Best 263 quotes in «new orleans quotes» category

People from here will often say, "I'm not from the United States, I'm from New Orleans.

The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.

People here are quite struck aback at Sunday's news of the capture of New Orleans. It took them three days to make up their minds to believe it. The division of American had become an idea so fixed that they had about shut out all the avenues to the reception of any other.

Something will be there when the flood recedes. We know that. It will be those people now standing in the water, and on those rooftops - many black, many poor. Homeless. Overlooked. And it will be New Orleans - though its memory may be shortened, its self-gaze and eccentricity scoured out so that what's left is a city more like other cities, less insular, less self-regarding, but possibly more self-knowing after today. A city on firmer ground.

So the mayor of New Orleans would have used his own buses had the people had been white?

Rejoice at the death and cry at the birth: New Orleans sticks close to the Scriptures.

The good thing about New Orleans is that, overall, it's an accepting place. It's accepting of eccentricity, it's accepting of excess, it's accepting of color, in the sense of culture, not necessarily in the sense of race.

The first few feet of sea-level rise alone will displace more than 100 million people worldwide and turn all our major Gulf and Atlantic coast cities into preKatrina New Orleans - below sea level and facing super-hurricanes. - Joseph Romm210. The generations living today get to retrofit, reboot, and reenergize a nation. We get to rescue and reinvent the U.S. economy.

The first few feet of sea-level rise alone will displace more than 100 million people worldwide and turn all our major Gulf and Atlantic coast cities into pre- Katrina New Orleans - below sea level and facing super-hurricanes.

The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it - they all look like Chief Keef. When it comes to the point that, you know, that kids who are doing the killings, and they're kids 13 to 19 years old, and you can replicate that in New Orleans, you can replicate that in Oakland. All the kids look the same.

The immediate, highest priority need, in my humble opinion, is that we build quickly the interim structures that can channel water away from population and businesses in the New Orleans area.

The New Orleans bands, you see, didn't play with a flat sound. They'd shade the music. After the band had played with the two or three horns blowing, they'd let the rhythm have it.

The inconveniences we faced within this state are minor compared to... New Orleans.

The Madden NFL franchise holds a special place in popular culture and the cover is a coveted position for players all over the league. I'm honored to be the first cover athlete chosen by Madden NFL fans and it's a great way to cap off an amazing year for the Saints and the city of New Orleans.

The people who couldn't get out of New Orleans to escape the storm were predominantly Black.

The oyster was an animal worthy of New Orleans, as mysterious and private and beautiful as the city itself. If one could accept that oysters build their houses out of their lives, one could imagine the same of New Orleans, whose houses were similarly and resolutely shuttered against an outside world that could never be trusted to show proper sensitivity toward the oozing delicacies within.

The past in New Orleans cohabits with the present to an extent not even approximated in any other North American city.

There are always people who are going to be opportunistic when they see situations unfolding the way that they are in New Orleans.

There have been nine Super Bowls in New Orleans, and not all of them have brought the best of luck to NFL Films. We got robbed twice there, got food poisoning, and my hotel room was broken into on the day the Bears played the Patriots in January 1986.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.

The people of New Orleans have gotten to rock bottom. And the only way out in my mind is for them to really understand it, and then to really choose to get better.

There is nothing that will discombobulate and degrade [more] the lives of people near the margin on this planet. You don't have to look much past New Orleans to see that. Who took the hit? Some of the poorest people in the U.S.

There is no reason at all why there aren't enough people to guard New Orleans and to help stabilise Baghdad.

There is on the globe one single spot, the possessor of which is our natural and habitual enemy. It is New Orleans, through which the produce of three-eighths of our territory must pass to market, and from its fertility it will ere long yield more than half of our whole produce and contain more than half our inhabitants.

There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there

There's a lot of UFO sightings in New Orleans, which isn't really too surprising. There's a lotta crazy people there. The people there lack the intelligence to know what they are seeing, so that's why the UFO's go there.

There is a house in New Orleans they call the Rising Sun, and it's been the ruin of many a poor boy and God I know I'm one.

There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.

There was a lot of stuff happening in Havana that was being heard and appreciated by New Orleans musicians because of this situation. And vice versa.

there was something about that city, though it didn't let me feel guilty that I had no feeling for the things so many others needed. it let me alone. sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter me as I heard the rats moving about the room, I preferred them to humans. being lost, being crazy maybe is not so bad if you can be that way undisturbed. New Orleans gave me that. nobody ever called my name.

There was this rapper from New Orleans, Mystikal, who when I hear his music, I hear myself. Whenever I wanna get hyped, I put on Mystikal.

There's certain things in life that I love. One is architecture. And music, culture, food, people. New Orleans has all of that.

The Saints are doing a good job adjusting. I think their focus is on trying to make the best of their season, but also to try and help the people of New Orleans in the process. From everything I've seen and heard they are doing a good job of it.

The Saints are Louisiana's team and have been since the late '60s when my predecessor Pete Rozelle welcomed them to the league as New Orleans' team and Louisiana's team. Our focus continues to be on having the Saints in Louisiana.

The word [jazz] never lost its association with those New Orleans bordellos. In the 1920s I used to try to convince Fletcher Henderson that we ought to call what we were doing 'Negro music'. But it's too late for that now.

There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.

Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?

The truth of the matter is that for all the drive-in movie references, what Weston Ochse has really created in Multiplex Fandango is a travelogue. Acting as narrator and guide, Weston takes you on a trip to places familiar and obscure-New Orleans, the Sonoran desert, Mexico's Pacific coast, and the dark, impenetrable reaches of the soul. He shows off sights that chill the blood, and as with any good trip, the things seen and experienced along the way will stay with you for a lifetime.

The rise of the Earth's temperature, causing sea level increases that could add up to one foot over the next 30 years, threatens the very existence of New Orleans.

Times are not good here. The city is crumbling into ashes. It has been buried under taxes and frauds and maladministrations so that it has become a study for archaeologists...but it is better to live here in sackcloth and ashes than to own the whole state of Ohio.

Well, it seems that one day Dylan was drivin' up to San Francisco from New Orleans or somewhere, when our record [House of the Rising Sun] came over his radio. When it was announced he said to Joan Baez -- who was with him at the time -- 'This'll be the first time I've heard this version', although it was number one in the States. So he listened to it, stopped the car, ran round the car five times, banged his head on the bumper and began leapin' about shouting 'It's great! It's great!'

We closed the restaurant in New Orleans and brought the entire staff to San Francisco. But we had to go home.

What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.

Well, my dad was the district attorney of New Orleans for about 30 years.

What happens in Vegas may stay in Vegas, but what happens in New Orleans, goes home with you.

What we're focusing on is the images that were in people's minds being replaced by fresh images, to make way for the rebirth of New Orleans. We're showing the other side.

When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.

Venice, Italy, survives 365 days out of every year in water; New Orleans can survive a few days of water if it has to.

What we do in New Orleans, man - we party!

When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.