Best 3547 quotes in «language quotes» category

Madness is like being primitive once again and going back to the ancient era when there was no language, no clothes to wear, no ready-made food to eat, no cozy shelter to take rest in and no future to plan about. Only the ‘present’ was present with a struggle to survive. But, the only difference between a ‘primitive man’ and a ‘mad man’ is that the former had a ‘reasonable’ mind with some unreasonable traits and the latter has an ‘unreasonable’ mind with many unreasonable and possibly some reasonable traits!

Mainittakoon lyhyesti, että kiroilussa suomalainen on tasapainon vaalija, siis keskitien kulkija. Sillä siinä missä romaanisten kielten puhuja keskittyy toisia tai itseään häväistääkseen genitaalialueeseen ja germaani pysyttelee tiukasti anaalilinjalla, suomlainen hallitsee sekä uloste- että genitaalirekisterin ja rikastaa sadatteluaan vielä perkeleen tai itsensä saatanan kaltaisella demonikuvastolla. Tämän herkän kielen rumin ilmaus on naisen sukuelintä tarkoittava diabolinen manaus.

Male supremacy is fused into the language, so that every sentence both heralds and affirms it. Thought, experienced primarily as language, is permeated by the linguistic and perceptual values developed expressly to subordinate women. Men have defined the parameters of every subject. All feminist arguments, however radical in intent or consequence, are with or against assertions or premises implicit in the male system, which is made credible or authentic by the power of men to name. No transcendence of the male system is possible as long as men have the power of naming... As Prometheus stole fire from the gods, so feminists will have to steal the power of naming from men, hopefully to better effect.

Mal nommer un objet, c'est ajouter au malheur de ce monde. Et justement la grande misère humaine qui a longtemps poursuivi [Brice] Parain et qui lui a inspiré des accents si émouvants, c'est le mensonge. Sans savoir ou sans dire encore comment cela est possible, il sait que la grande tâche de l'homme est de ne pas servir le mensonge. ["Sur une philosophie de l'expression", Poésie 44, 1944]

Man acts as though he were the sharper and the master of language, while in fact language remains the master of man.

Man lives 'in' meanings, in that which is valid logically, esthetically, religiously. The most fundamental expression of this fact is the language which gives man the power to abstract from the concretely given and, after having abstracted from it, to return to it, to interpret and transform it. The most vital being is the being which has the word and is by the word liberated from bondage to the given.

Man was first a hunter, and an artist: his early vestiges tell us that alone. But he must always have dreamed, and recognized and guessed and supposed, all the skills of the imagination. Language itself is a continuously imaginative act. Rational discourse outside our familiar territory of Greek logic sounds to our ears like the wildest imagination. The Dogon, a people of West Africa, will tell you that a white fox named Ogo frequently weaves himself a hat of string bean hulls, puts it on his impudent head, and dances in the okra to insult and infuriate God Almighty, and that there's nothing we can do about it except abide him in faith and patience. This is not folklore, or quaint custom, but as serious a matter to the Dogon as a filling station to us Americans. The imagination; that is, the way we shape and use the world, indeed the way we see the world, has geographical boundaries like islands, continents, and countries. These boundaries can be crossed. That Dogon fox and his impudent dance came to live with us, but in a different body, and to serve a different mode of the imagination. We call him Brer Rabbit.

Many people just think they understand English, remember.

Marain, the Culture’s quintessentially wonderful language (so the Culture will tell you), has, as any schoolkid knows, one personal pronoun to cover females, males, in-betweens, neuters, children, drones, Minds, other sentient machines, and every life-form capable of scraping together anything remotely resembling a nervous system and the rudiments of language (or a good excuse for not having either). Naturally, there are ways of specifying a person’s sex in Marain, but they’re not used in everyday conversation

Marriage converts a player into a polygamist.

[…] marginile unei cărţi nu sunt niciodată clar şi riguros trasate: dincolo de titlu, de primele rânduri şi de punctul final, mai presus de configuraţia sa internă şi de forma care îi conferă autonomie, ea se află prinsă într-un sistem de trimiteri la alte cărţi, la alte texte, la alte fraze: este un nod într-o reţea.

