Best 1974 quotes in «science fiction quotes» category

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    Suddenly, I’m struck by the magnitude of the moment. Hurtling through the air becomes freeing, not terrifying. This time last year, I was suffocating within the confines of my life. I would’ve done anything to escape. That my life has come full circle is as exhilarating as it is scary. Life is for living. For moments like this.

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    Suddenly the images in the center of the room became more than images. They solidified.

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    Superfast beings shouldn't piss off the comics geek-girl.

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    Suppose whatever we can recognize we can find. We can if P=NP.

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    Surprise is an event that occurs in the mind of an enemy commander.

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    Sustainability before ambition. Okal Rel.

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    Survival is insufficient

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    Suspicion leads to bias, and bias doesn't lead to truth.

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    Take it slow. We want to know what’s ahead before what’s ahead knows we’re here.

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    Take a scientific fact or theory, add a futuristic or other-worldly setting, stir in an imaginative plot and fascinating characters, and a science fiction novel emerges from the cosmic mix.

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    Taking a shower often solved problems for her. She would find herself with thoughts that seemed to come from outside her, thoughts that would question decisions or offer suggestions or just consider life hazily in a way that made it seem like the thoughts could not possibly be her own.

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    Táto okolnosť sa môže bez problémov stať predmetom napätia, pretože nie je absolútne ničím dôležitá.

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    Technology won’t protect you from being attacked for fresh water. A badass blade will. Back in Eden where I grew up, the closest thing to knifework I’d experienced was cutting up a loaf of warm bread. Last night, I’d gutted a wild prairie chicken after scaling a rock face to find its nest and slit its throat. What a difference a year makes.

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    Technology never exists on its own, it’s part of a wider collection of connections, ways of seeing things.” FADE by Kailin Gow.

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    Technos and clerics have much in common. Both take a world that can’t be fully understood and try to explain its fundamental properties. Clerics postulate beliefs that can never be proven; they demand you accept these postulates as your Faith, which will guide your actions and thoughts. It’s a top down way of thinking; start with the big picture and derive rules for living. Fundamental knowledge is static. Even the derived rules rarely change. Technos work from the bottom up. They build a baseline of observations and formulate theories to explain these phenomena. Nothing is sacred; with new observations, theories are discarded or modified to fit the facts. Technos and clerics; how could they not be in conflict? Dan Ronco’s Diary, 2016

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    Technology! How can any man who means to keep his sanity go far in such an art?

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    Tej seemed such a sunny personality, much of the time--these flashes of dark were like a crack in the sky, shocking and wrong. Reminding him that the daylight was the illusion, the scattering of light by the atmosphere, and the endless night was the permanent default behind it all.

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    [Telzey] took out a pocket edition law library and sat down at the table. She clicked on the library's viewscreen, tapped the clearing and index buttons. Behind the screen, one of the multiple rows of pinhead tapes shifted slightly as the index was flicked into reading position.

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    Ten pushups reminded me that I, Kiran McVarras, do not take any abuse and do not forget those who insult me.

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    That excuse only works until you discover the person is merely an individual like any other.

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    That fantasy mouth smiled. The kind of smile that could melt the panties off a nun. Holy Cow.

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    That she was now more tired and forgetful, while able to do three times what she had been able to do when she was somewhat less tired and forgetful but also stressed, guilty, grouchy, and overwhelmed, seemed a small price to pay.

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    That's all science fiction was ever about. Hating the way things are, wanting to make things different.

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    That's how we should celebrate all birthdays... with an ass-kicking.

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    That's the moon, commissioner: hours of boredom followed by a few seconds of terror.

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    That's one of our speculations, by the way. That the prior version of history that this one overwrote was horrible. Complete geopolitical mayhem; half of New York City is underwater. The United States is headed toward civil war, or ruled by an artificial-intelligence construct, or some such other thing. Real end-of-days stuff. That the instances of ourselves who existed in that history figured out what we have: that the invention of the causality violation device was the cause. That in that prior version of history, Rebecca did not die in a car accident. That she went back to the past on a mission, as a volunteer, well aware of her sacrifice.

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    That’s the Celes I know and love. So determined. So strong, but still thinking about everyone else except yourself.”, FADE by Kailin Gow

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    That's the Zone for you: come back with swag, a miracle; come back alive, success; come back with a patrol bullet in your ass, good luck; and everything else - that's fate.

