Best 2876 quotes in «design quotes» category

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    Each artwork requires its own design

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    Each one of us, repeats the same object in another, and a beautiful packing and design. Otherwise, exist nothing new. It is just our conception at various levels.

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    Early on, Mike Markkula had taught Jobs to "impute" - to understand that people do judge a book by its cover - and therefore to make sure all the trappings and packaging of Apple signaled that there was a beautiful gem inside. Whether it's an iPod Mini, or a MacBook Pro, Apple customers know the feeling of opening up the well-crafted box and finding the product nestled in an inviting fashion. "Steve and I spend a lot of time on the packaging," said Ive. "I love the process of unpacking something. You design a ritual of unpacking to make the product feel special. Packaging can be theater, it can create a story.

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    Een kunstenaar is een designer die kan aantonen dat hij geleden heeft.

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    Effective problem solving in design requires a balance of strategy and spontaneity, intelligence and creativity.

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    Encourage yourself that you are good enough to be the owner of your own storehouse. Colour your world; redesign your mental pictures about yourself! Dream big and manifest the dreams!

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    Engineering is maths & management

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    Engineering is defining and following datasheets.If it doesn't work then use common sense.

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    Ergo, while the Argument from Design appears to be a nice, neat answer to account for the presence of a multifarious Universe, the truth is that it backfires on itself, shifting the need for an explanation back and back and back…and back…without end, without resolution. This is called an infinite regress, and its presence in the logic of the argument fails to prove the existence of God; if anything, it reveals that the idea of a designer is patently ridiculous, even more so than a godless Cosmos. The argument therefore answers nothing; it merely moves the mystery of origins to an even higher level, demanding that the Creator have his own Creator.

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    Eventually everything connects — people, ideas, objects...the quality of the connections is the key to quality per se...I don't believe in this 'gifted few' concept, just in people doing things they are really interested in doing. They have a way of getting good at whatever it is.

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    Every day as I wave to my children when I drop them off at school, or let one of them have a new experience—like crossing the street without holding my hand—I experience the struggle between love and non-attachment. It is hard to bear—the extreme love of one’s child and the thought that ultimately the child belongs to the world. There is this horrible design flaw—children are supposed to grow up and away from you; and one of you will die first.

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    Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography.

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    Every design choice we make has a sensory effect on us.

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    Exploitations for other purposes happens only when we are living outside the design of the creator’s intention

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    Everything and everyone represents at least one brand. Therefore, to brand or not to brand is not even a question.

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    For a thing’s beauty we ought to compliment not its owner but its maker.

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    For a brief period of time the American electric-sign industry looked beyond its most immediate market and collaborated with store designers and architects in creating a style which became known as 'stream-line.' Later it became known as 'American Déco.' Whatever it was called or will be called in the future, it represents in terms of neon a thrust away from isolated signage toward an area of architectural ornamentation in which signage is but one element in an overall plan. — Rudi Stern

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    For centuries, the Japanese have been a great influence on how we can incorporate nature into our homes by incorporating natural fibers and materials and blurring the boundaries between indoors and out. The Japanese emphasis on connecting with nature comes from the roots of the Shinto religion. Shinto temples incorporated the belief that Kami (Shinto gods or deities) live inside of every living thing, from the mountains to water to rocks and trees. To be closer to Kami the Shinto temples were built around trees, rocks, and mountains in harmony with nature.

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    Failure analysis is as easy as Monday-morning quarterbacking' design is more akin to coaching. However, the design engineer must do better than any coach, for he is expected to win every game he plays. That is a tough assignment when one mistake can often mean a loss. And when defeat occurs, all one can hope is to analyze the game films and learn from the mistakes so that they are less likely to be repeated the next time out.

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    For example, they recently had a piece on a character--I think his name was Ambrosio D'Urbervilles--whose "design statement" was to stuff an entire apartment from floor to ceiling with dark purple cottonballs. He called it "Portrait of a Dead Camel Dancing on the Roof of a Steambath.

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    Freedom is more than just a patriotic concept; it is the purest intent of our design. Be you. Be free. Be nice.

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    For good or for bad, we define ourselves in many ways by the gadgets we use and the clothes we wear. We don't want to surround ourselves with cheap products. Nobody really aspires to that. We also don't want to pay for a diamond-encrusted ereader. We don't need bling; we just need to feel like the design speaks to us.

