Best 3547 quotes in «language quotes» category

Responding to a moderator at the Sydney Writers Festival in 2008 (video), about the Spanish words in his book: When all of us are communicating and talking when we’re out in the world, we’ll be lucky if we can understand 20 percent of what people say to us. A whole range of clues, of words, of languages escape us. I mean we’re not perfect, we’re not gods. But on top of that people mis-speak, sometimes you mis-hear, sometimes you don’t have attention, sometimes people use words you don’t know. Sometimes people use languages you don’t know. On a daily basis, human beings are very comfortable with a large component of communication, which is incomprehensibility, incomprehension. We tend to be comfortable with it. But for an immigrant, it becomes very different. What most of us consider normative comprehension an immigrant fears that they’re not getting it because of their lack of mastery in the language. And what’s a normal component in communication, incomprehension, in some ways for an immigrant becomes a source of deep anxiety because you’re not sure if it’s just incomprehension or your own failures. My sense of writing a book where there is an enormous amount of language that perhaps everyone doesn’t have access to was less to communicate the experience of the immigrant than to communicate the experience that for an immigrant causes much discomfort but that is normative for people. which is that we tend to not understand, not grasp a large part of the language around us. What’s funny is, will Ramona accept incomprehension in our everyday lives and will greet that in a book with enormous fury. In other words what we’re comfortable with out in the outside world, we do not want to encounter in our books. So I’m constantly, people have come to me and asked me… is this, are you trying to lock out your non-Dominican reader, you know? And I’m like, no? I assume any gaps in a story and words people don’t understand, whether it’s the nerdish stuff, whether it’s the Elvish, whether it’s the character going on about Dungeons and Dragons, whether it’s the Dominican Spanish, whether it’s the sort of high level graduate language, I assume if people don’t get it that this is not an attempt for the writer to be aggressive. This is an attempt for the writer to encourage the reader to build community, to go out and ask somebody else. For me, words that you can’t understand in a book aren’t there to torture or remind people that they don’t know. I always felt they were to remind people that part of the experience of reading has always been collective. You learn to read with someone else. Yeah you may currently practice it in a solitary fashion, but reading is a collective enterprise. And what the unintelligible in a book does is to remind you how our whole, lives we’ve always needed someone else to help us with reading.

Review the multiplicity of language-games in the following examples, and in others: Giving orders, and obeying them— Describing the appearance of an object, or giving its measurements— Constructing an object from a description (a drawing)— Reporting an event— Speculating about an event— Forming or teasing a hypothesis— Presenting the results of an experiment in tables and diagrams— Making up a story; and reading it— Singing catches— Guessing riddles— Making riddles— Making a joke; telling it— Solving a problem in practical arithmetic— Translating from one language into another— Asking, thanking, cursing, greeting, praying. —It is interesting to compare the multiplicity of the tools in language and of the ways they are used, the multiplicity of kinds of word and sentence, with what logicians have said about the structure of language. (Including the author of the Tractatus Logico-Philosophicus.)

Re-vision--the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction--is for women more than a chapter in cultural history: it is an act of survival. Until we can understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society. A radical critique of literature, feminist in its impulse, would take the work first of all as a clue to how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us, how the very act of naming has been till now a male prerogative, and how we can begin to see and name--and therefore live--afresh. A change in the concept of sexual identity is essential if we are not going to see the old political order reassert itself in every new revolution. We need to know the writing of the past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us.

(Rigg) had often complained that all these languages were useless, and Father had only said, "A man who speaks but one language understands none.

Rigorously comb through the pages of your life until you can even speak its broken dialects fluently.

Ritual Version —for Kate Middleton humself, shamself, hymnself, shameself—. lameself, lambself, numbself, unself—. sing anger, goddess, of—. many devices—. sing anger godless—. tell me who—. sacred in the sea suffered so many woes—. bookshelf, doubtshelf, debtshelf, riftshelf—. driftshelf, truthshelf, foolshelf, rueshelf—. sing less the many souls sent—. they perished—. sing spoils for the dogs—. who swallowed down the foolish song—. the soul and its companions—. nounself, nonceself, nonself, lashself—. ashself, lawself, thoughtself, aughtself—. tell me, muse, from any point—. and birds—. sing less the wrath of—. a man’s cleverness—. tell also us—. of recklessness—. of home—.

ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.

