Best 1169 quotes in «novel quotes» category

One of the things about writing that inspires--and impresses me, is the music words can make. And, like music, the spaces between the notes can mean as much as the notes themselves. -- The Jesus Horse

On his life between 1926-1927: "like a bad Russian novel

On occasion we stumble upon what seems to be a truth. Compared to the surrounding blackness, it sparkles and dazzles our eyes. But are these actually truths? Are our eyes really feasting upon light? Or just patches of grey?

On my website there's a quote from the writer Anthony Burgess: "The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind." I've always found that inspiring because the written word, as an art form, is unlike any other: movies, TV, music, they're shared experiences, but books aren't like that. The relationship between a writer and a reader is utterly unique to those two individuals. The world that forms in your head as you read a book will be slightly different to that experienced by every other reader. Anywhere. Ever. Reading is very personal, a communication from one mind to another, something which can't be exactly copied, or replicated, or directly shared. If I read the work of, say, one of the great Victorian novelists, it's like a gift from the past, a momentary connection to another's thoughts. Their ideas are down on paper, to be picked up by me, over a century later. Writers can speak individually to readers across a year, or ten years, or a thousand. That's why I love books.

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped.

Our books are the deepest glimpses into our souls, the most raw and real anybody will ever find us.

Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head.

Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience.

Ô, wine!, the truth-serum so potent that all those who wish to live happy lives should abstain from drinking it entirely!... except of course when they are alone.

Pak Karman hugged his wife’s gravestone tightly. “You left without saying farewell!” The whole of the graveyard was ablaze with light.

Palyaço maskesinin altında yatan o yüz, uzun yıllar önce tanışıp sevilmiş, sonra da kaybedilmiş, şimdi de yeniden bulunmuş bir sevgilinin yüzü. Onunla daha önce hç karşılaşmamış olmama, bana tümüyle yabancı bir yüz olmasına karşın, görüp tanımamdan bile önce vurgun olduğum bir yüz bu. [sf 288]

Pak Suleh recalled the atmosphere on his island of Pulau Sebidang, which had been ruled by his ancestors for more than a hundred years. Now it had been passed to foreign hands—whichever nation from whatever foreign world which had been claiming the island was theirs—such that he and his ancestors who had lived on that island for generation after generation had been chased away to live in these birdhouses. They had now inherited these congested breathing diseases. Why was it that he could no longer enjoy the wind which blows from the sea, which is very much one of God’s incomparable benevolences? He could no longer savour the swaying coconut trees, ketapang trees, beringin trees and other trees which whistled and murmured when caressed by the winds as their dried leaves fell onto the sand, mixed with red and white flowers scattered all over the pristine white beach, resembling the moving clouds on a wide piece of white paper. I have lost everything, thought Pak Suleh deep in his heart.

Parenthood doesn’t improve one’s character, it exposes it.

Patah hati adalah sumber inspirasi penulis dan hiburan bagi pembacanya.

Pembalasan paling indah yang sangat pedih adalah lewat novel.

People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if possible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies. Personally, I don't buy it." Yuki leaned against the car door. "But that's real hard, isn't it?" she said. "Real hard," I said. "But it's worth trying for.

People believe in everything except the reality.

Penso agli uri e agli angeli, al segreto dei pigmenti duraturi, ai sonetti profetici, al rifugio dell'arte. E questa è la sola immortalità che tu e io possiamo condividere, mia Lolita.

People have incredible nerve to do terrible things, but never actually admit to them.

People talk about survival. What they mean is killing the other guy.

Perhaps all love stories no matter how varied are essentially the same.

Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life.

Presently a soprano voice of richness and depth floated from the open windows of the parlor, resonating over the darkening greenery. All at once it was as if the entire scene before them was awakened by that voice, infused with unexpected life: the western sky, streaked with bands of pale gold and purple; the two houses, standing gray and disconsolate against that sky; the clusters of trees casting deep black shadows here and there across the ground. The same voice that brought everything suddenly to life also drew them into another, much deeper world—a world that was normally hidden, a world that stretched out into eternity. Yusuke, who had at first looked on with a sense of distance as everyone else sat listening, their faces intent on the music, found himself being gradually drawn in as well, forgetting the moment and the place, lending his ear during that unworldly stretch of time as if entranced. No one spoke. The singing could not have lasted ten minutes, but when it ended he found the darkness all at once grew deeper.

Perhaps the whole of life is a continuous interconnecting of miracle, but we don't always realise it.

Prima nuntă. Primul vis împlinit. Iar ea, mireasa, parcă plutea pe-un nor, fiind toată numai zâmbete. Era, cu-adevărat, cea mai frumoasă zi din viaţa ei!

Personality is a piece of paper that folds in to conceal different sides and display others, like an Origami

Push away the past, that vessel in which all emotions curdle to regret.

