Best 1003 quotes in «memoir quotes» category

I was always an odd child, though I had no idea what odd was, really.

I was an unwilling passenger leaving the Big Country. I would miss the mountains and the waterfalls,the treks on broad horses' backs to hidden villages in secret valleys.

I was able to pitch a tent and carry a backpack twenty-five miles a day through mountains—I’d mastered a thousand amazing physical feats—physically I’d become undeniably confident and capable—but physical weakness had never been the problem that I had. My true problem had been passivity, the lifelong-conditioned submission that became my nature.

I was beginning to feel compassion for myself.

I was desperate not to confront the fact that this really could be it—that "nineteen" didn't matter, that there really was a point at which even young bodies fail. I was not immortal.

I was getting what I had always wanted, him wanting me.

I was climbing high, high up Pen Dinas Head among the sparkling yellow gorse, sea birds and white heather, with the oily sheep huddled together against the wind

I was going to mean what I said, to be direct and firm. I found my moleskin notebook and on the page behind the pages addressed to Never-Never and my family—two unsent letters—I wrote: I am the director of my life.

I was his “little girl with the William Burroughs mind,” his “secret fairy,” “female Frank Zappa” and “window onto a magical world.” He said I fell to earth, leaving wing-marks on the ceilings of our dreams.

I was just four when a hired teenage field hand attempted to molest me. Miraculously, I got away, and I told my dad. My father made three important choices that day: He listened to me, he believed me, and he took action. I was one of the fortunate ones--I had a childhood.

I was no longer following a trail. I was learning to follow myself.

I was promising myself strength. I had to write it, say it, make the effort and fake it before I actually believed I could do it.

I was passive by nature. I had always been. Arguing felt unnatural and uncomfortable. I was always agreeing even when I didn’t really, instinctively looking for ways to forfeit power, to become more dependent, to be taken care of. I realized how intensely Icecap reminded me of Jacob. They were similar, both diligent and harsh in their judgments—and my big brother’s sureness had always comforted me. But as I ran on sore legs to keep up with Icecap, my tendency toward silence stressed me.

I was right when I said a very long time ago that our age would leave few living documents behind it: it was rare for anyone to keep a diary, letters were short and businesslike--"I'm alive and well"--and few memoirs were written. There are many reasons for this. Let me mention just one, not perhaps recognized by everybody: we were too often at loggerheads with our own past to give it proper thought. Within the half-century, our ideas on people and events have changed many times; conversations were broken off in mid-sentence; thoughts and feelings could not but be affected by circumstances.

I was scripting for a series on the Arts programme which was shown very late on a Sunday evening, and I was sent off to get the low down on several up and coming musicians who would be featured each week. To the music world, they may have been up and coming, I would have preferred them to be down and going and preferably out of range.

I was struck - not for the first time in my years of travel - by how isolating contemporary American society can seem by comparison. Where I came from, we have shriveled down the notion of what constitutes 'a family unit' to such a tiny scale that it would probably be unrecognizable as a family to anybody in one of these big, loose, enveloping Hmong clans. You almost need an electron microscope to study the modern Western family these days.

I was the problem and the solution.

I was taught growing up not to be unequally yoked with unbelievers, to withdraw myself from the sinful 'others'. But we are all others. We are all sinners in someone's eyes.

I was surprised to find myself not afraid of dying as much as I was afraid of how I would die. Afraid I’d look afraid when the firing began to cut us down…The possibility of death is a strange fear - fear of the scope of your ability- exciting, like the fear of your inability to appear worldly in the eyes of the first girl, you fumbled through the manipulations of seduction.

I wear the word victim like a badge of honor — my own purple heart. I see what others do more than I see what I'm capable of.

I watch the sky progress through its morning paces, the light turning from rose to saffron as the sun ascends, its rays like ribbons tangling in the tops of trees.

I wept for my family, all if us, my beautiful, idyllic, lost family. I wept for our excesses, our delusions and inconsistencies; not that we had cared too much or too little, although both were true, but that we had let such extraordinary care be subverted into extraordinary carelessness. We'd been careless with the best of our many resources: each other. It was as though we had taken for granted the fact that there would be more where we had come from too; another chance, another summer, another Brooke, Bridget or Bill.

I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand.

Listen: I don't have anything against autobiographies, so long as the writer has a penis that's twelve inches long when erect. So long as the writer is a woman who was once a whore and is moderately wealthy in her old age.

