Best 5042 quotes in «house quotes» category

For in marriage a little licence, a little independence there must be between people living together day in day out in the same house; which Richard gave her, and she him.

Franca breathed the tranquility of the house, yet it was not tranquil, she breathed its goodness, but it was not good.

Get away from my house and all its rooms that echo, all the rooms I don't enter anymore.

Getting through life without a lot of money, possessions, and/or friends is admirable, especially if it is by choice.

Girl Without Hands Walking through the ruins on your way to work that do not look like ruins with the sunlight pouring over the seen world like hail or melted silver, that bright and magnificent, each leaf and stone quickened and specific in it, and you can't hold it, you can't hold any of it. Distance surrounds you, marked out by the ends of your arms when they are stretched to their fullest. You can go no farther than this, you think, walking forward, pushing the distance in front of you like a metal cart on wheels with its barriers and horizontals. Appearance melts away from you, the offices and pyramids on the horizon shimmer and cease. No one can enter that circle you have made, that clean circle of dead space you have made and stay inside, mourning because it is clean. Then there's the girl, in the white dress, meaning purity, or the failure to be any colour. She has no hands, it's true. The scream that happened to the air when they were taken off surrounds her now like an aureole of hot sand, of no sound. Everything has bled out of her. Only a girl like this can know what's happened to you. If she were here she would reach out her arms towards you now, and touch you with her absent hands and you would feel nothing, but you would be touched all the same.

God gave us the church to arm us with help and strength

Have nothing in your house that you do not know to be useful, or believe to be beautiful. -William Morris

Hakuna nyumba nzuri ulimwenguni kama mbinguni.

Hate destroys, love builds: be a creator. Fear closes, love opens: be an advocate for life. Guilt stagnates, love permits: be a peaceful warrior. Anger takes away, love gives: be a foundation for life. A defeatist attitude makes its own bed while love has the power to design its very own house.

Happy we were the, for we had a good house, and good food and good work.

He openned the door that he assumed was the garage only to find himself in the pantry. crap. "Um . . . grabbing some Pop-Tarts for the road," Nick said, covering his mistake. Still, they both stared at him as if he'd escaped Arkham Asylum. Offering them a fake smile, he grabbed the pastries, crossed himself, and hoped he got the next door correct. Nope. Bathroom. With a pain-filled groan at his rampant stupidity, Nick pretended to use it before he tried again. At least there were only two more doors to go. Fifty-fifty chance. Thankfully, third time was the charm.

He had been haunted his whole life by a mild case of claustrophobia—the vestige of a childhood incident he had never quite overcome. Langdon’s aversion to closed spaces was by no means debilitating, but it had always frustrated him. It manifested itself in subtle ways. He avoided enclosed sports like racquetball or squash, and he had gladly paid a small fortune for his airy, high-ceilinged Victorian home even though economical faculty housing was readily available. Langdon had often suspected his attraction to the art world as a young boy sprang from his love of museums’ wide open spaces.

He hadn't lied. He honestly liked her house, for the same reasons he was drawn to the woman. There was no artifice about either one.

Here, in this house the ghosts of our past are real

He fell in love with her house and land, He fell in love with her pension plan, He worked his way to her lonely heart, He was quite wily from the very start.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

He stepped fully into the house. The air inside was cool on his skin. He turned, expecting the front door to close on its own. But it stayed open, as it was supposed to. He shook his head, chiding himself for letting an old house spook him. He walked into the kitchen. Behind him, the front door slammed shut.

Home development is about wishful thinking. It's about capturing a dream.

Home. The word circled comfortably in my mouth like bubble gum, swished around sweetly soft and satisfying. Home. Try saying it aloud to yourself. Home. Isn’t it like taking a bite of something lovely? If only we could eat words.

Home is where your heart is.

Houses, like people, have their own peculiarities.

House-watching is an art. You have to develop a way of seeing how a building sits in its landscape or streetscape. You have to discover how much room it takes up in the world, how much of the world it displaces.

I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.

If you are established in the church and focused on Jesus, then you are still among the living

I bet you to believe me when I say again that we do not need a great house, Sarah. We only need a great love.

I am opposed to Naperville. It's all cute, trendy and expensive, and filled with cookie-cutter Borg houses that assimilate you into upper-middle-class America.

i don't wear makeup for others the same way i don't decorate my house for others. this is my home & everything i do is for me.

