Best 54 quotes in «mother and daughter quotes» category

Mothers and daughters have that rivalry thing.

Motherhood has a very humanizing effect. Everything gets reduced to essentials.

Motherhood is priced Of God, at price no man may dare To lessen or misunderstand.

Old as she was, she still missed her daddy sometimes.

To a father growing old nothing is dearer than a daughter.

The popular idea that a child forgets easily is not an accurate one. Many people go right through life in the grip of an idea which has been impressed on them in very tender years.

The woman who bore me is no longer alive, but I seem to be her daughter in increasingly profound ways.

There is nothing more precious than laughter

Be a hard worker. Work and happiness are like mother and daughter. Work brings forth happiness. Hard work brings great happiness. Enjoy life.

And yeah, put out as I can be with Mama 'bout a lotta things, I gotta admit she gets all the credit for getting me interested in cooking when I was just knee-high to a grasshopper. Gladys never seemed to give a damn about it when we were kids, which I guess is why she and that family of hers nourish themselves today mainly on KFC and Whoppers and junk like that. But me, I couldn't keep my eyes off Mama when she'd fix a mess of short ribs, or cut out perfect rounds of buttermilk biscuit dough with a juice glass, or spread a thick, real shiny caramel icing over her 1-2-3-4 cakes. And I can remember like it was yesterday (must have been about 4 years old at the time) when she first let me help her bake cookies, especially the same jelly treats I still make today and could eat by the dozen if I didn't now have better control. "Honey, start opening those jars on the counter," she said while she creamed butter and sugar with her Sunbeam electric hand mixer in the same wide, chipped bowl she used to make for biscuit dough. Strawberry, peach, and mint- the flavors never varied for Mama's jelly treats, and just the idea of making these cookies with anything but jelly and jam she'd put up herself the year before would have been inconceivable to Mama.

But I realize now that the toughest choices, the ones that will haunt us for the rest of our lives, are ones that my mom is still sheltering me from.

By the way, honey, you look wonderful. You've lost so much weight! What diet are you on?" I stop in the doorway, breathe in through my nose, out through my mouth. "I'm caring for a dying man, Mother. A dying man you haven't asked me about once since I stepped foot in here, or even called to say hello. Somehow, I've lost my appetite.

By the time Lillian had turned twelve ears old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical. "Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.

Do you want some help?" said Anouk, watching me bring out the big glass jars of raisins and cherries and sprinkles and nuts to decorate the mendiants. I smiled. "Of course. My favorites." It has been a long time since Anouk wanted to help me make chocolates. Now she does, as a child might play with her favorite toys for one last time before putting them aside for ever. Almonds, candied lemon peel, fat black cherries, green cardamom, and a sprinkle of edible gold to highlight the rich dark chocolate. Once sold by travelers door-to-door, these are kings and queens of the road, gilded, glossy and glorious. "I made mine into faces," she said. I smiled at her. "You always did.

By the time Lillian had turned twelve years old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical. "Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.

Did you get rid of that sweater like I asked?" "Yes, Mother," Josey said. "I wasn't trying to be mean the other day. It just doesn't look good on you." "Yes, Mother," Josey said. The truth was, that sweater, that color, looked good on her daughter. And every time she wore it, it hinted at something that scared Margaret. Josey was growing into her beauty. Margaret watched Josey leave. She used to be a beautiful woman, the most beautiful woman around. She brought out the photo again. But that was forever ago.

En bon Italien, Guccio pensa que la chose serait plaisante de séduire à la fois et la fille et la mère.

Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.

Her papa called her 'chiacchere' because he said she chattered away all day, just like a magpie. He had all sorts of funny names for her: 'fiorellina', my little flower; 'abelie', which meant honeysuckle; and 'topolina', my sweet little mouse. Margherita's mother only called her 'piccolina', my little one, or 'mia cara Margherita,' my darling daisy.

Her smile was somehow a little too bright, but I watched as she showed me how she had scored the puff pastry and brushed it with oil. She got me to smell the thyme pressed between her fingers and thumb, and told me how good garlic was for keeping away colds. She preached about food and sang and laughed and baked until the light started to come in the windows. Then we sat and ate hot tart without knives and forks. She kissed my cheeks and smelled like garlic. I remember the hot cheese dropping onto Mama's sweater and drying to a rubbery streak against the wool.

Hello?" my mother answers, sounding happy and normal and far removed from all that is falling apart around me. "He's dying," I say. "Soon. He's sick and shitting himself, and your daughters are the only people he can count on.

