Best 2876 quotes in «design quotes» category

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    As children get older, this incidental outdoor activity--say, while waiting to be called to eat--becomes less bumptious, physically and entails more loitering with others, sizing people up, flirting, talking, pushing, shoving and horseplay. Adolescents are always being criticized for this kind of loitering, but they can hardly grow up without it. The trouble comes when it is done not within society, but as a form of outlaw life. The requisite for any of these varieties of incidental play is not pretentious equipment of any sort, but rather space at an immediately convenient and interesting place. The play gets crowded out if sidewalks are too narrow relative to the total demands put on them. It is especially crowded out if the sidewalks also lack minor irregularities in building line. An immense amount of both loitering and play goes on in shallow sidewalk niches out of the line of moving pedestrian feet.

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    As good architects know, seemingly arbitrary decisions, such as where to locate the bathrooms, will have subtle influences on how the people who use the building interact. Every trip to the bathroom creates an opportunity to run into colleagues, for better or for worse. A good building is not merely attractive, it also works. As we shall see, small and apparently insignificant details can have major impacts on people's behaviour. A good rule of thumb is to assume that everything matters. In many cases, the power of these small details come from focusing the attention of users in a particular direction. A wonderful example of this principle comes from, of all places, the men's rooms at Schiphol airport in Amsterdam. There, the authorities etched the image of a black housefly into each urinal. It seems that men usually do not pay much attention to where they aim, which can create a bit of a mess. But if they see a target, attention, and therefore accuracy, are much increased. According to the man who came up with the idea, it works wonders... Etchings reduced spillage by 80%. The insight that everything matters can be both paralysing and empowering.

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    As I indicated, I do not believe that any chair, however elegant, contributes significantly to life or solves problems that can be considered major by anyone who is not minor.

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    Ask one question: Would a Millennial (anyone born between 1980 and 2000) look forward to working here? Try this exercise. Take a group of people into a large, open room with tackable wall surfaces or whiteboards. Give them large sheets of paper, sticky notes, markers, and tape. Ask them to create a concept for a work environment (don't say “office”) using the following words: high-energy, collaborative, healthy, productive, engaging, innovative, interactive, high-tech, and regenerating.

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    As part of an effort to prod college seniors to get tetanus shots, a group of students was given a lecture meant to educate them about the dangers of tetanus and the importance of getting inoculated against it. A large majority of those students reported that they were convinced and planned to get their shots, but in the end only 3 percent got them. Bu another group of students, who were presented with the same lecture, had a 28 percent inoculation rate. The difference? The second group was given a map of the campus and asked to plan their route to the health center and pick a date and time to go. Sometimes, you see, motivation isn't our problem. Rather, we need to identify life's everyday mental obstacles - regret, fatigue, overconfidence, fear, to name just four - and put ourselves into position to hurdle them.

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    A Volkswagen that helps you get around provides more value than a Mercedes that is never driven.

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    Bad design cannot be patched up with labels, instruction manuals or traingin courses.

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    Basic geometric shapes communicate universal qualities common to all cultures. Practical design integrates them appropriately.

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    Beauty of office, is profession in place

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    ...Because beauty is typically the result of a few qualities working in concert, it can take more to guarantee the appeal of a bridge or a house than strength alone. (p 205)

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    Big generate big v/s optimized & well designed generate big

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    Brand and product don’t compete. Brand is product, and everything else conforming to the unique story that consumers create when they think of you.

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    Branding is simply pattern recognition, established across multiple tiers of application and fueled by the energy of money.

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    Branding is something designers think about a lot. You take something like a perfume or car tire, or butt-flavored bubblegum, and you ask questions about it that you shouldn't be able to ask. What kind of tuxedo would this car tire wear to the prom? What is this perfume's favorite movie? You try to end up in a place where you understand a product as if it is a person. The reverse of this, where people become brands, should be easy right? They're already people... End at the beginning. Except that really what you're doing when you brand is a process of simplification. You come to understand the essence of that fucking tire. And so branding a person also benefits dramatically from simplicity. People are complicated, but brands are simple.

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    Brands play in an exciting sandbox of symbolic meanings.

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    BREAKING NEWS: You're awesome and designed for success; live this day accordingly!

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    Content precedes design. Design in advance of content is not design, it’s decoration.

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    By shaping the menus we pick from, technology hijacks the way we perceive our choices and replaces them with new ones. But the closer we pay attention to the options we’re given, the more we’ll notice when they don’t actually align with our true needs.

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    Conjugation of the irregular verb “to design”: I create, You interfere, He gets in the way. We cooperate, You obstruct, They conspire.

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    Copywriting is a design muse, it carves a beautiful masterpiece in an imaginative way.

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    But by no means did I ever imagine that one day I would be an instructional designer of self-paced, online e-learning programs. Never. This was a complete accident.

