Best 712 quotes in «nostalgia quotes» category

We all leave behind bits of loose thread. Old operations, old enemies. They pull at you, like memories of old lovers.

We’d all agreed that we’d outgrown jumping rope, but Shady had given me such a nice gift of a skipping rope, and when there’s nothing better to do, I guess you go back to what once felt good.

We do not mourn the memories lost. We mourn the ones which beset us as loyal friends.

We drove down Corydon avenue towards my mother's apartment. How are you doing, she asked me? Fine, fine, I said. I wanted to tell her that I felt I was dying from rage and that I felt guilty about everything and that when I was a kid I woke up every morning singing, that I couldn't wait to leap out of bed and rush out of the house into the magical kingdom that was my world, that dust made visible in sunbeams gave me real authentic joy, that my sparkly golden banana-seated bike with the very high sissy bar took my breath away, the majesty of it, that it was mine, that there was no freer soul in the world than me at age nine, and that now I wake up every morning reminding myself that control is an illusion, taking deep breaths and counting to ten trying to ward off panic attacks and hoping that my own hands hadn't managed to strangle me while I slept.

We knew it was only a moment. Our days of cool were numbered. Even when we were in it, right now was already gone. We didn’t know what it would be. Maybe a man. A baby. A death. What we knew was that soon, we’d pass thirty and get wrapped up in dull, adult things with no time or energy leftover to work at being cool. Just like that. Whoosh. Zoom. It’s over, and we’re here. From past to present.

We lie in wait for the right moment and the just cause, which, at this moment, is simply wanting to live.

We long to have again the vanished past, in spite of all its pain.

We men of this age are rotten with book-lore and with a yearning for the past.

We make, see, and love films, not digitals. To convert all of our movies, home videos, theaters, photographs and television to digital would be like telling a painter to throw away his brushes and canvas for an I-Pad. Celluloid isn't just nostalgic, it's an art form and, like it or not, it's superior to digital. It lasts much longer, it provides grain and brighter colors, and it takes more effort so that it produces something wonderful. With the inferior binary codes, pixels and untested shelf-life of digital files, plus the fact that these days anyone with a digital camera, even a two-year-old, can make a video and pollute the world with self-photography and cat pictures, film has a lot more integrity and worth than digital.

Wendy’s house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy’s bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, “We have the best rates in town!”, but the ‘E’ in ‘rates’ kept flickering on and off day and night so that every few seconds it would switch to, “We have the best rats in town!

We paw at nostalgia even before we hit twenty, wanting a holiday that never happened, a wholesomeness that could not survive in the wild.

We reinvent our childhoods in deep colors, but are forced to face reality the moment we open our eyes.

When he smiles like that, there's a single dimple. It was the thing that got me the very first time I saw him.

When I woke again, it was into a homesickness that felt physical, as its symptoms had been physical for seventeenth-century mercenary soldiers who'd fallen ill from being so far from home, the first to be diagnosed with the disease of nostalgia. Though never so acute, the longing for something formless and unnamed, had been with me since I was a child. Though now I want to say that the division I felt was, in a sense, within me: the division of being both here and not here, but rather there.

When shall I cease to regret you! – When learn to feel a home elsewhere! – Oh! Happy house, could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more! – And you, ye well-known trees! – but you will continue the same. – No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer! – No; you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible of any change in those who walk under your shade! – But who will remain to enjoy you?

The staying awake was a great self-sacrificaing gesture of friendship, and wonderfully in keeping with our current mood of intense friendship and religious fervour. We were all in a state of shock. We engaged in a long Dostojevskyan conversations and drank one black coffee after another. It was sort of night typical of youth, the sort you only can look back on with shame and embarassment once you've grown up. But God knows, I must have grown up already by then, because I don't feel the slightest embarassment when I think back to it, just a terrible nostalgia.

Un giorno sentì una voce provenire dall'interno, da molto in fondo. Le sussurrava di esser stanca, ma piano, come per non spaventarla. La voce diceva alla donna che non ne poteva più di quella malinconia, e di quel dolore, e di quella tristezza, e di quella città che aveva cementato di nebbia il suo cuore.

Until then her view of time was the present moving forward and devouring the future; she either feared its swiftness (when she was awaiting something difficult) or rebelled at its slowness (when she was awaiting something fine). Now time has a very different look; it is no longer the conquering present capturing the future; it is the present conquered and captured and carried off by the past. She sees a young man disconnecting himself from her life and going away, forevermore out of her reach. Mesmerized, all she can do is watch this piece of her life move off; all she can do is watch it and suffer. She is experiencing a brand-new feeling called nostalgia.

