Best 12067 quotes in «jobs quotes» category

If you wish to fault the administration, it is that we didn't have a clear picture and we probably didn't do as clear a job explaining that we did not have a clear picture until days later.

If you work hard and you learn and you absorb and you pay attention, career in food is great. This job can take you all around the world. You can eat the most delicious food. It allows you to be creative.... [And] don't ever quit. It's going to pay off eventually. It might not be in a year. Might be 20 years or 10 years. But you have to keep pushing. Just have that fire, have the passion, and want to be successful. And don't listen to anybody else.

If you work in Chicago in the improv scene, anyone is happy for you if you get a job.

I gave myself two months to book a job. One month later I was cast on 'Modern Family.'

I get a fair amount of time between projects, which is great. It takes me awhile to start getting nervous about getting another job again. I don't mind having a lot of down time. I'm pretty lazy. So I really don't mind it. But I'm lucky; I work fairly steadily. I'm lucky that I've managed to do that.

I genuinely believe if we get the chance to do something in Sydney, the people of Australia will win out of that proposal. There will be jobs, taxes, tourism - there'll be more people coming to Australia looking to spend money and I think that is a good thing.

I get bored very easily, so I love doing different things, changing, doing a job for a month and then doing another one for six months and then moving into a different group of people. I love being able to stop. That's one of the greatest benefits we have in our profession.

I get called all kinds of things - an investigative comedian, a comedian activist - I've lost track of what my job title is.

I get heartfelt thanks from all kinds of people. Today I heard from a waitress in Georgia who has lost her job and is trying to figure out how her local bank can change the terms on her credit card, and I heard from a physicist at a major research university who wants to explain a better theory of financial stress tests.

I get how devastating high taxes are to job creation.

I get nervous the more time I have to think about something so I deliberately don't give myself too much time between jobs. I take a big break and then I start working again usually.

I get psyched about coming onto a Broadway stage every night. it's very exciting. You develop a kind of gratefulness for it when you spend months trying to get a job.

I get quiet joy from the observation of anyone who does his job well.

I get some acting jobs. I like it other than the constant slipping in and out of character.

I get to choose things that interest me as opposed to trying to get any job that will have me, which for a vast majority of actors is the case.

I get to focus on something I love to do 24-hours a day rather than trying to squeeze it in between midterms, or even during my normal workday. When I was at Google it was like you wake up at 7 and then you get home by 7 and you start your second job of music. So now I get to focus all my efforts on music, travel and play shows and do all of this stuff. That's the difference - That's all my life is, all day.

I get to stay active and that is my job at the moment, so I can't complain.

I go home at the end of the day and I rarely talk about what I did that day. So my wife's experience is just like that of anybody else whose husband goes away to a blue collar job and comes home bruised and dirty and often proud of the work that they're doing.

I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.

I got a job with a law firm in Portland after a couple of years with Senator Muskie. But by then, my interest in politics had been sparked, through meeting Senator Muskie, through seeing what he did.

I got a job as a children's librarian at PS 175 in Harlem, and that changed everything. That was an epiphany. I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles.

I go home to London in between jobs, and in London, my life has nothing to do with the business. It's a family life, hanging with friends.

I got a job as soon as I could - 11 or 12. I started babysitting and then I got a part-time job at a pharmacy in England. I just remember loving the feeling of going out and buying my own clothes! I'd go bargain-hunting and get secondhand vintage stuff.

I got a job immediately after leaving high school; I was lucky - three dollars a week and all I could eat, working on a vegetable truck.

I got a job when I was 15 because my allowance was about $20 a week which in New York was impossible. So I used to waitress across the street from where I grew up.

I got a new job.” Patch locked eyes with me, and I warmed in a lot of places. In fact, I was dangerously close to feverish.

I got a phone call from Douglas Campbell and from Jerome Guthrie, who offered me a job out of the blue.

I got a rhythm going. The guys just did a good job of putting the ball in my hands.

I got a job as a dishwasher in Oakland, and I would draw all day. It was nice because the lady who ran the boardinghouse where I worked let me live there for nothing if I gave her some drawings every week - mostly park drawings of birds and such.

I got a job as the Visuals Art's Teacher at my Alma Mata, St. Mary's College. Then my interests shifted to animation. Ironically, it was one of my students who sparked this energy in me by introducing me to an animation program called FLASH. So I dabbled and played around with it.

I got a job in the tear-sheets department, ripping up magazines like People, Fortune, Sports Illustrated, and Time, and delivering the editorial pages.... So I began to use a camera to make fake photographs of the ads. By re-photographing a magazine page and then developing the film in a cheap lab, the photos came out very strange.

I got a parking ticket one time in L.A. and I was furious about it. I was trying to prove a point to the guy who gave it to me and I put it in my mouth and chewed it up. And the guy just kept watching me, like, "Yeah?" He didn't think I was going to finish the job. So then I swallowed it. The good news is that paper is not a big deal if you eat it.You'd be full, but you could eat the phone book. So that was the weirdest thing: a parking ticket.

I got into the race because I'm concerned for my children, and for the opportunities they don't have. Really, it's for the same concerns that the people of the 16th district have. They're concerned about jobs.

I got an agent. He said, what do you wanna do, and I said, I want an Oscar nomination. That's your job, that's what I'm paying you for. And I got it.

I got hired by the Cards when I was 21, and I could handle the job, but for the most part, I got hired because I was somebody's kid. When you start that way, you have a lot to prove.

I got my equity card, found my agent, and then I got a part on 'Gilmore Girls.' That turned into a job that kept giving - they wrote more for me.

I got my bearings, I began to focus. My mother was very supportive. When I came back to New York I landed a job at Hot 97.

I got fired when I was a dishwasher at Denny's. That set me back a little bit. You don't realize how important dishwashers are until you do the job.

I got my first job the old-fashioned way: I took an elevator to the top floor of many buildings and walked down floor by floor on the stairs going into every firm and asking the receptionist if she knew of any jobs available.

I got my job through the New York Times. [Written underneath:] So did Castro.

I got my first job as a card-carrying actor in New York in 1967. Before that, I was a very desperate wannabe.

I got my first job when I moved to Los Angeles. I worked at a coffee shop for five years and it was one of the best experiences I ever had. It was a bunch of actors covering shifts for each other and becoming great friends.

I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.

I got to get the right people in the right job. Because a lot of costs can be taken out in the context of your administration without the legislature.For example, using technology to do more with less. Using technology to fight fraud. Reorganizing and streamlining can be done within the context of the administration.

I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.

I got that experience through dating dozens of men for six years after college, getting an entry level magazine job at 21, working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine.

I got the three things I wanted. I did my job, I worked hard in the process, and I cherish the memories, and they're mine.

I got rid of my glasses and they changed my hair. That's really all they did. They went shopping for me, so the clothes are different too. It wasn't like Extreme Makeover where I got a nose job or anything.

I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.

I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].