Her mother looked at the window over the sink. The moon shone huge and ivory yellow through the kitchen window. "You've always loved the moonlight. It seems to relax you." Vanessa looked outside at the moon. "Do you think there is a goddess of the moon?" "Oh, several," her mother answered. "No, I mean for real." "I was answering for real." Her mother pushed back her chair, then walked over to the sliding glass door, opened it, and stepped out on the patio. The night jasmine filled the cool air with its sweet fragrance. "God must have many spirits to help. We call them angels because that's what we learned to call them when we were little. But there must be many divine beings who act as God's messengers. I think there's room for a goddess or more. When you look at the beauty of the moon it's easy to believe.

Miranda rolls her eyes. "Passing over," she says. "That's nice. Is that anything like kicking the bucket? Keeling over, taking a dirt nap, biting the big one?

I don't know which hurt more: his rejection, his punch, or my own elder siblings laughing at my pain.

If Snow kept weaving around the corners, she would reach the center of the maze and her mother's beloved aviary. The two-story wrought iron dome looked like a giant birdcage. It was her mother's pride and joy and the first thing she had commissioned when she became queen. She'd always had a love of birds. Snow's mother kept several species inside the netted walls, and she patiently explained each bird's nature to Snow in detail. The two had spent countless hours watching the aviary, with Snow naming all of the creatures inside it. Her favorite was Snowball, a small white canary.

In such a world where girls are always raised on beauty alone and the way they have to be anything to impress their surroundings or fit in. I will teach my daughter how to always know her worth ; cause knowing her worth will guide her where to settle , whom to fall for , and what to defend. I will tell her how beautiful her soul is, how attractive her laugh is, how sexy her intelligence is , and how her heart is kind and soft to be always loved .I want to teach her how to fall in love with everything she is, before anyone else may do …

I feared that you were the destined heir to the Secret Scroll because of the prophecy." "What prophecy?" Catty hated the tremor that had crept into her voice. "Only the child of a fallen goddess and an evil spirit will inherit the Scroll, Zoe recited. Catty's heart sunk. Her mother was a Follower, her father an evil member of the Inner Circle. She suddenly felt damned. How could she overcome such a birthright? Zoe took Catty's hand. "You must never worry that you are evil because of your heritage. The manuscript can only be given to someone with a pure heart and the strength to fight the Atrox.

I keep notations, like my mother. She had notebook after notebook of trials and errors, all written in her perfect penmanship on quad-ruled pages, a square for each letter to nest in. My journal is a thick black hardcover with unlined pages. Like her, I'm a technician, a statistician, copiously documenting slight variations in texture, color, taste. I'm a chemist. A quarter cup of rye flour added to the white wheat gives a sweeter flavor. A half teaspoon more salt and 78 percent hydration of the dough result in those coveted large, irregular rooms in the crumb. Mastering formulas, not recipes, in the quest for the perfect loaf. Xavier tells me not to bother. He doesn't believe in perfection. "Forget the ingredients. Forget the environment. 'You' are different each day. You can't replicate yourself. Your hands are stronger, or weaker. Your mind thinks different thoughts while kneading. Life is all over you, changing you. All that goes into the making comes out in the bread. It won't be the same from one batch to the next. Not ever." "It'll be close, though." "Close only counts in horseshoes and hand grenades." He's the artist. He makes me brave enough to try. With his encouragement, I've focused on the creativity of bread, writing my own recipes, exploring nontraditional flavors and shapes. Not all of them turn out well, but he tastes my failures with me, with layers of warm butter.

My own mother was evacuated at the age of five during World War Two and my father was a young man working as an ARP warden. This novel is purely fictitious, but I wanted to explore the traumas that many ordinary people of the war generation suffered, experiences which would be quite unimaginable to many of us today and then to contrast them with the issues we all face in the modern day.

Next Wednesday is part of our routine, another chance to spend lunch hour doing it somewhere else in Kim's immaculate house. Maybe on the white leather couch next time, the one she loves too much to even let me sit on.

Notwithstanding the pressure in the room, this was always an emotional moment for Grace Lyndon, when someone was experiencing a scent she had created. When Grace was a little girl, her mother became very sick and lost her ability to hold down food, and in her final days lost her sight. But her sense of smell remained, strong as ever, and young Grace would bring to her mother's bedside fresh cut flowers, lilac and iris and tea rose, the sweet scents infusing the room with light and earth and memories long forgotten, and Grace brought in special foods to smell, like warm orange-ginger rolls, glazed and fragrant as winter holiday mornings, and cotton linens, laundered in lavender water and line-dried so you could smell the sun in them, and slices of ripe apples, a scent so perfect that in the end, it made her mother cry bittersweetly.