Maureen O'Brien's Bakery Lingo: A Partial Glossary • 9 donuts - A shutout • 2 croissants - A full moon • 3 croissants - A ménage à trois • 4 bear claws - Full smokey • 2 bear claws - Half smokey • The last one of any item - The gift of the Magi • A baker's dozen of doughnut holes - a PG-13 • Anything in the unlikely quantity of 36 or a lot of something - A Wu-Tang • Blueberry muffin - Chubby Checker • Bran muffin - Warren G the regulator • Any customer who left no tip - A libertarian • Any customer who only tipped the coins from their change - A couch shaker • Any person who requested a substitution - Master and demander • Any person who requested TWO substitutions - Demander in chief • Any person who requested MORE than two substitutions - The new executive chef and finally.... • Any vegan customer - A Morrissey

Maybe sometimes it feels like “What impact can I have in this world? I am only one person and most people don't understand me.” But everyone can use their voice to say their something- through whatever medium that is. There will always be someone who understands your language and appreciates your message.

Maybe that was why the French called orgasms “las petites morts”: because the things that bring us passion tend to slip past our defenses, to creep insidiously into every facet of our consciousnesses and kill us as ruthlessly, and efficiently, as any drug.

Maybe we can eventually make language a complete impediment to understanding.

Memory is tricky-memory for certain facts and or details is probably more imaginative than anything, but the important thing is to keep the feeling the story has. I never forget that: the feeling one has of the story is what you must strive to bring forth faithfully.

Metaphor isn't just decorative language. If it were, it wouldn't scare us so much. . . . Colorful language threatens some people, who associate it, I think, with a kind of eroticism (playing with language in public = playing with yourself), and with extra expense (having to sense or feel more). I don't share that opinion. Why reduce life to a monotone? Is that truer to the experience of being alive? I don't think so. It robs us of life's many textures. Language provides an abundance of words to keep us company on our travels. But we're losing words at a reckless pace, the national vocabulary is shrinking. Most Americans use only several hundred words or so. Frugality has its place, but not in the larder of language. We rely on words to help us detail how we feel, what we once felt, what we can feel. When the blood drains out of language, one's experience of life weakens and grows pale. It's not simply a dumbing down, but a numbing.

[...] mi sembra che il linguaggio venga sempre usato in modo approssimativo, casuale, sbadato, e ne provo un fastidio intollerabile.

Mikä etu, mikä verraton taivaan lahja onkaan mielihyvän ilmaisemisen taito äänin ja elein. - Ensin hyräilin, sitten sain tuon jäljittelemättömän kyvyn heilautella häntääni mitä siroimmissa kiekuroissa, sitten ihmeellisen lahjan ilmaista yhdellä pikku sanalla iloa, surua, riemua ja ihastusta, kauhua ja epätoivoa, sanalla sanoen kaikkia tunteita ja intohimoja mitä moninaisimpine vivahteineen. Tämä pikku sana on miau. Mitä on ihmisen kieli verrattuna tähän kaikkein yksinkertaisimpaan ajatuksen ilmaisukeinoon!

Mind thinks in images but, to communicate with another, must transform image into thought and then thought into language. That march, from image to thought to language, is treacherous. Casualties occur: the rich, fleecy texture of image, its extraordinary plasticity and flexibility, its private nostalgic emotional hues - all are lost when image in crammed into language.

Mind thinks in images but, to communicate with another, must transform image into thought and then thought into language. That march, from image to thought to language, is treacherous. Casualties occur: the rich, fleecy texture of image, its extraordinary plasticity and flexibility, its private nostalgic emotional hues - all are lost when image is crammed into language.

Mind in language are inseparable. If we violate our language we violate ourselves.

Mocho was a Spanish word that meant maimed or referred to something that had been lopped off like a stump. To call Homer el mocho was, essentially, to call him "Stumpy" or "the maimed one." It doesn't sound particularly flattering, but among Spanish speakers the giving of nicknames is tantamount to a declaration of love. Things that would sound insulting outright in English were tokens of deep affection when said in Spanish.

