Best 126 quotes in «roman quotes» category

Du darfst deinen Boss nicht gleich am ersten Tag umbringen. Du darfst deinen Boss nicht gleich am ersten Tag umbringen. Du darfst deinen Boss nicht umbringen, Punkt.

Elle faisait confiance à la vie pour lui envoyer des indices, des idées, des détails qu'elle convertirait en histoires. C'est comme ça qu'elle avait écrit son premier livre. En ouvrant grand les yeux sur le monde. En écoutant, en observant, en reniflant. C'est comme ça aussi qu'on ne vieillit pas. On vieillit quand on s'enferme, on refuse de voir, d'entendre ou de respirer. La vie et l’écriture, ça va souvent ensemble.

Elle murmura son nom avec la circonspection d'un enfant qui s'essaie à des sons distincts. Lorsqu'il énonça le sien en réponse, on aurait dit un mot nouveau - les syllabes restaient les mêmes, le sens était différent. Enfin, il prononça ces trois mots simples que nul art médiocre, nulle mauvaise foi ne réussiront jamais à déprécier tout à fait. Elle les répéta, avec exactement la même légère insistance sur le dernier mot, comme si elle était la première à les dire...

En cet instant qui s'étiolait, il découvrit qu'il n'avait jamais éprouvé de haine envers quiconque jusqu'ici. C'était un sentiment aussi pur que l'amour, mais exempt de passion et d'une rationnalité glacée.

Endlich nahm er meine kleine Hand in seine große. Die Haut seiner Handflächen war leicht rau, und die Reibung sandte Funken durch meinen Arm. All meine Muskeln, selbst die in meinen Fingern, zogen sich vor Verlangen zusammen.

Fortune's fool! How we humans lie upon beauty like lizards upon a sun-baked rock.

Gregori jolted back. "Snap! You couldn't control one measly mortal?" Roman clenched his fists. "No." Gregori slapped a hand against his brow. "Snap!" "Why the hell are you snapping? Are you a turtle?" It was times like this that firing Gregori seemed to be the wise choice.

Era acolo, chiar în spatele ei, aproape atingând-o, iar Cristina înţelese deodată că de sub buzele pe care nu le putea vedea ieşeau colţi. Lungi, ascuţiţi, ucigători. Obişnuiţi să rupă carnea, să împroaşte sângele, să lase în urmă trupuri mutilate. Neştiutori într-ale milei, experţi în cruzime, de care până şi diavolul se temea.

His beard was nonexistent, except for a carefully trimmed goatee that met his mustache on both sides of his mouth. The overall effect was decidedly villainous. He needed a black horse and a barbarian horde to lead. That or a crew of cutthroats, a ship with blood-red sails, and some knucklehead heroine to lust after. “Look, I’ve had a bad day. How about you just walk away from my Jeep?” The volhv smiled wider, flashing even white teeth. If he started stroking his beard, I’d have to kill him on principle.“He raised his hand to his goatee. That does it. “Yeah. And what’s with the beard and the horse mane? You look like Rent-a-Villain.

English: Ô, take this eager dance you fool, don’t brandish your stick at me. I have several reasons to travel on, on to the endless sea: I have lost my love. I’ve drunk my purse. My girl has gone, and left me rags to sleep upon. These old man’s gloves conceal the hands with which I’ve killed but one! Francais: Idiot, prends cette danse ardente, au lieu de tendre ton bâton. J'en ai des raisons de voyager encore sur la mer infinie: J'ai perdu l'amour et j'ai bu ma bourse. Ma belle m'a quitté, j'ai ses haillons pour m'abriter. Mes gants de vieillard cachent les mains d'un fameux assassin!

Hayat bize yalnız bir kez bahşedilmişken, bir daha asla sahip olamayacağımız şeyleri kaybettik...

Hello, Goddess."- Roman Arceneaux

Ich gehe duschen. Komm gerne mit, dann kann ich dir zeigen, wie viel hübscher das Badezimmer im Gegensatz zur Küche ist." Ich boxte gegen seinen Oberarm. "Nein, danke." Spencer erhob sich. Seine Lippen waren immer noch ein bisschen feucht vom Wasser und sein Grinsen so unverschämt, dass es hätte verboten werden sollen. "Irgendwann wirst du mich freiwillig in dieses Badezimmer begleiten, Süße. Du weißt es, ich weiß es, und die Welt ist sich darüber auch schon seit Anbeginn der Zeit im Klaren.

I am supposed to be an utter fool and the more I read the more of a fool they think me.

