Best 1632 quotes in «television quotes» category

So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books.

Statisticians report that television is watched over six hours a day in the average American household. I don't know any fiction writers who live in average American households. I suspect Louise Erdrich might. Actually I have never seen an average American household. Except on TV.

Stop listening to the TV tell you about America the beautiful . . . get up and be America the beautiful.

Television is all right, I’ve nothing against it, but I don’t like how it turns you away from the rest of the world and toward nothing but its own glassy self. In that one way, at least, radio was better.

Television is at its most trivial and, therefore, most dangerous when its aspirations are high, when it presents itself as a carrier of important cultural conversations.

Televizyon okuma kültürünü yok etmiştir. Halbuki zihinsel gelişim için okuma eyleminin yerini hiçbir eylem tutamaz. Seyirci olmak için hiçbir beceri gerekmez. "Televizyon okuma-yazma kültürünü genişletmez ve pekiştirmez. Tersine, okuma-yazma kültürüne saldırır. Televizyon, herhangi bir şeyin devamıysa eğer, on beşinci yüzyıldaki matbaanın değil, 19. Yüzyılın ortasında telgraf ile fotoğrafın başlattığı geleneğin devamıdır.

Television has a satanic influence.

Television is the soma of Aldous Huxley's Brave New World.

Television's perfect. You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought. And there you are watching the bubbles in the primeval ooze. You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it. Your heart and liver and lungs continue to function normally. Apart from that, all is peace and quiet. You are in the man's nirvana. And if some poor nasty minded person comes along and says you look like a fly on a can of garbage, pay him no mind. He probably hasn't got the price of a television set.

Tengo una teoría: la televisión no pertenece a la cultura sino a la neurología; estimula un enlace de neurocircuitos que te permite ver en estado de zombi, suspendiendo el juicio. Y no sólo eso, también los que están dentro de la pantalla se encuentran alterados; el efecto de las cámaras produce una especie de trance, como el aura luminosa que ven los afectados de jaquecas y que tantas veces se confundió con las apariciones religiosas.

Television is an excellent system when one has nothing to lose, as in the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator

Television. Maybe it was all a study in the art of mummification. The effect of the medium is so evanescent that those who work in its time apparatus feel the need to preserve themselves, delivering their bodies to be lacquered and trussed, sprayed with the rarest of pressurized jellies, all to one end, a release from the perilous context of time. This is their only vanity, to expect to dwell forever in hermetic sub-corridors, free of every ravage, secure as old kings asleep in sodium.

Television has greater power over the lives of most Americans than any educational system, government, or church.

Television is all right, I've nothing against it, but I don't like how it turns you away from the rest of the world and toward nothing but its own glassy self.

Television isn't any longer the only way to fame, all you need is the internet to break into the game

Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle...Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.

That day, I started taking an interest in the bar's television. We always kept it on. As the hours slid by in a cacophony of talk I kept watch, throwing in the occasional comment about politicians, bankers, show biz personalities as they appeared on screen. I wasn't being nosy, you understand. Just human.

Texting and phone calls, fireworks, blends, café au lait, and music. Yesterday's television. Work and beer. The neighbor's dog, or those strange flowers, the way it smells at Maisen. Those ordinary things I talk about with you. With you... I want to talk about love with you.

The amount of educational programming on television today is simply desensitizing. The only reason left to go to school is to see gun violence.

That is the studliest thing I have ever seen.

The American renaissance begins with the unified revolutionary act of turning off and smashing the television, rejecting Hollywood on all fronts and refusing to intellectually ingest the toxic force feed of the establishment minority’s matrix narrative.

The difference between extras and audience members is that audience members don’t get chairs. Audience members are the daylaborers of the industry. When it's sunny, we stand in the sun. When it’s cold, we stand in the cold.

The casting of the brash United States Army Air Force officer Colonel Robert E. Hogan and the pompous German Luftwaffe officer Colonel Wilhelm Klink was inspired. For this series—a comedy with the serious backdrop of war—to succeed, the lead players had to be the perfect fit. The dynamic portrayal of this military odd couple had to be articulate, accurate, and precise. For the show to work, for the concept to be accepted, for one of the most outlandish premises in television history to be believed, the actors signed to play the two leading characters not only had to bring these extreme individuals to life with broad, fictional strokes, they had to make them real in the details.