Useless to tell myself that a dream and the memory of yesterday are the same thing

Walk with me, memory to memory, the shared path, the mutual view. Walk with me. The past lies in wait. It is not behind. It seems to be in front. How else could it trip me as I start to run?

Washingtonians love the "So-and-so is spinning in his grave" cliché. Someone is always speculating about how some great dead American would be scandalized over some crime against How It Used to Be. The Founding Fathers are always spinning in their graves over something, as is Ronald Reagan, or FDR. Edward R. Murrow is a perennial grave spinner in the news business (though in fact, Murrow was cremated).

we always knew that good times came with termination contracts even if we weren't quite ready to sign it.

–We are all dying– she told me. –Even something of the immortal will die– “What?” –Meaning–

We are so afraid of being pulled under the water with the anchor. Scared of letting these memories swirl around our mind as they should. As tragic as it might feel, it’s evident that the sea we are drowning in is the same sea we were born into.

We cannot escape the longing, no matter what life we choose. We’re either longing for people, places or times gone by, which are essentially the same things: memories. And, whether or not we travel, the older we get, the more memories we collect. Nostalgia is simply the result of aging and liking the life you’ve lived. Be happy you can feel it—it’s a good sign.

We cling to the most painful reminders of our youth, our memories or our injuries, perhaps so we can look back to our former selves, console them, and say: Keep going. I know how the story ends.

We'd all be leaving one another, going to other places in the fall; and now that the season was changing, rushing towards graduation, everything we did felt like a long good-bye or a premature reunion. We were nostalgic for a time that wasn't yet over.

We do not disappear without a trace. We leave a wake that never quite disappears, a gash in time that we so laboriously leave behind us.

We have heard the chimes at midnight, Master Shallow.

We talked for four hours. I don't remember most of it, but often a little moment in an unrelated conversation or alone on the street will trigger a memory of it I didn't know I had. So I know it's all there somewhere.

We talked for four hours. I don't remember most of it, but often a little moment in an unrelated conversation or alone on the street will trigger a memory of it that I didn't know I had. So I know it's all there somewhere.

We used to have this self-centred idea that Western democracies were the end-point of evolution, and we're dealing from a position of strength, and people are becoming like us. It's not that way. Because if you think this thing we have here isn't fragile you are kidding yourself. This, '- and here Jamison takes a breath and waves his hand around to denote Maida Vale, London, the whole of Western civilization, -'this is fragile.

We were nostalgic for a time that wasn't yet over.

We were poor back then. Not living in a cardboard carton poor, not “we might have to eat the dog” poor, but still poor. Poor like, no insurance poor, and going to McDonald's was a really big excitement poor, wearing socks for gloves in the winter poor, and collecting nickels and dimes from the washing machine because she never got allowance, that kind of poor… poor enough to be nostalgic about poverty. So, when my mom and dad took me here for my tenth birthday, it was a really big deal. They’d saved up for two months to take me to the photography store and they bought me a Kodak Instamatic film camera… I really miss those days, because we were still a real family back then… this mall doesn’t even have a film photography store anymore, just a cell phone and digital camera store, it’s depressing…

We will never understand our world until we have come to terms with its future: it is the age in which we live. The Cold War depended upon internal division in order to maintain itself. Behind its various feints, games and strategies lay a perception of behavior as a form of enforced conformity. People would only do what they were prompted to do. This was the thinking that held the lonely crowd together, briefly connecting the forward thrust of material progress with the broader evolutionary curve.

What are days for? Days are where we live. They come, they wake us Time and time over. They are to be happy in: Where can we live but days? Ah, solving that question Brings the priest and the doctor In their long coats Running over the fields.

What are you doing?” Alecto asked in surprise, stepping back. Laughing brightly, she dragged him towards the greenhouse, the shattered glass reflecting rainbows as brilliant as a million Kodak flashcubes, glittering as they were cascaded through the breeze. “See, don’t be afraid of the glass, it can’t hurt us,” Mandy laughed, spectacularly eccentric, her eyes reflecting the fallen glass. “I wasn’t afraid of the glass, but this isn’t a very secluded place that you just decided to vandalize,” Alecto cautioned, smiling despite his words. Before Mandy could reply, she heard loud whispering in the air, behind the trees… it sounded like a group of people, all whispering in unison… “Somebody’s out there,” she exclaimed nervously. “Yeah, you’re right,” Alecto replied. Suddenly a sharp new vibrancy seemed to fill his eyes and he smiled coldly, taking the tree branch from Mandy and rapidly smashing in all of Mrs. Matthias’ stained glass house windows with it. Blue, green, yellow, red, turquoise, purple and an array of other colors showered through the sky noisily, sounding like wind chimes and crashing waves. “They’ll go away,” he told her, glancing up at the sky. “…Alecto, do you like me?” Mandy questioned, holding out her arms like a lopsided scarecrow as the glass fell through her dark red hair. “Yeah, sure,” he answered. “Will you be my friend, then? A real friend, not just another person who feels sorry for me?” Mandy asked. “…Alright, Mandy Valems,” Alecto agreed.