I, for one. You’re welcome to your Sturm und Drang, darling—I’ll take someone who’s a bit easier to manage.” “What is Sturm und Drang?” “Ah…I see that I’ll have to introduce you to the finer points of German literature. It means passionate turmoil—literally translated, ‘storm and stress.’ ” “Yes, well, there is nothing quite as exciting as a storm, is there?” Aline asked ruefully. Adam grinned as he drew her to a nearby bench. “Only when one is viewing it from inside a nice, cozy house.

If the foundation of your house is righteousness then your wealth will not be like a cardboard house that collapses under a gentle blow of wind

If you wouldn't invite a thief in your house why would you allow a liar in. the only difference between the two is the thief steals your money and objects the liar steals with words by deceit of manipulation by Bonnie Zackson Koury

I'm going to build that house with my own hands, from the foundation to the roof. I'm going to do it for us, and I'm going to do it right, so it lasts forever. Can't go raising walls on a shaky foundation. Can't go slapping thatch over rafters so thin, they'll topple with the first winter storm. Do you know?" She nodded. "I know." He reached for her hand. "It's the same with us. I mean to build something with you. Something that will last. Much as I want you, I don't want to rush and bollocks it up.

I have noticed a trend in premature deaths in the people that I know and the presence of streetlights outside of their homes.

I have no house but glad to have a home.

Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property. Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke. So, I feel terrible for poor Sir Arthur Conan Doyle, Jane Austen and Lewis Carroll, who must be spinning in their graves since they have no rights to their own works of fiction anymore. I'm all for readers being able to read books for free once and only when the deceased author's copyright eventually ends. Still though, did Doyle ever think in a million years that his wonderful characters would be dragged through the mud of every pervy fanfiction that the sick internet geek can think of to create? Did Carroll ever suspect that Alice and the Hatter would become freakish clown-like goth caricatures in Tim Burton's CGI-infested films? Would Austen really want her writing to be sold as badly-formatted ebooks? The sharing of this Public Domain content isn't really an issue. Stories are meant to be told, meant to echo onward forever. That's what makes them magical. That being said, in the Information Age, there's a real lack of respect towards the creators of this original content. If, when I've been dead for 70 years and I then no longer have the rights to my novels, somebody gets the bright idea of doing anything funny with any of those novels, my ghost is going to rise from the grave and do some serious ass-kicking.

I have never felt like I was creating anything. For me, writing is like walking through a desert and all at once, poking up through the hardpan, I see the top of a chimney. I know there's a house under there, and I'm pretty sure that I can dig it up if I want. That's how I feel. It's like the stories are already there. What they pay me for is the leap of faith that says: "If I sit down and do this, everything will come out OK.

Imagination is the house where all things happen with everyone's approval.

I'm not saying that owning a house makes life into some kind of blissful paradise; simply that it makes the difference between freedom and enslavement.

I never left because a part of me will always be in that house...

In contrast to England, half of whose literature seems to revolve around houses and estates, houses and estates being ready extensions of character, America has always found more value in the act of leaving one house for something larger and ostensibly nicer. Fewer and fewer houses remain in a family for more than a generation. They are not passed down ["The Basement,” The Awl, Feb 5, 2015].

In many ways, the heart does resemble a house. It is divided into multiple chambers, separated by doors. The walls have a characteristic texture. The house is old, designed over many millennia. Hidden from view are the wires and pipes that keep it functioning. And though the house has no intrinsic meaning, it carries meaning because of the meanings we attribute to it.

In my art history degree course, we did a module on palimpsests—medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view. Sometimes I have a sense that this house—our relationship in it, with it, with each other—is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame.

In one opinion, the house in which you stay, the church you attend and the town in which you reside may not determine the size of your dreams, but they can influence the rate of maturity of what you have planted.

In order to have constant success and prosperity it is very important to be focused not on the success itself but on Jesus Christ

In order not to fall into isolation we have to be established in the house of God and focus on serving Him

In your name, the family name is at last because it's the family name that lasts.

In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.

Inside my house, nobody was home, except everybody, but it was easy to feel like those were one and the same.

I open my eyes. I want to know: what is in the abyss of a kiss? Are stars born in these black caves that house bated breaths and unspoken words? Do our souls crawl on these tender cheeks to greet one another by ivory gates? What happens when we kiss? Where do you go? Don’t tell me. For I have lost my desire to know. Kiss me so that I forget myself. I close my eyes and fall in the abyss.

I realize something. I haven't had a single flashback or panic attack since I stepped inside the house. It's so cut off from the outside world, so cocooned, I feel utterly safe. A line from my favorite movie floats into my head. The quietness and the proud look of it. Nothing very bad could happen to you there.

It is dangerous to become useless to God