Best 1169 quotes in «novel quotes» category

I never want a girl to lose all hope that her life can’t completely turn around, even if she feels that she is at the edge, standing on one foot, and ready to say goodbye.

I never want you to deny anything about yourself because you have grown up thinking it’s unacceptable or inconvenient for the people around you.

In inventing [General Juan Manuel de] Rosas’ self-justification, I have taken the liberty of drawing almost exclusively on the words of Tony Blair, and the various self-justifications he produced to defend his foreign policy adventures with George Bush in the Middle East and the Central Asia.

In its basic form, nursing can be seen as a duty, but beyond the incessant operational activities that lay the foundation of our daily work, the profession is all about grace. Helping people is a noble calling. It is a privilege to serve my fellow human beings. Fifteen years has seen many ups and downs at the workplace, but I have enjoyed serving the many patients who come into my care, and have prayed for the souls of those who were on the brink of death.

In my end lies my beginning" Who said that? Mary Stuart, Queen of Scots (1542-1587).

I no longer trusted the sun. I kept half an eye on it, night and day. I told myself that the sun would not go full rogue on us and send a pulse to suck our atmosphere away, but I had a hard time believing it....

In order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuiseance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel.

I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.

In the city, human beings celebrated and enjoyed material conditions and comforts, but were caught in the labyrinths and knots of spiritual shallowness and psychological confusion. In the city human beings wrestled with the demands of survival and profit but fled from life’s imperatives of honesty and moderation. In the city man was afraid to confront his own face.

In the presence of Esch, values have hidden their faces. Order, loyalty, sacrifice—he cherishes all these words, but exactly what do they represent? Sacrifice for what? Demand what sort of order? He doesn't know. If a value has lost its concrete content, what is left of it? A mere empty form; an imperative that goes unheeded and, all the more furious, demands to be heard and obeyed. The less Esch knows what he wants, the more furiously he wants it. Esch: the fanaticism of the era with no God. Because all values have hidden their faces, anything can be considered a value. Justice, order—Esch seeks them now in the trade union struggle, then in religion; today in police power, tomorrow in the mirage of America, where he dreams of emigrating. He could be a terrorist or a repentant terrorist turning in his comrades, or a party militant or a cult member a kamikaze prepared to sacrifice his life. All the passions rampaging through the bloody history of our time are taken up, unmasked, and terrifyingly displayed in Esch's modest adventure.

In the temple, I sit on the cool floor next to Grandfather, beneath the stern benevolence of the goddess's glance. Grandfather is clad in only a traditional silk dhoti--no fancy modern clothes for him. That's one of the things I admire about him, how he is always unapologetically, uncompromisingly himself. His spine is erect and impatient; white hairs blaze across his chest.

In this otherworldly moment I am profoundly grateful to be here, to be alone, to experience this thing that no one has ever experienced and that no one else ever will.

In this world there are two types of people: the ones who hurt, and the ones who are hurt. But if we all claim to be the victims, then aren't we all the criminals too?

In truth, I bear the fault alone, for a writer longs to see his words come to life, especially as a playwright to see the characters you create in your mind come to flesh and blood on the stage. What delight strokes the vanity of a writer to hear the swoons of the penny-stinkers clamoring at your feet and calling your name.

I remember when Elvis died. I wrote my sentiments with words of a little girl in my dear diary, "Many people wanted to see his body. They literally wanted to dig his bones out just to make sure that he was being buried. And I could not understand why. Why people could not leave him alone and let his soul rest in peace." I couldn't get it. I didn't grasp it at that time. In a head of a little girl it was hard to believe that there were mysteries to be solved. That there ruled a conspiracy theory that people thought it was odd that he was buried and the casket was never opened. They didn't believe he was dead! Oh yes. Elvis Lives! And as the world needs his songs, his words, his thoughts, his love, his light more than ever before.

I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal. College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain. Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.

I recalled something I’d read a long time ago about Satan. When he appeared, it wouldn’t be as a demon but as an ordinary-looking guy with a convincing message of peace.

I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.

I see it all. I feel it all. I am inspired. My eyes fill with tears. Yet even as I feel this. I lash my frenzy higher and higher. It foams. It becomes artificial, insincere. Words and words and words, how they gallop - how they lash their long manes and tails, but for some fault in me I cannot fly with them, scattering women and string bags. There is some flaw in me - some fatal hesitancy, which, if I pass it over, turns to foam and falsity

... isn't breaking a supervillian out of jail a little ... much?

. ."Isn't Chief worried about the Dan Rather-James Brady syndrome? Getting the news first -- if it's incorrect? And if that wasn't enough, then in 2004, Rather turned around and did it again when he didn't confirm President George Bush's military records and broadcast a bogus story about President Bush." -- excerpt from "Love Thy Neighbor" ©2012. by Diane Moore

Isn't post-modernism really one big cover-up for the failure of the French to write a truly interesting novel ever since a sports car ate Albert Camus?

The most epic tales of magic, have both a beginning, and an end. Magic, itself, knows no such bounds.

