Best 49 quotes in «graphic design quotes» category

Design is a human ritual of understanding.

Design is the ultimate influencer.

Design is one of the few disciplines that is a science as well as an art. Effective, meaningful design requires intellectual, rational rigor along with the ability to elicit emotions and beliefs. Thus, designers must balance both the logic and lyricism of humanity every time they design something, a task that requires a singularly mysterious skill.

Design before development leads to dead ends.

Even when you do nothing, you are doing something. Be aware of your decisions and what they mean for the book you are designing. You can make books better or worse. The content is the engine that leads to ideas, personal ideas, crazy ideas. Be clear about who you are, what you believe in and do not try to be someone else. Stick to your ideas. Embrace them. However impulsive or intuitive they might be, they are your treasures. Rely on the inner feeling that what you look for will work, that it will be right. Use your imagination to make the book that does not exist yet. It could be your best book ever.

Effective problem solving in design requires a balance of strategy and spontaneity, intelligence and creativity.

Epikta | Animation Services | Web Design | Los Angeles Epikta is Los Angeles leading Logo Design, Web Design ,Animation Services and SEO Company, also professional and specializing in high quality Logo Creation, Custom Animations and online marketing in LA. Services:- web design los angeles Epikta.com animation services in la Epikta.com

Epikta provides one stop solution for the clients which are looking for Logo Design,web design in Los Angeles and Animations in LA.

Efforts by Democrats to portray Jackson as 'manly' and for the 'common man' were apparently more effective than were the campaign tactics of Adams’s supporters, who attempted to depict Jackson as violent, unjust, a paramour, and even a poor speller. It is quite possible that this anti-Jackson propaganda actually reinforced the positive image of Jackson as a masculine commoner—especially when contrasted with that of Adams, whom the Democrats depicted as an over-refined aristocrat.

Great design is no longer an advantage, it's a prerequisite. Brands: get sharp or get cut out.

For a new fount to be successful it has to be so good that only very few recognize its novelty.

Forse una via di uscita sta nel sottrarsi alla lotta tra consumare ed essere, tornando al fare.

Graphic Design for its own sake will never happen, because the concept cancels itself out — a poster about nothing other than itself is not Graphic Design, it's … makin' ART.

His undeniably impressive resume might as well have said he designed an updated swastika for the modern Neo-Nazi, the way brick walls had been put up around his entire field of work.

Helvetica is good for typographers who do not know what to say.

However, [Edmund G. Gress] wrote, " we must not simplify to such an extent that life and movement are gone. That is where those persons go wrong who claim that type was made to read, and nothing else matters but the setting up of a paragraph in a legible type so that it can be easily read. We do not read everything that appears in print, but do read that which appears interesting.

In the years that followed the Harrison campaign, many candidates—from Colonel James 'Young Hickory' Polk in 1844 to Lieutenant John Kerry in 2004—had their 'humble origins' and/or 'war leadership' highlighted in political material. Often coupled with these tactics was a corollary, to create an image of the opposition candidate that was highly negative—from John Adams as a 'monarchist' to John Kerry as a 'flip-flopping, windsurfing elitist.

Fillmore lost his party’s nomination the next year to yet another military hero, General Winfield 'Old Fuss and Feathers' Scott, an anti-slavery candidate who then lost the election to General Franklin Pierce (whose party’s slogan was 'We Polked you in 1844; we shall Pierce you in 1852').

Typography is two-dimensional architecture, based on experience and imagination, and guided by rules and readability.

Non è un caso, infatti, che la grafica globalizzata tenda spesso a somigliarsi un po' tutta. Non si tratta di mera influenza culturale, ma di modo di procedere. Tutti i designer compiono gli stessi movimenti, maneggiano pixel: un po' più a destra; ruotato; di nuovo a destra; abbassato; poi sopra; e taglia; e incolla. Così all'infinito. Il design dovrebbe essere un modo di ragionare, di impostare problemi, di raccontare storie, non può ridursi a maneggiare box o spostare pixel.

Penguin Classic, with the orange bands at the top and bottom; and the Gill Sans thirty-sixpoint title, all caps, centered and medium weight, in black on the white band in the middle. One of the designer Tschichold's prouder moments, when he finally woke the hell up and joined the twentieth century.

Thanks to bad graphic design, some readers love only the electronic version of some books.

Typefaces are to the written word what different dialects are to different languages.

He was no stranger to middle fingers anyways; in Texas he had worked for a graphic design company, and the art world is overflowing with such fingers. At times almost exclusively.

Only great artists have the wisdom to let go of good ideas.

Secondo gli stereotipi comuni, la grafica si occupa, in maniera artistica e creativa, di pubblicità e di siti web, al fine di rendere le cose più belle e attraenti. Se ne identifica così il compito anzitutto nel campo della persuasione. Da sempre però – e ben prima della società pubblicitaria – il visual design svolge altri compiti, se non più nobili, spesso più utili: si occupa cioè di spiegare.

Yet, some things do not change. Overall, designers have stayed with techniques that work—in different countries and historical periods. Flagg’s 'I Want You for U.S. Army' design in World War I, with 'Uncle Sam' looking directly at the viewer and pointing a finger at him, was derived from a British poster produced three years earlier; in the British poster, Secretary of State for War Lord Kitchener is pointing a finger at British males, with the words 'Wants You, Join Your Country’s Army! God Save The King.' Other countries—Italy, Hungary, Germany, Great Britain, Canada, France, the Irish Parliamentary Party, the Red Army in Russia, and later, the Republicans in the Spanish Civil War—designed similar posters. The British applied the same design idea in World War II, featuring Prime Minister Winston Churchill, instead of Kitchener, in the same pose; the U.S. Democratic Party resurrected Flagg’s Uncle Sam image, including it in an election poster for Franklin D. Roosevelt. In the decades that followed, however, anti-war protest groups issued satires of Flagg’s 'I Want You' poster, with 'Uncle Sam' in a variety of poses: pointing a gun at the audience; making the 'peace sign,' bandaged and accompanied by the slogan 'I Want Out'; as a skeleton, with a target superimposed on him; and with the 'bad breath' of airplanes dropping bombs on houses in his mouth.

Twenty-six letters: Marjorie Morningstar or Ulysses. The man-made world means exactly that. There isn't an inch of it that doesn't have to be dealt with, figured out, executed. And it's waiting for you to decide what it's going to look like.

Design is as much an act of spacing as an act of marking.

You can say, "I love you," in Helvetica. And you can say it with Helvetica Extra Light if you want to be really fancy. Or you can say it with the Extra Bold if it's really intensive and passionate, you know, and it might work.

Always tell only the truth, and all the truth, and do so promptly - right now.

Content precedes design. Design in the absence of content is not design, it's decoration.

Every society must be intentional about educating its leaders.

Good design encourages a viewer to want to learn more.

If you jump, you best jump far.

Humor is all about timing.

If design isn't profitable, then it's art.

Grid systems in graphic design

If you love something, the work will be just fine.

If there was no praise or criticism in the world, then who would you be?

A plain circular bullet is widely disdained for its banality.

I never say what I mean, but I always manage to say something similar.

Inner beauty is for amateurs.

You have to be interested in culture to design for it.

It is the perennial youthfulness of mathematics itself which marks it off with a disconcerting immortality from the other sciences.

The design process, at its best, integrates the aspirations of art, science, and culture.

The moment clients realize that revisions are not an all-you-can-eat buffet, suddenly they realize they are not hungry.

When you make something no one hates, no one loves it.

A distinctive appearance and a simple set of characteristics lead to an extremely flexible brand. (pg. 38)