Best 1492 quotes in «memory quotes» category

People are more likely to remember the great social interaction they had with a colleague than the great meeting they both attended.

People easily become familiar with what you teach them practically than what you tell them verbally. Action fixes images in their minds and they can carry those images for a long period.

People like my grandmother, who have no home but in memory, learn to be very skilled in the art of recollection.

people say life is short. life's not short—it's long. the memory of a human being: that's what's short.

People who care nothing for their country's stories and songs,' he said, 'are like people without a past- without a memory- they are half people

People who want to acquired powers over somebody else, for them imagination is a powerful tool. If you are seeking liberation, if you want to become free, the first thing that you must become free from is your imagination, because that is the deepest trap. Your memory and your imagination are the two traps. Do you see? One of your legs is stuck in memory; another leg is stuck in imagination. If you release yourself from these, meditation is just natural. When you sit for meditation, what is your basic problem? You are either thinking about tomorrow or thinking about what happened yesterday, isn't it? If you are free from memory and imagination, you will always be meditative.

People will know you for who you are, but will remember you for what you have done. True leaders make long lasting impacts!

People with Complex PTSD suffer from more severe and frequent dissociation symptoms, as well as memory and attention problems, than those with simple PTSD. In addition to amnesia due to the activity of various parts of the self, people may experience difficulties with concentration, attention, other memory problems and general spaciness. These symptoms often accompany dissociation of the personality, but they are also common in people who do not have dissociative disorders. For example everyone can be spacey, absorbed in an activity, or miss an exit on the highway. When various parts of the personality are active, by definition, a person experiences some kind of abrupt change in attention and consciousness.

People with dissociative disorders are like actors trapped in a variety of roles. They have difficulty integrating their memories, their sense of identity and aspects of their consciousness into a continuous whole. They find many parts of their experience alien, as if belonging to someone else. They cannot remember or make sense of parts of their past.

Perfume is born of both pleasure and pain. It envelops the neck and reaches deep to the heart of recollection without notice.

Perhaps it was smartest, after all, to collar your memories and isolate them, sedating the irascible ones, banishing the grotesques, systematizing the rest; maybe coaxing a lion into a wheeled cage on occasion and pulling it eminently around town for the neighbors to see. Maybe it was best to let only the shadows of your impounded memories touch you; shadows usually being safer than their begetters, as for example axes and icicles and porcupines.

Perhaps memory is not merely the preservation of a moment in the mind, but the process of repeatedly returning to it, carefully breaking it up in parts and assembling them again until we can make sense of what we remember.

Perhaps one day someone from a distant land will listen to this story of mine. Isn't this what lies behind the desire to be inscribed in the pages of a book? Isn't it just for the sake of this delight that sultans and viziers proffer bags of gold to have their histories written?

Perhaps the echoes of people we once loved still linger in the places we frequented with them and that is why we go back… Not so much to remember them as to feel them…

perhaps you know that Ingeborg Bachmann poem from the last years of her life that begins "I lose my screams" dear Antigone, I take it as the task of the translator to forbid that you should ever lose your screams

Perhaps this is how it is--life flowing smoothly over memory and history, the past returning or not, depending on the tide. History is a collection of found objects washed up through time. Goods, ideas, personalities, surface towards us, then sink away. Some we hook out, others we ignore, and as the pattern changes, so does the meaning. We cannot rely on the facts. Time, which returns everything, changes everything.

Photography is never real, it’s merely one of many ways of telling the truth.

Piper: it looks like we have hole. Percy: Yeah we've got a dam hole! (LOL-ing) Piper: What! Percy: Inside joke. (still LOL-ing) Piper: Whatever.

Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.

Poetry has a long, long memory. After our love is long gone, we will still be reading your poems. You will not be the only one whose heart this breaks. Know that we will stand , reading the words written about our love – and we will ache for you The body will remember the way you shifted and sighed as skin met skin and those words will pay tribute to the lines that were composed while we moved through this world together. Because of this, we will never truly forget you. Let us remember.

Press them continually with memory and dream and have them waste their Present there.

Princess of the night, I have come to offer myself to you," you say in French, the language of my homeland. "Come with me." I am trying to look inside you, to foresee your intentions- lust, rape, or ransom- but your beauty clouds my sight. "Why should I go with you, stranger?" I ask, though I am thrilled by the candor of your request and the desire and enthrallment in your eyes. "Because I am yours, whether you wish it or not. You enchanted me, with your eyes that hold the light of the moon within them, and your starlit skin that defies fire. Come with me, my lady, and I will give you all that I have.

Quando ti ho visto la prima volta, mi sono detto: Dio mi ha fatto uno scherzo di cattivo gusto. Finalmente avevo trovato qualcuno da amare senza restrizioni, ma era un ragazzino. Poi però ci siamo conosciuti e amati

Quentin quieted and watched her for a moment, hungrily, like he was trying to memorize every detail. Maybe he was. Forever is a long time. You have to burn the edges of memory onto your heart, or they can fade, and sometimes the second loss is worse than the first one.

Random thought fills the streambed, cascading with care and spilling over the flood plain until bifurcation forces it to arc and fork into a single, determined stream.

Recognizing a problem may help us to understand and solve a problem. Rather than lying down and selling our sound judgment short, let us appeal to the opulent granary of our memory and explore the green pastures lingering in our mind. ("Prêt-à-penser")

Reincarnation isn't something in which I choose to believe but rather a truth I accept. Most people will never know the meaning of their friendships, passions, choices and even challenges. I embrace them, knowing that there’s always a perfect correlation between everything, including between us and the ones that love us and betray us at the end. That’s how I know I’m almost never traveling somewhere but returning, or not meeting someone but fixing the past, or facing a challenge but ending a karmic cycle. If I was a Buddhist Monk, a Scottish Doctor, a French Monarch, or a Spanish Templar, none of that really matters, not as much as what I experienced and believed during that time, not as much as what I did ten years ago or what I believed during my childhood, not as much as who I am now and what I can do with my life at present time.

