Best 3547 quotes in «language quotes» category

I have never lost my temper. I let out my venom in my writing if I have to, but person-to-person, I have never lost my temper, never used abusive language.

I have not tolerated an atheist in the ranks of the SS. Every member has a deep faith in God, in what my ancestors called in their language Waralda, the ancient one, the one who is mightier than we are.

I have often thought that unselfishness combined in one word more of the teachings of the Bible than any other in the language.

I have seafoam in my veins, I understand the language of waves.

I have seen how effective language attached to policies that are mainstream and delivered by people who are passionate and effective can change the course of history.

I just don't like big guys who speak cryptically and act like they understand the language better than me.

I know how to say 'no' in twelve languages. That's enough for a woman.

I know ours is a world made by men for men, their dictatorship is so ancient it even extends to language.

I learned that to be amusing was not to be frivolous and that language - always the language - was the magic key as much to prose as to poetry.

I learnt to sing in Bengali, my mother tongue, then went on to sing in Hindi, Telugu, Tamil, Gujarati and every possible Indian language.

I like poetry because poetry - even in free verse - is formal, and it has to be very concise and packed and rich, and I like the feeling of having to do that, having to make the language tight and still free, as if the deepest freedom is created by the restrictions.

I like the idea that I can talk to any teenage girls. You know, in a language that makes sense to them.

I like the concentration, the crush; I like working with language, as others like working with clay, or notes.

I like that confusion when people are speaking in the same language but still can't understand each other. It's also usually my experience of being in America - when I speak no one can understand what I'm saying.

I like to call someone a raving c**t every now and then, when it’s appropriate, for effect (...) ‘You cocksucker.’ I love that kind of language.

I loved everything about Spain - the people, the language, and the food!

I'll probably take the prize for the most irrelevant degree. Although some of the things now where they study, you know: "post feministic colonial film theory" - those kind of majors, yeah, that's probably worse. But I was, you know, classics, Greek and Latin, like what's more irrelevant than dead languages, you know?

I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.

I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.

I like to play with someone who can cover a lot of ground and someone with whom you can discuss the language at a reasonable level; otherwise it gets a bit frustrating.

I listened to a lot of tapes of British theatre actresses and tried to learn from them. As Americans, we don't have such a gift with language.

I love literature, the English language and storytelling. I also have thirty horses and seventy foxhounds to feed.

I love John Ashbery. He's the - really the poet laureate of English language poetry, whether he's given that or not, he is to me.

I love language as I love life itself!

I love music more than language: it's the best, it's universal.

I love language. It doesn't bother me that its effects are partial. To me that is very sanity-producing. It would be weird if the effects of language were more than partial, if your whole life existed within your texts. That would be much scarier to me than language being an inadequate tool to represent.

I love the language. I'm just totally fascinated by the sound and the look of words and the kinds of cadences you can create with them, the various kinds of music.

I love variety. I love theater. I also love radio. I love language. But, the older you get, you need to earn money. You need to heighten your profile.

I love the French language... it's a delightful language, especially to curse with. It's like whopping your ass with silk.

I love to publish new writers, and we do so consistently. But a lot of contemporary American poets sound alike to me. They want to bring spoken, prosy language into poetry and I understand that desire. But they don't edit. It's not very curated work. It seems very lackluster, very uncareful. It may be the un-carefulness is also something they intend but there's a kind of "So what?" quality to a lot of it.

I love the language, it sounds as if it should be writ on satin with syllables which breathe of the sweet South

I love the right words. I think economy and precision of language are important.

I love to laugh, it's my main thing. I love to abuse the English language.

I love working in cinema - it can be in any language!

I'm a champion for western civilization and, yes, our English language is a big part of it. It's a carrier of freedom. Wherever the English language has gone globally, freedom went with it. Science technology has always lifted up the standard of living on average of everybody on the planet. I want more of that, not less. There are civilizations that produce very little, if any. This western civilization is a superior civilization, and we want to share it with everybody.

Image is an international language.

I'm always working on something new and while I'm working, I'm absorbed with my characters, their conflicts,my language and settings. I'm in another place and it is a shock to come out and consider my previous works.

I'm always somehow drawn to that sense of how fragile things are and how a garden means so differently depending upon whose language you happen to be in or whose century you happen to be in.

Imagine (if you dare) a whimsical marriage of Lord Dunsany and S.J. Perelman, and you have something approaching the tales of Rhys Hughes, filled with gaudy colour, slapstick, puns, fantastic creatures, and the occasional unexpected chill. Hughes' world is a magical one - and his language if the most magical thing of all.

I'm allowing myself every opportunity, every tool that every other artist should allow themselves to use. If anybody expects me to not use certain language or certain words, like I have some kind of penalty restriction, it's completely unrealistic.

Im a person of faith, and the language that I use to define my faith, the symbols and metaphors that I rely upon to express my faith, are those provided by Islam because they make the most sense to me.

I may speak many languages, but there remains one in which I live.

I'm a storyteller, and as a story-teller, you see that each country, and therefore the language that it speaks has its very own way and very unique way of telling a story. And there's a lot to be learned from each country, and each language, and how they tell a story.

I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.

I'm interested in language. We used to call it the War Office. Then it became the Ministry of Defence. We used to talk about the hydrogen bomb, now we talk about a deterrent. And the language is very cleverly constructed to give the impression that it's not what it is.

I'm glad I understand that while language is a gift, listening is a responsibility. (U.S. poet and writer, 1943- )

I'm inspired by playwrights, novelists, poets: The value of language has been a lifelong passion of mine. I enjoy it. I'm good at it.

I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.

I'm drawn to the magical efficacies of language as a political act.

I mean, we should only be talking about the merits of film ["Moonlight"] because one of the great things about the visual language is that it is the great equalizer.