Best 1974 quotes in «science fiction quotes» category

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    E avevo OASIS. La mia vita non era poi così male. O almeno è quello che continuavo a ripetermi, nel vano tentativo di alleviare la solitudine in cui mi ero trovato a vivere.

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    Either I’ve got a wart on my nose they find curious, or I’ve grown a tail, Albie Merani muttered to himself. Just then he thought. I’d better get a move on, got work to do. He hurried across to some stairs, heading down deeper into station, then followed the signs to the pod station.

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    Eleanor had heard talk of the rebellion that existed inside the city of Constance before. Most of the information she gathered was considered an old fairy tale by the general public. There were a few stories here and there about people angered by their present living conditions, who had demanded that the center of Constance be held responsible for it. However, information was never passed between the five different sectors. Over the years the tales of the rebellion had become children’s bedtime stories, and people did not take them seriously.

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    El misterio de la vida no es problema que hay que resolver, sino una realidad que hay que experimentar.

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    El poder se basa en inflingir dolor y humillación. El poder consiste en hacer pedazos el espíritu humano y darle la forma que elijamos.

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    Elijah blinked in dazzling sunlight and took a deep breath. The sweet-pepper scent of meadow grass told him immediately where he was. Winded, he skidded to a halt as the portal spat him out. Above him stretched skies of cornflower blue, dotted with threadbare white clouds sailing over like cotton galleons on the summer breeze.

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    El universo es un bosque oscuro. Cada civilización es un cazador armado que recorre el bosque como un fantasma, apartando delicadamente las ramas que le impiden el paso, intentando moverse sin emitir sonido. Incluso respira con mucho cuidado. El cazador debe ser precavido, porque el bosque está lleno de otros cazadores secretos como él. Si da con otra forma de vida, otro cazador, un ángel, o un demonio, un infante delicado o un anciano tambaleante, un hada o un semidiós, solo tiene una opción: Abrir fuego y eliminarlo. En este bosque, el infierno son los otros. La amenaza eterna de que cualquier vida que revele su existencia será exterminada con rapidez. Esa es la imagen de las civilizaciones cósmicas. Es la explicación de la paradoja de Ferm

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    Enemy?’ Horus laughed. ‘When did they become the enemy? They are men like us.’ He glared up at the night sky, threw back his head and screamed a curse at the stars. Then his voice fell to a whisper. Loken was close enough to hear his words. ‘Why have you tasked me with this, father? Why have you forsaken me? Why? It is too hard. It is too much. Why did you leave me to do this on my own?

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    Eric, you need to look at the whole picture," the PM said. "You look at the jobless as a huge pile of scrap and you're looking for what can be recycled. That's good. That's your job. But what you don't realise is that this pile of scrap itself serves a purpose. I need my zeros, Eric. They put fear in people; fear of crime and terrorism. They are a stark reminder to the stakeholders that what they despise today, they may end up joining tomorrow. It keeps them obedient. Remember that!

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    Essentially, in the model of strange fiction based in shifts in narrative modality, we are reversing the polarity, treating those ‘contents’ (errata, nova and chimera) as the end results of a literary technique of estrangement, the effects of strangeness rather than the cause. These quirks – dragons, spaceships, magic, FTL – are not things which, in and of themselves, make fiction strange. Rather they are the epiphenomena of an underlying process of semiosis, figurae generated and combined to create meaning, gaining their symbolic power by their application. Genre is not a question of which trove of tropes one uses, of a characteristic set of quirks; rather it is a quality emergent from the underlying dynamics of modalities, the nature of the impossibilities and our affective responses to them – the uncertainties and ethical imperatives too, if we include epistemic and deontic quirks in our scope along with the alethic and boilomaic.

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    Esa era la mayor sutileza: inducir conscientemente a la inconsciencia, y luego, una vez más, volverse inconsciente del acto de hipnosis que acababas de realizar. Incluso la comprensión del término , implicaba el uso del doblepiensa.

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    Eternity is a lie and Chiron was the messenger.

