Best 3547 quotes in «language quotes» category

Having all these lies so that you could feel special. It’s time to let go of fantasy and imagined problems. It’s time to embrace the crude and harsh truths. That the existents, the discourses, the frameworks, your words, your meanings, and your definitions, all begin to fade, away, again

Having something to say comes only with the saying of it.

Hay una estrella mas abierta que la palabra 'amapola'? Is there a star more wide open than the word 'poppy"?

Having words opened up a world of possibilities for Martha.

Heaven and earth begin in the unnamed: name’s the mother of the ten thousand things.

He called it potentia because there's nothing quite like Latin for disguising the fact you're making it up as you go along.

He had been thinking of how landscape moulds a language. It was impossible to imagine these hills giving forth anything but the soft syllables of Irish, just as only certain forms of German could be spoken on the high crags of Europe; or Dutch in the muddy, guttural, phlegmish lowlands.

He had been very keen on Esperanto, which had seemed an absurd eccentricity at the time but now Ursula thought it might be a good thing to have a universal language, as Latin had once been. Oh, yes, Miss Woolf said, a common language was a wonderful idea, but utterly utopian. All good ideas were, she said sadly.

He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial eagle.' Taking down the dictation, Theodora [his secretary] felt it to be almost more than she could bear. 'It is a heart-breaking thing to do, though, there is the extraordinary fact that his mind does retain the power to frame perfectly characteristic sentences.

He had existed for a long time and was fluent in many languages - most of them…dead ones.

He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist.

He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out.

He knows the most important language of all. Human compassion.

Hello and good-bye." What else is there to say? Our language is much larger than it needs to be.

Hello! Doctor 方，好久不见！”张先生跟外国人来往惯了，说话有个特征––喜欢中国话里夹无谓的英文字。他并无中文难达的新意，需要借英文来讲；所以他说话里嵌的英文字，还比不得嘴里嵌的金牙，因为金牙不仅妆点，尚可使用，只好比牙缝里嵌的肉屑，表示饭菜吃得好，此外全无用处。

He liked to start sentences with okay, so. It was a habit he had picked up from the engineers. He thought it made him sound smarter, thought it made him sound like them, those code jockeys, standing by the coffee machine, talking faster than he could think, talking not so much in sentences as in data structures, dense clumps of logic with the occasional inside joke. He liked to stand near them, pretending to stir sugar into his coffee, listening in on them as if they were speaking a different language. A language of knowing something, a language of being an expert at something. A language of being something more than an hourly unit.

Hello" and "good-bye" were a pair of bookends, propping up a vast library of blank volumes, void almanacs, novels full of sentiment I couldn't apprehend

He loved words, and he would admit that he was playing with them all the time. He was obsessive about the rhythm of the sentence, and would add a word, subtract a word. [about Truman Capote]

He loved the darkness and the mystery of the Catholic service--the tall priest strutting like a carrion crow and pronouncing magic in a dead language, the immediate magic of the Eucharist bringing the dead back to life so that the faithful could devour Him and become of Him, the smell of incense and the mystical chanting.

He needed some sort of membrane between himself and experience, which, for him, became language.(Jeanette Winterson on T.S.Eliot)

Here are three elements we often see in town names: If a town ends in “-by”, it was originally a farmstead or a small village where some of the Viking invaders settled. The first part of the name sometimes referred to the person who owned the farm - Grimsby was “Grim’s village”. Derby was “a village where deer were found”. The word “by” still means “town” in Danish. If a town ends in “-ing”, it tells us about the people who lived there. Reading means “The people of Reada”, in other words “Reada’s family or tribe”. We don’t know who Reada was, but his name means “red one”, so he probably had red hair. If a town ends in “-caster” or “-chester”, it was originally a Roman fort or town. The word comes from a Latin words “castra”, meaning a camp or fortification. The first part of the name is usually the name of the locality where the fort was built. So Lancaster, for example, is “the Roman fort on the River Lune”.

Her ability to use language, that thing that most separates humans from animals, was leaving her, and she was feeling less and less human as it departed. She's said a tearful good-bye to okay some time ago.

Her attachment to language was earthy, physical, and immediate. Pretty words you could eat.

Her face looked for the answer that is always concealed in language.

Her mastery of the language was a blissful expression of the spirit to her, like playing a musical instrument.

He’s more a shape in a drape than a hep cat

He's good at painting the world with his words. I don't understand all of them but I drink in enough to taste the flavours and swill them around in my mouth.

He spoke Spanish, English, Italian, and just enough of every other language to be able to charm women around the world.