Modern nationalism swept Europe alongside the flourishing of industrialisation. Across the continent, poets and intellectuals cultivated and often heavily modified vernacular languages to be bearers of 19th century modernity. These guardians of language faced significant challenges in adapting the spoken tongues of the peasantry to the demands of high literature and natural science. The story for the arts is widely known: modern Hungarian, Czech, Italian, Hebrew, Polish and other literatures blossomed in the second half of the century. However, the high valuation for efficiency in the sciences somewhat tamed this incipient Babel ["Absolute English," Aeon, February 4, 2015].

Moracete da se pomirite sa gubitkom jednog dela svog samopostovanja i svoje brige o ponosu ukoliko stvarno zelite da napredujete.

More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him.

Most adults have a vocabulary of around 60,000 words, meaning that children must learn 10 to 20 words a day between the ages of eight months and 18 years. And yet the most frequent 100 words account for 60% of all conversations. The most common 4000 words account for 98% of conversation.

Most errors consist only in our not rightly applying names to things. For when someone says that the lines which are drawn from the center of a circle to its circumference are unequal, he surely understands (then at least) by a circle something different from what mathematicians understand. Similarly, when men err in calculating they have certain numbers in their mind and different ones on the paper. So if you consider what they have in mind, they really do not err, though they seem to err because we think they have in their mind the numbers which are on the paper. If this were not so, we would not believe that they were erring, just as I did not believe that he was erring whom I recently heard cry out that his courtyard had flown into his neighbor's hen, because what he had in mind seemed sufficiently clear to me. And most controversies have arisen from this, that men do not rightly explain their own mind, or interpret the mind of the other man badly. For really, when they contradict one another most vehemently, they either have the same thoughts, or they are thinking of different things, so that what they think are errors and absurdities in the other are not.

Most of the machinery of modern language is labour-saving machinery; and it saves mental labour very much more than it ought. Scientific phrases are used like scientific wheels and piston-rods to make swifter and smoother yet the path of the comfortable. Long words go rattling by us like long railway trains. We know they are carrying thousands who are too tired or too indolent to walk and think for themselves. It is a good exercise to try for once in a way to express any opinion one holds in words of one syllable. If you say “The social utility of the indeterminate sentence is recognized by all criminologists as a part of our sociological evolution towards a more humane and scientific view of punishment,” you can go on talking like that for hours with hardly a movement of the gray matter inside your skull. But if you begin “I wish Jones to go to gaol and Brown to say when Jones shall come out,” you will discover, with a thrill of horror, that you are obliged to think. The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word “damn” than in the word “degeneration.

Most often when I stammer That's my brain Correcting my grammer.

Mr. Treadstone believed that there was always an apposite word. The English language, after all, was the richest in the world. If you couldn’t find the apposite word, if you found your language slipping into the mire of vagueness and obscurity, this meant that you needed to work on your vocabulary. Because the apposite word certainly existed – and it was very eager to make your acquaintance.

Mr Hawkins said nothing; the Hawkins' domestic affairs were arranged upon the principle that Fanny supplied the talk and he the silence.

Most social media users sometimes like statements they do not understand.

Mother nature gave us words to use them as a bridge among each other and advance together, but the humans with their ridiculous stupidity and shallow intellect have used those very words to create walls, blinded by their barbarian tribalism masquerading as pompous ideologies.

Mrs. Bittarcy rustled ominously, holding her peace meanwhile. She feared long words she did not understand. Beelzebub lay hid among too many syllables. ("The Man Whom The Trees Loved")

MOWBRAY. A heavy sentence, my most sovereign liege, And all unlook'd for from your Highness' mouth. A dearer merit, not so deep a maim As to be cast forth in the common air, Have I deserved at your Highness' hands. The language I have learnt these forty years, My native English, now I must forgo; And now my tongue's use is to me no more Than an unstringed viol or a harp; Or like a cunning instrument cas'd up Or, being open, put into his hands That knows no touch to tune the harmony. Within my mouth you have engaol'd my tongue, Doubly portcullis'd with my teeth and lips; And dull, unfeeling, barren ignorance Is made my gaoler to attend on me. I am too old to fawn upon a nurse, Too far in years to be a pupil now. What is thy sentence, then, but speechless death, Which robs my tongue from breathing native breath?