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    Even a feeble-minded man wants to be like other men. A child may not know how to feed itself, or what to eat, yet it knows hunger.

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    Even if you’re given all you desire, without freedom, you’re in a prison. He’d not elect to give up his freedom.

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    Even if such beauty wasn't meant to be in a world so fallen as ours, that didn't take away from its beauty. It only made it more beautiful.

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    Even in forgetting there is an aspect of recollection, a faded few moments of wispy consciousness clung like webs in high-vaulted chambers, moving ever so lightly with the draft.

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    Evening had turned the sky a deep persimmon. The remaining sunlight enriched the colors of the ubiquitous flowers and foliage to even greater vibrancy, as if the saturation filter had been notched up several levels. Caleb noted all this in passing as he strode deliberately forward. He didn’t know how he was going to do this, only that he had to make the attempt.

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    Eventually we’ll all be living comfortably and provided for, even if caged like a poor zoo animal.

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    Even when the world throws it worst and then turns in its back, there is still always hope

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    Ever since I could remember, She was all that mattered.

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    Everybody wants to own the end of the world.

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    Every decision you make in life will stem from one of two options: love or fear. Choose love.

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    Every death is a burst of fuel I use to stoke the fires that sit inside me. But it’s more than anger. It’s love too. It’s the fact that I care about the people who will die if I don’t do this.", FADE by Kailin Gow

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    Every Fader has the key,” Jack assures me, and puts his finger in the key hole. I realize then that it must be one of the fancy biometric locks the Faders love so much. “The key hole is just in case someone wanders in by accident. They just think it’s an old storage room, or a mine, or something. They don’t see the level of technology that’s here.”, FADE by Kailin Gow

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    Every day we are challenged by events, people and situations that are extremely frustrating and anger producing.

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    Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on. As far as I'm concerned at this point, I'm just hanging on and trying to keep up.

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    Every moment of a science fiction story must represent the triumph of writing over worldbuilding. Worldbuilding is dull. Worldbuilding literalises the urge to invent. Worldbuilding gives an unnecessary permission for acts of writing (indeed, for acts of reading). Worldbuilding numbs the reader’s ability to fulfil their part of the bargain, because it believes that it has to do everything around here if anything is going to get done. Above all, worldbuilding is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn’t there. A good writer would never try to do that, even with a place that is there. It isn’t possible, & if it was the results wouldn’t be readable: they would constitute not a book but the biggest library ever built, a hallowed place of dedication & lifelong study. This gives us a clue to the psychological type of the worldbuilder & the worldbuilder’s victim, & makes us very afraid.

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    Everyone has got their own ideas and they push them and say to hell with everyone else. That's the history of the human race. It got us on top, only now it is pushing us off. The thing is that people will put up with any kind of discomfort, and dying babies, and old age at thirty as long as it has always been that way. Try to get them to change and they fight you, even while they're dying, saying it was good enough for grandpa so it's good enough for me. Bango, dead.

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    Everyone pays lip service to world peace. They use it as a pretty answer to pointless questions, to make themselves sound good.

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    …every King must have a fool or risk becoming the fool himself.

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    Everyone has the right to believe whatever he or she wants. Christians, Muslims, Buddhists, Pagans, atheitsts, and every other religion. People can follow whichever they choose. Even if you and I believe Christianity is the truth, we must allow others to choose their own beliefs. You can’t force anyone to believe something they don’t, anyway.

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    Everyone will be tracked, cradle to grave, with no possibility of escape.

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    Every science fiction is a reading of the period that produced it.

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    Everything about this place was evil. This type of temptation was the folly of men who thought they could buy sin without consequences. He hated it.

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    Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that’s the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we’re hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you?

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    Everything I do now Was once an unremembered dream. -Spoken by Dr. Perry after return from the chrysalis

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    Everything I’ve done has been to try to make things better for my people, and we’ve succeeded. We’ve actually done what we set out to do.", FADE by Kailin Gow

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    Everything's science fiction until someone makes it science fact.

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    Everything in a science-fiction novel should be mentioned at least twice (in at least two different contexts).