I do not believe in the creed professed by the Jewish church, by the Roman church, by the Greek church, by the Turkish church, by the Protestant church, nor by any church that I know of. My own mind is my own church. All national institutions of churches, whether Jewish, Christian, or Turkish, appear to me no other than human inventions set up to terrify and enslave mankind, and monopolize power and profit.

If I were in his(Prophet Muhammad) presence, I would wash his feet.

If the interest of a scientific expositor ought to be measured by the importance of the subject, I shall be applauded for my choice. In fact, there are few questions which touch more closely the very existence of man than that of animated motors—those docile helps whose power or speed he uses at his pleasure, which enjoy to some extent his intimacy, and accompany him in his labors and his pleasures. The species of animal whose coöperation we borrow are numerous, and vary according to latitude and climate. But whether we employ the horse, the ass, the camel, or the reindeer, the same problem is always presented: to get from the animal as much work as possible, sparing him, as far as we can, fatigue and suffering. This identity of standpoint will much simplify my task, as it will enable me to confine the study of animated motors to a single species: I have chosen the horse as the most interesting type. Even with this restriction the subject is still very vast, as all know who are occupied with the different questions connected therewith. In studying the force of traction of the horse, and the best methods of utilizing it, we encounter all the problems connected with teams and the construction of vehicles. But, on a subject which has engaged the attention of humanity for thousands of years, it seems difficult to find anything new to say. If in the employment of the horse we consider its speed and the means of increasing it, the subject does not appear less exhausted. Since the chariot-races, of which Greek and Roman antiquity were passionately fond, to our modern horse-races, men have never ceased to pursue with a lively interest the problem of rapid locomotion. What tests and comparisons have not been made to discover what race has most speed, what other most bottom, what crossings, what training give reason to expect still more speed?

If there is one fable, which would seem entitled to escape the analysis, which we have undertaken of religious poems and sacred legends, by the laws of physical and astronomical science, it is doubtless that of Christ, or the legend, which under that name is really dedicated to the worship of the Sun. The hatred, which the sectarians of that religion,—jealous to make their form of worship dominant over all others,—have shown against those, who worshipped Nature, the Sun, the Moon and the Stars, against the Roman Deities, whose temples and altars they have upset,—would suscitate the idea, that their worship did not form a part of that otherwise universal religion.

If you love my work, you are a good critic. If you do not love my work, you are a 'not good' critic.

If you need to clear the air with these gentlemen, better remove yourself from the car!” Julia’s boyfriend, or whatever he was, didn’t seem like much. I had fought more fearsome men in my life. When I heard him mentioning my mother, whom he had started bespattering in something resembling the English language, calling her “a Norwegian whore”, I opened the door and headbutted him without the slightest hesitation. I yelled at the top of my lungs too, so that bitch, Julia, could hear me loud and clear: “I’m an Irish man, you fucking asshole, I’m from Belfast, we would stick some Semtex up your ass" (Doina Rusti - Logodnica/The The Fiancée, Polirom, 2017)

I hope you had an entertaining time following me around.” I took my keys out. “You should be a reality show,” he said. “It’s that good. And you know, I might be a totally unstable former assassin, but man. You manage to shock even me.

Îi umpluse viaţa cu amintiri zgomotoase, şi acum trăia sub teroarea lor.

I just wish moments weren’t so fleeting!' Isaac called to the man on the roof, 'They pass so quickly!' 'Fleeting?!' responded the tilling man, 'Moments? They pass quickly?! . . . Why, once a man is finished growing, he still has twenty years of youth. After that, he has twenty years of middle age. Then, unless misfortune strikes, nature gives him twenty thoughtful years of old age. Why do you call that quickly?' And with that, the tilling man wiped his sweaty brow and continued tilling; and the dejected Isaac continued wandering. 'Stupid fool!' Isaac muttered quietly to himself as soon as he was far enough away not to be heard.

»Ich glaube nicht, dass er dich verachtet«, widersprach Furia, die in Liebesdingen auf die Erfahrungen zahlloser Romanheldinnen zurückgreifen konnte. Was sich in etwa so anfühlte, als läse man exotische Kochbücher, ohne je etwas anderes als Dinkelbrot zu essen.

I likened her to the slender PSYCHÉ and judged that the perfection of her face ennobled everything unclean around her: The dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her bare feet [...] All this and the pungent air! Ô this night, sweet pungent night! "HÉBÉ" may come but a season. But this girl's season would know a hot spring and an Indian summer.

Het is geen roman, 't is een aanklacht!

