Best 263 quotes in «new orleans quotes» category

Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it's as if the audience--dancing, singing to the refrains, laughing--is part of the band. They are two parts of the same thing. The dancers interpret, or it might be better to say literally embody, the sounds of the band, answering the instruments. Since everyone is listening to different parts of the music--she to the trumpet melody, he to the bass drum, she to the trombone--the audience is a working model in three dimensions of the music, a synesthesic transformation of materials. And of course the band is also watching the dancers, and getting ideas from the dancers' gestures. The relationship between band and audience is in that sense like the relationship between two lovers making love, where cause and effect becomes very hard to see, even impossible to call by its right name; one is literally getting down, as in particle physics, to some root stratum where one is freed from the lockstop of time itself, where time might even run backward, or sideways, and something eternal and transcendent is accessed.

My first thought was that a tornado had somehow picked me up and carried me off, like in the Wizard of Oz. No old witches pedaled by, and I didn't see any flying farm animals or chicken coops, and after a few agonizing minutes, I fell deep into unconsciousness again.

Most criminals are stupid. They creep $500,000 homes in the Garden District, load up two dozen bottles of gin, whiskey, vermouth, and Collins mix in a $2,000 Irish linen tablecloth and later drink the booze and throw the tablecloth away.

My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams

[New Orleans.] Katrina changed everything. Life here is different, every face altered. Yet we feel and sense the landscape not only in its hurricane-leveled, sodden depressions but — perhaps even more so now in the strangely comforting depths of our shared history. Even in the worst hit areas, not all is dissipated. Dense intricate attachments burrow too deep to underestimate or overlook. This is no featureless town to be rubbed off the map and cast aside. Here the band plays on. Our kindred colors speak to the values of justice, faith and power; to curious combinations of passion, openness, irreverence and loyalty, to the values of individuality, sharing and compassion. Not least, we still enjoy the sounds of music and respond to succulent foods, to the magnificent flowering gardens, to the elements of grace and dreamy escape, and to the languid Southern charm typical of faded days gone by.

One should never giggle in handcuffs unless one were naked. I was sure I'd read that rule somewhere.

Of all the places in the world, you ended up in New Orleans?” I asked, unable to keep the sarcasm from my voice. Michael nodded. “Yes,” he agreed, apparently not registering the sarcasm. “Please,” I muttered, pulling a face. “Hurricanes, poverty, homes that are never going to be rebuilt, oil spills... this city has had so much crap thrown at it, and you’re telling me that there are angels here?” Again, Michael nodded. “Yes. Regardless of what has happened or what is happening, this city fights.” Okay, he may have had a point. The citizens of New Orleans were resilient; I’d give him that.

Once you’ve been on this earth a bit longer, you’ll accept that you can’t save everyone.

New Orleans is a city you must visit when you’re young and foolish but return to when you’re wiser and still searching for your dreams.

New Orleans' rebellious and free-spirited personality is nothing if not resilient. And so the disruptive energies of the place- its vibrancy and eccentricity, its defiance and nonconformity, and yes, its violence and depravity- are likely to live on.

Our dreams drive us so. One after another. Jasmine sprung bravely from the fertile soil of our suffering. And who can live without dreams? Who loves their brief, sweet passage? Dum vivimus, vivimus. While we live, let us live.

People don't live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way.

Perspective was my secret weapon, and books gave me plenty of ammunition.

Satchmo was raised on steaming pots of red beans and rice, a meal so familiar that he described it as his “birthmark”—indeed, in adulthood, he often signed off letters with “Red beans and ricely yours.

Remarkable, if for nothing else, because of this, that all of those men and women who stayed for any reason left behind them some monument, some structure of marble and brick and stone that still stands; so that even when the gas lamps went out and the planes came in and the office buildings crowded the blocks of Canal Street, something irreducible of beauty and romance remained; not in every street perhaps, but in so many that the landscape is for me the landscape of those times always, and walking now in the starlit streets of the Quarter or the Garden District I am in those times again. I suppose that is the nature of the monument. Be it a small house or a mansion of Corinthian columns and wrought-iron lace. The monument does not say that this or that man walked here. No, that what he felt in one time in one spot continues. The moon that rose over New Orleans then still rises. As long as the monuments stand, it still rises. The feeling, at least here...and there...it remains the same.

Reminder: Dump Brains and Bowels in Hazmat Bin!

Satchie: Excuse me, I'm an enlisted man too. Nothing more was said. In the dark wooden room, Kenny and Satchie had the seethe of men with hardened hearts seered by the stench of burned human flesh. No smell like it, Satchie remembered. Gut-curling, episodic explosion of the soul that blasted even the bearest of men. So they hung in joints under Jax signs and Dixie beer relics where they drank their poison and enjoyed false remedy.

Saturday, September 17, 2005: Today in New Orleans, a traffic light worked. Someone watered flowers. And anyone with the means to get online could have heard Dr. Joy’s voice wafting in the dry wind, a sound of grace, comfort and familiarity here in the saddest and loneliest place in the world.” Chris Rose, The Times-Picayune

She had understood before she had ever dreamed of a city such as this, where every texture, every color, leapt out at you, where every fragrance was a drug, and the air itself was something alive and breathing.