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    That’s our cue,” Dr. Chadwick noted, managing to approximate a cheerful smile, addressing the room at large. “Everyone please stand behind the yellow line until the doors open. No food, drink, flash photography, or video cameras are permitted. Once aboard the ride, please keep your hands and arms inside the vehicle at all times until we come to a full and complete stop. Otherwise, they’re apt to end up in another universe somewhere without ya, and wouldn’t that fry your noggin?

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    That’s very trusting.” Iris watches Anke search our backpacks. “We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean. When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.” My gaze flicks to my pillow. “I. I. Could I.” “She doesn’t like people touching her bed.” Iris stands, guarding me. “You’re touching it,” Captain Van Zand’s brother says. Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.” Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.” I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say. “You can’t—” Iris goes on. “Just ’cause she’s too precious to—” the man argues. “Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut. No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.” “You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.” “Denise, just get it done,” Anke snaps. I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself. I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . . They tell us to stay in our room for another hour. I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases. “That was a good solution,” Iris says. “Sorry,” I mutter. “For what?” Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.

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    That’s what you people do, isn’t it? Make assumptions and sell them to impressionable idiots.

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    That’s when I notice Cheryl and Mickey cuddled up on the couch. She’s leaning on his shoulder, his arm around her, her leg across his lap. Cheryl throws glances at Kerry that say, “Look at me!” while Kerry shoots a “You go, girl!” smirk right back. I think of CK, how he and I often sat like that. Not because we were seconds from making out or wanted to look like a couple, but just out of a deep, platonic connection. My heart hits a higher notch on the ache-o-meter, my teeth sear into my bottom lip, and then something inside me snaps as cleanly as a crayon.

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    That was a double negative, Jemail. By saying that you haven’t seen nobody, you’re actually saying that you have seen somebody.

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    That was asking a lot of my readers, I realized, but I was trying to write the novel I would most enjoy decoding.

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    That wasn't enough. They weren't enough. Nor, she soon realized, was Will, though by every rational measure he ought to have been. ... He became ardent, spoke of love, hinted at marriage. She stilled his roving hands and deflected his near-proposals. Finally, when his frustration turned to anger, she cut him loose, bleeding and disoriented, her own heart perfectly intact. Aidan wouldn't leave it intact, she'd known that from the first. Long before they became lovers, she could foresee that there would be an after, and that it would lay waste to them both.

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    That tank," Bucktooth pointed at the gas gauge on the dashboard of the decidedly unfredneck-like '65 Dodge Dart, "is almost empty. We ain't going much farther." "Indeed it is." A solemn Phosphate agreed. "I suggest we stop the car and weigh our options." "What options?" Professor Buckley asked. "Why do-that is- we've been traveling up and down this path for over an hour without seeing anyone or encountering anything. Even the doughnut shop cannot be relocated. In light of this, what options do we have?" It was difficult to argue with the ex-history teacher's typically alarmist position. Brisbane's reliable old automobile had indeed been expending its remaining fuel supply in what seemed to be a hopeless effort to exit the unnamed dirt path. After leaving the doughnut shop and the blonde presidential descendant who worked there, they'd been unable to find DeMohrenschildt Lane again, or any other side street.

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    That was the first time I realized that some people had something truly beautiful and it was called family. I wanted that for myself-and that tea set. It was elegant and beautiful, and it represented that bond they has as well as their connection to the past.

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    That year the Ribeiro's daffodils seeded early and they seeded cockroaches. Now, ecologically speaking, even a cockroach has its place -- but these suckers bit. That didn't sound Earth-authentic to me. Not that I care, mind you, all I ask is useful. I wasn't betting on that either.

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    The Anadens have a somewhat different perspective on death.” “On account of not having to deal with it, sure. Personally, I think their little immortality contrivance has destroyed the value of life for them.” “It brought you back.” “Thus I reserve the right to be hypocritical on this particular topic.

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    The Ancestral Trail was split into two-halves of 26 issues each. The first half takes place in the Ancestral World and describes Richard's struggle to restore good to the world. After the initial international run, which sold over 30 million copies worldwide, Marshall Cavendish omitted the second part of the trilogy and used the third part (future) for the second series that followed. This part of the series, written up by Ian Probert and published in 1994, takes place in the Cyber Dimension. It deals with Richard's attempts to return home. Each issue centered on an adventure against a particular adversary, and each issue ended on a cliffhanger. The Ancestral Trail was illustrated by Julek and Adam Heller. Computer-generated graphics were provided by Mehau Kulyk for issues #27 through #52.

