Best 607 quotes in «mythology quotes» category

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    Solving crimes is like following a spider web. Everything is connected in some way. It's just figuring out where things intersect so I can find the spider in the middle.

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    Some days I spent up to three hours in the arcade after school, dimly aware that we were the first people, ever, to be doing these things. We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. We'd fashioned an outpost in the hostile, inaccessible world of the imagination, like dangling a bathysphere into the crushing dark of the deep ocean, a realm hitherto inaccessible to humankind. This is what games had become. Computers had their origin in military cryptography - in a sense, every computer game represents the commandeering of a military code-breaking apparatus for purposes of human expression. We'd done that, taken that idea and turned it into a thing its creators never imagined, our own incandescent mythology.

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    Some legends say that Hera's breast milk sprayed across the sky and created the Milky Way. I don't know. That seems like a whole lot of solar systems from just one squirt

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    Some stories soak into the threads of the universe, beyond time, becoming echoes of memory lingering in the darkness, like dead stars, whispering light.

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    Some things can be recovered. Some things can be restored. But some lost things, we seek forever.

    • mythology quotes
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    Sometimes the hardest power to master is the power of yielding. -Hestia

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    Sometimes, you can see more than me, but you pretend to know less so that I don’t feel intimidated by you. I do the same for you. We do not feel superior when the other is vulnerable; or inferior when we feel helpless. This is what sustains our relationship.

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    Sometimes you must slow down to see that the world isnt spinning, rather its your own mind which makes things turn

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    Sorry, there’s just not enough mead to go around.

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    Sprachs, und entsandte den speer; ihn richtete Pallas Athene Grad am aug in die nas; und die schimmernden zähne durchdrang sie; Auch die zung and der wurzel entschnitt das gewaltie erz ihm, Daß die stürmende Spitze am unteren Kinne hinausfuhr. (Ilias; fünfter Gesang V. 290-293)

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    Standing at the window, reading the menu of Obediah's services, the Minotaur wishes he could believe in what she has to offer: a promise woven into deep lines of his palm, some turn of fate told by a card. But faith is a nebulous thing and charlatans a dime a dozen; it's always been that way. The Minotaur both envies and pities the devout.

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    Take me deep into the woods, away from the others and make love to me, Killian, for I cannot bear to be parted from you any longer!” she whispered in his ear.

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    Sweet Echo, sweetest nymph that liv'st unseen Within thy airy shell By slow Meander's margent green, And in the violet-imbroider'd vale Where the love-lorn nightingale Nightly to thee her sad song mourneth well: Canst thou not tell me of a gentle pair That likest thy Narcissus are?

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    Still shuddering, he collapsed atop her on a long, strangled groan. It sounded as if someone had just wrung out his soul. Ella knew precisely how he felt.

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    Take the first A out of Abraham and put it at the end. You get Brahama. There’s the ancient connection right there.

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    -’Tell me’, he said, ‘who gives better offerings, a miserable man or a happy one’? -’A happy one, of course.’ -’Wrong. A happy man is too occupied with his life. He thinks he is beholden to no one. But make him shiver, kill his wife, cripple his child, then you will hear from him. He will starve his family for a month to buy yo a pure-white yearling calf. If he can afford it, he will buy you a hundred’. -’But surely, I said, you have to reward him eventually. Otherwise he will stop offering’. -’Oh, you would be surprised how long he will go on. But yes, in the end, it’s best to give him something. Then he will be happy again. And you can start over.

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    Tell them that you weren't hungry, tell them you followed the pomegranates seeds because they tasted like blood, like love.

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    Tempestuous plains tell the tale, Windswept wastes do bewail, Haunting Spirit of the land, Seeks the living, seeks the damned. Horizoned edge sheared with grass, Dark Storm Rising in the pass, Ageless Spirit seeks the path, To torment souls to the last. Brooding Spirit upon the plain, Thunderhead gathers for the rain. Light grows dim then bolts with pain, On dry Earth her sin is stained. (Frightened creatures do stampede, Into night, they do recede). Ungodded hand on seasoned blade, Reaps the harvest of the Age. Released from her eternal din, Spirit of the Age rises again. Seeking to plunder and consume, Those who were proud, those who presumed. Spirits rage while storm draws nigh, Upon burning plain and emblazoned sky. It is said giants grapple in the Earth so deep, To contend for souls that they might keep. The Storm spirit now searches the high and the low, To seek her manchild victim in the fields below. Leaves bad wasteland to claim but a fallen man, Denying it Heaven, crowning it, ‘Son of the Damned.’ Treacherous Spirit of the far lost night, Tramples souls down denying them light. Storm seethes with furious hiss, Leads men on to bottomless pit. This most ancient of foes has come from her den, To seek the living, to make ready those dead. A living sacrifice is her soul desire, To snatch the soul for black funeral pyre. A double-damned devil, that is she, This one who lies, who claims to make free. A lying spirit, that is her domain, A storm-wracked Fury of self-proclaim. Onward she seeks, this bleak Northern wind, Searching for naught but for a soul akin. Amidst the howling and the rage, To murder again, that is her trade. As this spirit of graves left the plain, She left a wake of dead in shrouded train. Now down from the plain Storm did come, Unto those cities wherein was no sun. There with whirlwind she did rip and scour, For those souls of whom she could tear and devour. She comes to seek the living and the dead, Those who were frightened, those with no dread. Thus upon those she did acclaim, “I am the Mistress of the living and the slain.” O’ haunting Spirit of this land, Taker of life, maker of the damned. --On Villainess Storm, Ch. One Valley of the Damned