[T]he Federal Communications Commission should reestablish two principles that formerly served this country well: the public service requirement and the fairness doctrine. Every television and radio station should once again be required to devote a meaningful percentage of its programming to public service broadcasting. The public, after all, owns the airwaves through which signals are broadcast, and the rights-of-way in which cables are strung. And every television and radio station should once again have to follow the fairness doctrine: those with opposing views should have the right to respond to viewpoints expressed on the station.

The dumbest thing I ever did? Buying a TV. The smartest thing I ever did? Giving that TV away.

The essence of physical education in Naperville 203 is teaching fitness instead of sports. The underlying philosophy is that if physical education class can be used to instruct kids how to monitor and maintain their own health and fitness, then the lessons they learn will serve them for life. And probably a longer and happier life at that. What's being taught, really is a lifestyle. The students are developing healthy habits, skills, and a sense of fun, along with a knowledge of how their bodies work. Naperville's gym teachers are opening up new vistas for their students by exposing them to such a wide range of activities that they can't help but find something they enjoy. They're getting kids hooked on moving instead of sitting in front of the television.

The instrument (the telescreen, it was called) could be dimmed, but there was no way of shutting it off completely.

The future is all around us, waiting in moments of transition to be born in moments of revelation. No one knows the shape of the future or where it will take us. We know only that it is always born in pain.

Then why have you been talking about her for the past half hour straight?" His friend glanced over at him, a cheeky grin on his face, and the rockstar glared exaggeratedly. "I have not." "You definitely have. I missed an entire episode of Cupcake Wars because you've got a crush.

The main purpose of TV, to make you believe in everything you see around you, is real. And then, direct you, by using your own power against you, to make you go to where they want you to go.

The Mauna Kea night shift was an 18 hour night in wintertime at the 13,796 feet summit (before sunset to after sunrise) with insufficient time for adequate sleep before the next night shift. Night shift was between 5 and 8 nights long and we slept at 9,200 feet. We sat at a desk staring at four large computer monitors and a large cathode ray tube television. I would also use my Wi-Fi laptop computer. I would have extreme fatigue by the end of every night shift and have chapped lips which I now associate with exposure to the artificial light from the computer screens. A good day of sleep between shifts was rare and starting the next shift fatigued was normal.

The most important thing that most people get from the news is the prediction of the following day’s weather, which most people are usually able to predict correctly by themselves.

The only private sector industry where employees work with their lives on stake for the interest of common people is media industry.

The old Televisions had an off switch.

The problem with our society is that our values aren’t in the right place. There’s an awful lot of bleeding and naked bodies on prime-time networks, but not nearly enough cable television on public programming.

The overwhelming noise we live with has made a fundamental pleasure like sex somehow less exciting, less satisfying, than it was for our libidinous forefathers and mothers. It seems to me that for sex and other pleasures to be enjoyed to the fullest, a certain contemplative quality to life must be present. If you doubt this imagine yourself for a moment having sex. Now imagine you wished to increase the pleasure you were feeling, feel it more intensely. What might you do? Well one of the things you'd probably do is close your eyes. What this does of course is shut out other stimuli. The visual quiet increases your sensual enjoyment and you concentrate more fully on the pleasure. The same is true for the removal of auditory noise as well. Well my feeling is that the average person has a much harder time doing this today than they would have decades ago. Today you close your eyes and shut off Television but the noise persists. It's part of our fabric now, our biology, and all other pleasures including sex are diminished as a result. We don't notice this derogation by the way and sex still feels great, don't get me wrong, but I think the difference is there nonetheless. Like the difference between seeing breasts when you're thirty as opposed to when you were thirteen.

The President is also captured in a well-worn TV news clip, making a boilerplate response to a question on terrorism and then asking the reporters to watch his drive. Well, that's what you get if you catch the President on a golf course. If Eisenhower had done this, as he often did, it would have been presented as calm statesmanship. If Clinton had done it, as he often did, it would have shown his charm.

The quest for identity from the images we see; god of America: Father TV.

There are different ways people make this place. Sweat, exercise and pain is one way. You can see them in the gyms, in the well-ordered swimming pools. You can see them jogging in the small, worn parks. Another way to make your place is TV. A bright, brash place, always well lit, full of fun and jokes that tell you when to laugh so you never miss them. World news carefully edited so that it’s not too disturbing, but disturbing enough to make you glad that you weren’t born in a foreign country. News with music to tell you who to hate, who to feel sorry for, and who laugh at.

The real point of watching television is to forget that you have a brain.

