Best 1169 quotes in «novel quotes» category

The basis of English law is as simple as this: If you would know the future’s shape, look to the past.

The average author hawks their books at many events. They are vigilant promoters, waiting for a breakthrough. They do this, or else watch their novel wither away.

The best part of the fiction in many novels is the notice that the characters are imaginary.

The characters act for reasons that they can’t control and, as readers, we have to believe in their motivations, their sense of choice and in the reality of their suffering, even though, deep down, we know it’s all just puppetry on the part of the writer.

The crazed man, after he was satisfied, placed his hands around the throat of the helpless Irish girl and squeezed powerfully. He continued his attack, until he was certain Beverley was dead. He turned his back to the wall and masturbated, squealing in delight when he was done. He then composed himself, straightened his clothes, and ascended the steps. Hopefully, he thought, the tide would wash away the body before morning.

The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.

The ending is coming. I can feel it. I don’t know if I can take it this time. But then again, I say that every time and yet, every time I take it. And, I come back to her again for more. I will take whatever time I can get with her. I will do that for a lifetime. I will. I know that much about myself. She is my water. I can never get enough of her, and it appears that I will die trying to love her, to keep her, to hold her with me, even though our time together seems to evaporate so swiftly. It slips through our fingers so damn fast that we don’t even have time to savor it when we’re together.

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

The greatest redemption is between the war of two evils, their very retaliation reveals their goodly nature.

The heavens are too immense, too beautiful and varied, to fit into the mind of any one deity; the murmured creeds of fathers and sons are no match for the astronomer’s gasp.

The great novels are deterrents. A Merck's manual on how not to live.

The "if I had time" lie is a convenient way to ignore the fact that novels require being written and that writing happens a sentence at a time. Sentences can happen in a moment. Enough stolen moments, enough stolen sentences, and a novel is born - without the luxury of time.

The Intellectual Transcending Equation In Life: Occurrence Plus Perception Minus Materialistic Reasoning Divided By Nothing Equals Spiritual Progression, With A Remainder Of Blessings.

The longest piece of literature I've read lately was a tattoo on this biker I picked up last night. It said, If you're this close, you've gotta suck it.

Their message will never be decoded, not only because there is no key to it, but also because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense.

The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.

The Lord is like lightening. Startled by its appearance and momentarily blinded by the brightness of the flash, when the lightening strikes a person is either destroy or jolted to new life." Elias the Teacher

Their message will never be decoded… because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense.

The Loon Charm To A Life Filled with A Love Whose Voice Always Calls You Home

...the locale did not make him think of her, nor did most things. He felt no negativity about the time they had spent together, but simply did not dwell on it much. She had been a seat filler, memorable as the smiling face of a beautiful girl in the window of a passing train, inspiring a fleeting moment of joy and promise, immediately forgotten with the opening of that day’s newspaper.

The men were smashing windows and aiming their weapons through them. The driver had opened the door and was shouting for the women and children to get out and run and hide. But Ilina realized in some vague way that he never managed to actually say the word "hide." He really said, "Women and children, get out, get out, get out! Run and..." The clerk's wife thought it was odd that he had stopped in the middle of a sentence, and even stranger that she herself knew the word, heard the word "hide" in her head when the driver stopped talking.

The monkey liked most humans. They left food cans outside their homes for his family to rummage through in the morning sun. Some yelled and threw sticks, but were slow and didn’t bite. Humans were mostly harmless.

The miraculous power of love has often been underestimated just like we underestimate the power of sleep. Most of the herculean tasks performed by men were possible because they had been deeply in love and had slept well the night before.

The moment I close my eyes, I see you and sleep vanishes. I’m awake the entire night, revisiting our memories together. The night seems to stretch on forever.

The novel remains for me one of the few forms...where we can describe, step by step, minute by minute, our not altogether unpleasant struggle to put ourselves into a viable and devout relationship to our beloved and mistaken world.

The new day is almost here, but the old one is still dragging its heavy skirts. Just as ocean water and river water struggle against each other at a river mouth, the old time and the new time clash and blend.

...the nuclear family went critical...

Then what’s this?” She raised her glass of expensive wine, used it to indicate their plush surroundings. His gaze followed her indication around the dim-lit, upmarket Italian restaurant. “Dinner in comfort.” “With a side order of persuasion?” “More like an offer I’m hoping you can’t refuse.