[“What is the most real thing you can think of?”] Jacques thought for a long time before answering; he tried to weigh up what was most vital and enduring in all that he had known. Eventually, no longer smiling, he said, ‘Memory’.

what it is is the memory of a dance a song you heard long ago to hear it is to be young again and for once for once you are happy

What I want, more than anything, is to turn back time a little. To become the kid I used to be, who believed whatever my mother said was one hundred percent true and right without looking hard enough to see the hairline cracks.

What's this place called?' He told me and, on the instant, it was as though someone had switched off the wireless, and a voice that had been bawling in my ears, incessently, fatuously for days beyond number, had suddenly been cut short; an immense silence followed, empty at first, but gradually, as my outraged sense regained authority, full of a multitude of sweet and natural and long forgotten sounds: for he had spoken a name so familiar to me, a conjuror's name of such ancient power, that, at its mere sound, the phantoms of those haunted late years began to take flight.

What was our life like? I almost don't remember now. Though I remember it, the space of time it occupied. And I remember it fondly.

What Will Linger/Hollow of Him - They crept so quietly back. Mere hints of words, at first, then whispers in the loud echoing a winter past. In this place, hollow of Him, his poetry resounded. I could almost taste the fragments of the worlds he had discovered. I remember the ache in his words; you could see each syllable smoulder in his gaze.

When daylight lasts until 10pm because of the time change, and the traffic noise has died down, I have the illusion that all I’d need to do is return to those faraway neighborhoods to find the people I’ve lost, who had never left [...] Colette is leaning against the door of a private townhouse, hands in the pockets of her raincoat. Every time I look at that picture, it hurts. It’s like in the morning when you try to recall your dream from the night before, but all that’s left are scraps that dissolve before you can put them together. I knew that woman in another life and I’m doing my best to remember. Maybe someday I’ll manage to break through that layer of silence and amnesia.

Whenever they were together they couldn't let sixty of their minutes pass without asking each other what time it was; as if time was a volatile currency that they either possessed or did not possess, when in fact time was more of a fog that rose inexorably over all their words and deeds so that their were either forgotten or misremembered.

When I awoke again it was in a homesickness that felt physical, as its symptoms had been physical for seventeenth-century-century mercenary soldiers who'd fallen ill from being so far from home, the first to be diagnosed with the disease of nostalgia. Though never so acute, the longing for something I felt divided from, which was neither a time nor a place was but something formless and unnamed, had been with me since I was a child. Though now I want to say that the division I felt was, in a sense, within me: the division of being both here and not here, but rather there.

When I first began to write, I had been a child for most of my life, and my childhood memories were vivid and potent, and the forces that shaped me, Most of them have grown fainter with time, and whenever I write one down, I give it away: it ceases to have the shadowy life of memory and becomes fixed in letters: it ceases to be mine; it loses that mobile unreliability of the live.

When I was in junior high school, I used to think that Disney's 1990's paranormal television program 'So Weird' was every kid's ideal life - not going to school, living on a tour bus, having rockstar parents, traveling all over North America and never staying in one place for more than a week or so. Of course, eventually the realization hits you that the kids out there who really do live like this, pulling up stakes every week and never staying with their friends or having a permanent residence, aren't really happy.

When I was younger, I was told that there is too much inside me. That I have feelings where others have bone. At the age of seven, a doctor tapped inside my head and asked, "Do you choke on memories from time to time? Do you cry for no good reason at all? Do words take a hammer to your head and crack your skull?" Yes, yes, yes, I nodded. "Then you've definitely got them," he said, as he checked off a box on his list. "Too many feelings. What a shame. Try not to keep them inside or you'll drown.

When nothing else subsists from the past, after the people are dead, after the things are broken and scattered...the smell and taste of things remain poised a long time, like souls...bearing resiliently, on tiny and almost impalpable drops of their essence, the immense edifice of memory