Best 1169 quotes in «novel quotes» category

I found some time ago that I have to be careful, while working on a novel, what I read.

If the novel is dying, I see no chance that dismembering it will revive it.

If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?

If writers stuck to firsthand experience, novels would be pretty limited.

If you have no conflict, you have no story. That's number one. That's a rule of novels.

If you like my novels, I commend your good taste.

If you haven't written a novel by the time you're forty you never will!

If you're doing a classic play, where if you do a Chekhov, you do the words as written. You can't do that with a novel; you have to do your version of the words as written.

I get and read an enormous number of first novels.

If you want meaning, you read poetry or a novel or something, you don't read song lyrics. You're supposed to listen to them with music.

If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.

I get very weird and defensive about what I'm working on - I wouldn't even tell my secretary what the next page of my novel was about.

I grew up in Southern California, so the whole concept of a local music history is still kinda novel to me.

I hadn't written a love story before and I hadn't written a novel with a happy ending before.

I guess I've always been an aspiring novelist. I went to Princeton and wrote a novel for my thesis.

I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.

I hate that rule that says write about what you know, it leads to too many British novels about marriages going slightly wrong. Write about what you don't know, just act as though you do.

I have assiduously avoided calling my books novels

I have a backlog of novels which I would love to be working on and would be working on if I were not obliged to hold down a full time job.

I have learned a great deal from novels. Some of it is even true.

I have written every one of my novels to convince somebody of something.

I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.

I have survived by representing these sufferings of mine in the form of the novel.

I know many older writers who were very successful and whose books are now out of print, so you have to go to antiquarian booksellers to buy their fifth or eighth novel or whatever it is.

I invented the historical spy novel.

I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.

I kept starting 'Anansi Boys' as a movie and stopping, and eventually wrote the novel and was happy.

I love Richard Yates, his work, and the novel, Revolutionary Road. It's a devastating novel.

I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.

I like all sorts of things, not necessarily just Victorian. Even though I tend to read a lot of Victorian novels, I like a lot of contemporary stuff.

I like to read dramatic novels and I absolutely love magazines.

I love James Baldwin essays, but also his novels. I recently read "Another Country." I couldn't believe how ahead of his time he was.

I'm a professional. So before I published any novels, I'd always been writing stories.

I love to run and I have some tips to keep it fresh and novel. I rarely use the same route twice. That keeps things new.

I'm a novelist at heart. How's that? And that's how I make my living, is I write novels.

I'm a very organised and rational and linear thinker and you have to stop all that to write a novel.

Imaginatively Glasgow exists as a music hall song and a few bad novels.

I'm a novelist, that's how I make my livelihood, and I concentrate on the novels.

I'm my own "ideal reader" in the sense that I write novels that I would want to read.

I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.

I'm skeptical that the novel will be 're-invented.'

I'm not embarrassed about the novels I wrote when I was younger, but I couldn't write them today because of my religion.

I'm not writing novels, the screenplays are my novels, so I'm gonna write it the best that I can. If the movie never gets made, it'd almost be okay because I did it. It's there on the page.

I'm sorry to say that far worse things have happened and the literature of the Holocaust is a witness to the capacity of the novel as a form.

I myself love getting cookbooks and novels that some congenial person has already tried and liked.

I'm working on a new novel, in its 3rd draft, but it's hard to write while doing 7th Heaven.

In addition I wanted to write a Southern novel, because I'm a Southerner.

In a general sense, to convert any short story, novel, play, or opera into a movie, you have to re-rig it. Even though they're all narratives over time, they're very different forms.

In a novel, the relationship between writer and reader is such a pure one.

In a novel, I could submerge my ego in a characters and let his perceptions take over.