once ruffle-skirted vanity table where I primped at thirteen, opening drawers to a private chaos of eyeshadows lavender teal sky-blue, swarms of hair pins pony tail fasteners, stashes of powders, colonies of tiny lipsticks (p.39)

Seeing her mama wiggle and swagger like that always reminded Sugar of her own shortcomings in this department. She knew the sort of daughter Etta wished she had- another wiggler and swaggerer- but that flirtatious behavior just didn't come naturally to Sugar. She wasn't a tomboy, exactly. Her mother would have shot her rather than let that happen, but Sugar didn't particularly like parties or shopping trips or lengthy visits to the beauty parlor, all of which her mother adored. She preferred helping her grandfather with his bees on his orchard farther up the Ashley River; she always had. She liked reading books on her own or walking the family dog, Miss Pickles. Worse, she couldn't manage high heels no matter how hard she tried, which was an utter disgrace to her southern roots. The pretty only daughter of a well-known beauty married to one of the city's wealthier sons should by rights follow directly in her mother's footsteps in nothing less than three-inch stilettos, as far as Etta was concerned. But she and Sugar were cut from different cloth.

She felt him shifting himself under her and around her, rearranging himself, until she was being held in a real embrace. She opened blurring eyes to find that he had tucked her between his forelegs with his neck curled around her. "Shhh-" he said, as she closed her eyes and threw her arms around his warm, soft, slippery neck. "I know, I know. It's all horrible. Just go ahead and cry, Andie. Go ahead and let it out. I think you've been holding it in too long." She couldn't have stopped the flood now if she'd wanted to, and she really didn't want to. He was right. She'd been holding it in too long. She sobbed against his neck, eyes streaming and burning, throat raw and sore, chest aching. She babbled between the sobs, nothing really coherent, but just- She'd wanted a mother. She'd wanted to make Cassiopeia proud of her so that she'd 'be' that mother. Show her that even her if her daughter wasn't like 'her,' she was still worth something. Was useful. Could stand at the Queen's side and- That was all she wanted. And her mother found her so unworthy that Cassiopeia threw her away to feed a monster, like so much offal. "Oh, Andie," Peri sighed in her ear. "Oh, my poor girl. It's Cassiopeia that's unworthy of 'you.

She hadn't had a bite of her dinner. I'd even curled the pasta into a little linguine nest in the center of each bowl. My mother's was still perfect and round and cold. The sauce had darkened. "This is delish," she said. "But it needs red wine. I tell you because I love you and you should know for the future." She went on about deglazing and how it brings out the earthy taste of the onions and never use wine you wouldn't drink yourself and a young, robust wine is what you use in red sauces, nothing fortified or dry, for example.

There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.

The students adore your father,' a perfumed woman said to me. 'Aren't you lucky to live with such a charming man!' 'He's even more charming at home,' Mom said. 'Isn't he, Bea? He rides a unicycle through the house -' '- even up and down the stairs,' I added. 'He juggles eggs as he makes breakfast every morning -' '- which he serves to us in bed of course,' I said. '- and pulls fragrant bouquets out of his ass,' Mom finished. 'He's just a joy.

They basked in the sweet-scented breeze, and felt the sunshine warming their bare heads. Petals drifted from the gnarled apple and cherry trees, creating a pretty storm, like confetti. They lay together in the grass, watching a beetle trundling through the blades, its clumsy movements reminiscent of the soldiers' giant transport trucks. Birdsong filled the air, horse buses clopped through the street, and somewhere along the city docks, a ship's whistle blew. When it was time to go home, they packed everything into the basket and walked together, their clasped hands swinging between them. Annalise loved these perfect days with her mother, when the air was warm and the tulips and daffodils were coming up.

What do you think was the first sound to become a word, a meaning?... I imagined two people without words, unable to speak to each other. I imagined the need: The color of the sky that meant 'storm.' The smell of fire taht meant 'Flee.' The sound of a tiger about to pounce. Who would worry about these things? And then I realized what the first word must have been: ma, the sound of a baby smacking its lips in search of her mother's breast. For a long time, that was the only word the baby needed. Ma, ma, ma. Then the mother decided that was her name and she began to speak, too. She taught the baby to be careful: sky, fire, tiger. A mother is always the beginning. She is how things begin.

When I got off the train back home, I saw the WHITE and COLORED signs that had been there all along, as it it was the first time.

When Paxton was a teenager, her friends had even envied her relationship with her mother. Everyone knew that neither Paxton nor Sophia scheduled anything on Sunday afternoons, because that was popcorn-and-pedicures time, when mother and daughter sat in the family room and watched sappy movies and tried out beauty products. And Paxton could remember her mother carrying dresses she'd ordered into her bedroom, almost invisible behind tiers of taffeta, as they'd planned for formal dances. She'd loved helping Paxton pick out what to wear. And her mother had exquisite taste. Paxton could still remember dresses her mother wore more than twenty-five years ago. Imprinted in her memory were shiny blue ones, sparkly white ones, wispy rose-colored ones.