He taught me that language was rubbery, plastic. It wasn't, as I thought, something you just use, but something you can play with. Words were made up of little bits that could be shuffled, turned back to front, remixed. They could be tucked and folded into other words to produce unexpected things. It was like cookery, like alchemy. Language hid more than it revealed.

He talking Louisiana, you speaking Tennessee. The music so different, the sound coming from a different part of the body. It must of been like hearing lyrics set to scores by two different composers. But when you made love he must of have said I love you and you understood that and it was true, too, because I have seen the desperation in his eyes ever since—no matter what business venture he thinks up.

He walked through the woods like a young Adam, naming creation. I learned to shape my mouth to the words—sasumuneash for cranberry, tunockuquas for frog. So many things grew and lived here that were strange to us, because they had not been in England. We named the things of this place in reference to things that were not of this place—cat briar for the thickets of vine whose thorns were narrow and claw-like; lambskill for the low-growing laurel that had proved poisonous to some of our hard-got tegs. But there had been no cats or lambs here until we brought them. So when he named a plant or a creature, I felt that I heard the true name of the thing for the first time.

He was a regulator first-class, which was another term for metalworker unskilled.

...he wonders by what process virtually any discussion about the war seems to profane these ultimate matters of life and death. As if to talk of such things properly we need a mode of speech near the equal of prayer, otherwise just shut, shut your yap and sit on it, silence being truer to the experience than the star-spangled spasm, the bittersweet sob, the redeeming hug, or whatever this fucking closure is that everybody's always talking about. They want it to be easy and it's just not going to be.

He wondered suddenly and definitely for the first time in his life what words might be. Sounds and sense certainly, but something else also, a kind of natural music that explained a man’s heart or heartlessness, words as tempered as steel, as soft as air.

He would not mind hearing Petrus’s story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa.

His voice was like soothing melted chocolate. I wanted him to ooze his lovely voice all over my naked body.

HIGGINS [aggrieved] Do you mean that my language is improper? MRS HIGGINS. No, dearest: it would be quite proper - say on a canal barge...

His prose, like the thinking it reveals, is full of cloudy suggestions of something beyond the range of mere cognition. He has been given power, if not over the entities and dyads, certainly over the ignorant and superstitious.

Hoe krijg je intimiteit in taal? Hoe wordt de roman die ook een film is toch weer een roman met alle typisch romanachtige kanten ervan? En hoe krijg je léven in die roman? Er moet een relatie zijn tussen taal en het andere; de wereld van vlees en bloed daarbuiten. Die laatste kant had ik misschien te weinig ontwikkeld. Ik word tegenwoordig soms zo overvallen door de gekste emoties, of liever gezegd: door verlangen naar die emoties.

Hey dawg, wassup?" he said, in the strange way that white talent agents from Los Angeles do in an attempt to sound like young black men from underprivileged backgrounds. A linguistic fashion as peculiar as the lisp that everybody in medieval Spain had to adopt after the king developed a speech impediment.

His feelings were too much for speech, and suddenly he broke down.

Ho ho ho, tell me why you are not at home' is something Santa Claus could ask you if you stayed in a hotel over Christmas. It is most certainly not the reason why it is called 'hotel', but it will hopefully help you remember that the stress is actually on the second syllable.

Home. The word circled comfortably in my mouth like bubble gum, swished around sweetly soft and satisfying. Home. Try saying it aloud to yourself. Home. Isn’t it like taking a bite of something lovely? If only we could eat words.

How can any of us ever be sure that we know what other people mean when they use words?

HOSTESS. Oh, nonsense! She speaks English perfectly. NEPOMMUCK. Too perfectly. Can you shew me any English woman who speaks English as it should be spoken? Only foreigners who have been taught to speak it speak it well.

How beautiful to touch another's soul with a word, a gesture, a thought.

Ho sentito la gomma svuiccare.» «Prego?» intervenne Moroder, che stava battendo il verbale al computer. «Sì, insomma fare svuic.» «… E il suddetto motociclo emetteva un suono prodotto dallo sdrucciolamento repentino della gomma posteriore sulla superficie viabile…» tradusse Moroder in clinico burocratese.

Howard adores Sam's looks. He loves the strong cut of jaw made satin with thickening peach fuzz, loses himself in the green eyes. Howard stares at them like a lover, but always obliquely. (Sometimes we watch our son from a distance. "I wonder what he's thinking," Howard will say.)

How does it happen, thought Ciri, what can it be ascribed to, that in all worlds, places and times, in all languages and dialects that one word always sounds comprehensible? And always similar? "Yes. I must ride to my mamma. My mamma is waiting for me.

How do you even speak of, let alone propose regulation of, [any] category [so] full of internal contradictions? . . . Maybe, like so many other things, it is a language problem.