Best 1632 quotes in «television quotes» category

Never pass up a chance to have sex or appear on television.

News is how the government delivers propaganda to the masses and it is an essential requirement of the television broadcasting job to be emotionless to this.

No matter what it is, if you don’t move your eyes and set the pace yourself, your intellect is sentenced to death. The mind, you see, is like a muscle. For it to remain agile and strong, it must work. Television rules that out.

Nothing calms an anxious mind like a little mindless entertainment.

Not only it is annoying, it is distracting from life itself. ~on what TV is.

Not only these were new kinds of stories, they were being told with a new kind of formal structure. [...] The result was a storytelling architecture you could picture as a colonnade - each episode a brick with its own solid, satisfying shape, but also part of a season-long arc that, in turn, would stand linked to other seasons to form a coherent, freestanding work of art. [...] The new structure allowed huge creative freedom: to develop characters over long stretches of time, to tell stories over the course of fifty hours or more, the equivalent of countless movies.

Nowadays films and television are what I like to call "Microwave Media". I like mine in the oven, giving the production time to simmer; get the juices flowing, and cooked to perfection. And that takes time. Slow, precious, tempered time. A script is a film's recipe. It's just a piece of paper to the novice cook, but even a recipe needs time to be perfected before it's given to the masses.

Nuclear weapons and TV have simply intensified the consequences of our tendencies.

One day the English language is going to perish. The easy spokenness of it will perish and go black and crumbly — maybe — and it will become a language like Latin that learned people learn. And scholars will write studies of Larry Sanders and Friends and Will & Grace and Ellen and Designing Women and Mary Tyler Moore, and everyone will see that the sitcom is the great American art form. American poetry will perish with the language; the sitcoms, on the other hand, are new to human evolution and therefore will be less perishable.

Of course, in television's presentation of the "news of the day," we may see the Now...this" mode of discourse in it's boldest and most embarrassing form. For there, we are presented not only with fragmented news but news without context, without consequences, without value, and therefore without essential seriousness; that is to say, news as pure entertainment.

One reason television is such a perilous medium is that even infants less than two years old imitate what they see on the screen, yet what appears there is determined by what happens to appeal or to sell rather than by what behavior helped individuals in a particular past environment to survive or prosper.

People want to be told what to do so badly that they'll listen to anyone. [Written by Andre and Maria Jacquemetton]

Personally, I believe "if it ain't broke, don't fix it". I'd rather use film cameras and vinyl records and cathode ray tubes than any sort of the digital technology available. Look around! The streets are full of people who would rather have their eyes on their cell phones than on the world around them! Scientists are researching technology to erase specific memories from people! Our thrown-away digital technology is showing up overseas in huge piles of toxic heavy metals and plastic! And yet there are still people who keep wanting technology and the future to keep going. They dream of flying cars, or humanoid robots, of populated cities on Mars. But do we really NEED this stuff? Maybe before we try to keep turning our world into an episode of The Jetsons, we should focus more on the problems that are surprisingly being overlooked now more than ever. Before we design another stupid cell phone or build a flying car, let's put a stop to racism, to sexism, to homophobia, to war. Let's stop buying all our "American" products from sweat shops overseas and let's end poverty in third-world countries. Let's let film photography never go obsolete, let's let print books continue to be printed. Let's stop domestic violence and child abuse and prostitution and this world's heavy reliance on prescription drugs. Let's stop terrorism, let's stop animal cruelty, , let's stop overpopulation and urbanization, let's stop the manufacture of nuclear weapons... ...I mean come on, we have all these problems to solve, but digital tech enthusiasts are more concerned that we don't have flying cars or robotic maids yet? That's pathetic.

Pettiness often leads both to error and to the digging of a trap for oneself. Wondering (which I am sure he didn't) 'if by the 1990s [Hitchens] was morphing into someone I didn’t quite recognize”, Blumenthal recalls with horror the night that I 'gave' a farewell party for Martin Walker of the Guardian, and then didn't attend it because I wanted to be on television instead. This is easy: Martin had asked to use the fine lobby of my building for a farewell bash, and I'd set it up. People have quite often asked me to do that. My wife did the honors after Nightline told me that I’d have to come to New York if I wanted to abuse Mother Teresa and Princess Diana on the same show. Of all the people I know, Martin Walker and Sidney Blumenthal would have been the top two in recognizing that journalism and argument come first, and that there can be no hard feelings about it. How do I know this? Well, I have known Martin since Oxford. (He produced a book on Clinton, published in America as 'The President We Deserve'. He reprinted it in London, under the title, 'The President They Deserve'. I doffed my hat to that.) While Sidney—I can barely believe I am telling you this—once also solicited an invitation to hold his book party at my home. A few days later he called me back, to tell me that Martin Peretz, owner of the New Republic, had insisted on giving the party instead. I said, fine, no bones broken; no caterers ordered as yet. 'I don't think you quite get it,' he went on, after an honorable pause. 'That means you can't come to the party at all.' I knew that about my old foe Peretz: I didn't then know I knew it about Blumenthal. I also thought that it was just within the limit of the rules. I ask you to believe that I had buried this memory until this book came out, but also to believe that I won't be slandered and won't refrain—if motives or conduct are in question—from speculating about them in my turn.

