Best 3547 quotes in «language quotes» category

You know, you can make a small mistake in language or etiquette in Britain, or you could when I was younger, and really be made to feel it, and it's the flick of a lash, but it would sting, and especially at school where there's not much privacy, and so on. You could, yes, undoubtedly be made to feel crushed.

You must feel what you're singing, not just have a good presentation of the language.

You need good principles and good language if you are to succeed.

You need to find somebody who will speak the same language. We understand that we couldn't have any kind of discussion without permission, without a legal framework behind it.

Your body language shapes who you are

You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise you're merely imitating yourself, going nowhere, because that's always easiest.

You should do whatever language you feel is the perfect language for you to sing in and then try to strive to do the best.

You should take notes whenever you hear interesting or original language.

You start out wanting to change the world through language, and end up thinking it's enough to tell a few good jokes.

You've got a new Spanish-language album out now ["90 Millas," released in September of 2007], and the single ["No Llores"] is #1 on the Billboard Latin chart.

You who speak languages, you are such liars.

You will hear people say the C-word. Except, it's a regional language: in British English, c - t has much less of an inflammatory sense than it does in North American English. You can hear someone on British TV called "a c - ting monkey" or a man being called a c - t. The particular fascination of profanity is how culturally specific it is and how it evolves.

You would not serve junk food at a banquet, and your book must be a banquet. Get your language from Swift, not from Shopsy's.

Zis and zat' when uttered by the French is considered charming, but 'dis and dat' as an Africanism is ridiculed as gross and ugly.

6.4321 The facts all contribute only to setting the problem, not to its solution. 6.44 It is not how things are in the world that is mystical, but that it exists. 6.45 To view the world sub specie aeterni is to view it as a whole - a limited whole. Feeling the world as a limited whole - it is this that is mystical.

Zoë threw up her hands in exasperation. "I hate this language. It changes too often!

A Blessing on the Poets Patient earth-digger, impatient fire-maker, Hungry word-taker and roving sound-lover, Sharer and saver, muser and acher, You who are open to hide or uncover, Time-keeper and –hater, wake-sleeper, sleep-waker; May language’s language, the silence that lies Under each word, move you over and over, Turning you, wondering, back to surprise.

A bar, as any good dictionary will tell you, is a rod of wood or iron that can be used to fasten a gate. From this came the idea of a bar as any let or hindrance that can stop you going where you want to; specifically the bar in a pub or tavern is the bar-rier behind which is stored all the lovely intoxicating liquors that only the bar-man is allowed to lay is hands on without forking out.

7. Philosophy is not science, but this does not mean that it is less good than a science. Philosophy is an alternative language by which it is possible to communicate with reality. Speaking more than one language makes you more open-minded. Philosophy can open up new opportunities to understand quite different and unexpected aspects of reality.

abrikostræerne findes, abrikostræerne findes

ABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there's no word for it, how do you think about it? And, if there isn't the proper form, you don't have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First's English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I'm going to fire tomorrow if YOU don't watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I'm still gonna smack YOU up side the head if YOU ever say that to me again; And who the hell are you anyway . . .?

A boy trying out a man's language.

Abstraction is the sickness of language.

Academics love the semicolon; their hankering after logic demands a division which is more emphatic than a comma, but not quite as absolute a demarcation as a full stop.

A candidate with no experience they would package as a citizen politician, a lifetime hack as an elder statesman.

A civilization makes progress by leveraging the achievements and observations of past generations. We compress history into words, stories, and symbols that allow living people to learn and benefit from the experiences of the dead. In the space of one childhood, we can learn what it took humanity many centuries to figure out. While animals may have some capacity to instruct their young, humans are unlimited in their capacity to learn from one another. Thanks to stories, books, and our symbol systems, we can learn from people we have never met. We create symbols, or what Korzybski calls abstractions, in order to represent things to one another and our descendants more efficiently. They can be icons, brands, religious symbols, familiar tropes, or anything that compresses information bigger than itself.

A conglomerate of complicated words, they confuse, condemn and cajole, created, he is sure, for the sole purpose of fuddling the listener, which in this case is regrettably him.

A crucial point here is that understanding is not only a matter of reflection, using finitary propositions, on some preexistent, already determinate experience. Rather, understanding is the way we "have a world," the way we experience our world as a comprehensible reality. Such understanding, therefore, involves our whole being - our bodily capacities and skills, our values, our moods and attitudes, our entire cultural tradition, the way in which we are bound up with a linguistic community, our aesthetic sensibilities, and so forth. I short, our understanding is our mode of "being in the world." It is the way we are meaningfully situated in our world through our bodily interactions, our cultural institutions , our linguistic tradition, and our historical context. Our more abstract reflective acts of understanding (which may involve grasping of finitary propositions) are simply an extension of our understanding in this more basic sense of "having a world.

