Best 263 quotes in «new orleans quotes» category

There are always people who are going to be opportunistic when they see situations unfolding the way that they are in New Orleans.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.

There have been nine Super Bowls in New Orleans, and not all of them have brought the best of luck to NFL Films. We got robbed twice there, got food poisoning, and my hotel room was broken into on the day the Bears played the Patriots in January 1986.

There is a house in New Orleans they call the Rising Sun, and it's been the ruin of many a poor boy and God I know I'm one.

There is no reason at all why there aren't enough people to guard New Orleans and to help stabilise Baghdad.

There is on the globe one single spot, the possessor of which is our natural and habitual enemy. It is New Orleans, through which the produce of three-eighths of our territory must pass to market, and from its fertility it will ere long yield more than half of our whole produce and contain more than half our inhabitants.

There is nothing that will discombobulate and degrade [more] the lives of people near the margin on this planet. You don't have to look much past New Orleans to see that. Who took the hit? Some of the poorest people in the U.S.

There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there

There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.

There was a lot of stuff happening in Havana that was being heard and appreciated by New Orleans musicians because of this situation. And vice versa.

There's certain things in life that I love. One is architecture. And music, culture, food, people. New Orleans has all of that.

There's a lot of UFO sightings in New Orleans, which isn't really too surprising. There's a lotta crazy people there. The people there lack the intelligence to know what they are seeing, so that's why the UFO's go there.

The rise of the Earth's temperature, causing sea level increases that could add up to one foot over the next 30 years, threatens the very existence of New Orleans.

There was this rapper from New Orleans, Mystikal, who when I hear his music, I hear myself. Whenever I wanna get hyped, I put on Mystikal.

There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.

there was something about that city, though it didn't let me feel guilty that I had no feeling for the things so many others needed. it let me alone. sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter me as I heard the rats moving about the room, I preferred them to humans. being lost, being crazy maybe is not so bad if you can be that way undisturbed. New Orleans gave me that. nobody ever called my name.

The Saints are doing a good job adjusting. I think their focus is on trying to make the best of their season, but also to try and help the people of New Orleans in the process. From everything I've seen and heard they are doing a good job of it.

The Saints are Louisiana's team and have been since the late '60s when my predecessor Pete Rozelle welcomed them to the league as New Orleans' team and Louisiana's team. Our focus continues to be on having the Saints in Louisiana.

The truth of the matter is that for all the drive-in movie references, what Weston Ochse has really created in Multiplex Fandango is a travelogue. Acting as narrator and guide, Weston takes you on a trip to places familiar and obscure-New Orleans, the Sonoran desert, Mexico's Pacific coast, and the dark, impenetrable reaches of the soul. He shows off sights that chill the blood, and as with any good trip, the things seen and experienced along the way will stay with you for a lifetime.

Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?

The word [jazz] never lost its association with those New Orleans bordellos. In the 1920s I used to try to convince Fletcher Henderson that we ought to call what we were doing 'Negro music'. But it's too late for that now.

Times are not good here. The city is crumbling into ashes. It has been buried under taxes and frauds and maladministrations so that it has become a study for archaeologists...but it is better to live here in sackcloth and ashes than to own the whole state of Ohio.

We closed the restaurant in New Orleans and brought the entire staff to San Francisco. But we had to go home.

Venice, Italy, survives 365 days out of every year in water; New Orleans can survive a few days of water if it has to.

Well, it seems that one day Dylan was drivin' up to San Francisco from New Orleans or somewhere, when our record [House of the Rising Sun] came over his radio. When it was announced he said to Joan Baez -- who was with him at the time -- 'This'll be the first time I've heard this version', although it was number one in the States. So he listened to it, stopped the car, ran round the car five times, banged his head on the bumper and began leapin' about shouting 'It's great! It's great!'

When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.

Well, my dad was the district attorney of New Orleans for about 30 years.

What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.

What we do in New Orleans, man - we party!

What happens in Vegas may stay in Vegas, but what happens in New Orleans, goes home with you.

What we're focusing on is the images that were in people's minds being replaced by fresh images, to make way for the rebirth of New Orleans. We're showing the other side.

When I was younger, I ate nothing but fried food. Everything was fried, from oysters to chicken to potatoes to vegetables. When you die in New Orleans, they deep fry you before they put you in the coffin. When we baptize children in New Orleans, we baptize them with a bordelaise sauce; we don't use water.

When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.

You could spend your life trying to uncover all the treasures in New Orleans and not even scratch the surface. It's such an amazing place.

You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.

When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.

Where are you from, Mr. Pendergast? Can't quite place the accent.” “New Orleans.” “What a coincidence! I went there for Mardi Gras once." “How nice for you. I myself have never attended.” Ludwig paused, the smile frozen on his face, wondering how to steer the conversation onto a more pertinent topic.

You don't need a guidebook to see New Orleans - just a good pair of shoes.

You don't see the European classical musicians allowing the music of Bach, Brahms, or Beethoven to become extinct. That music has gone on for centuries and centuries. We have the same obligation. Why do we have to become so 'hip' that we can say, 'Bebop is square,' or "New Orleans is square'? This, to me, is a shame.

You know, for 300 years it's been kind of the same. There are restaurants in New Orleans that the menu hasn't changed in 125 years, so how is one going to change or evolve the food?

A man who forgets his past and allows the flame of the things he loves to be extinguished has no future.

Alex leaned over and treated me to a Rhett Butler kiss, slow and deep but not too sweet. He once told Scarlett something to the effect of how badly she needed kissing, and by someone who knew what he was doing. Alex knew what he was doing. By the time he finished proving it, I was breathless. I rested my head on his shoulder, basking in his warmth and filling my lungs with his scent. "What was that for?" "That was to show you how glad I am that we got out of that mess in one piece and that we're here together." He extracted his arm from around my shoulders and sat back. "Now let's talk about your crazy stunt." Damn it, Rhett did that, too. He'd kiss Scarlett silly, then lecture her.

All that Anne Rice crap is true, I thought on my way out the door; New Orleans really does have a vampire problem. Besides me, of course.

You look at public education system, charter schools, infrastructure, in so many ways New Orleans has come back stronger.

A good crowd had formed along the sidewalk and the concrete ledge that bordered Louis Armstrong Park. The anticipation was dizzying...New Orleans had the big-boy parades and [Jackson & Billy] couldn't wait to attend a second line...

Am I right in thinkin' you've maybe been" - he dropped his voice - "the victim of an infamous outrage by the darkies?

An iron? Was he kidding? God

Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.

Could you just imagine? If every suicide rose--think of Faulkner's Quentin Compson as a vampire. I don't hate the South I don't I don't. She wondered how they'd have worked it out in Cambridge when Quentin threw himself off the Andersen bridge into the Charles amid the odor of the honeysuckle, not the beer, sweat, rum, and tainted magnolias of this city, precariously beneath the level of the water. The Compson blood had thinned out; at least this way, he's restore it after a fashion.

A tomb is a vault, a vault is a home,” Mr. Sadlot said casually sniffing the flower in his lapel. “That’s where the deceased chose to reside and that is where he will be placed.” Kekaju and the Hidden Swamp