Best 631 quotes in «theatre quotes» category

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    In the future, bands are going to have to offer more than a pop show. They are going to have to an offer a well presented theatre show

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    In the modern media age we are rarely surprised by what we see. Whether it's on television or film or in the theatre, everything is so advertised, so trailed, that most entertainment is merely what you thought it was going to be like.

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    In the theatre, every form once born is mortal; every form must be reconceived, and its new conception will bear the marks of all the influences that surround it.

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    In the theatre you can change things ever so slightly; it's an organic thing. Whereas in film you only have that chance on the day, and you have no control over it at all.

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    In the theatre, a hero is one who believes that all women are ladies, a villain one who believes that all ladies are women.

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    In the theatre, words are eighty to eighty-five percent of the importance of what is happening to you for your comprehension. In film, words are about twenty percent. It's a different figure, but it's almost an opposite ratio. For the words are only a little bit of embroidery, a little bit of lacework.

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    In the theatre, the actor is in total control. The director wasn't in the house last night, the designer wasn't there, the author's dead. It's just us and the audience.

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    In the theatre, you are in love with what is on the stage, with the moment. You just don't get that with movies or videos, or TV, where you know that what you are seeing is repeatable.

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    I open with a clock striking, to beget an awful attention in the audience - it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.

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    I prefer theatre but TV keeps you well known.

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    I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.

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    I pursued a theatre career, and Hollywood came calling.

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    I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.

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    I really loved Twin Peaks. When I saw the two-hour pilot, they screened it in the big theatre. I said, I don't know what is going to happen. I'm in this and I don't understand it. This is never going to sell. Who's going to watch this thing?

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    I regard the theatre as a serious business, one that makes or should make man more human, which is to say, less alone.

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    I sometimes feel that I am trying to dig in the world around me. I'm involved in another kind of archaeology to look for another kind of truth, and the moment I find, the moment I am separated from that life, the moment I am sort of in a world, every time I have gone out and performed in the, in the cinema for example, if you do two or three films on the trot you suddenly have this impression that you're becoming separate or separated from the world around you.

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    I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.

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    Is it not a noble farce, wherein kings, republics, and emperors have for so many ages played their parts, and to which the whole vast universe serves for a theatre?

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    I started off in a small theatre performance company and worked my way into commercials.

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    Is she perverted like me? Would she go down on you in a theatre?

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    I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.

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    I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be.

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    I still think of myself as a stage actor. When I do film and television I try to implement what I was taught to do in theatre, to try to stretch into characters that are far from myself.

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    Is there anything more terrible than a "call"? It affords an occasion for the exchange of the most threadbare commonplaces. Calls and the theatre are the two great centers for the propagation of platitudes.

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    I studied at the Piccolo Teatro di Milano: I was a theatre actor.

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    I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.

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    I suppose as an actor you become very sensitive to rhythm, not just rhythm as you look at it sort of from the, from the outside as a director might see it, but within yourself you become used to the idea of hearing your fellow actors, responding to them in space.

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    I swear fearfully at the conventions of the stage.

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    It doesn’t make sense, it’s not logical, it’s not a safe profession or a smart profession if you wanna make money or have a living or have a family. So the fact that we keep doing [theatre] means we’re getting something from it that is almost childlike in its innocence.

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    I think any classical training in the theatre is of enormous value.

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    It hath evermore been the notorious badge of prostituted Strumpets and the lewdest Harlots, to ramble abroad to Plays, to Playhouses; whither no honest, chaste or sober Girls or Women, but only branded Whores and infamous Adulteresses, did usually resort in ancient times.

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    I think I want to pursue a movie career and maybe even pursue some theatre.

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    I think film and television are really a director's medium, whereas theatre is the actor's medium.

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    I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don't go.

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    It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.

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    It is a great help for a man to be in love with himself. For an actor, however, it is absolutely essential.

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    It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me.

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    I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.

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    It is very hard to cast a number of plays adequately from the same company of actors without several parts being miscast.

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    I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.

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    I try to see as much dance, theatre and films as I can because all of it feeds me in a way that I need feeding for what I do.

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    I trust Angela Merkel, she is a very open person. She is also subject to certain constraints and limitations. But she is honestly trying to settle the crisis, also in the south-east of Ukraine. However, what the European Union is doing with those sanctions is nothing but a theatre of the absurd.

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    It's all good fun - television and movies and so on - but the good thing in theatre is there's nothing and no one between you and the audience so you can do what you want really.

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    It's a beautiful city, and the waterfront area is fantastic. I haven't had time to visit the theatre, but I find it remarkable that Toronto has the third-largest English-speaking theatre district in the world, after New York and London. I once noticed a fellow sitting on a bench, then I realized it was a statue of Glenn Gould. It's very realistic.

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    It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.

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    It's a whole different kind of anxiety. But the great thing about doing a theatre job is that once the ball starts rolling you just have to go with it, it's inexorable.

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    It's cold out there, colder than a ticket taker's smile at the Ivar Theatre on a Saturday night.

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    It seems to me that you are solving a problem which goes beyond the limits of physiology in too simple a way. Physiology has realized its problem with fortitude, breaking man down into endless actions and counteractions and reducing him to a crossing, a vortex of reflex acts. Let it now permit sociology to restore him as a whole. Sociology will wrest man from the anatomical theatre and return him to history.

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    It's great to be in a film that's able to have people really want to become socially conscious, to walk out of the theatre and want to do something.

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    It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.