She doesn’t even have shoes on” He was trying to reconcile something in his head while talking to Luke. “In all the time you spent in that shack, you forgot to pack her shoes?” Luke asked rhetorically, shaking his head in both wonder and disappointment. “Look, we’re in the boonies. I am sure shoes are optional, as are a full set of teeth.

Something big was trapped inside him, some great sadness, and he felt if he could cry, or even articulate it in speech, it would relieve the pressure and provide him some measure of relief. But he couldn't reach it. He couldn't find a way to address it. He wondered if it would become the thing that defined him.

She shook her head. "I can't believe you got bit and you didn't even get an orgasm out of it. I guess True Blood isn't true after all.

So are you saying I’m your Superman?” --- Josh Copeland

Sometimes we're born into situations, he'd said. We have to decide if we're gonna be a part of it or if we're gonna put an end to it.

Sometimes, the choices we make have devastating consequences

Strong hands slipped over her shoulders as Alex joined us, standing so close, I could feel his body heat radiating up my back….He squeezed my shoulders a little hard for it to be a show of solidarity. I’d probably have bruises. He was marking his territory.

Superstition, as indigenous to Louisiana as gators and Tabasco, holds that the spirits of the dead avenge any disruption of their bodies, which makes one wonder at the rancor released on the 1957 day when fifty-five white families re-interred their beloved in Hope Mausoleum after the Rt. Rev. Girault M. Jones, Bishop of Louisiana, deconsecrated the Girod Street Cemetery, condemning every last African American bone to anonymity in a mass grave in Providence Memorial Park. From that pogrom grew the Superdome. Thirteen acres of structural steel framing stretch up to 273 feet from the unholy ground, a towering testament to the American propensity to cheer black men into the end zones and desert them entirely six points later.

Suspicion infused Alex's voice. "Okay? That's it?" I looked back at him and smiled. "That's it. We disagree. It's done. We'll deal with whatever comes next." He stood up, brows lowered over squinty eyes. "Did Lafitte ply you with brandy, or have the body snatchers been here?

The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.

Tell me, Mrs. Moon, will your need for sustenance trouble you on this excursion? How often do you need to feed?" I couldn't tell whether his interest was scientific, or whether he was afraid I might plunge my teeth into his throat at any moment.

The fight wasn’t over,” I said through gritted teeth. “I’d have won it.” Probably. “Right,” he said. “And something just flew past your window. It was oinking.

The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z'herbes, and raw oysters by the dozen, it means grillades for breakfast, a po' boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week--yet the alternative is a whole lot worse. If you don't eat day and night, if you don't constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.

The Confederacy was on the wrong side of history and humanity. It sought to tear apart our nation and subjugate our fellow Americans to slavery. This is the history we should never forget and one that we should never again put on a pedestal to be revered.

The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off.

The morning sun in New Orleans felt like it was trying to make a point, convincing the old world to believe something new.

There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.

The one young officer swung his horse around, came back, and leaned over into Penthe's face. She did not look at him. "Are you free, Miss?" "I am free. Free from everyone, but my lover. He has stolen my heart and soul forever.

The only reason I'd lift my skirt is to pull a pistol and plug you in the head.

The only way he could truly stick out in New Orleans was if he were walking down the street on fire.

There couldn't be anything more perfect, she thought, than slow dancing, barefoot, on a balcony in New Orleans, while the rain poured down and twilight wrapped around them

Then I shall tell you the truthful answers to the questions you asked, about my own intentions and motivations. They are not so simple."... He cocked an eyebrow and his cobalt eyes took on a playful sparkle. "If I were to avow that you are my immortal life's great passion, that I would give up immortality itself to be at your side and in your bed, you would not believe me, n'est-ce pas?

The only way he could truly stick out in New Orleans was if he were walking down the street on fire. A businessman in suit and tie would stick out more than the characters Jackson passed on those old streets.

The river breeze washed over him. He saw the magnificent views of the city and the bridge connecting Algiers Point to New Orleans. He marveled at the crescent shape of New Orleans as the ferry traveled nearly parallel to the curve in the Mississippi River.

There was a warm breeze blowing in the car as they passed the mansions in the Garden District and they could smell the sweet aroma of the night-blooming jasmine. Soft light fell on the neutral ground along the streetcar tracks.

The roaches were in high spirits. There were half a dozen of them, caught in the teeth of love. They capered across the liquor bottles, perched atop pour spouts like wooden ladies on the prows of sailing ships. They lifted their wings and delicately fluttered. They swung their antennae with a ripe sexual urgency, tracing love sonnets in the air.

There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head.

There were naked breasts everywhere. Literally.

These statues are not just stone and metal. They are not just innocent remembrances of a benign history. These monuments purposefully celebrate a fictional, sanitized Confederacy; ignoring the death, ignoring the enslavement, and the terror that it actually stood for.

Those who have not lived in New Orleans have missed an incredible, glorious, vital city--a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation.

The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.