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    CIRCLES OF LIFE Everything Turns, Rotates, Spins, Circles, Loops, Pulsates, Resonates, And Repeats. Circles Of life, Born from Pulses Of light, Vibrate To Breathe, While Spiraling Outwards For Infinity Through The lens Of time, And into A sea Of stars And Lucid Dreams. Poetry by Suzy Kassem

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    Design came into being in 1919, when Walter Gropius founded the Bauhaus at Weimar. Part of the prospectus of this school reads: 'The function of art has in the past been given a formal importance which has severed it from our daily life; but art is always present when a people lives sincerely and health. 'Thus our job is to invest a new system of education that may lead to a complete knowledge of human needs and a universal awareness of them.' [...] What Gropius wrote is still valid. Tis first school of design did tend to make a new kind of artist, an artist useful to society because he helps society to recover its balance, and not to lurch between a false world to live one's material life in and and ideal world to take moral revenge in.

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    Critical design can never be truly popular, and that is the fundamental problem. Objects that are critical of industry's agenda are unlikely to be funded by industry.

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    Death takes us by surprise, And stays our hurrying feet; The great design unfinished lies, Our lives are incomplete But in the dark unknown, Perfect their circles seem, Even as a bridge's arch of stone Is rounded in the stream. Alike are life and death, When life in death survives, And the uninterrupted breath Inspires a thousand lives. Were a star quenched on high, For ages would its light, Still traveling downward from the sky, Shine on our mortal sight. So when a great man dies, For years beyond our ken, The light he leaves behind him lies Upon the paths of men.

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    Delicate design isn't cutting it for most of us. We are harking back to primitive aesthetics celebrating the imperfections of natural materials, highlighting our current yearning for simplicity and honesty.

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    Design before development leads to dead ends.

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    Design does need more recognition as thinking and problem-solving process, maybe even a strategic differentiator.

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    Designer of information superhighways need to take the occasional stroll down memory lane.

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    Designer turns daily common objects to sexy and interesting stuff but not necessarily functional.

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    Design is an opportunity to continue telling the story, not just to sum everything up.

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    Designing Structures is an art and this needs to be transparent, as designs come and go but creativity stays there

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    Design is a human ritual of understanding.

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    Design is an act of existence that defines multiple sets of Values, adopted by humans in order to make a notable statement to serve their ambitions.

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    Design is fluid. It's liquid. It moves like water and fills every space...

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    design is so important because chaos is so hard

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    Design that mimics the sensual continuity of nature's subtle connections of color, light and texture invite the viewer's receptivity.

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    Did they want what I wanted? Did they want to understand, to unlock it? To decode it? To glean, to touch, to learn, to get something, to proceed, to get somewhere, to graduate, to work, to thrive; to someday, sometime, finally earn the luxury, the permission to … stop, to stop all of this, to relax, and forget?

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    ...Designers are generally unaware of the effects that their inventions have on the brain, and therefore take no responsibility of this role is deeply worrying. The world of design is like a highway, where each and every driver is asleep at the wheel.

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    Designing is more appropriate because you can’t possibly predict what is going to happen to you, even next week, much less plan for it. Planning your life is becoming increasingly unreliable in today’s world. On the other hand, when you design something, it’s like setting out on a journey: you assemble all the elements necessary, even if you aren’t sure which particular elements you will actually need, when the time comes. You pack with all conceivable scenarios in mind. You may need this or that. You may not. That’s designing.

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    Design is a fundamental human activity, relevant and useful to everyone. Anything humans create—be it product, communication or system—is a result of the process of making inspiration real. I believe in doing what works as circumstances change: quirky or unusual solutions are often good ones. Nature bends and so should we as appropriate. Nature is always right outside our door as a reference and touch point. We should use it far more than we do.

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    Design is a plan for arranging elements in such a way as best to accomplish a particular purpose.

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    Design is relationships. Design is a relationship between form and content.

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    Designers love subtle cues, because subtlety is one of the traits of sophisticated design. But Web users are generally in such a hurry that they routinely miss subtle cues.

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    Designing a product is designing a relationship.

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    Design is an art, creative artist must have a beautiful mind

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    Design is one of the few disciplines that is a science as well as an art. Effective, meaningful design requires intellectual, rational rigor along with the ability to elicit emotions and beliefs. Thus, designers must balance both the logic and lyricism of humanity every time they design something, a task that requires a singularly mysterious skill.

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    Design is the ultimate influencer.

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    Design your sensual lifestyle down to the last detail. Nothing must be arbitrary or left to chance. Care and accuracy in the design process show that you have absolute respect for yourself and your life.

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    Design is based upon resolving how someone is going to use something. Great design is describing the very best experience for them, then moving towards that ideal.

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