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    Tera, will you dance with me?” She sniffled and laughed all at once. “You don’t dance.” “That was before I met you.

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    The bible is history. Remember that it is not a book. It is a library. It contains many kinds of books, letters, songs, and histories, along with the poetry of mythology. We sometimes separate history from mythology, but the bible doesn't. Nor did C. S. Lewis when he wrote, Christianity is myth that is true.

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    That night she wrote a hasty sketch and showed it to Oliver. "It's all right," he said. "But I'd take out that stuff about Olympian mountains and the Stygian caverns of the mine. That's about used up, I should think.

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    The battlefield is symbolic of the field of life, where every creature lives on the death of another. A realization of the inevitable guilt of life may so sicken the heart, that like Hamlet, or like Arjuna, one may refuse to go on with it. On the other hand, like most of the rest of us, one may invent a false finally unjustified image of oneself as an exceptional phenomenon in the world--not guilty as others are, but justified in one's inevitable sinning, because one represents the good. Such self-righteousness leads to a misunderstanding, not only of oneself, but of the nature of both Man and the Cosmos. The goal of the myth is to dispel the need for such life-ignorance by affecting a reconciliation of the individual consciousness with the universal will, and this is affected through a realization of the true relationship of the passing phenomena of time to the imperishable life that lives and dies in all.

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    The biblical account of the origin of the cosmos in Genesis, for example, posits that a god created the physical universe particularly with human beings in mind, and so unsurprisingly placed the Earth at the center of creation. Modern cosmological knowledge has refuted such an account. We are living in the golden age of cosmology: More has been discovered about the large-scale structure and history of the visible cosmos in the last 20 years than in the whole of prior human history. We now have precise knowledge of the distribution of galaxies and know that ours is nowhere near the center of the universe, just as we know that our planetary system has no privileged place among the billions of such systems in our galaxy and that Earth is not even at the center of our planetary system. We also know that the Big Bang, the beginning of our universe, occurred about 13.7 billion years ago, whereas Earth didn’t even exist until about 10 billion years later. No one looking at the vast extent of the universe and the completely random location of homo sapiens within it (in both space and time) could seriously maintain that the whole thing was intentionally created for us. This realization began with Galileo, and has only intensified ever since.

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    That night she dreamed about the King again. She stood in a riverside meadow between greenwood and castle. Overhead the sun shone gilt in a sky like powdered lapis and struck golden sparks from the King's blood-red dragon banner.

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    The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.

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    The beast inside me has begun to surface.

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    The average Pakistani student is brought up on a mix of dogma and mythology that does not encourage respect for facts or empiricism.

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    The black thing in her brain and the dark water on the page were the same thing, a form of knowledge. This is how myths work. They are things, creatures, stories, inhabiting the mind. They cannot be explained and do not explain; they are neither creeds nor allegories. The black was now in the thin child’s head and was part of the way she took in every new thing she encountered.

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    The Christian theory is little else than the idolatry of the ancient mythologists, accommodated to the purposes of power and revenue; and it yet remains to reason and philosophy to abolish the amphibious fraud.

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    The business of stories is not enchantment. The business of stories is not escape. The business of stories is waking up.

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    The cavern cracked and groaned. Dirt, rocks, and glow worms rained on their heads. With a wave of panic, Andy swung around and dashed into the next cavern. “Run!” The ceiling collapsed. Behind him, Medusa laughed, her snakes still hissing.

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    The child's world is alert and alive, governed by rules of response and command, not by physical laws: a portentous continuum of consciousness, endowed with purpose and intent, either resistant or responsive to the child itself. This infantile notion of a world governed by moral rather than physical laws, kept under control by a superordinated parental personality instead of impersonal physical forces, and oriented to the weal and woe of man, is an illusion that dominates men's thoughts all over the world. The sense then, of this world as an undifferentiated continuum of simultaneously subjective and objective experience (Participation), which is all alive (Animism), and which was created by a superior being (Artificialism), may be said to constitute the frame of reference of all childhood experience no matter where in the world. No small wonder then, that the above Three Principles are precisely those most represented in the mythologies and religious systems of the whole world.

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    The combination of razor-sharp wit (completely real) and his credentials (completely fake) had won them over in the end.

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    The dead must stay dead. That which is dead cannot rise.

