Best 393 quotes in «digital quotes» category

Even if there were no illegal copying, the advent of digital distribution will put a lot of stress on the movie and music industry. When the distribution costs comes down, that puts more price pressure on the rest of the cost.

Even in developing markets, we're seeing the growth of digital communication is proceeding at a very rapid pace.

Every console, I don't give a damn if it's analog or digital-hell, every mixing situation today-is the brainchild of Bill Putnam.

Everyone seems to think that digital technology devoids the medium of content, but that is not true at all. If anything, it broadens the content.

Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.

For a lot of arcane shipping reasons, new comics, even digital ones, have a long history of only being released on Wednesdays.

Film and the other creative industries are being transformed by digital technologies.

Film is not very practical. The new world goes faster, and digital is very fast.

For me making a digital photo is like making a watercolor... It's not a painting, and it's not a photo. It's something altogether new.

For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

For me, between "Reference" and "Sketching & Conceptualizing" is the "Get the Hell Out of the Studio" step. I most often NEED to shut off the computer, push myself back from my desk and escape the studio space to let possible ideas percolate in my gray matter before committing anything to paper or digital imagery as a sketch or a concept.

Forget what you may have heard about a digital divide or worries that the world is splintering into 'info haves' and 'info have-nots.' The fact is, technology fosters equality, and it's often the relatively cheap and mundane devices that do the most good.

I also make movies that can be seen on a small screen, as I shoot on digital video. Hopefully they can be seen small and can live like that.

Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

For Sony, owning a studio is a gamble and probably a pretty good one, now that in the broadband era having content is a great advantage when you sell devices that in a ubiquitous world of distribution can actually show programs, movies, content directly to the consumer. So that you actually create, in a digital world, real synergy.

I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.

I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself.

I appreciate CD's, but I've been digital for 10 years.

I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital.

I can say for myself that I feel like I've gotten a ton of opportunities in the digital space and not a lot in the traditional space when I was first starting out.

I don't pretend to be a digital savant or even a digital apprentice.

I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.

I don't get fan mail. It disappeared with the digital revolution.

I don't know what's going on with new media and digital stuff. It's all changing.

I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.

I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.

I don't think there's a... boundary between digital media and print media. Every magazine is doing an online version.

I enjoy doing digital work. I enjoy sculpting digitally. I've had my digital sculptures on covers of the top digital magazines.

I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.

I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.

If print was invented tomorrow, it would be the death of digital.

I find digital content much easier and more rewarding to interact with on screen than printed on paper.

I find it fascinating to see other people's photos on social media but I don't upload pictures myself. I don't even know how to. I'm completely digital-phobic.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

I feel more reassured with physical media. Entertainment is something that will not just become digital.

If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

If you don't want something to exist - and there are many reasons to want to keep things private - keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon.

I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.

If you use Facebook - as I do - Facebook in all likelihood has a unique digital file of your face, one that can be as accurate as a fingerprint and that can be used to identify you in a photo of a large crowd.

I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

I hope I don't become just an animation [with a digital film].

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.

I have not proved that the universe is, in fact, a digital computer and that it's capable of performing universal computation, but it's plausible that it is.

I love the Digital Era! I grew up in a time that started from cassette tapes.

I like digital cameras, because they enable you to reminisce immediately.

I learned not to confuse 'busy' with 'productive,' but I'm still far too addicted to email to resist its early-morning digital snuggles.

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.