Best 5042 quotes in «house quotes» category

Some of us can live without a society but not without a family.

Some people will each start investing more of their salary on ‘their’ house and spending less of it on ‘their’ car or cars only when they start being able to take ‘their’ house to work, funerals, weddings, etc.

Sometimes our worst fears aren't realized - though in my experience it's only to make room for the fears our imagination was insufficient to house.

Sometimes we are that fly in the house, that thinks it sees an open window. So it crawls to, or flies head-on into clear glass. At times getting stuck between the storm and pane, it dies in the windowsill under a tormenting, hot sun.

Sorry, but at first yeah all lie, but you forgot to say that the truth comes from the lies. (Especially for GreenHollyWood)

Stolen pleasures are always more thrilling than those come by honestly.

That is why a house is not something that you passively 'have', it is something that you 'do', something that you 'work on',

The Abandoned Did you ever wonder Why abandoned houses looked so sad Much like the people Their exterior was only for the function We would not feel so sad If we recognized That the spirit of the house Had already moved on The dream remained

That feeling I used to have of playing to an invisible audience has been replaced by the consciousness, the ever-presence, of Edward's discerning eye; a sense that the house and I are now part of one indivisible mise-en-scène. I feel my life becoming more considered, more beautiful, knowing that he considers it. But for that very reason, it becomes increasingly hard to engage with the world beyond these walls, the world where chaos and ugliness reign.

The church is a house of prayer for all nations

The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body")

The church is a clearing house for believers

The Democratic Party of the USA would greatly appreciate your cooperation with re-installing Mr & Mrs Pinocchio into the White House.

The epidemic was at its worst in Belfast with one in every seven people succumbing to the fever. Donegal Street where we lived was one of the most affluent areas in town but at the foot of the street near the Linen Hall was one of Belfast’s most deprived areas know as the ‘Half Bap’. Here people lived some eight or more people to a house and there were houses backing on to each other with open sewers. It is also said that in the shebeens off York Street that people were so hungry they ate rats alive.

The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside. But on the inside there is nothing—only the bare gingerbread walls. It is not a real house—not until you decide to add a Gingerbread Room. That’s when the stories can move in. They will stay in residence for as long as you abstain from taking the first gingerbread bite.

The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.

The fraudulent electrical utility company in conjunction with the corrupt sheriff taught me that an Englishman's home is not his castle

The house, and all the objects in it, crackled with static electricity; undertows washed through it, the air was heavy with things that were known but not spoken. Like a hollow log, a drum, a church, it was amplified, so that conversations whispered in it sixty years ago can be half-heard today.

The house gulped in a big breath of fresh air, like some frantic drowning thing breaking the water's surface and gasping for life. It had sat unopened for so long, suffocating in the silence, it's memories blanketed by a thick layer of dust.

... the house is on fire, but go ahead - finish painting the verandah...

The house was so quiet, as if everyone had been spirited out of sight. I had a feeling of moving through time itself. I saw myself as a small, scurrying animal rushing into my future. But I was not afraid.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

The Lord said unto me, 'I will take my rest and I will consider in my dwelling place like a clear heat upon herbs.

The more natural a house is, the more joy it gives those who live in the house!

The majority of the common people do not realize how corrupt the legal system has become until that blatant corruption shows up at their own homes.

The modern human has mastered the art of building toxic homes and cities.

The morning light was pearly and the bay a powdery deep blue. Its rippling water exuded calm and she stared for a long time. This house had always been a haven of peace for her. Gran insisted on it, often proclaiming the quiet neighborhood a 'paradise'.

The more you keep your door closed, the more you will rot! Open your door! Let different ideas, different beliefs, different cultures and different attitudes flow into your mind. Anything different will help you to enlarge your little world! By opening your door, you invite the whole universe to your tiny house! Enlarge your house and enrich yourself! As long as your door remains closed, you shall continue rotting in your poor world!

The poorest person on earth is not the person who has no job, no cars, no money and no house. The poorest person is the one who has no vision. Visionlessness is poverty in disguise.

The place had that strange unfurnished cleanliness that lonely houses sometimes have.