Police are killing black men. Mona Scott-Young is killing black women.

Poverty is a great educator. Having no boundaries and refusing to be ignored, it mostly teaches hopelessness. But not always. Politics is also a great educator. Mostly it teaches, I am afraid, cynicism. But not always. Television is a great educator as well. Mostly it teaches consumerism. But not always. It is the "not always" that keeps the romantic spirit alive in those who write about schooling. The faith is that despite some of the more debilitating teachings of culture itself, something can be done in school that will alter the lenses through which one sees the world; which is to say, that nontrivial schooling can provide a point of view from which what IS can be seen clearly, what WAS as a living present, and what WILL BE as filled with possibility

President Trump is the most ‘entertaining’ president.

Previously, leaving the couch and walking up to the television to change the channel might cost more effort than merely enduring the awful advertisement and associated anxiety. But with a remote in hand, the viewer can click a button and move away effortlessly. Add cable television and the ability to change channels without returning the set (not to mention hundreds of channels to watch instead of just three), and the audience's orientation to the program has utterly changed. The child armed with the remote control is no longer watching a television program, but watching television—moving away from anxiety states and into more pleasurable ones. Take note of yourself as you operate a remote control. You don't click the channel button because you are bored, but because you are mad: Someone you don't trust is attempting to make you anxious. You understand that it is an advertiser trying to make you feel bad about your hair (or lack of it), your relationship, or your current SSRI medication, and you click away in anger. Or you simply refuse to be dragged still further into a comedy or drama when the protagonist makes just too many poor decisions. Your tolerance for his complications goes down as your ability to escape becomes increasingly easy. And so today's television viewer moves from show to show, capturing important moments on the fly. Surf away from the science fiction show's long commercial break to catch the end of a basketball game's second quarter, make it over to the first important murder on the cop show, and then back to the science fiction show before the aliens show up.

...pwede nga ring yung TV ang may sumpa. dahil ang TV, para ring drugs, pero ligal. isipin mo, bakit isa ito sa mga unang-unang ipinupundar ng mga Pilipino kahit gaano sila kahirap? kasi malaking tulong ang telebisyon para lumimot. para tumakas sa realidad. kahit mag-isa ka lang sa bahay, nababawasan ang lungkot kung may TV. nakakatanggal-buryong kung wala kang trabaho. mas entertaining kesa sa diyaryo, at mas accessible kesa sa sine. pwede rin itong tagapag-alaga ng mga anak mo. pwedeng ulam kung sakto lang ang budget pambili ng ng bigas. at pwedeng bintana kung parang bartolina lang ang tirahang tinutulugan ng mag-anak mo, dahil may magaganda itong lugar at magagandang tao. kumpleto sa sayawan, kantahan, tawanan, pantasya, at boksing. burado ang mga suliranin mo. pag sinuswerte ka, pwede ka pang manalo.

Rich people have small TVs, small cars, but big libraries.

rip the prisons open put the convicts on television

Selling the presidency like cereal! How can you talk seriously about issues with half-minute spots?

shall I spend much of your time pointing out the degree to which televisual values influence the contemporary mood of jaded weltschmerz, self-mocking materialism, blank indifference, and the delusion that cynicism and naïveté are mutually exclusive?

She had witnessed in nauseating detail how the human world worked: its rituals of comfort (television, food, religion); its appetite for poison (television, food, religion); and for the monstrous edifices of desire (television, food, religion): she understood them all.

She told him television was a bad influence. Probably she was right. Like those white birds he's been seeing outside the window, it flashes its wings and promises whatever you want, even before you knew you wanted it.

SIMPSONS BLUFFER'S RULE #2 The competent bluffer should always refer to the performers who play The Simpsons as 'the voice talent' never 'actors'. For extra effect, drop their first names... This implies some tacit familiarity and your bluffee will simply melt before your eyes like the witch in The Wizard of Oz

Old movies already in progress, already passed over twice, watched with indifference until orchestras swell over happy endings, new beginnings. The images black and white, the lie white. (Ours is a world of heroes and of winners, and rarely are they one in the same.)