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    For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know--without ever having constructed one ourselves--that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209)

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    (found in Just My Type by Simon Garfield p. 19) If you don't get your type warm it will be no use at all for setting down warm human ideas ... By jickity, I'd like to make a type that fitted 1935 all right enough, but I'd like to make it warm - so full of blood and personality that it would jump at you.

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    Frequently, trite ideas or unimaginative translation of those ideas is the result not of poor subject matter but of poor interpretation of a problem.

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    Forse una via di uscita sta nel sottrarsi alla lotta tra consumare ed essere, tornando al fare.

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    For the very nature of the product designer's role in industry tends to militate against his effectiveness. He is schooled--and presumably motivated--to design things for people; but he is retained to design things for the market.

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    Further, the same Arguments which explode the Notion of Luck, may, on the other side, be useful in some Cases to establish a due comparison between Chance and Design: We may imagine Chance and Design to be, as it were, in Competition with each other, for the production of some sorts of Events, and many calculate what Probability there is, that those Events should be rather be owing to the one than to the other.

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    Good design adds value

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    God designed life to be enjoyed by all, but human being turned things around and made it to be endured.

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    Good design is as little as possible. Less, but better, because it concentrates on the essential aspects, 
and the products are not burdened with non-essentials. Back to purity, back to simplicity.

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    Good designs are in special places for those who has appreciation; bad designs are everywhere.

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    Golden Ratio is a powerful mathematical constant woven into the very fabric of biology. It is the unique visual tension between comforting symmetry and compelling asymmetry, and its thoughtful application can bring beauty and harmony and intrigue to all manner of designed things.

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    Good design is obvious. Great design is transparent.

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    Great design = getting people to do what you want.

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    Graphic Design for its own sake will never happen, because the concept cancels itself out — a poster about nothing other than itself is not Graphic Design, it's … makin' ART.

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    great brands always balance identity, integrity, and efficiency.

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    Great design is no longer an advantage, it's a prerequisite. Brands: get sharp or get cut out.

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    He took The Runaway Prince home and renewed it twice online, at which point a gray pop-up box that looks like an emissary from 1995 tells you, “the renewal limit for this item has been reached.

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    Helvetica is good for typographers who do not know what to say.

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    Hate destroys, love builds: be a creator. Fear closes, love opens: be an advocate for life. Guilt stagnates, love permits: be a peaceful warrior. Anger takes away, love gives: be a foundation for life. A defeatist attitude makes its own bed while love has the power to design its very own house.

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    He realized that he needed a clear mind and clear emotion to draw and execute well from the beginning to the end of his work. We draw our most potent creativity from deep wells. That is not to say we cannot exercise energy as we execute. But we often mistake time pressures, stress and deadlines, alongside the cacophony of an always-on world, as the necessary stimuli to create great work. I believe great work comes from a place of stillness where one's focus is total on the action in hand, directed fully by the heart.

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    He was ego-free, which was very rare in the design student world. Most design students had lots of ego and very little talent. Jony was the other way around.

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    Humans are often credited with having real foresight, in distinction to the rest of biology which does not. For example, Dawkins compares the 'blind watchmaker' of natural selection with the real human one. 'A true watchmaker has foresight: he designs his cogs and springs, and plans their interconnections, with a future purpose in his mind's eye. Natural selection . . . has no purpose in mind'. I think this distinction is wrong. There is no denying that the human watchmaker is different from the natural one. We humans, by virtue of having memes, can think about cogs, and wheels, and keeping time, in a way that animals cannot. Memes are the mind tools with which we do it. But what memetics shows us is that the processes underlying the two kinds of design are essentially the same. They are both evolutionary processes that give rise to design through selection, and in the process they produce what looks like foresight.

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    Humans are perfectly Imperfect

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    I am a lifelong lover of form–content interplay, and this book is no exception. As with several of my previous books, I have had the chance to typeset it down to the finest level of detail, and my quest for visual elegance on each page has had countless repercussions on how I phrase my ideas. To some this may sound like the tail wagging the dog, but I think that attention to form improves anyone’s writing. I hope that reading this book not only is stimulating intellectually but also is a pleasant visual experience.

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    Humor. Two unconnected things are suddenly united by a paradigm shift. It is hard to describe, but we all know it when it happens. Weirdly, it causes us to make a barking noise.

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    I am interested in imperfections, quirkiness, insanity, unpredictability.

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    I am convinced that something out of the ordinary, if not truly unique, is occurring in Toronto. It feels like the city is emerging from a chrysalis.

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    I am giving soul and functionality to art by implementing her in to daily objects by through out design