Best 2876 quotes in «design quotes» category

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    It must be remembered that the forty hour work week until age sixty five was designed by governments and corporations and not the medical profession.

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    It may be necessary to change our brand, catch phrases, strategy, design, etc. once in awhile. It may give us competitive advantages. But a change that demands the change of the SOUL of who we're doesn't deserve to be entertained.

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    I truly believe Ai is the key to unlocking the full potential of human focused digital, so it is important that we understand what Artificial Intelligence is, in order to understand what it is going to mean for design. Because now that it is here, we have a solid foundation to start creating more intelligent, invisible experiences that make us more human by design. We are at the precipice of one of the most significant discoveries of development since we learnt how to light a fire.

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    It's as if many of the middle class have discovered aspiration isn't about having a home that is large, showy and full of bling and are instead focusing on the private, unpretentious, and sustainable.

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    It's easy to dismiss design - to relegate it to mere ornament, the prettifying of places and objects to disguise their banality. But that is a serious misunderstanding of what design is and why it matters - especially now.

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    It's from Scandinavia!" This, we learned, was the name of a region, a cold and forsaken place where people stayed indoors and plotted the death of knobs.

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    It's excellence in leadership when everyone wants to manufacture a black shoe and you manufacture a designer black shoe with gold medal on top. Do something new; do something better!

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    It's natural to think that living things must be the handiwork of a designer. But it was also natural to think that the sun went around the earth. Overcoming naive impressions to figure out how things really work is one of humanity's highest callings. [Can You Believe in God and Evolution? Time Magazine, August 7, 2005]

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    It's not all that important that you be able to originate brilliant ideas... The more important talent is to be able to recognize good ideas from other people.

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    It's not Art. And Art is not Design.

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    I used to believe that design was information architecture, and also that this architecture was built in the brain of an information recipient. Recently I've come to think that, although the materials of that architecture's construction are indeed the information brought from the outside by the sensory organs, at the same time some very important building blocks are also the recollected experiences, the memories, awakened by these external stimuli. People imagine the world and interpret it when outside stimuli awaken the mountain of their internally stored memories.

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    Man was designed in a way in which he must eat in order to give him a solid reason to go to work everyday. This helps to keep him out of trouble. God is wise.

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    Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

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    Mathematics is my first language.

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    Mathematical design is the future. Landscape Mathematics is the revolution!

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    Museums, whatever their content, are logical design arenas. Their renewed vitality reflects a spreading curatorial perception that a museum is a designed situation more than it is a warehouse open to the public. This in turn has made it possible for a great many people, including children, to perceive museum-going as something to do, rather than something that is done to you.

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    Modernism isn't a design ethos any more, it's an economy of scale, and a marketing tool to sell the ordinary as something special, the sexless as erotic. A technological device without a specific, personalized identity has a subtext: it asserts the value of instrumentality. Its design is a reflection of its role... The anonymity of these objects is part of what they are: interchangeable commodities whose uniqueness in so far as they possess any is created by what is done with them. Function is an identity. And that identity is something we are encouraged to incorporate into our perception of self, that anonymity is proposed as something to emulate. Whimsy and uniqueness are indulgences.

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    Modern architecture has the potential to send you to an early grave.

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    Most improved things can be improved.

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    My boyfriend likes to fuck my brains out on our kitchen island. Which tile would you recommend for that?

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    My love for paper floral design grew with each custom project and I’m now officially on a mission to embellished people’s lives, spaces and fabulous events!

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    My job is simple; empower people with design and technology and lead them to be happier citizens of the world.

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    My philosophy is best summed up by the phrase 'plain, simple, and useful.' Such things may not win many design prizes, but neither do they go out of fashion.

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    Nature's design is fully economical. Human design follows this model when it minimizes information and maximizes understanding.

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    Nature should be idealised not copied.

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    Our critics make us strong! Our fears make us bold! Our haters make us wise! Our foes make us active! Our obstacles make us passionate! Our losses make us wealthy! Our disappointments make us appointed! Our unseen treasures give us a known peace! Whatever is designed against us will work for us!

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    Only great artists have the wisdom to let go of good ideas.

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    Optimal design delivers information in ways that are useful, beautiful and improve the experience of all involved: audience, client and designer.

