Best 393 quotes in «digital quotes» category

I also make movies that can be seen on a small screen, as I shoot on digital video. Hopefully they can be seen small and can live like that.

I can say for myself that I feel like I've gotten a ton of opportunities in the digital space and not a lot in the traditional space when I was first starting out.

I appreciate CD's, but I've been digital for 10 years.

I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.

I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.

I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital.

I don't know what's going on with new media and digital stuff. It's all changing.

I don't get fan mail. It disappeared with the digital revolution.

I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself.

I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.

I don't think there's a... boundary between digital media and print media. Every magazine is doing an online version.

I don't pretend to be a digital savant or even a digital apprentice.

I enjoy doing digital work. I enjoy sculpting digitally. I've had my digital sculptures on covers of the top digital magazines.

I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.

I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.

I find digital content much easier and more rewarding to interact with on screen than printed on paper.

I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.

If print was invented tomorrow, it would be the death of digital.

I feel more reassured with physical media. Entertainment is something that will not just become digital.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

I find it fascinating to see other people's photos on social media but I don't upload pictures myself. I don't even know how to. I'm completely digital-phobic.

If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

If you use Facebook - as I do - Facebook in all likelihood has a unique digital file of your face, one that can be as accurate as a fingerprint and that can be used to identify you in a photo of a large crowd.

If you don't want something to exist - and there are many reasons to want to keep things private - keep it off the web. But if you put it in digital form, expect it to be bootlegged, remixed, manipulated, and endlessly commented upon.

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.

I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.

I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

I have not proved that the universe is, in fact, a digital computer and that it's capable of performing universal computation, but it's plausible that it is.

I like digital cameras, because they enable you to reminisce immediately.

I love the Digital Era! I grew up in a time that started from cassette tapes.

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.

I learned not to confuse 'busy' with 'productive,' but I'm still far too addicted to email to resist its early-morning digital snuggles.

I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.

I hope I don't become just an animation [with a digital film].

I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.

In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.

In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.

In a digital world, there are numerous technologies that we are attached to that create infinite interruption.

In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

In America, we collect more digital communications from America than we do from the Russians.

In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.

In the digital age of "overnight" success stories such as Facebook, the hard slog is easily overlooked.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.