S’acharner à vouloir que les paroles soient là pour révéler au-dehors ce qu’on est dans l’intimité, c’est la folie ou l’accablement qui menacent. La solitude ne se rompt que par la violence. On reste incompris, méconnu. Toujours vaincu, exaspéré, en prison. C’est l’impossibilité fondamentale, la première contradiction : ce qui est unique en chacun ne peut être su de personne, seulement pressenti. Nous pouvons dire uniquement de nous ce qui est pareils à d’autres. Parler, c’est déjà se placer dans le rang.

Sanskrit has different words to describe love for a brother or sister, love for a teacher, love for a partner, love for one’s friends, love of nature, and so on. English has only one word, which leads to never-ending confusion.

Sanskrit is a beautiful contextual language. It is called “Dev Bhasha” the language of the soul. Here, meanings of the words must come from the heart, from direct experience – dictionary meanings or static meanings have not much value. Meanings of the words vary depending on mind-set, time, location and culture. The words are made to expand the possibilities of the mind.

Scared of words? I don't see why anybody ought to fear words. Words are tools; you have to know how to use them to get done the job you want to get done. Can't do the work if you're scared of the work.

School taught me how to do language, maths and science; it failed to teach me the very basics of how to keep my home healthy.

Second-guessing a decision made by a programming-language designer is the first step on the road to becoming one.

See, I understand what no one else seems to grasp. Communication is manipulation. Every time we speak we are trying to achieve an effect—a goal. We first learn to talk so we may better manipulate our parents. Sign language. Grunting and pointing. Wearing certain clothes and baubles. Walking or standing a certain way. This is all language and it is all manipulation.

Sex is a matter of biology, while gender is a matter of grammar, and there is no earthly reason why sex should be involved in gender distinctions.

She'd always been comforted by how many words there were in the English language -- more than a million. With so many words surely anything could be said, everything could be understood. But what did the volume of words matter in any language when she couldn't even manage to ask the simplest questions? Will you tell me your story? Will you let me in to my own family? Isn't it my story, too?

She had to fight against developing too combative a personality or becoming altogether a misanthrope. She suddenly caught herself. "Misanthrope" is someone who dislikes everybody, not just men. And they certainly had a word for someone who hates women: "misogynist." But the male lexicographers had somehow neglected to coin a word for the dislike of men. They were almost entirely men themselves, she thought, and had been unable to imagine a market for such a word.

She had always thought that if only people could communicate mind-to-mind, eliminating the ambiguities of language, then understanding would be perfect and there'd be no more needless conflicts. Instead she had discovered that rather than magnifying differences between people, language might just as easily soften them, minimize them, smooth things over so that people could get along even though they really didn't understand each other. The illusion of comprehension allowed people to think they were more alike than they really were. Maybe language was better.

She had come to learn that the English had an indirect way of expressing their opinions. Unlike the Turks, they did not communicate resentment through resentment or anger through double anger. No, there were layers to their conversation; the deepest discomfort could be conveyed with a reticent smile. They complemented, when in truth they wished to denounce; they clothed their criticisms in cryptic praise.

She sat, rediscovering the fullness of her first tongue in one long submersion. Again and again she would pause on a word Melio uttered. She would roll it around in her mind, feeling the contours of it. At times her mouth gaped open, her lips moving as if she were drinking in his words instead of breathing.

She knew them by their thick woven cloaks, their hanging hair and beards, and their Anglisc voices: words drumming like apples spilt over wooden boards, round, rich, stirring. Like her father’s words, and her mother’s, and her sister’s. Utterly unlike Onnen’s otter-swift British or the dark liquid gleam of Irish. Hild spoke each to each. Apples to apples, otter to otter, gleam to gleam, though only when her mother wasn’t there.

She said the words, and then she had a strange moment of seeing them, hanging there over her head. "You're going to vacuum up that squirrel!" There is just no predicting what kind of sentences you might say, thought Flora. For instance, who would ever think you would shout, "You're going to vacuum up that squirrel!"?

She spoke with the usual cadences of the young: sentences curling upward at the end, all statements fading into a smoky, implied question mark, as though nothing could be said with any reasonable certainty.

She speaks the most beautiful Urdu.

She liked the word ineffable because it meant a feeling so big or vast that it could not be expressed in words. And yet, because it could not be expressed in words, people had invented a word to express it, and that made Liesl feel hopeful, somehow.

She’s still thinking in diplo-speak, though, and asks a question rather than answering directly.