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    The daughter of Sin was determined to go To the dark house, dwelling of Erkalla's god, To the house which those who enter cannot leave, On the road where travelling is one-way only, To the house where those who enter are deprived of light, Where dust is their food, clay their bread. They see no light, they dwell in darkness, They are clothed like birds, with feathers.

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    the dank night is sweeping down from the sky and the setting stars incline our heads to sleep.

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    The devotee of myth is in a way a philosopher, for myth is made up of things that cause wonder. (Metaphysics, I, 982b 18–19)

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    The difference between faith and insanity is that faith is the ability to hold firmly to a conclusion that is incompatible with the evidence, whereas insanity is the ability to hold firmly to a conclusion that is incompatible with the evidence.

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    The Dreaming is always; forever... it's always happening, and us mob, we're part of it, all the time, everywhere, and every-when too.

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    The door opens, and I turn my head, my heart thudding at the sight of Griffin. Tall, broad, muscular but sleek, he stalks into the room like a predator, his gait balanced and sure, his glittering, gray eyes focused entirely on me. Inky hair, a hawkish nose, that stubborn jaw, and thick, black stubble make him look hard and intimidating. With his sword strapped on and his dark brows lowered, he’s a warlord on the prowl. I shiver. I couldn’t want him more.

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    The fifth race is that which is now upon the earth: the iron race. They live in evil times and their nature too has much of evil, so that they never have rest from toil and sorrow. As the generations pass, they grow worse; sons are always inferior to their fathers. A time will come when they have grown so wicket that they will worship power, might will be right to them, and reverence for the good will cease to be.

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    The Egyptians saw the sun and called him Ra, the Sun God. He rode across the sky in his chariot until it was time to sleep. Copernicus and Galileo proved otherwise and poor Ra lost his divinity.

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    The fervor and single-mindedness of this deification probably have no precedent in history. It's not like Duvalier or Assad passing the torch to the son and heir. It surpasses anything I have read about the Roman or Babylonian or even Pharaonic excesses. An estimated $2.68 billion was spent on ceremonies and monuments in the aftermath of Kim Il Sung's death. The concept is not that his son is his successor, but that his son is his reincarnation. North Korea has an equivalent of Mount Fuji—a mountain sacred to all Koreans. It's called Mount Paekdu, a beautiful peak with a deep blue lake, on the Chinese border. Here, according to the new mythology, Kim Jong Il was born on February 16, 1942. His birth was attended by a double rainbow and by songs of praise (in human voice) uttered by the local birds. In fact, in February 1942 his father and mother were hiding under Stalin's protection in the dank Russian city of Khabarovsk, but as with all miraculous births it's considered best not to allow the facts to get in the way of a good story.

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    The first thing he did was to attempt to analyse a mental device he was in the habit of resorting to - a device that supplied him with the secret substratum of his whole life. This was a certain trick he had of doing what he called 'sinking into his soul’. This trick had been a furtive custom with him from very early days. In his childhood his mother had often rallied him about it in her light-hearted way, and had applied to these trances, or these fits of absent-mindedness, an amusing but rather indecent nursery name. His father, on the other hand, had encouraged him in these moods, taking them very gravely, and treating him, when under their spell, as if he were a sort of infant magician. It was, however, when staying in his grandmother's house at Weymouth that the word had come to him which he now always used in his own mind to describe these obsessions. It was the word ‘mythology’ ; and he used it entirely in a private sense of his own.

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    The forest itself has different names in different tongues — Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.

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    The first time Kiya met Hapi was over a year ago. On that day, she was at the temple - not to sell pigeons and bread as usual, but to pray and offer sacrifices on the altar of Horus - the God of protection.

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    The man whirled, his hands still gripping the animal's skin, his face perfectly illuminated by the fire. He was half in shadow, and the shadow revealed him slowly. His left eye was covered by a black leather patch, and thin white scar raked his brow and the cheekbone below. The carried on, down the length of his neck, into the thick black beard, twisting under his collarbone and around his torso. They marred only the skin, I noted, for the muscles beneath were whole and strong, and the entire impression was one of great vitality and energy, strength unbridled. He looked nothing so much as a fallen god working at a trade. "Hephaestus at the forge," I murmured, recalling my mythology....

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    … the greatest mystery, the greatest wonder of creation is that we are capable of both relentless reason and boundless love ... It is not about what we are, but what we can become. – Govinda Shauri

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    The Hawaiian creation myth relates that the present cosmos is only the last of a series, having arisen in stages from the wreck of the previous universe. In this account, the octopus is the lone survivor of the previous, alien universe.

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    The implications of the true story are existential and corrosive to our larger national myth. To understand that the most costly war in this country's history was launched in direct opposition to everything the country claims to be, to understand that this war was the product of centuries of enslavement, which is to see an even longer, more total war, is to alter the accepted conception of America as a beacon of freedom. How does one face this truth or forge a national identity out of it?