Best 263 quotes in «new orleans quotes» category

What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.

What happens in Vegas may stay in Vegas, but what happens in New Orleans, goes home with you.

What we're focusing on is the images that were in people's minds being replaced by fresh images, to make way for the rebirth of New Orleans. We're showing the other side.

What we do in New Orleans, man - we party!

A good crowd had formed along the sidewalk and the concrete ledge that bordered Louis Armstrong Park. The anticipation was dizzying...New Orleans had the big-boy parades and [Jackson & Billy] couldn't wait to attend a second line...

When I was younger, I ate nothing but fried food. Everything was fried, from oysters to chicken to potatoes to vegetables. When you die in New Orleans, they deep fry you before they put you in the coffin. When we baptize children in New Orleans, we baptize them with a bordelaise sauce; we don't use water.

Where are you from, Mr. Pendergast? Can't quite place the accent.” “New Orleans.” “What a coincidence! I went there for Mardi Gras once." “How nice for you. I myself have never attended.” Ludwig paused, the smile frozen on his face, wondering how to steer the conversation onto a more pertinent topic.

You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.

You could spend your life trying to uncover all the treasures in New Orleans and not even scratch the surface. It's such an amazing place.

You don't need a guidebook to see New Orleans - just a good pair of shoes.

You know, for 300 years it's been kind of the same. There are restaurants in New Orleans that the menu hasn't changed in 125 years, so how is one going to change or evolve the food?

Alex leaned over and treated me to a Rhett Butler kiss, slow and deep but not too sweet. He once told Scarlett something to the effect of how badly she needed kissing, and by someone who knew what he was doing. Alex knew what he was doing. By the time he finished proving it, I was breathless. I rested my head on his shoulder, basking in his warmth and filling my lungs with his scent. "What was that for?" "That was to show you how glad I am that we got out of that mess in one piece and that we're here together." He extracted his arm from around my shoulders and sat back. "Now let's talk about your crazy stunt." Damn it, Rhett did that, too. He'd kiss Scarlett silly, then lecture her.

When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.

When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.

When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.

You don't see the European classical musicians allowing the music of Bach, Brahms, or Beethoven to become extinct. That music has gone on for centuries and centuries. We have the same obligation. Why do we have to become so 'hip' that we can say, 'Bebop is square,' or "New Orleans is square'? This, to me, is a shame.

You look at public education system, charter schools, infrastructure, in so many ways New Orleans has come back stronger.

A tomb is a vault, a vault is a home,” Mr. Sadlot said casually sniffing the flower in his lapel. “That’s where the deceased chose to reside and that is where he will be placed.” Kekaju and the Hidden Swamp

A man who forgets his past and allows the flame of the things he loves to be extinguished has no future.

Am I right in thinkin' you've maybe been" - he dropped his voice - "the victim of an infamous outrage by the darkies?

All that Anne Rice crap is true, I thought on my way out the door; New Orleans really does have a vampire problem. Besides me, of course.

An iron? Was he kidding? God

Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.

DJ, are you awake? Freaking elf. “Go home, Rand.” I am home. Where are you? I frowned and burrowed my face into the soft down pillow. Which wasn’t my pillow. Holy crap. What had happened? I sat up and took in several observations at once, none of which made sense and all of which sent my heart rate jack-rabbiting hard enough to send my blood pressure into the ozone. First, I was lying beneath a heavy bedspread woven in a rich blue-and-cream print. The bed was an elaborate confection made to look like an antique half-tester, and a brass chandelier hung overhead. I recognized the Hotel Monteleone. I recognized Jean Lafitte’s bedroom in the posh Eudora Welty Suite in the Monteleone. I didn’t have a clue as to how I got here. Second, I wore only underwear. My clothes were thrown across a chair in the corner. I had no recollection of removing them. Third, the pillow next to mine still held the clear indentation of a head, and there was water running behind the closed bathroom door. What in God’s name had I done? Rand! Where are you? So help me, if that elf was behind this, I’d splay him open like a catfish and watch his guts fall on the floor. Then I’d batter and deep-fry him. God, Dru. Stop shrieking like an elven shrew. I think you got too cold and went into a survival state.

Could you just imagine? If every suicide rose--think of Faulkner's Quentin Compson as a vampire. I don't hate the South I don't I don't. She wondered how they'd have worked it out in Cambridge when Quentin threw himself off the Andersen bridge into the Charles amid the odor of the honeysuckle, not the beer, sweat, rum, and tainted magnolias of this city, precariously beneath the level of the water. The Compson blood had thinned out; at least this way, he's restore it after a fashion.

