor. Two unconnected things are suddenly united by a paradigm shift. It is hard to describe, but we all know it when it happens. Weirdly, it causes us to make a barking noise.

I am a lifelong lover of form–content interplay, and this book is no exception. As with several of my previous books, I have had the chance to typeset it down to the finest level of detail, and my quest for visual elegance on each page has had countless repercussions on how I phrase my ideas. To some this may sound like the tail wagging the dog, but I think that attention to form improves anyone’s writing. I hope that reading this book not only is stimulating intellectually but also is a pleasant visual experience.

I am convinced that something out of the ordinary, if not truly unique, is occurring in Toronto. It feels like the city is emerging from a chrysalis.

I believe I’m very normal. I’m hyper-normal. I’m more normal than anyone else I know. I think my thoughts, my indulgences, my desires, my pleasures may at first appear different, but that is only because they are more normal, not because they are more esoteric. I believe I am bored when other people are bored, only faster. I am interested when others are interested, only more interested. But I also think I’m less, rather than more, intelligent than other people. By indulging my interests through my life, and perhaps because of rather than despite many failures, I have been able to design my life.

I am interested in imperfections, quirkiness, insanity, unpredictability.

If automating everything makes people lazier and lazier, and laziness leads to stupidity, which it does for most people, judging by the current content circulating the social networks everywhere, except North Korea, where they don’t have any internet to speak of - at some point the Japanese robots, for which a market niche is currently being developed, with no concerns on how they should be designed to act in society or outside it - will have no choice, but to take everything over, to preserve us from ourselves…

I don't know what being god must feel like, but it can't be much different that being an inventor. There is power in the idea that a certain product never existed before you thought of it, there is joy in the act of bringing the idea into reality and there is contentment in seeing the product come to life when it is being used.

I faced people from all walks of business who fully disregarded design (though they were completely influenced by it). I also met fine artists who drowned in their own work and the dense creative universe in their minds. Then I met designers. And instantly fell in love. Let me tell you why. Designers are familiar with critiques. They not only tolerate them but actively look out for them. They honestly believe in iterations and learn to edit down their work. They embrace simplicity and create beauty based on requirements other than their own. Design education teaches you to run away from assumptions and to have the stomach to scrap your work often. I’m bringing this up because it’s time to bridge the gap between design and business.

If I had to drink water like my cat, I’d croak over dead in no time. Maybe it’s like eating rice with chop sticks? Both are absurdly difficult and unfathomable for me. Not that I am into ‘ease’ (clearly a review of my life shouts otherwise), just some things obviously take time and talent I do not inherently possess. I move on to things I AM designed for!

If the forest were covered with ten times the number of blue markers I had seen on my hike, the probability of my getting lost would certainly be reduced. One could imagine the markers organized in a more symbolic shape—say a real arrow, instead of a cryptic linear marker. And if we wish to go that far, why not just paint the more explicit text, "This way," on the rocks in 100-point Helvetica so there's no ambiguity whatsoever? Yet at some point, with the successive addition of more sophisticated elements, the true value of the untainted forest suddenly vanishes.

If it's true there's a beginning to the universe, as modern cosmologists now agree, then this implies a cause that transcends the universe. If the laws of physics are fine-tuned to permit life, as contemporary physicists are discovering, then perhaps there's a designer who fine-tuned them. If there's information in the cell, as molecular biology shows, then this suggests intelligent design. To get life going in the first place would have required biological information; the implications point beyond the material realm to a prior intelligent cause. -Stephen C Meyer, PHD

If you see something beautiful in someone, speak it.

If there is shit all around me, how can I eat my ice cream?

If the statistics are boring, then you've got the wrong numbers.

I have zero interest whatsoever in designing a beer label to look like a fucking beer label or making a box of cookies look like it's supposed to be a box of cookies.