So I ask you: whose job is it in this country to wake up comatose parents? Someone better do it soon because knowing television's potential for harm and keeping that knowledge to ourselves instead of sharing it with parents amounts to covering up a land mine on a busy street.

So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books.

Statisticians report that television is watched over six hours a day in the average American household. I don't know any fiction writers who live in average American households. I suspect Louise Erdrich might. Actually I have never seen an average American household. Except on TV.

Stop listening to the TV tell you about America the beautiful . . . get up and be America the beautiful.

Television is all right, I’ve nothing against it, but I don’t like how it turns you away from the rest of the world and toward nothing but its own glassy self. In that one way, at least, radio was better.

Television is at its most trivial and, therefore, most dangerous when its aspirations are high, when it presents itself as a carrier of important cultural conversations.

Televizyon okuma kültürünü yok etmiştir. Halbuki zihinsel gelişim için okuma eyleminin yerini hiçbir eylem tutamaz. Seyirci olmak için hiçbir beceri gerekmez. "Televizyon okuma-yazma kültürünü genişletmez ve pekiştirmez. Tersine, okuma-yazma kültürüne saldırır. Televizyon, herhangi bir şeyin devamıysa eğer, on beşinci yüzyıldaki matbaanın değil, 19. Yüzyılın ortasında telgraf ile fotoğrafın başlattığı geleneğin devamıdır.

Television has a satanic influence.

Television is the soma of Aldous Huxley's Brave New World.

Television's perfect. You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought. And there you are watching the bubbles in the primeval ooze. You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it. Your heart and liver and lungs continue to function normally. Apart from that, all is peace and quiet. You are in the man's nirvana. And if some poor nasty minded person comes along and says you look like a fly on a can of garbage, pay him no mind. He probably hasn't got the price of a television set.

Television is an excellent system when one has nothing to lose, as in the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator

Television. Maybe it was all a study in the art of mummification. The effect of the medium is so evanescent that those who work in its time apparatus feel the need to preserve themselves, delivering their bodies to be lacquered and trussed, sprayed with the rarest of pressurized jellies, all to one end, a release from the perilous context of time. This is their only vanity, to expect to dwell forever in hermetic sub-corridors, free of every ravage, secure as old kings asleep in sodium.

Television has greater power over the lives of most Americans than any educational system, government, or church.

Television is all right, I've nothing against it, but I don't like how it turns you away from the rest of the world and toward nothing but its own glassy self.

Television isn't any longer the only way to fame, all you need is the internet to break into the game

Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle...Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.

Tengo una teoría: la televisión no pertenece a la cultura sino a la neurología; estimula un enlace de neurocircuitos que te permite ver en estado de zombi, suspendiendo el juicio. Y no sólo eso, también los que están dentro de la pantalla se encuentran alterados; el efecto de las cámaras produce una especie de trance, como el aura luminosa que ven los afectados de jaquecas y que tantas veces se confundió con las apariciones religiosas.

Texting and phone calls, fireworks, blends, café au lait, and music. Yesterday's television. Work and beer. The neighbor's dog, or those strange flowers, the way it smells at Maisen. Those ordinary things I talk about with you. With you... I want to talk about love with you.

That day, I started taking an interest in the bar's television. We always kept it on. As the hours slid by in a cacophony of talk I kept watch, throwing in the occasional comment about politicians, bankers, show biz personalities as they appeared on screen. I wasn't being nosy, you understand. Just human.

That is the studliest thing I have ever seen.

The American renaissance begins with the unified revolutionary act of turning off and smashing the television, rejecting Hollywood on all fronts and refusing to intellectually ingest the toxic force feed of the establishment minority’s matrix narrative.

The amount of educational programming on television today is simply desensitizing. The only reason left to go to school is to see gun violence.

The casting of the brash United States Army Air Force officer Colonel Robert E. Hogan and the pompous German Luftwaffe officer Colonel Wilhelm Klink was inspired. For this series—a comedy with the serious backdrop of war—to succeed, the lead players had to be the perfect fit. The dynamic portrayal of this military odd couple had to be articulate, accurate, and precise. For the show to work, for the concept to be accepted, for one of the most outlandish premises in television history to be believed, the actors signed to play the two leading characters not only had to bring these extreme individuals to life with broad, fictional strokes, they had to make them real in the details.