Best 277 quotes in «exploration quotes» category

Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?

Though [Marco] Polo himself states frankly that he has never visited Japan -- and thus that what he has to say about it is second-hand and perhaps inaccurate -- the notion of the mysterious island kingdom of Cipango that he planted in European consciousness at the end of the thirteenth century was later one of several powerful influences that spurred Christopher Columbus forward in his crossings of the Atlantic at the end of the fifteenth century. This was so because Columbus -- underestimating the circumference of the earth and knowing nothing of the existence of the Americas or of the Pacific Ocean -- believed that he could reach Cipango, and thence the Chinese mainland beyond, by sailing directly westwards across the Atlantic from Europe. Columbus is also likely to have calculated that Cipango would be reached after only a relatively short journey towards the west -- for he had read Marco Polo, who describes Cipango, erroneously, as lying 'far out to sea' fully 1500 miles to the east of the Chinese mainland (the true distance is nowhere much more than 500 miles).

Through a strange kind of geographic arrogance, Europeans like to think that the world was a silent, dark, unknown place until they trooped out and discovered it.

To-day a rude brief recitative, Of ships sailing the seas, each with its special flag or ship-signal, Of unnamed heroes in the ships—of waves spreading and spreading far as the eye can reach, Of dashing spray, and the winds piping and blowing, And out of these a chant for the sailors of all nations, Fitful, like a surge. Of sea-captains young or old, and the mates, and of all intrepid sailors, Of the few, very choice, taciturn, whom fate can never surprise nor death dismay. Pick'd sparingly without noise by thee old ocean, chosen by thee, Thou sea that pickest and cullest the race in time, and unitest nations, Suckled by thee, old husky nurse, embodying thee, Indomitable, untamed as thee. (Ever the heroes on water or on land, by ones or twos appearing, Ever the stock preserv'd and never lost, though rare, enough for seed preserv'd.) Flaunt out O sea your separate flags of nations! Flaunt out visible as ever the various ship-signals! But do you reserve especially for yourself and for the soul of man one flag above all the rest, A spiritual woven signal for all nations, emblem of man elate above death, Token of all brave captains and all intrepid sailors and mates, And all that went down doing their duty, Reminiscent of them, twined from all intrepid captains young or old, A pennant universal, subtly waving all time, o'er all brave sailors, All seas, all ships.

To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions predominates even over my despair, and will reconcile me to the most hideous aspect of death.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

To explode or to implode – said Qfwfq – that is the question: whether 'tis nobler in the mind to expand one's energies in space without restraint, or to crush them into a dense inner concentration.

Treading the soil of the moon, palpating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra... these form the most romantic sensation an explorer has ever known...

To lovers of adventure and novelty, Africa displays a most ample field.

To have followed the speculative vision of Behaim in his famous globe, or of others like him, would have been disastrous, even though their work represents the cream of fifteenth-century mapmaking and was known to Columbus. Indeed, as one commentator has observed, if his chart had been based on the Behaim scenario, 'Columbus could not even have known of the whereabouts of the New World, much less discover it.' Yet not only does he seem to have known where he was going but, on some accounts, when he was going to get there: 'Now and then Pinzón and Columbus consult and deliberate -- mutually discuss their route. The map or chart passes not infrequently from the one captain to the other; the observations and calculations as to their position are daily recorded, their conduct and course for the night duly agreed upon. On the eve of their due arrival Columbus issues the order to stay the course of the armada, to shorten sail, because he knew that he was close to the New World and was afraid of going ashore during the obscurity of the night ... How does he know the place and the hour? 'His Genius' says the Columbus legend in explanation. But the Map? The critics will ask, what did it contain? Whose was it? What did that map contain that was so frequently passed from Columbus to Pinzón during the voyage?' I've presented my case that what the map may have contained was an accurate but ancient, and indeed antediluvian, representation of the coast and islands of Central America, notably the north-south-oriented Great Bahama Bank island, which Columbus -- no less ignorant than any of his contemporaries about the existence of the Americas -- took to be an accurate map of part of the coast of China and the islands of Japan.

We found, before the hands of the dial had taught us the lapse of a week, that this would be something not to be endured. The sun sank lower every day behind the crags and silvery horns; the heavens grew to wear a hue of violet, almost black, and yet unbearably dazzling; as the notes of our voices fell upon the atmosphere they assumed a metallic tone, as if the air itself had become frozen from the beginning of the world and they tinkled against it; our sufferings had mounted in their intensity till they were too great to be resisted.

We are a species which is naturally moved by curiosity, the only one left of a group of species (the genus Homo) made up of a dozen equally curious species. The other species in the group have already become extinct; some, like the Neanderthals, quite recently, roughly thirty thousand years ago. It is group of species which evolved in Africa, akin to the hierarchical and quarrelsome chimpanzees -- and even more closely akin to the bonobos, the small, peaceful, cheerfully egalitarian and promiscuous type of chimps. A group of species which repeatedly went out of Africa in order to explore new worlds, and went far: as far, eventually, as Patagonia -- and as far, eventually, as the moon. It is not against our nature to be curious: it is in our nature to be so.

We had proceeded but a few days, coasting the crushing capes of rock that every where seemed to run out in a diablerie of tusks and horns to drive us from the region that they warded, now cruising through a runlet of blue water just wide enough for our keel, with silver reaches of frost stretching away into a ghastly horizon—now plunging upon tossing seas, tho sun wheeling round and round, and never sinking from the strange, weird sky above us, when again to our look-out a glimmer in the low horizon told its awful tale—a sort of smoky lustre like that which might ascend from an army of spirits—the fierce and fatal spirits tented on the terrible field of the ice-floe.

Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.

