Best 393 quotes in «digital quotes» category

In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

In the digital age of "overnight" success stories such as Facebook, the hard slog is easily overlooked.

In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.

In this day and age of digital media, as we've learned, it's not as though nobody's going to find out what you said.

In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].

I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.

In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.

I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.

I think the embryonic digital world had the same affect on me as the openness of the old American frontier.

I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

It gives you more freedom, the digital camera.

I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

It’s not about revenues: the fundamental economics in digital business is scale and margins. The top line has become the bottom line.

It's not about being digital. It's about students who are born digital.

It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.

It's pointless to go against digital because sooner or later you won't be able to do anything else.

It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.

It's not plagiarism in the digital age -- it's repurposing.

It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.

I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

I’ve noticed that the people who started on film still have the ability to see the person in front of them. Whereas for a lot of photographers who have only ever worked in digital, the relationship between the photographer and the person who they’re taking a picture of sort of doesn’t exist anymore. They’re looking at a computer screen as opposed to the person.

I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.

I've got a new studio set up very much based around live mixing and also mixing analogue and digital systems. Inspired by the late King Tubby and Scientist.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

I've created a narrative of the world. I live in the world - tenuously, most times. I've avoided the digital world.

I will always prefer a hardback book, but I'm drawn to digital because it's so easy to acquire them when I'm having a need-to-read moment.

Just a little bit of exposure to this pulsed digital signal, which is now a cellphone signal, could weaken membranes of the brain.

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

Marketers need to build digital relationships and reputation before closing a sale.

Millions and millions of exuberant monkeys are creating an endless digital forest of mediocrity.

I was shooting lots of large format portraits then but I've since changed to digital, where you have so much more control. There are millions of things you can do with digital; you can be more spontaneous, and you're more in control of your color palette.

Many Americans have never owned a book, and I'm not talking about because of the recent digital revolution. I'm talking about before there even was a digital revolution.

Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.

Millennials expect to create a better future, using the collaborative power of digital technology.

My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.

Much to the surprise of the builders of the first digital computers, programs written for them usually did not work.

My problem has been with purely digital films. I feel the danger there is that the kind of short-cuts you end up having to take are the ones that are most telling in the main characters.

No matter how great we get with digital formats of instrumentation, nothing really quite duplicates the real thing

No place in the US better exemplifies the ethos to engineer new digital technologies than Silicon Valley

My background is in like short form digital media, I call myself more of a digital filmmaker than anything else.

My protest against digital has been me saying, "What's going to happen to film?" The result is that Kodak is out of business. That's a national tragedy. We've got to keep making film.