Remembering, in Spanish, means to pass something through the heart again, and now all the years are going through his heart again as he tries to turn away from the ocean. But he hears it and he knows it is out there. Some sleepless nights he goes out. But this night in his sleep he says, "Oh, look at all those beautiful life rafts.

Remember thee? Ay, thou poor ghost, while memory holds a seat in this distracted globe. Remember thee?

Remember when we took that trip to Puglia?" He knows that I do. We'd gone for our anniversary a few years ago. We had stayed on the top floor of a small hotel impossibly cantilevered over an expanse of rocky shore. We'd eaten burrata, a Pugliese specialty, every morning for breakfast, with a slab of bread- arguably the best in Italy, still warm from baking overnight in the dying embers of the ancient oven. The cheese would arrive each morning on a tray outside our room, still warm, and wrapped in the customary thick blade of grass, swollen like a ripe piece of fruit.

...reminiscence is less an endowment than a disease...

Research on organised abuse emphasises the diversity of organised abuse cases, and the ways in which serious forms of child maltreatment cluster in the lives of children subject to organised victimisation (eg Bibby 1996b, Itziti 1997, Kelly and Regan 2000). Most attempts to examine organised abuse have been undertaken by therapists and social workers who have focused primarily on the role of psychological processes in the organised victimisation of children and adults. Dissociation, amnesia and attachment, in particular, have been identified as important factors that compel victims to obey their abusers whilst inhibiting them from disclosing their abuse or seeking help (see Epstein et al. 2011, Sachs and Galton 2008). Therapists and social workers have surmised that these psychological effects are purposively induced by perpetrators of organised abuse through the use of sadistic and ritualistic abuse. In this literature, perpetrators are characterised either as dissociated automatons mindlessly perpetuating the abuse that they, too, were subjected to as children, or else as cruel and manipulative criminals with expert foreknowledge of the psychological consequences of their abuses. The therapist is positioned in this discourse at the very heart of the solution to organised abuse, wielding their expertise in a struggle against the coercive strategies of the perpetrators. Whilst it cannot be denied that abusive groups undertake calculated strategies designed to terrorise children into silence and obedience, the emphasis of this literature on psychological factors in explaining organised abuse has overlooked the social contexts of such abuse and the significance of abuse and violence as social practices.

Ricci created memory palaces in his mind. Each item in the palace represented a series of concepts. The rooms and locations within the palace served as directories and files, similar to computer data storage. Ricci instantaneously learned, retained and retrieved hundreds of new Chinese kanji, to the astonished delight of Chinese nobles.

Robbing people of their actual history is the same as robbing them of part of themselves. It’s a crime." Fuka-Eri thought about that for a moment. Tengo went on, “Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.

Rosie loved Tom. Rosie had always loved Tom and, although she was unable to measure "always" in terms of years and months, this made perfect sense to her. Their love was not constrained by the mortal bonds of time; it was eternal, ageless and ancient beyond all recollection and record.

Rust’s central feature is ownership. Although the feature is straightforward to explain, it has deep implications for the rest of the language. All programs have to manage the way they use a computer’s memory while running. Some languages have garbage collection that constantly looks for no longer used memory as the program runs; in other languages, the programmer must explicitly allocate and free the memory. Rust uses a third approach: memory is managed through a system of ownership with a set of rules that the compiler checks at compile time. None of the ownership features slow down your program while it’s running.

Sadly, the words "reliable" and "accurate" can rarely be applied to the workings of the brain, particularly for memory.

Saying that you do not remember something or someone is a less embarrassing or hurtful way of saying that you do not know it or them anymore.

School is testing our memory and real world is testing our memory + how we use this which we know.

Shame was a peculiar beast, Naomi knew. She suspected everyone had it: the dragon they wanted to slay. But for her it was different. Naomi wanted to bathe in it, to stand under its waterfall and come out blessed.

Shamans enter the dream world of sub-consciousness to wrestle with demons and rally angels. They return with tales of their encounters which become the myths and legends of their communities.

She cannot be lost because no one is looking for her.

She couldn't put into words how desparately she wanted to know what had happened to Sarah. But she'd suddenly realized that Sarah was not the only one who had lost her memory of what happened when she was a little girl. Hundreds of thousands of people had lost their memories of what had happened to them ...

She dug into one of the boxes, finding clay angels she’d made in art class when she was seven years old. She found plastic swans on strings and red crystal cardinals. She found a blue-and-white rocking horse covered in glitter. She found a porcelain Santa Claus. She found that she couldn’t figure out where the hell time had gone.

She had never met Caroline's mother, but she knew a thing or two about what happened when someone went far away, how after a time you couldn't see their faces anymore when you closed your eyes or hear exactly how they laughed at a joke, how they seemed less like a real person whom you loved and more like a character in a story. And once that happened, it was easy, too easy, to let them float away like milkweed.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

She knew a thing she should have known all along: that dead people are like wax memory-you take them in your mind, you shape and squeeze them, push a bump here, stretch one out there, pull the body tall, shape and reshape, handle, sculp and finish a man-memory until he's all out of kilter.

She knew that she had a tendency to allow her mind to wander, but surely that's what made the world interesting. One thought led to another, one memory triggered another. How dull it would be, she thought, not to be reminded of the interconnectedness of everything, how dull for the present not to evoke the past, for here not to imply there.

She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.

She saw how the mind makes forever, in order to store the things it had already lost.