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    Other clues to how things work come from their visible structure - in particular from affordances, constraints, and mappings. Consider a pair of scissors: if you have never seen or used them before, you can see that the number of possible actions is limited. The holes are clearly there to put something into, and the only logical things that will fit are fingers. The holes are affordances: they allow the fingers to be inserted. The sizes of the holes provide constraints to limit the possible fingers: the big hole suggests several fingers, the small hole only one. The mapping between holes and fingers - the set of possible operations - is suggested and constrained by the holes.

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    …no industrial designer worth his salt, or our attention, has been trained to work exclusively on any particular product, unless by accident. What he has been trained to do is practice a process called design, a process that includes esthetic choices but does not consist only of them.

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    Non è un caso, infatti, che la grafica globalizzata tenda spesso a somigliarsi un po' tutta. Non si tratta di mera influenza culturale, ma di modo di procedere. Tutti i designer compiono gli stessi movimenti, maneggiano pixel: un po' più a destra; ruotato; di nuovo a destra; abbassato; poi sopra; e taglia; e incolla. Così all'infinito. Il design dovrebbe essere un modo di ragionare, di impostare problemi, di raccontare storie, non può ridursi a maneggiare box o spostare pixel.

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    Nothing important should ever be more than two clicks away.

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    One of the talents of the [late] great Steve Jobs is that he [knew] how to design Medusa-like products. While every Macintosh model has had flaws (some more than others), most of them have has a sexiness and a design sensibility that has turned many consumers into instant converts. Macintosh owners upgrade far more often than most computer users for precisely this reason.” (p.98)

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    Optimistic design isn't a particular look, it is a movement of residential anarchy. It goes much deeper than using bright colors - it's an attitude displaying self-empowerment, nurturing a more upbeat approach to living. It is about doing things differently, to kick against what is currently on-trend. The only guiding principle is that there is no guiding principle. It is a crusade where a new breed of self-curating, design-smart amateurs who blog about their rebellious design have led the way. They have coined the world 'undecorate.

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    Our head is designed to broaden our capability of analyzing facts, events and draw the right conclusions

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    Penguin Classic, with the orange bands at the top and bottom; and the Gill Sans thirty-sixpoint title, all caps, centered and medium weight, in black on the white band in the middle. One of the designer Tschichold's prouder moments, when he finally woke the hell up and joined the twentieth century.

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    Parks, plazas, gardens, and rooftops are culture-producing places, not merely place for retreat. Sidewalks and bridges become ends in themselves instead of just a means of getting from one place to another.

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    People relate to people, and if your brand feels like people, they’ll relate to you, too.

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    People change, and so do their aspirations, and so should brands.

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    Real artists ship.

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    Products shouldn’t just work well, they must unfold well.

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    Plans are design to fail.

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    Positioning is finding the right parking space inside the consumer’s mind and going for it before someone else takes it.

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    Principles that drive equilibrium in nature's design also power human design.

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    Sense-driven describes a situation in which progress pivots on our sensory perceptions. Let's pit this concept against that of the technology-driven world. Reviewing the world based on our senses would be sound and meaningful for technology as well.

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    Research conquers doubt. It aligns everyone around the incontestable. Research is the key to clarity—in startups, enterprises, and life itself.

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    Secondo gli stereotipi comuni, la grafica si occupa, in maniera artistica e creativa, di pubblicità e di siti web, al fine di rendere le cose più belle e attraenti. Se ne identifica così il compito anzitutto nel campo della persuasione. Da sempre però – e ben prima della società pubblicitaria – il visual design svolge altri compiti, se non più nobili, spesso più utili: si occupa cioè di spiegare.

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    Simple is good.

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    She had baked a simple round vanilla sponge cake in two layers with crimson icing between the layers. Then she had coated the cake with a vibrant turquoise blue icing. Across the top she had created a loose, open, basket-weave design in bright yellow bordered with piped yellow stars alternating with crimson stars, and she was now finishing off by piping scrolls of crimson around the base of the sides. It would be a handsome cake: beautiful, but at the same time masculine.

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    Since the Leeburg Pike [at Tyson's Corner] carries six to eight lanes of fast-moving traffic and the mall lacks an obvious pedestrian entrance, I decided to negotiate the street in my car rather than on foot. This is a problem planners call the 'drive to lunch syndrome,' typical of edge nodes where nothing is planned in advance and all the development takes place in isolated 'pods'.