It had been a shitty night, so it was fitting that it should end with rain. He closed his eyes and lay where he was, ready for it to stop. The rain, the cold, the pain, the aches, the blood choking the back of his throat, the metallic taste on his tongue. He wanted an off switch to his life; to get it over with. There wasn't much point fighting; he didn't have anything to fight for. He had his family and Levi, but something in his heart said that wasn't enough anymore. He didn't want to be alone.

I think it all basically breaks down to something like this: You have to look and feel great first. If you eat well, exercise and get enough sleep, you will have ample energy and the proper self-confidence to create and produce beyond your wildest dreams! Looking great and radiating positive energy, while presenting your highest quality work, is what will always make you the most valuable and only logical choice in whatever it is that you reach for.

Is this not the very thing that drives an adventurous man to navigate uncharted oceans, to traverse continents and mountains, to pilot virgin estuaries and hidden coves—this promise of inscribing a name steadfast upon what he finds? There are few parcels of earth left to be claimed; yet even as the known world shrinks, the heavens grow ever more infinite. An explorer of the skies need never leave his home or fret over the swiftness of other expeditions; he might give whatever name he chooses to any new thing that wanders into his view.

It has been said that Shakespeare, the great delineator of human character, has failed in distinguishing his principal women—and that such as he meant to be amiable are all equally gentle and good. How difficult then it is for a novelist to give to one of his heroines any very marked feature which shall not disfigure her! Too much reason and self-command destroy the interest we take in her distresses. It has been observed, that Clarissa is so equal to every trial as to diminish our pity. Other virtues than gentleness, pity, filial obedience, or faithful attachment, hardly belong to the sex.

I think all artists struggle to represent the geometry of life in their own way, just like writers deal with archetypes. There are only so many stories that you can tell, but an infinite number of storytellers.

-I think you are inhuman. If I leave you, who will you go to? Would you find another lover? I said nothing. -Deny it,damn you!

I thought if I loved you enough I could change you. I was so stupid.

I thought it was a novel.” “It is.” “What’s it about??” “You’ll have to buy it to find out, but it’s got everything: love, death and an amusing dog.” “This one’s got a recipe for apple crumble,” I said. “Don’t you love that about the novel? The capaciousness?” he said.

I thought you'd be interested in these things as a government man. Ain't you mixed up in the prices of things we eat or something? Ain't that it? Making them more costly or something. Making the grits cost more and the grunts less?

I think the novel is a wonder....it has vitality to an extraordinary degree, and glamour, and a great deal of underlying thought of unusual quality....And as for the sheer writing, it's astonishing. [About The Great Gatsby]

It is a dangerous thing to substitute reading or writing for living. Live first, then write.

It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer.

It is only a woman who can make a man feel like a 'superhero' or 'inadequate'. Its her attention and admiration that a man desperately seeks!

It is one of the great blessings of youth, this guiltlessness, the source of gentle sleep and peaceful days.

It is only the sudden and unpredictable appearance of comets that spoils the immutable celestial sphere.

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

It is too bad that most Olympians do not train as hard as the Lashkar jihadis whose main aim in life is to kill people.

It is the form that allows a writer the greatest opportunity to explore human experience...For that reason, reading a novel is potentially a significant act. Because there are so many varieties of human experience, so many kinds of interaction between humans, and so many ways of creating patterns in the novel that can’t be created in a short story, a play, a poem or a movie. The novel, simply, offers more opportunities for a reader to understand the world better, including the world of artistic creation. That sounds pretty grand, but I think it’s true.

It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song!

It seemed as if the mountains, wave after wave of them, were like the sea, going outward forever into distance, till, far away, they became engulfed in clouds, and joined—mountain and sky in one. Standing there on top, facing the enormity of the world, I thought of myself as a man. How boundlessly small we are…

It’s like returning to a familiar room and noticing objects had been moved while you were gone—a chair here, a picture frame there. Items that were once brand new were suddenly broken in and worn from age. It was all very subtle, but enough to suspect paranormal activity or a cruel practical joke. When no one else saw what you saw, the freak factor really kicked in, because you were singled out and left questioning reality." ~Ellia

It must take a lot of self-discipline,' she said. 'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.' 'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.' 'Oh, now that's hard.' ("Novelty")

It's more like how some people can't help but bring out the not necessarily righteous parts of your personality. Like how you meet someone and instantly know they're a full-time professional victim, and no matter how hard you try, something takes over and you can't help needling them.

It’s not about winning, it’s about doing what’s right. And yes, we will do what’s right.

It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why! Why can’t we leave this life slowly?

Its not over when the curtains come down, its over when YOU choose not to perform anymore.

It's strange but as I grow older, I find myself developing more optimism. I keep inching toward the point where I believe that it's more difficult to have hope than it is to embrace cynicism. In the deep dark end, there's no point unless we have at least a modicum of hope. We trawl our way through the darkness hoping to find a pinpoint of light. But isn't it remarkable that the cynics of this world—the politicians, the corporations, the squinty-eyed critics—seem to think that they have a claim on intelligence? They seem to think that it's cooler, more intellectually engaging, to be miserable, that there's some sort of moral heft in cynicism. But I think a good novel can be a doorstop to despair. I also think the real bravery comes with those who are prepared to go through that door and look at the world in all its grime and torment, and still find something of value, no matter how small.