Best 631 quotes in «theatre quotes» category

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    Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

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    Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed

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    Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.

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    Onstage, nothing is as important as truth, nothing. As soon as you lie, they know it.

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    One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.

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    Opening Night: The night before the play is ready to open.

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    On the last day of our five-day work week, we did two performances and we had an audience. It was similar to theatre; we went from beginning to end, and it was very pleasing.

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    On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.

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    Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.

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    Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.

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    Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.

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    Pray to God and say the lines.

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    Relentlessly pursue perfection knowing we won't catch it, but in the process we'll achieve excellence.

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    Show me a congenital eavesdropper with the instincts of a Peeping Tom and I will show you the making of a dramatist.

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    Since I was a child I've loved going to the opera, theatre and ballet.

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    Some government expenditure actually makes a profit. Our theatre leads the world. Loads of tourists must be attracted by the fact that you could spend a week in London doing nothing but visit superb museums and galleries, free.

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    Sin is what is new, strong, surprising, strange. The theatre must take an interest in sin if the young are to be able to go there.

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    So I told my mum that I'd opened a theatre. She said, "Are you having me on?" I said, "Well I'll give you an audition, but I'm not promising you anything.

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    Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself.

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    Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.

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    Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.

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    Statistically, it would be insanity to go into the theatre for money. According to the statistics, you should just stay home. The odds are just incredible.

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    Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.

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    Stirner's political praxis is quixotic. It accepts the established hierarchies of constraint as given. ... Not liable to any radical change, they constitute part of the theatre housing the individual's action. ... The egoist uses the elements of the social structure as props in his self-expressive act.

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    Theater going is a communal act, movie going a solitary one.

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    The actor creates with his own flesh and blood all those things which all the arts try in some way to describe.

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    Theatre, film and television are all modes of storytelling, and many of us are fortunate enough to move freely among them without feeling that we've 'left' or need to 'go back' to one or the other. In fact, if the theatre is to avoid a brain drain, this kind of fluidity is increasingly necessary.

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    Theatre is the safe place to do the unsafe things that need to be done.

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    Theatre is where my heart is. It's where I can do my best work. And even if I do films and TV, that's what I want to come back to.

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    Theatres are built because they were the boards for entertainment.

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    Theatre is the most perfect artistic form of coercion.

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    Theatre is about people, not buildings. Incalculable damage has been done to the expert talent a company needs - from wardrobe to lighting technicians.

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    Theatre is a mirror, a sharp reflection of society. The greatest playwrights are moralists.

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    Theatre is a series of insurmountable obstacles on the road to imminent disaster.

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    Theatre is immediate gratification

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    Theatre is the principal job of an actor. An actor's job is to tell a story to someone in a room. TV and film can be great and I really love doing it, but it is a different way of telling a story.

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    Theatre is where my passion lies - I just love it. I love watching it, and I love doing it.

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    Theatre people, who are an adaptive species, know that to remain sane in the process of production where everyone and his uncle has an opinion about how to fix a show, you must pick the people whose knowledge and taste you trust and stick only to these few. The Tweetocracy is no place to look.

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    The bad things about theatre get balanced by the good things in film and vice versa. So to tell you the truth, I love it when I can go back and forth - it feeds different parts of you and exercises different muscles.

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    That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.

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    Theatre and opera were always the twin kingdoms that I felt I had to conquer, because they were my parents' favorites.

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    Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.

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    Theatre has no national identity. It is something for the world, whether it is Irish, English, or French.

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    Theatre has so many competitors, it's no longer enough to see and hear a play. You want to be able to touch and smell it, too.

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    Theatre is an exclusive place that tends to be dominated by white men, or dying white men.

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    Theatre is a weapon. For that reason it must be fought for.

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    Theatre is the art of looking at ourselves.

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    Theatre artists are essentially sort of charlatans and thieves, I mean that's the tradition that we come from, so I have absolutely no, I make no bones about the fact that I steal from here and I take from there, and we all do it, that's perfectly all right, that's the nothing, there's nothing new in the world, there's nothing actually new in the way that you do something, but the point is is how do you take something and use it to articulate what is essentially a core of any given theatrical production.

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    Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.

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    Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.