Damn. I never should have agreed to this. What is he thinking? Here we are in a piece of crap pickup truck on our way to sit outside of a supermarket to kidnap this girl. Damn. He’d better not be falling for her. Sure she’s cute, but I can’t think about that.

Buddy ran down the road, turned into another street, and vanished as if he had never been there, like another ghost from New Orleans's past.

Eugenie looked great, her short spiky auburn hair edged with conservative blond tips and her face wearing a minimum of makeup. Must be Mr. Natural’s influence. I gave her a hug and turned to meet Quince, who was sitting across from her. Okay, I could see the attraction. He had thick, honey-blond hair pulled back in a ponytail not unlike my own, and a green gemstone stud in one ear. He reached out a grasped my hand, shaking it firmly. “It’s great to meet you. Eugenie talks about you all the time.” “She talks a lot about you too, Quince.” The man had no idea. He smiled and his blue-green eyes were almost enthralling. “Most people call me Rand, but Eugenie likes my real name better than my nickname.” After a half hour of small talk, I wasn’t sure I liked Quince Randolph. He was drop-dead gorgeous, no question about that. But there was something off about him I couldn’t quite pinpoint. He stared too hard when he talked to you, made my eye contact than a normal person. I tried to dig into his head a little but came up blank, which was weird, except I’d done a heavy grounding ritual this morning. “You know, I just noticed something.” Eugenie had a funny look on her face. “You guys have the same hair and eye colo. I’d never realized it till I saw you sitting there across from each other.” “Maybe we’re very distantly related.” Rand smiled. “I doubt it,” I said, frowning. “I don’t have much family. And if we were related, I’d be pissed off that you have better cheekbones.

Every town has ‘THAT house’: the one that once held dark secrets. You know the house… the one no one will purchase? The one whose walls have seen blood? The one that even birds avoid, and the darkened windows resemble empty eye sockets? There are furtive, yet insistent, whispers about ‘that’ house, murmurs that perhaps the house is best left alone, lest the dark stain left upon that abode’s history seep into our own present-day.

Even the sidewalks in ‪‎New Orleans‬ had personality.

Fidelity is a living, breathing entity. On wobbly footing, it can wander, becoming something different entirely.

He pulled out handcuffs and snapped them around my wrists. "Where's your bag? You didn't bring your staff?" "I have it. It's hidden." Charlie was currently tucked inside the leg of my Harry Potter pajama bottoms, which were beneath my jeans, but that fell under the category of TMI.

Funny thing about love, ain’t it? Sometimes it saves you and sometimes, like right then, even love isn’t enough.

From my friend, Brig. General Ezell Ware, Jr., CA Nat'l Guard, Dec. Keep on going till you get there, then keep going.

Going to college don't make you from somewhere, any more than a cat born in an over can call itself a biscuit.

He blamed television, movies, and books for his love of ghosts. It was a fascination that’s been with him since his youth. He always loved watching or reading anything that had to do with ghosts and haunted locations, especially historic sites like New Orleans, Salem, Tombstone, Gettysburg, and Old San Juan.

He thought of Penthe. He sensed a flutter, her smile, a look, just her hair, wild, passing by. He watched the fire, in the fog, for some time. It was the entrance to Hades, where Odysseus visited Achilles...

He’s violent and unpredictable. He hit you once-hard. Oh, sure he saved your life later but it was in his beat interests. Plus, you have absolutely no common sense where he is concerned, and we won’t even mention the dead thing.

He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.

He took her mouth in a deep kiss. Finally he let her up for air. Don’t propose. Don’t propose. Don’t propose. He repeated the words until he was sure he wasn’t going to say something crazy.

He was fully anticipating her lips being bright red to go with her toenail polish. Damn, he loved red lipstick. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so damned much.” Just for instance. He wiped his hands on his jeans. Okay, he was supposed to be nice to her. That meant treating her like she was one of the tourists who frequented this dock. Polite. Friendly, But not I’ve-known-you-my-whole-life-and-kissed-you-a-whole-bunch friendly. Just mildly hey-how’s-it-goin’ friendly. Nice. Polite. A little friendly—but not too much. He could do that. Though it probably meant not saying things like, “I still remember how your nipples taste.