Live life carefully but save time for fun.

Living as Wild Child, I could no longer be Debby Parker comfortably — this name that I’d been given at birth that defined me before I’d had the chance to define myself.

Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is? I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths! Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.

Love is bigger than everything.

Looking back on the eruption, asking God why I had somehow been chosen to be afflicted with this damn disease, the fairer question would have been, “Why not me?” Why should I have been exempted from holding the proverbial short straw?

Love has no demand of us but to keep practicing, to do the next hard thing. Love says, Come dear. Take the next step.

Love was like notches on a speaker that could be cranked up and down, the decibels of desire, the frequencies of feeling. Sometimes she thought that she might have cranked it all the way up and broken the dial before the music had even started.

Love was a verb with a certain amount of energy attached to it - a daily quota - and you had to choose on whom you wanted to spend this energy. That was love. That was why people had to pray for it. If it were not finite, no one would pine for love in their lives - they would just wait to receive or learn to give.

Love lights our darkness. It is forever tries.

Maggie, tou made it possible -but not probably for me to be the man I am now.

Make no mistake about it – forgiveness and happiness are inseparable.

Many of the people I write about were deliberately left out of the history books that we were forced to read in school. For me, that history was "written wrong" and needed to be corrected. My intention was to make them visible so they could be role models for others. To show how each, in his or her own way, dribbled gracefully around that obstacle in the narrow corridor.

Make time your friend and not your enemy

Many have come to understand that while reality and truth are not always the same, they do not necessarily oppose or preclude one another. The myths of Shiva, the lake and the mountain, Buddhist stories and visualisations, the feeling of a mountain rising: none of these need be literal in order to be considered truthful. Such moments simply point to a truth as complex as the people who seek to understand them.

Mauve cream Kabuki actors use conceal dark circles under my eyes. I brush soothing sable bristles of coral blush across high cheekbones, smudge taupe color on eye lids, darken thick lashes, dot ash rose gloss across my lips. Heavy red frame glasses and rose lenses cover grey eyes. I rip the telephone from the wall and stumble, drunk and crying, to the door, batter the facing with the phone handle, counting arrhythmic phlegmatic beats. Splinters and fragments of wood fall to the floor, a lingering catarrh lying among pale turquoise and gold threads. The scent of roses and jasmine lingers. The sky and dot and window refracture. I look into the gold leaf mirror, pleased with the effect: A perfect face reflects no inner turmoil.

Mary the Canary lives in a cloud of perfume and colours. She's an auxiliary nurse by day and a country and western singer by night: bed pans and power ballass. She's so glamorous she makes Mrs Hart look plain. She is the other woman and I'm bring trained to hate her even though I've never met her.

mates, to my sisters and me, are seen mainly as shadows of the people they're involved with. they move. They're visible in direct sunlight. But because they don't have access to our emotional buttons-- because they can't make us twelve again, or five, and screaming-- they don't really count as players.

Maybe I'd die. Maybe I'd burn to ash in wind, or blacken like the pines. Charred skeletons, I'd add one to the count. I didn't feel scared. I didn't think to panic. The trail wasn't burning. I was raw, ripe for loving. I wasn't stopping.

Maybe some people are only ever meant to be missed.

Martin was very pro-American in his attitude and statements. When I knew him, he was divorced, alone and a Korean who had never lived in Korea—neither in what became North or South Korea. A man without a country.

Mary [Tyler Moore] was absolutely brilliant... She is a fabulous actress. She can do anything.

Maybe being broken helps you become a better person.

May I see the beauty in others without denigrating my own.

Memory for most is a kind of afterlife; for my mother, it is another form of life.

Meandering cows, tenacious bicyclers, belching taxis, rickshaws, fearless pedestrians and the occasional mobile ‘cigarette and sweets’ stand all fought our taxi for room on the narrow two-lane road turned local byway.

[Memory]... is a system of near-infinite complexity, a system that seems designed for revision as much as for replication, and revision unquestionably occurs. Details from separate experiences weave together, so that the rememberer thinks of them as having happened together. The actual year or season or time of day shifts to a different one. Many details are lost, usually in ways that serve the self in its present situation, not the self of ten or twenty or forty years ago when the remembered event took place. And even the fresh memory, the 'original,' is not reliable in a documentary sense....Memory, in short, is not a record of the past but an evolving myth of understanding the psyche spins from its engagement with the world.