The one plus side to demonic infestation is that children cannot be harmed by a demon. The sanctified aura of a child somehow repels the demon and they can only oppress them if the parent makes a contract allowing them to do so. Because they can be very clever in tricking people into agreeing to additional contracts, it is important to never converse with a demon. Either call in a priest or move out as soon as possible.

The only sacred home, you can live lies in your pure heart.

The prisoners of the cultures are mostly the women! House is the name of the prison!

The real beauty of a house is always the happiness inside that house!

Therefore, the places in which we have experienced day dreaming reconstitute themselves in a new daydream, and it is because our memories of former dwelling-places are relived as day-dreams these dwelling-places of the past remain in us for all the time.

Therefore, the places in which we have experienced daydreaming reconstitute themselves in a new daydream, and it is because our memories of former dwelling-places are relived as day-dreams that these dwelling-places of the past remain in us for all time.

There probably was a time when the idea of having a toilet inside a house was repulsive.

This is terrific. What a gorgeous kitchen. You’ve decorated it so beautifully. Now you’re going to have to clear all the counters. Vases. Books. Knickknacks. Get rid of all that stuff. I mean, it is just beautiful. Beautiful. I love what you’ve done with this house. Make sure you put it all away.” ~Real estate agent (p.76)

There's nothing more haunted than a house. Doesn't matter where, how grand, how small, made of brick, straw, stone, or gingerbread, whether perfectly cared for or blown to bits. Beings gather there. Every house is a planet, exerting gravitational pull. Every house is in a dark wood, every house has a wicked witch in it, doesn't matter if she looks like a fairy godmother...

The stability of the structure is directly related to the security of the foundation

They climbed the wide stairways. Their footsteps echoed and echoed through the house. "What on earth will you be doing with something so large?" said Mum. "I shall live in it with my servants, of course," said Mina. "Or I shall establish a school." "A school, my lady?" "Yes. A school for the writing of nonsense and the pursuit of extraordinary activities.

There's trouble in every house, and some in the street.--Irish Proverb

This body is the house of God.

Those who build their homes in impossible places are great pioneers who pave the way to other impossible places in this universe!

What are you doing?” Alecto asked in surprise, stepping back. Laughing brightly, she dragged him towards the greenhouse, the shattered glass reflecting rainbows as brilliant as a million Kodak flashcubes, glittering as they were cascaded through the breeze. “See, don’t be afraid of the glass, it can’t hurt us,” Mandy laughed, spectacularly eccentric, her eyes reflecting the fallen glass. “I wasn’t afraid of the glass, but this isn’t a very secluded place that you just decided to vandalize,” Alecto cautioned, smiling despite his words. Before Mandy could reply, she heard loud whispering in the air, behind the trees… it sounded like a group of people, all whispering in unison… “Somebody’s out there,” she exclaimed nervously. “Yeah, you’re right,” Alecto replied. Suddenly a sharp new vibrancy seemed to fill his eyes and he smiled coldly, taking the tree branch from Mandy and rapidly smashing in all of Mrs. Matthias’ stained glass house windows with it. Blue, green, yellow, red, turquoise, purple and an array of other colors showered through the sky noisily, sounding like wind chimes and crashing waves. “They’ll go away,” he told her, glancing up at the sky. “…Alecto, do you like me?” Mandy questioned, holding out her arms like a lopsided scarecrow as the glass fell through her dark red hair. “Yeah, sure,” he answered. “Will you be my friend, then? A real friend, not just another person who feels sorry for me?” Mandy asked. “…Alright, Mandy Valems,” Alecto agreed.

To Jo's lively fancy, this fine house seemed a kind of enchanted palace, full of splendors and delights which no one enjoyed. She had long wanted to behold these hidden glories, and to know the "Laurence boy," who looked as if he would like to be known, if he only ever knew how to begin.

We get along like a house on fire these days.

Wendy’s house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy’s bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, “We have the best rates in town!”, but the ‘E’ in ‘rates’ kept flickering on and off day and night so that every few seconds it would switch to, “We have the best rats in town!

Those who think of their house as only a ‘machine to live in’ should judge their point of view by that Neolithic man, who also lived in a house, but a house that embodied a cosmology.

To not feel at home in her family home is the beginning of the bigger story of society and its female discontents.