Best 393 quotes in «digital quotes» category

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.

In a digital world, there are numerous technologies that we are attached to that create infinite interruption.

In America, we collect more digital communications from America than we do from the Russians.

In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.

In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.

In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].

In this day and age of digital media, as we've learned, it's not as though nobody's going to find out what you said.

In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.

I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.

In the digital age of "overnight" success stories such as Facebook, the hard slog is easily overlooked.

I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.

It gives you more freedom, the digital camera.

I think the embryonic digital world had the same affect on me as the openness of the old American frontier.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

It’s not about revenues: the fundamental economics in digital business is scale and margins. The top line has become the bottom line.

It's not about being digital. It's about students who are born digital.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

It's pointless to go against digital because sooner or later you won't be able to do anything else.

It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.

It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.

It's not plagiarism in the digital age -- it's repurposing.

I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.

I've created a narrative of the world. I live in the world - tenuously, most times. I've avoided the digital world.

I've got a new studio set up very much based around live mixing and also mixing analogue and digital systems. Inspired by the late King Tubby and Scientist.

I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.

I’ve noticed that the people who started on film still have the ability to see the person in front of them. Whereas for a lot of photographers who have only ever worked in digital, the relationship between the photographer and the person who they’re taking a picture of sort of doesn’t exist anymore. They’re looking at a computer screen as opposed to the person.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

Just a little bit of exposure to this pulsed digital signal, which is now a cellphone signal, could weaken membranes of the brain.

I was shooting lots of large format portraits then but I've since changed to digital, where you have so much more control. There are millions of things you can do with digital; you can be more spontaneous, and you're more in control of your color palette.

I will always prefer a hardback book, but I'm drawn to digital because it's so easy to acquire them when I'm having a need-to-read moment.

Millions and millions of exuberant monkeys are creating an endless digital forest of mediocrity.

Millennials expect to create a better future, using the collaborative power of digital technology.

Marketers need to build digital relationships and reputation before closing a sale.

Many Americans have never owned a book, and I'm not talking about because of the recent digital revolution. I'm talking about before there even was a digital revolution.