We rode through a three-thousand-year-old country, saw the ruined capital of the Queen of Sheba and the underground red-rock city of Lalibela, fraternized with a tribe of leaden-skinned troglogytes living among the mountains, scrapped with brigands, outwitted crocodiles, and eventually emerged battered and in rags with a book of adventures and 1,000 feet of film.

What is adventure? Adventure offers every human being the ability to live ‘the’ moment of his or her most passionate idea, fantasy or pursuit. It may take form in the arts, acting, sports, travel or other creative endeavors. Once engaged, a person enjoys ‘satori’ or the perfect moment. That instant may last seconds or a lifetime. The key to adventure whether it be painting, dancing, sports or travel: throw yourself into it with rambunctious enthusiasm and zealous energy—which leads toward uncommon passion for living. By following that path, you will attract an amazing life that will imbue your spirit and fulfill your destiny as defined by you alone. In the end, you will savor the sweet taste of life pursuing goals that make you happy, rewarded and complete. As a bonus, you may share your life experiences with other bold and uncommon human beings that laugh at life, compare themselves with no one and enjoy a whale of a ride! Frosty Wooldridge from How to Live a Life of Adventure: The Art of Exploring the World

We were like the Mount Everest climbers stepping over frozen corpses from prior climbing disasters in our quest for the summit. Like those climbers, we were motivated by a fear far greater than death—the fear of not reaching the top.

Whatever territory you choose to explore and then invest all your time into it, you will be amazed how easy it is to become great.

Whatever the reason we first mustered the _Apollo_ program, however mired it was in Cold War nationalism and the instruments of death, the inescapable recognition of the unity and fragility of the Earth is its clear and luminous dividend, the unexpected final gift of _Apollo_. What began in deadly competition has helped us to see that global cooperation is the essential precondition for our survival. Travel is broadening. It's time to hit the road again.

We were not pioneers ourselves, but we journeyed over old trails that were new to us, and with hearts open. Who shall distinguish?

Whatever his mood—whether it was gay and breezy, or dark with rage—he had one pervading characteristic: he was purposeful.

When a thing beckons you to explore it without telling you why or how, this is not a red herring; it’s a map.

What the tongue wants. Supplication and the burn of crystals expanding. To be, always, a waxing, a waning, and, in waxing again, not ever the same. Waste and deferral. Accumulation and deferral. You are flesh, and you are water, though of the flesh, you are only muscle, and of the water, you are saltless and clean. Be a caution, a reckoning, be a thing that breaks before it bends.

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

When De Long arrived in California with Emma that May, he went straight down to the yard and feasted his eyes upon his new ship. He was smitten by the transformation that had taken place during his absence. "I am perfectly satisfied with her," he wrote. "She is everything I want.

Where one foot has tread, others will follow. It is foolishness to think it can be stopped. The whole world will be laid bare eventually, all its secrets dragged out of their hiding places and set down on your maps.

When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess.

When we are willing to explore our own experiences, we open the doorway to deeper connection and intimacy.

When we truly love ourselves and love life, we are compelled to deeply explore ourselves and life's possibilities.

When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.

While National Geographic magazine had given me a taste of the world, the three-dimensional details of this moment - the tickle of the rain drops, the suck sound of my feet in the mud, the challenge of getting photographs of the monkeys, my immature urge to make the driver wait even longer because he was annoying - would feed me for years to come.

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

Writing is all at once an exploration of what is, and what is not. Of the known, and the unknown. A journey into the depths of self, and all of humankind.

Why then seek to complete in a few decades what took the other nations of the world thousands of years? Why, in your hurry to subdue and utilize nature, squander her splendid gifts? You have opportunities such as mankind has never had before, and may never have again.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

You wander. You work nearly every job known to man, it seems, only to arrive at the wonderings of philosophy.

You might be surprised,' she laughed. 'Maybe life as you know it has shifted. But just because you're lost doesn't mean you can't explore.

You mean that this is a matter of patriotism and traders aren't patriotic?" "Notoriously not. Pioneers never are.

You should be excited to meet new people and try new things—to assume the best about them, in the absence of evidence to the contrary. In the long run, optimism is the best prevention for regret.

You should conduct a research- to study the issue or field you are interested in; explore the topic in every quarter and search information in all kinds of sources

You'll never make up what you lost today, I've been wandering through a thousand rooms of God's crystal temple. I've been a thousand feet down in the crevasses, with matchless domes and sculpted figures and carved ice-work all about me. Solomon's marble and ivory palaces were nothing to it. Such purity, such color, such delicate beauty! I was tempted to stay there and feed my soul, and softly freeze, until I would become part of the glacier. What a great death that would be.

A vivid tale of exploration set in a howling, deadly wilderness.

Alix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Miró as opposed to my more static exploration of space.

As Uta Hagen would say, there's the representational actor and the presentational actor. My sister [Maggie Gyllenhaal] came up to me recently after she saw this movie, Southpaw, the movie I did, and she thought there was this exploration of that type of presentation, and a bit of representation as well, if I could be totally honest, where she was deeply moved.

Authorize the exploration of proven energy reserves to reduce our dependence on foreign energy sources from unstable countries and reduce regulatory barriers.

A number of current theoretical explorations will turn out to be passing fancies...

Critchley and Webster’s fierce, witty exploration of Hamlet makes most other writing about Shakespeare seem simpleminded.

Conservatism is the tacit acknowledgement that all that is finally important in human experience is behind us; that the crucial explorations have been undertaken, and that it is given to man to know what are the great truths that emerged from them.

Exploration of space is worth it because humans need to explore. Knowledge is always good, and it's a really cool thing to see.

Exploration is the sport of the scientist