Then he smiles because he knows deep in his bones that his dad has gone and said something really funny probably. He kicks off his sheet and slides his feet into his slippers. Bunny sits in the living room, slumped low on the sofa, full of Geoffrey's Scotch and Poodle's cocaine.

The novel is whatever novelists are doing at a given time. If we‘re not doing the big social novel fifteen years from now, it‘ll probably mean our sensibilities have changed in ways that make such work less compelling to us — we won‘t stop because the market dried up. The writer leads, he doesn‘t follow. The dynamic lives in the writer‘s mind, not in the size of the audience. And if the social novel lives, but only barely, surviving in the cracks and ruts of the culture, maybe it will be taken more seriously, as an endangered spectacle. A reduced context but a more intense one [...] PS [...] If serious reading dwindles to near nothingness, it will probably mean that the thing we‘re talking about when we use the word ‘identity‘ has reached an end. – Don Delillo, in a letter to Jonathan Franzen

... the old Berlin – last vestige of a mysterious fête – wheeled away from the gravelled road and went lurching noiselessly across country over a grass-grown track. Beyond the hedge nothing could be seen of it but the driver's cap bobbing up and down.

The one thing is fiction in a novel and the other thing is reality. With fiction you don't make a fuss - you can 'beat it' and there's never enough. At least in my opinion - cause there are people, who complain about style intensity in literature: they prefer cereals with milk than abyssinian bitches roasted alive on bringhausers and watered with ya-yoo juice.

The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power. Not wealth or luxury or long life or happiness; only power, pure power. The object of power is power. Now do you begin to understand me?

The only way that you can identify and then fulfill your life’s purpose is for you to love yourself, charge up your life and serve the world.

The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power. Not wealth or luxury or long life or happiness: only power, pure power. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means, it is an end. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now do you begin to understand me?

The problem with living so long is that you see too many people pass before you.

The people inside the gym didn’t stand a dead drunk’s chance.

The people inside were in intense worship; it seemed to Sarah like they were in another world or something. The pleasantness in the atmosphere drew her in. She felt welcomed, even though she had not been invited; noticed, even though she had not been seen; loved, even though she wasn’t known; and even though it didn’t make sense to her—it didn’t have to.

the presence of an old salt aboard the Elizabeth Seaman was profoundly reassuring. “Iron men in wooden boats,” they were called, as opposed to the wooden men in iron boats of today, like Kittredge, Farmingdale, and Eddie himself. Old salts partook of an origin myth, being close to the root of all things, including language. Eddie had never noticed how much of his own speech derived from the sea, from “keeled over” to “learning the ropes” to “catching the drift” to “freeloader” to “gripe” to “brace up” to “taken aback” to “leeway” to “low profile” to “the bitter end,” or the very last link on a chain. Using these expressions in a practical way made him feel close to something fundamental—a deeper truth whose contours he believed he’d sensed, allegorically, even while still on land. Being at sea had brought Eddie nearer that truth. And the old salts were nearer still.

The problem with love is that there is so much of it to give." King Tommy

The raven – Asker – immediately cawed. It sounded suspiciously like laughter. “Not... be afraid of Asker.” The raven’s button eyes gleamed. “He only eats worms… you are not worm.

The quiet brings to mind the multitude of men and women living out their days in solitude—each convinced that their fears and wants are unique to themselves—and she longs to press herself into their fold and be counted among those whose lives are meshed with the turning of the world.

There are empty spaces that must be respected – those often long periods when a person can’t see the pictures or find the words and needs to be left alone.

There are only two things in life,' Bergé said. 'Love and beauty.

There is a brilliant novel in all of us. Some imagine it…others live it. Authors dwell in an auspicious life by having the ability to fuse the two.

There are tales that rise like the early sun, breathe, and take on a life of their own. There are ones that flow quietly and effortlessly until time forsakes them, but there are others that fight until they find their way to the edge of reality, as if coming straight out of a dream.

There are times when the unseen can be even more dangerous than what our eyes behold.

There’s no better way for a woman to punish a man than to make him sleep away from her.

There’s no better way to get to know a city than to walk its streets. A place will reveal its soul through its sights, sounds and smells, and eventually, it’ll teach you its rhythm.

There’s nothing worse than delivering bad news to women. I hoped I wouldn’t get good at it.