Best 393 quotes in «digital quotes» category

If you don't want something to exist - and there are many reasons to want to keep things private - keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon.

If you use Facebook - as I do - Facebook in all likelihood has a unique digital file of your face, one that can be as accurate as a fingerprint and that can be used to identify you in a photo of a large crowd.

I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.

I have not proved that the universe is, in fact, a digital computer and that it's capable of performing universal computation, but it's plausible that it is.

I hope I don't become just an animation [with a digital film].

I like digital cameras, because they enable you to reminisce immediately.

I learned not to confuse 'busy' with 'productive,' but I'm still far too addicted to email to resist its early-morning digital snuggles.

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.

I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.

I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.

I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.

I love the Digital Era! I grew up in a time that started from cassette tapes.

I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

In a digital world, there are numerous technologies that we are attached to that create infinite interruption.

In America, we collect more digital communications from America than we do from the Russians.

In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.

In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.

In the digital age of "overnight" success stories such as Facebook, the hard slog is easily overlooked.

I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.

In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].

In this day and age of digital media, as we've learned, it's not as though nobody's going to find out what you said.

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.

It gives you more freedom, the digital camera.

I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

I think the embryonic digital world had the same affect on me as the openness of the old American frontier.

I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.

It's not about being digital. It's about students who are born digital.

It’s not about revenues: the fundamental economics in digital business is scale and margins. The top line has become the bottom line.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

It's pointless to go against digital because sooner or later you won't be able to do anything else.

It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.

I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.

I've got a new studio set up very much based around live mixing and also mixing analogue and digital systems. Inspired by the late King Tubby and Scientist.

In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.

It's not plagiarism in the digital age -- it's repurposing.