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    Everything in life is one way or another created by thoughts, ideas. The thoughts can be chaotic and wild and create a lot of pain and trouble, or they can be organized to the last minute detail and make something beautiful and perfect. Your life has its structure. It is composed of things that are happening in it. All those events are reflections of your intentions. Things and occurrences are shaped according to your thoughts. Is there some confusion in your life? There is likely confusion in your mind. Are you experiencing joy, peace and beauty? Well, then the same are your wishes.

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    Everything in this world, as well as the world itself, strives for balance and harmony. Electron reaches proton, male tends to female, light replaces darkness, life is balanced by death, and vice versa. And evil on one scale will inevitably lead to the appearance of good on the other.

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    Everything was so much sharper without the Link fogging me--sights, sounds, smells. It was exhilarating and shocking and terrifying. I knew my emotions had grown too strong. They were dangerous to the Community. They were dangerous to me. But still, I wanted color. I wanted to soar with happiness even if it meant dealing with the weight of fear and guilt, too. I wanted to live. And that meant that I couldn't give the glitching up. At least not yet. Just a little bit longer.

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    Every vice of the Empire has been repeated in the Foundation. Inertia! Our ruling class knows one law; no change. Despotism! They know one rule; force. Maldistribution! They know one desire; to hold what is theirs.

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    Everywhere, the destruction is the same. The fire is raining down. People are panicking. There’s worse than that too, because other natural disasters are rising up.", FADE by Kailin Gow

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    Evolve...or Die...

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    Expand your world. (Stories about wizards and spells) are very frequently about power relationships...

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    -Expansion to your ego, friend. -At your expense.

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    Expect an army of Vigil drones, nearly as a many Praesidis guards, a Machim ground detachment of super-soldiers and at least one Inquisitor. Oh, and security barriers everywhere. Possibly some of those mechs we met on Helix Retention, too. You Humans have kicked off a shitstorm of epic proportions.” Alex spread her arms wide in an exagerrated shrug. “It’s one of our best skills.

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    Eyuran,” I addressed his Node. “What was in this one?” He came closer and studied the huge case, which was easily twice the height of an adult Danna and had body slots for some kind of gear. “I don’t know for sure. I haven't seen this before. It resembles a gearbot sarx, but those are usually larger. Must be a new, compact model.” Observing the empty sarx, a wave of bad feelings came over me. “I also saw some of the weapon crates with broken locks.” “If someone is operating a gearbot, a bunch of guns will be the least of our worries. A hull repairer can’t even begin to compete with the power of an assault exomachine.” He looked around and frowned. “By the way, the whole hull repairer rack is empty. Counting the one you took out, we should have seven more roaming somewhere on the ship.

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    ... Evren, eski küçük oyunların sahnelenemeyeceği kadar büyük. Sahnenin evrensel büyüklüğüne olayların, işlerin ve eylemlerin evrensel genişliği uymalı. Yoksa yanılıyor muyum? Yıldızlar çağında da sevi olacak, kıskançlık, alçaklık ,büyüklük, cimrilik... Evet, akan bir suda her nokta kendine göre devinir. Kendi isteğine göre gittiğini sanır. Ama bütün noktalar aynı yere doğru akıp giderler. İnsanlar da böyle. Gündelik işlere yapışıp kalabilirler, ya da kendilerini tutkulara bırakabilirler. Ama yine de bu, onların hep birlikte yıldızlara gitmelerini önlemez. Sanat yıldızlara doğru bu gidişte onların önünde olmalıdır. Ama sonsuz göğe meydan okuyan bir insan betimlemek ne zor! Yıldızlara giden insanın iyiliğini yiğitliğini, gücünü güçsüzlüğünü hangi yontuda taşlaştıracağım? Bilginin sakin gücünü, coşkunun ataklığını ve duygusallığı, ışıklı melankolisini hep birden taşa nasıl geçirmeli ? Sanat, sen bazen ne kadar güçsüzsün! Evrenin Türküsü - G. Altov - V. Juravleva sf. 137

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