She tried not to think in capital letters. It was a bad habit. If you weren’t careful, pretty soon you’d find yourself Going to the Store to Buy a Carton of Milk—or worse, speaking German.

She walks to a table She walk to table She is walking to a table She walk to table now What difference does it make What difference it make In Nature, no completeness No sentence really complete thought Language, like woman, Look best when free, undressed.

Silence might be a shout for the truth. It might be the speech that someday, in its truest, most uncontaminated, unadulterated state, all will be revealed.

She would speak her story in Spanish and la señora Maureen would tell hers in English; it was obvious to her that the two languages did not carry equal weight.

Signs form a language, but not the one you think you know.

Since God doesn't have a name, I'll give him the name of Simptar. It doesn't come from any language. I give myself the name Amptala. As far as I know no such name exists. Perhaps in a language earlier than Sanskrit, an it-language.

Since language is the only tool with which writers can reflect and shape a culture, it must be transformed into art. Language is not a limitation on the art of literature; it is a glorification. It has been the scaffolding inside which nations and philosophies have been built, and the language of literature has added the ornamental pediment by which the culture is remembered.

Since we routinely express ideas and feelings in language, we may be forgiven for assigning a role to it, but isn't it remarkable how often we struggle to find our words? It's not that we don't know what we thought or felt, but we just can't put our verbal finger on it. This would of course be wholly unnecessary if thoughts and feelings were linguistic products to begin with. In that case, we'd expect a waterfall of words!

Siarad Cymraeg?" said Old Shacob. "He wants to know if you speak Welsh," said the surveyor. "NO!" yelled the official at the old man before him. "Tamn it all; his language, man!" shouted Dan. "What you expect in Wales - Chinese, or what?!

Silence is the mother of all tongues

Sina jinsi. Nguzo ya maisha yangu ni historia ya maisha yangu. Historia ya maisha yangu ni urithi wa watu waliojifunza kusema hapana kwa ndiyo nyingi – waliojitolea vitu vingi katika maisha yao kunifikisha hapa nilipo leo – walionifundisha falsafa ya kushindwa si hiari. Siri ya mafanikio yangu ni kujitahidi kwa kadiri ya uwezo wangu wote; au 'pushing the envelope' kwa lugha ya kigeni.

... since the history of words is a mainspring of our intellectual and emotional character.

Since language produces meaning within an enclosed system, there is always a built-in untranslatability, which national languages began to deliberately pursue. The process added to the creation of an untranslatable "reality" that can be expresses only in a particular language. It also added to the discovery of untranslatable "truths.

Si tu parles français, et si bien, tu es déjà un superb musicien. Le bon français est si pareil a la musique à mes oreilles.

Societies continuously try to recreate themselves — shared holidays, shared news, shared traditions, shared language, shared music, shared myths, shared victories, and shared griefs. Shared origins… So by telling each other stories, we recreate ourselves over and over again. Where do we come from? Where are we going? Who are our heroes? Who are the villains? These stories pass our values as a society from one generation to the next. It’s how we understand each other.

So is language change progress or degeneration? It is neither, of course. To assert that language change is for the better or worse requires some measure of what "good" or "bad" language is, and the issue of language change needn't come into question here. But no coherent criterion has ever been given: upon examination, the pronouncements of the self-appointed pundits are always a mix of cultural biases, half-understandings of languages, and an obvious compulsion for telling people what to do.

So many people consider their work a daily punishment. Whereas I love my work as a translator. Translation is a journey over a sea from one shore to the other. Sometimes I think of myself as a smuggler: I cross the frontier of language with my booty of words, ideas, images, and metaphors.

So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves.

So many people understand language, but few people understand the real meaning of language. They that understand the meaning of language understand language and life better!

So he came to realize that learning a language was perhaps the most profound thing a man could do. Not only did it require wrapping different sounds around the very movement of your soul, it involved learning things somehow already known, as though much of what he was somehow existed apart from him. A kind of enlightenment accompanied these first lessons, a deeper understanding of self.

So many things in language can never be known or settled or explained, except by custom.

Some people use language as a mask. And some want to create designed language that appears to reveal them but does not.

Some people us language to describe the lives they lead, and other people use language to create the lives they lead.

Some people say they don’t believe in God, but they believe in an energy that moves through all living things. Others say they do believe in God, and they claim God is an energy moving through all living things. Some people believe in a holy book, and their faith gives them the same feeling of certainty that sustains people of other faiths as well as non-believers. Over this, we start wars.