There are many stories and accounts about the winners of lotteries who are jubilant when they win, but whose lives descend into a nightmare after acquiring that unearned money. (No challenge, no skill.) Thelottery looks like "the answer" to people because they associate money with pleasure. But the true enjoyment of money comes in part from the earning of it, which involves skill and challenge. Watching television is usually done for pleasure. That's why so few people can remember (or make use of) any of the 30 hours of television they have watched in the past week.

The television set is not the 'devil's box' anymore.

There are probably no white journalists in America who would say they chose their houses because they were in white neighborhoods, but that, in effect, is what they do. Peter Brown of the Orlando Sentinel looked up the zip codes of 3,400 journalists, and found that they cluster in upscale neighborhoods, far from inner cities. More than one-third of Washington Post reporters live in just four fancy D.C. suburbs. Television personality Chris Matthews routinely promotes integration, and Ted Koppel hectored whites who live apart from blacks. Where do they live? Mr. Matthews in 95-percent white Chevy Case, and Mr. Koppel in Potomac, also in Maryland, which had a black population of 3.9 percent. Perhaps these men thought they lived inside their television sets. Sociologist Charles Gallagher of La Salle University has noted that television advertising is a 'carefully manufactured racial utopia [...] that is far afield of reality,' where everyone has black and Hispanic neighbors with whom they discuss which brand of toothpaste is best. Jerome D. Williams, a professor of advertising and African American studies at the University of Texas at Austin also laughs at advertisers' depictions of American life, adding that 'if you look at the United States in terms of where we live and who our friends are and where we go to church, we live in different worlds.

The sky was thick with TV. If you wore special glasses you could see them spinning through the sky among the bats and homing birds—blondes, wars, famines, football, food shows, coups d'état, hairstyles stiff with hair spray. Designer pectorals. Gliding towards Ayemenem like skydivers. Making patterns in the sky. Wheels. Windmills. Flowers blooming and unblooming.

There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.

There's a hum that happens inside my head when I hit a certain writing rhythm, a certain speed. When laying track goes from feeling like climbing a mountain on my hands and knees to feeling like flying effortlessly through the air. Like breaking the sound barrier. everything inside me just shifts. I break the writing barrier. And the feeling of laying track changes, transforms, shifts from exertion into exultation.

There was one moment of intersection, when the topic of hate-watching came up. "Why do you watch TV shows--and keep watching them--if you don't like them?" Terrence asked. Simple: Some days, all you have is gazing upon horror, and the small comfort of being surprised that it is not yours.

The simple idea is the location of an observer at the center and the observed at the circumference, whether the construction is a prison, workhouse, factory, or school. We can thereby, Bentham assures us, 'see a new scene of things spread itself over the face of civilized society - morals reformed, health preserved, industry reinvigorated, instruction diffused, public burthens lightened, economy seated as it were upon a rock.' Bentham's pantopticon was never constructed, unfortunately for the future of mankind. who had to wait over a century and a half for television.

The television commercial has mounted the most serious assault on capitalist ideology since the publication of Das Kapital. To understand why, we must remind ourselves that capitalism, like science and liberal democracy, was an outgrowth of the Enlightenment. Its principal theorists, even its most prosperous practitioners, believed capitalism to be based on the idea that both buyer and seller are sufficiently mature, well informed and reasonable to engage in transactions of mutual self-interest. If greed was taken to be the fuel of the capitalist engine, the surely rationality was the driver. The theory states, in part, that competition in the marketplace requires that the buyer not only knows what is good for him but also what is good. If the seller produces nothing of value, as determined by a rational marketplace, then he loses out. It is the assumption of rationality among buyers that spurs competitors to become winners, and winners to keep on winning. Where it is assumed that a buyer is unable to make rational decisions, laws are passed to invalidate transactions, as, for example, those which prohibit children from making contracts...Of course, the practice of capitalism has its contradictions...But television commercials make hash of it...By substituting images for claims, the pictorial commercial made emotional appeal, not tests of truth, the basis of consumer decisions. The distance between rationality and advertising is now so wide that it is difficult to remember that there once existed a connection between them. Today, on television commercials, propositions are as scarce as unattractive people. The truth or falsity of an advertiser's claim is simply not an issue. A McDonald's commercial, for example, is not a series of testable, logically ordered assertions. It is a drama--a mythology, if you will--of handsome people selling, buying and eating hamburgers, and being driven to near ecstasy by their good fortune. No claim are made, except those the viewer projects onto or infers from the drama. One can like or dislike a television commercial, of course. But one cannot refute it.

The television image sanctified, conferred identity. The more familiar the face, the more to be trusted.