Actualmente, hablamos de lenguajes en plural, por tanto, de lenguajes cuyo significante no es la palabra: por ejemplo, el lenguaje del cine, de las artes figurativas, de las emociones, etcétera. Pero éstas son acepciones metafóricas. Pues el lenguaje esencial que de verdad caracteriza e instituye al hombre como animal simbólico es «lenguaje-palabra», el lenguaje de nuestra habla.

Afrikaans was the language of the white minority in South Africa, and the forced learning of it created resentment among blacks. Even so, Nelson Mandela made it a point to learn this language in prison in anticipation that it would help him lead the whole of South Africa.

A dog is der Hund the dog; a women is die Frau the wom[an]; a horse is das Pferd, the horse; now you put that dog in the Genitive case, & is he the same dog he was before? No sir; he is das Hundes; put him in the Dative case & what is he? Why, he is dem Hund. Now you snatch him into the accusative case & how is it with him? Why he is den Hunden? ... Read moreBut suppose he happens to be twins & you have to pluralize him – what then? Why sir they’ll swap that twin dog around thro’ the four cases till he’ll think he’s an entire International Dog Show all in his own person. I don’t like dogs, but I wouldn’t treat a dog like that. I wouldn’t even treat a borrowed dog that way.

Adornment, exoticism, affectation are all willed decadent strategies meant to pervert the texts they made. Decadent texts often live in their descriptive excursions, in their evocation of dreams, mysterious places and states of mind, in their excess of words, not events. The surface of the texts, the sound of the words, point to themselves as manufactured, as illusion. The decadents attempted to create texts that announced themselves as artifice.

A fist is not a thing but a particular state of a particular thing.

After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good’, for instance. If you have a word like ‘good’, what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good’, what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still" (51).

A deaf and dumb in the mist of morons is a renowed talkative among brains.

A fine writer must appreciate and accept the power of language manifestly.

After his sisters were taken away, the Japanese occupying force sent my grandfather to Imperial Schools. My first language is Japanese, he tells me. English far away. Sometimes, right after he told me, I would look at him and wonder what it felt like, to have the print of your enemy all the way inside you, right into the way you shaped your thoughts.

Afternoon light like pollen. This is my language, not the one I learned.

A good conversationalist directs attention, inspires, corrects, affirms, and empowers others. It is a demanding vocation that involves attentiveness, skilled listening, awareness of one’s own interpretive frames, and a will to understand and discern what is true.

A good story or a book is all about it's power to hold it's readers still till the very last word of it's climax - complexity in language, dialogues, descriptions, everything else is secondary!

A ham sandwich is better than nothing. Nothing is better than eternal happiness. So eternal happiness is beaten by a ham sandwich.

Ah fuckin hate the way some American cunts call lassies cunts. Fuckin offensive, that shite.

A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. They have not adapted themselves to the new reality. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. It's made a mess of everything. But words, as you yourself understand, are capable of change. The problem is how to demonstrate this. That is why I now work with the simplest means possible - so simple that even a child can grasp what I am saying. Consider a word that refers to a thing - "umbrella", for example. When I say the word "umbrella", you see the object in your mind. You see a kind of stick, with collapsible metal spokes on top that form an armature for a waterproof material which, when opened, will protect you from the rain. This last detail is important. Not only is an umbrella a thing, it is a thing that performs a function - in other words, expresses the will of man. When you stop to think of it, every object is similar to the umbrella, in that it serves a function. A pencil is for writing, a shoe is for wearing, a car is for driving. Now, my question is this. What happens when a thing no longer performs its function ? Is it still the thing or has it become something else ? When you rip the cloth off the umbrella, is the umbrella still an umbrella ? You open the spokes, put them over your head, walk out into the rain, and you get drenched. Is it possible to go one calling this object an umbrella ? In general, people do. At the very limit, they will say the umbrella is broken. To me this is a serious error, the source of all our troubles. Because it can no longer perform its function, the umbrella has ceased to be an umbrella. It might resemble an umbrella, it might once have been an umbrella, but now it has changed into something else. The word, however, has remained the same. Therefore, it can no longer express the thing. It is imprecise; it is false; it hides the thing it is supposed to reveal. And if we cannot even name a common, everyday object that we hold in our hands, how can we expect to speak of the things that truly concern us? Unless we can begin to embody the position of change in the words we use, we will continue to be lost.

Aimlessly It pounds the shore. White and aimless signals. No One listens to poetry. — from "Thing Language

A language is everything you do.

Alan invented all sorts of ways of expressing things so that only he and I understood. He used language as a place for us to hide.

Alex felt the words wash over him. He had the strange fantasy the things were seeking places within him to lay their young.

ahthOOn SSyng!" I said. "That's farewell." "It sounds evil." "It is," I answered, and we parted.

a hymn then not to birds but to words which themselves feel like feather and wing and light, as if it were on the delicacy of such sweet syllables that flocks take flight.

A language is a system of arbitrary vocal symbols by means of which a social group cooperates.