Publishers, readers, booksellers, even critics, acclaim the novel that one can deliciously sink into, forget oneself in, the novel that returns us to the innocence of childhood or the dream of the cartoon, the novel of a thousand confections and no unwanted significance. What becomes harder to find, and lonelier to defend, is the idea of the novel as—in Ford Madox Ford’s words—a “medium of profoundly serious investigation into the human case.

—Pues bien; lo que yo quiero son realidades. No les enseñéis a estos muchachos y muchachas otra cosa que realidades. En la vida sólo son necesarias las realidades.

Pull back the curtain and jump down the rabbit hole.

Qu'est-ce que le roman, en effet, sinon cet univers où l'action trouve sa forme, où les mots de la fin sont prononcés, les êtres livrés aux êtres, où toute vie prend le visage du destin. Le monde romanesque n'est que la correction de ce monde-ci, suivant le désir profond de l'homme. Car il s'agit bien du même monde. La souffrance est la même, le mensonge et l'amour. Les héros ont notre langage, nos faiblesses, nos forces. Leur univers n'est ni plus beau ni plus édifiant que le nôtre. Mais eux, du moins, courent jusqu'au bout de leur destin, et il n'est même jamais de si bouleversants héros que ceux qui vont jusqu'à l'extrémité de leur passion.[...] Voici donc un monde imaginaire, mais créé par la correction de celui-ci, un monde où la douleur peut, si elle le veut, durer jusqu'à la mort, où les passions ne sont jamais distraites, où les êtres sont livrés à l'idée fixe et toujours présents les uns aux autres. L'homme s'y donne enfin à lui-même la forme et la limite apaisante qu'il poursuit en vain dans sa condition. Le roman fabrique du destin sur mesure. C'est ainsi qu'il concurrence la création et qu'il triomphe, provisoirement, de la mort.

Recognize that you have been chosen to be alive, right now, at this exact moment in time and know that none of that is random. There is something about you, your past or your future that is required at this exact moment in history. We need to know who you are and what you have been through.

Reading a great novel gives the same feeling you have when you fall in love.

Read my book and you shall know thee

Really, Beliefs have the power to create and the power to destroy... Human beings have the awesome ability to take any experience of their lives and create a meaning that dis-empowers them or one that can literally save their lives.... gone through many different phases of Destines and that's what made me to pen down... hope it won't screw-up me again.... Something beyond love...

Redwing had read somewhere that one of his favourite writers, Ernest Hemingway, had been asked what was the best training for a novelist. He had said “an unhappy childhood.” Redwing had enjoyed a fine time growing up, but he wondered if this whole expedition was unfolding more like a novel, and would be blamed on one person, one character, the guy in charge: him. Maybe you got a happy childhood and then an unhappy adulthood, and that’s how novels worked.

Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.

Remember, nothing happens before it’s supposed to, so trust that, as you are striving for authenticity and personal excellence, the recognition of your life’s purpose is nearing closer.

Rencana Tuhan selalu indah. Mempertemukan kita adalah salah satunya.

Sal turned, an eye stalk hanging from his teeth.

Remember. Observe, assess and act. No hesitation. No remorse.

Rencana Allah selalu indah...

Savaşın getirdiği kinle vahşet, daha güçlü çıktı dostluk ve arkadaşlıktan... Ve temiz yürekler, düşman toprakları üzerinde unutulmuş bayraklar gibi kaldı.

Sebab bukan cinta namanya kalau hanya berdiam diri saja seperti padang pasir, atau menjelajahi dunia seperti angin. Bukan pula cinta namanya kalau hanya memandang segala sesuatu dari kejauhan,

School children, who have enjoyed reading a romance or a detective thriller or a novel about terror and conquest, make the invariable mistake of studying literature in the college. They make the mistake of learning theory in place of art; they acquire impediments in their own enjoyment of the books by allowing a set of theories to govern their own reading.

Schopenhauer wrote that to desire immortality is to desire the eternal perpetuation of a great mistake. He was correct.

Semakin banyak mimpi, berarti semakin banyak berharap. Itu berarti harus siap jika sewaktu-waktu jatuh dan merasakan sakit yang bertubi-tubi.

Seharusnya novel tidak seperti balapan sepeda, tetapi seperti perjamuan dengan banyak hidangan.

Semua orang paham jika masing-masing membutuhkan rumah untuk pulang. Kita semua butuh rehat. Kita butuh berlindung dari dinginnya malam dan teriknya matahari. Bukan dengan penghangat ruangan maupun dinginnya AC. Tapi kita mencarinya dengan kehangatan dan kesejukan keluarga. Sebuah keintiman yang menjauhkan kita dari keterasingan.

Seorang novelis sebaiknya menciptakan “sebuah wilayah di mana tak seorang pun memiliki kebenaran...tapi di mana setiap orang punya hak untuk dimengerti