Hurricane Katrina brought a city, a state and the Bush 43rd Administration to its knees because all levels of government were unprepared for the sheer magnitude of the event. (If History Is Our Guide,2015)

Hurricane Katrina brought a city, a state and the Bush 43rd Administration to its knees because all levels of government were unprepared for the sheer magnitude of the event.

Hurricane Katrina arrived without a confirmed weather category, or a name that adequately addressed anger summoned from a thousand leagues down. When the levees broke in New Orleans images escaped television screens to tattoo every skin with the shameful reality that America’s towers fell twice. There was no phoenix. Only mosquitoes escaped the ashes, promising to puncture any still unbloodied with the needle kiss of plague. Then, a great swarm of dragonflies, sent by some other to even the odds. They feasted on the thin-limbed vampires, devoured body and virus, and then hovered around the floating bloated bodies of forgotten grandmothers, armored escorts of the dead. Their wings hummed swamp sonnets while their mouths swallowed maggots, thwarting attempts to hurry death beyond spring sunsets and autumn graves. They kept up their holy procession until New Orleans rebirthed jazz and cut the bodies loose and let saints march in all over again. As I steer my bike through one puddle after the other, making the street music urban rainforest dwellers know, I ask the splash to summon the dragonfly. Call her from the swamp into my throat to name the lump that will never loose me. Be my escort, gobble the flies ever entering me before their children become my whole.

If we weren’t running late already, I’d pull this truck onto a dirt road and show her just what she does to me.

..I began speaking.. First, I took issue with the media's characterization of the post-Katrina New Orleans as resembling the third world as its poor citizens clamored for a way out. I suggested that my experience in New Orleans working with the city's poorest people in the years before the storm had reflected the reality of third-world conditions in New Orleans, and that Katrina had not turned New Orleans into a third-world city but had only revealed it to the world as such. I explained that my work, running Reprieve, a charity that brought lawyers and volunteers to the Deep South from abroad to work on death penalty issues, had made it clear to me that much of the world had perceived this third-world reality, even if it was unnoticed by our own citizens. To try answer Ryan's question, I attempted to use my own experience to explain that for many people in New Orleans, and in poor communities across the country, the government was merely an antagonist, a terrible landlord, a jailer, and a prosecutor. As a lawyer assigned to indigent people under sentence of death and paid with tax dollars, I explained the difficulty of working with clients who stand to be executed and who are provided my services by the state, not because they deserve them, but because the Constitution requires that certain appeals to be filed before these people can be killed. The state is providing my clients with my assistance, maybe the first real assistance they have ever received from the state, so that the state can kill them. I explained my view that the country had grown complacent before Hurricane Katrina, believing that the civil rights struggle had been fought and won, as though having a national holiday for Martin Luther King, or an annual march by politicians over the bridge in Selma, Alabama, or a prosecution - forty years too late - of Edgar Ray Killen for the murder of civil rights workers in Philadelphia, Mississippi, were any more than gestures. Even though President Bush celebrates his birthday, wouldn't Dr. King cry if he could see how little things have changed since his death? If politicians or journalists went to Selma any other day of the year, they would see that it is a crumbling city suffering from all of the woes of the era before civil rights were won as well as new woes that have come about since. And does anyone really think that the Mississippi criminal justice system could possibly be a vessel of social change when it incarcerates a greater percentage of its population than almost any place in the world, other than Louisiana and Texas, and then compels these prisoners, most of whom are black, to work prison farms that their ancestors worked as chattel of other men? ... I hoped, out loud, that the post-Katrina experience could be a similar moment [to the Triangle Shirtwaist factory fiasco], in which the American people could act like the children in the story and declare that the emperor has no clothes, and hasn't for a long time. That, in light of Katrina, we could be visionary and bold about what people deserve. We could say straight out that there are people in this country who are racist, that minorities are still not getting a fair shake, and that Republican policies heartlessly disregard the needs of individual citizens and betray the common good. As I stood there, exhausted, in front of the thinning audience of New Yorkers, it seemed possible that New Orleans's destruction and the suffering of its citizens hadn't been in vain.

I didn't dare put down the staff with Etienne popping in and out like a half-burned, bloodsucking whack-a-mole.

If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.

I guess us folks in California are kind of straitlaced and old-fashioned." Hahaha, I thought on the way downstairs. I never thought I'd say those words with a straight face...

I had been a happy normal wife and mother in Orange County until ten years ago, when I was attacked by an evil vampire... and turned into one myself. It's made my life since gross and scary and, let's face it, weird.