A daughter is the happy memories of the past, the joyful moments of the present, and the hope and promise of the future.

[A] mother is one to whom you hurry when you are troubled.

My birthday cake was her latest project because it was not from a mix but instead built from scratch- the flour, the baking soda, lemon-flavored because at eight that had been my request; I had developed a strong love for sour. We'd looked through several cookbooks together to find just the right one, and the smell in the kitchen was overpoweringly pleasant. To be clear: the bite I ate was delicious. Warm citrus-baked batter lightness enfolded by cool deep dark swirled sugar.

My dad once told me that Winstone Churchill said that Russia was riddle, wrapped in a mystery, inside an enigma. According to my dad, Churchill had been talking about my mother. This was before the divorce, and he said it half-bitterly, half-respectfully. Because even when he hated her, he admired her. I think he would have stayed with her forever, trying to figure out the mystery. He was a puzzle solver, the kind of person who likes theorems, theories. X always had to equal something. It couldn't just be X. To me, my mother wasn't that mysterious. She was my mother. Always reasonable, always sure of herself. To me, she was about as mysterious as a glass fo water. She knew what she wanted; she knew what she didn't want. And that was to be married to my father. I wasn't sure if it was that she fell our of love or if it was that she just never was. in love, I mean.

Nina and I laughed, and then astonishingly, Mother laughed, and the sound the three of us made together in the room created a silly joy inside me.

She'd been a beautiful woman in her day, delicate and trim, blue-eyed and fair-haired. There was a certain power beautiful mothers held over there less beautiful daughters. Even at seventy-four, with a limp from a hip replacement, Margaret could still enter a room and fill it like perfume. Josey could never do that. The closest she ever came was the attention she used to receive when she pitched legendary fits in public when she was young. But that was making people look at her for all the wrong reasons.

STAINS With red clay between my toes, and the sun setting over my head, the ghost of my mother blows in, riding on a honeysuckle breeze, oh lord, riding on a honeysuckle breeze. Her teeth, the keys of a piano. I play her grinning ivory notes with cadenced fumbling fingers, splattered with paint, textured with scars. A song rises up from the belly of my past and rocks me in the bosom of buried memories. My mama’s dress bears the stains of her life: blueberries, blood, bleach, and breast milk; She cradles in her arms a lifetime of love and sorrow; Its brilliance nearly blinds me. My fingers tire, as though I've played this song for years. The tune swells red, dying around the edges of a setting sun. A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye. For there is no truth in spoken farewells. I am pregnant with a poem, my life lost in its stanzas. My mama steps out of her dress and drops it, an inheritance falling to my feet. She stands alone: bathed, blooming, burdened with nothing of this world. Her body is naked and beautiful, her wings gray and scorched, her brown eyes piercing the brown of mine. I watch her departure, her flapping wings: She doesn’t look back, not even once, not even to whisper my name: Brenda. I lick the teeth of my piano mouth. With a painter’s hands, with a writer’s hands with rusty wrinkled hands, with hands soaked in the joys, the sorrows, the spills of my mother’s life, I pick up eighty-one years of stains And pull her dress over my head. Her stains look good on me.

The only and last words she remembered her mother told her before she became mute was, “You have to remember Pollyanna. In Naraka, you can never ever trust anyone. “She sighed. One of those long sighs that would make her cough till she puked blood. Polly could recall the revolting rotten smell of blood, “no one is your friend here. Do you understand? No one” Umber blood dripping from the corner of her lips, “They might be nice to you only for the lake. This lake is like your life. You have to protect it. This is the only way you can live a long life” she spit the blood and mucus in a piece of filthy cloth. “But mom. Why should we live a long life when it’s a very bad time to live and many bad people want to kill us?” “Because your innocent dreams still have colors and power and we have to keep them that way

Who's your friend?" Zoe asked Stanton. She glanced at Catty's moon amulet and then her eyes bore into Catty's. "Zoe," Stanton said. "I want you to meet your daughter." Zoe glanced at Stanton in disbelief, then stared at Catty in openmouthed wonder. Her hand reached out and caressed Catty's cheek, touched her lips, and smoothed back her hair. "I see your father in your face," she uttered more to herself than to Catty. Then a slight smile crossed her lips. "I give you away and you return to me the same day. At least I know you do make it safely into the future." She started to embrace Catty.