Musicians do not have to be believed in. We do not have to be trusted. Our Music speaks for itself without the listener having to know anything about us. Music touches people's emotions in a way that nothing else can. When people find a musician they like, they are usually fans for Life. If they like the musician and his Music, they will open up their hearts to whatever that musician has to say. It matters not what country the musician or the fan comes from. Music is a language that all understand. It goes beyond and breaks down barriers. This makes the musician very powerful, and with power comes responsibility.

Music is a language - and language, at its finest, should be music.

Music is the language of the universe, which everyone, including all animals, can understand.

Mūsų laisvė pačiais ją įtvirtinančiais veiksmais sukuria tolydžio stiprėjančius įpročius, kurie ją pasmaugia, jeigu jos neatnaujina nuolatinės pastangos: jos tyko automatizmas. Pati gyviausia mintis sustabarėja ją išreiškiančioje formuluotėje. Žodis atsigręžia prieš idėją. Raidė nužudo dvasią. Ir netgi liepsningiausias mūsų entuziazmas, pasireiškiantis išoriniu veiksmu, kartais taip natūraliai pavirsta šaltu savanaudišku išskaičiavimu arba išpuikimu, vienas taip lengvai įgija kito formą, jog mes galėtume juos supainioti vieną su kitu, galėtume abejoti savo pačių nuoširdumu, neigti gerumą ir meilę, jei nežinotume, kad miręs dar kurį laiką išsaugo gyvojo bruožus.

My books are a word feast.

Music is the sweetest language for hearts, kindest prayer for souls, peaceful breeze for minds, and a magical sail for imaginations.

Music transcends the boundaries of language.

Music is the great unifier. It doesn’t matter which country you’re in or what language is being spoken, the fans just magically seem to get it. They share a common goal of love and celebration for the purity of magnificence and brilliance that has been created by the artist. It’s transcendent. It’s inspiration. It’s raw emotion. It’s communication – a perfect marriage of notes, harmonies, lyrics and melodies. It’s the beauty within the beast.

My dear friend, clear your mind of cant [excessive thought]. You may talk as other people do: you may say to a man, "Sir, I am your most humble servant." You are not his most humble servant. You may say, "These are bad times; it is a melancholy thing to be reserved to such times." You don't mind the times ... You may talk in this manner; it is a mode of talking in Society; but don't think foolishly.

[M]y favorite teacher was explaining that you don't say but however. These are pleonasms: the use of more words than necessary to express an idea. There are times in life that are very but however.

My Japanese isn’t much better today, but at least now I appreciate my duality more than when I was a punk kid.

My house is full of books. I suppose that I have read all of them, bar reference books and poetry collections in which I will not have read every poem. I have forgotten many, indeed most. At some point, I have emptied each of these into that insatiable vessel, the mind, and they are now lost somewhere within. If I reopen a book, there is recognition--oh yes, I've been here--but to have the contents again, familiar, new-minted, I would have to read right through. What happens to all this information, this inferno of language? Where does it go? Much, apparently, becomes irretrievable sediment; a fair amount, the significant amount, becomes that essential part of us--what we know and understand and think about above and beyond our own immediate concerns. It has become the life of the mind. What we have read makes us what we are--quite as much as what we have experienced and where we have been and who we have known. To read is to experience. I can measure out my life in books. They stand along the way like signposts: the moments of absorption and empathy and direction and enlightenment and sheer pleasure.

My love translated sounds like a dead language.

My mother's journals are a shadow play with mine. I am a woman wedded to words. Words cast a shadow. Without a shadow there is no depth. Without a shadow there is no substance. If we have no shadow, it means we are invisible. As long as I have a shadow, I am alive.