Best 393 quotes in «digital quotes» category

I find digital content much easier and more rewarding to interact with on screen than printed on paper.

I find it fascinating to see other people's photos on social media but I don't upload pictures myself. I don't even know how to. I'm completely digital-phobic.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

If print was invented tomorrow, it would be the death of digital.

If you don't want something to exist - and there are many reasons to want to keep things private - keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon.

If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

If you use Facebook - as I do - Facebook in all likelihood has a unique digital file of your face, one that can be as accurate as a fingerprint and that can be used to identify you in a photo of a large crowd.

I have not proved that the universe is, in fact, a digital computer and that it's capable of performing universal computation, but it's plausible that it is.

I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.

I hope I don't become just an animation [with a digital film].

I love the Digital Era! I grew up in a time that started from cassette tapes.

I learned not to confuse 'busy' with 'productive,' but I'm still far too addicted to email to resist its early-morning digital snuggles.

I like digital cameras, because they enable you to reminisce immediately.

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.

In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.

I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

In a digital world, there are numerous technologies that we are attached to that create infinite interruption.

In America, we collect more digital communications from America than we do from the Russians.

In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.

In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

In the digital age of "overnight" success stories such as Facebook, the hard slog is easily overlooked.

In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].

I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.

In this day and age of digital media, as we've learned, it's not as though nobody's going to find out what you said.

In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.

I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

It gives you more freedom, the digital camera.

I think the embryonic digital world had the same affect on me as the openness of the old American frontier.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.

It's not about being digital. It's about students who are born digital.

It’s not about revenues: the fundamental economics in digital business is scale and margins. The top line has become the bottom line.

It's not plagiarism in the digital age -- it's repurposing.