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    The Apocalypse. Millions… billions of people dying. And that’s just the first phase of it. The initial disaster has knock on effects. It kills so many people, but it isn’t quite the end of the world. In our time though it looks like we are heading for that.”, FADE by Kailin Gow

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    The Artificial’s speech pattern was an idiosyncratic mix of awkward and colloquial. It was unexpectedly endearing. “I just have good instincts. Mostly I love being in space.” But you are not ‘in’ space. You are in your starship and your starship is in space. It is not so different than being on a planet. “Oh, Valkyrie, you have no idea.” Tell me then.

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    The art of fiction has not changed much since prehistoric times. The formula for telling a powerful story has remained the same: create a strong character, a person of great strengths, capable of deep emotions and decisive action. Give him a weakness. Set him in conflict with another powerful character -- or perhaps with nature. Let his exterior conflict be the mirror of the protagonist's own interior conflict, the clash of his desires, his own strength against his own weakness. And there you have a story. Whether it's Abraham offering his only son to God, or Paris bringing ruin to Troy over a woman, or Hamlet and Claudius playing their deadly game, Faust seeking the world's knowledge and power -- the stories that stand out in the minds of the reader are those whose characters are unforgettable. To show other worlds, to describe possible future societies and the problems lurking ahead, is not enough. The writer of science fiction must show how these worlds and these futures affect human beings. And something much more important: he must show how human beings can and do literally create these future worlds. For our future is largely in our own hands. It doesn't come blindly rolling out of the heavens; it is the joint product of the actions of billions of human beings. This is a point that's easily forgotten in the rush of headlines and the hectic badgering of everyday life. But it's a point that science fiction makes constantly: the future belongs to us -- whatever it is. We make it, our actions shape tomorrow. We have the brains and guts to build paradise (or at least try). Tragedy is when we fail, and the greatest crime of all is when we fail even to try. Thus science fiction stands as a bridge between science and art, between the engineers of technology and the poets of humanity.

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    The automatic door retracted into the wall, and she stepped through, the cacophony of the ship following close behind her.

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    The air was hot and humid. Sultry. Her body seemed to have caught some of the intensity of the storm. She felt a little wild and out of sorts. Edgy. On the verge of something big.

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    The alien reached out her hands to hold Alex’s tightly. “Please. Some of what I want to express, it may be difficult to locate the right words.” “Of course.” Pure alabaster eyes stared back at her. “Child, there is a hole in your mind.

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    The answer is they didn't. They aren't here, Razor. They never were it's just us. It's always been just us.

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    The antagonists of finance’s future, the diaboli ex machina, may have no face at all.

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    The assumption of no God cannot be proven by science." - Scientific Faith "Under the Thelián Sky: Beyond the Great Unknown" (c) 2012

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    The beauty of Mars exists in the human mind. without the human presence it is just a concatenation of atoms, no different than any other random speck of matter in the universe. It's we who understand it, and we who give it meaning. All our centuries of looking up at the night sky and watching it wander through the stars. All those nights of watching it through the telescopes, looking at a tiny disk trying to see canals in the albedo changes. All those dumb sci-fi novels with their monsters and maidens and dying civilizations. And all the scientists who studied the data, or got us here. That's what makes Mars Beautiful. Not the basalt and the oxides. Now that we are here, it isn't enough to just hide under ten meters of soil and study the rock. That's science, yes, and needed science too. But science is more than that. Science is part of a larger human enterprise, and that enterprise includes going to the stars, adapting to other planets, adapting them to us. Science is creation. The lack of life here, and the lack of any finding in fifty years of the SETI program, indicates that life is rare, and intelligent life even rarer. And yet the whole meaning of the universe, its beauty, is contained in the consciousness of intelligent life. We are the consciousness of the universe, and our job is to spread that around, to go look at things, to live everywhere we can. It's too dangerous to keep the consciousness of the universe on only one planet, it could be wiped out. And so now we're on two, three if you count the moon. And we can change this one to make it safer to live on. Changing it won't destroy it. Reading its past might get harder, but the beauty of it won't go away. If there are lakes, or forests, or glaciers, how does that diminish Mars beauty? I don't think it does. I think it only enhances it. It adds life, the most beautiful system of all. But nothing life can do will bring Tharsis down, or fill Marineris. Mars will always remain Mars, different from Earth, colder and wilder. But it can be Mars and ours at the same time. And it will be. There is this about the human mind; if it can be done, it will be done. We can transform Mars and build it like you would build a cathedral, as a monument to humanity and the universe both. We can do it, so we will do it. So, we might as well start.