In the first place, sensation (aisthesis) is a corporeal process which we have in common with animals, and in which the impression of an exterior object is transmitted to the soul. By means of this process, an image (phantasia) of the object is produced in the soul, or more precisely in the guiding part (hegemonikon) of the soul

In Sanskrit, there exists no word for ‘The Individual’ (L’Individu). En Grèce antique, il n’y avait aucun mot pour dire ‘Devoir’ (Duty). In French, the word for ‘Wife’ is the same as the word for ‘Woman.’ En anglais, nous n’avons aucun mot semblable à l’exquise ‘Jouissance!

I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.

It made the woman feel like a thousand seas had come together from all worlds, like faraway lands had been bridged together, and the vastness of the known and the unknown were somehow easier to comprehend.

I turned to the courtyard and waved at Roman and the witch next to him. "Is that his sister?" Andrea asked me. "No." I had spoken with both of them. "I'd asked her that. Her name is Alina, she isn't his sister, and she feels deeply sorry for his sisters, because if she had to put up with being in his presence for longer than a day, she would throw herself off the nearest bridge just to end the agony." "Well," Andrea said. "Glad she cleared that up.

It was a time I slept in many rooms, called myself by many names. I wandered through the quarters of the city like alluvium wanders the river banks. I knew every kind of joy, ascents of every hue. Mine was the twilight and the morning. Mine was a world of rooftops and love songs.

Nur weil mein Leben unlogisch ist, heißt das nicht, dass es nicht funktioniert.

Qu'est-ce que le roman, en effet, sinon cet univers où l'action trouve sa forme, où les mots de la fin sont prononcés, les êtres livrés aux êtres, où toute vie prend le visage du destin. Le monde romanesque n'est que la correction de ce monde-ci, suivant le désir profond de l'homme. Car il s'agit bien du même monde. La souffrance est la même, le mensonge et l'amour. Les héros ont notre langage, nos faiblesses, nos forces. Leur univers n'est ni plus beau ni plus édifiant que le nôtre. Mais eux, du moins, courent jusqu'au bout de leur destin, et il n'est même jamais de si bouleversants héros que ceux qui vont jusqu'à l'extrémité de leur passion.[...] Voici donc un monde imaginaire, mais créé par la correction de celui-ci, un monde où la douleur peut, si elle le veut, durer jusqu'à la mort, où les passions ne sont jamais distraites, où les êtres sont livrés à l'idée fixe et toujours présents les uns aux autres. L'homme s'y donne enfin à lui-même la forme et la limite apaisante qu'il poursuit en vain dans sa condition. Le roman fabrique du destin sur mesure. C'est ainsi qu'il concurrence la création et qu'il triomphe, provisoirement, de la mort.

Rich will be my life if I can keep my memories full and brimming, and record them on clear-eyed mornings while I set joyously to work setting pen to holy craft.

Romanlarımla evlenip, çocuk yerine de kısa hikayeler edineceğim.

Savaş şöyle bir dokunup geçmişti bize. Bir ufak tırmık yarasıydı bu henüz. Sırada hançer vardı. Böyledir yüreği insanoğlunun: Küçücük bir felakette duracak gibi olur, sonuna kadar dayanır büyük felaketlere

Someone was going to die; of that he was perfectly sure. The only question was who.

So our virtues Lie in the interpretation of the time: And power, unto itself most commendable, Hath not a tomb so evident as a chair To extol what it hath done. One fire drives out one fire; one nail, one nail; Rights by rights falter, strengths by strengths do fail.

That's not fair," I said. "Georgina," he said simply. "We're in Hell.

The Greeks think they justly honor players, because they worship the gods who demand plays; the Romans, on the other hand, do not suffer an actor to disgrace by his name his own plebeian tribe, far less the senatorial order. And the whole of this discussion may be summed up in the following syllogism. The Greeks give us the major premise: If such gods are to be worshiped, then certainly such men may be honored. The Romans add the minor: But such men must by no means be honoured. The Christians draw the conclusion: Therefore such gods must by no means be worshiped.

The lot of the bride to be wed before bed desired until rotten. The lot of the author to be read before bed admired then forgotten.

The moment her hymen was plucked from her body in the wilderness, Her soul was taken from sanity.

The monster, Hitler, died like Uther, frightened, hiding, haunted by his crimes and his wholly reasonable belief that all decent human beings would turn their backs on him. Who really cares where Hitler’s bones lie, or how he died, as long as he is safely dead? Now, in the twenty-first century, Karl Marx’s grave in a London cemetery is no longer a rallying cry to the poisoned idea that the end justifies the means. We shall never know for certain where Arthur lies, or if he even lived. If he was a myth, then it was necessary for human beings to invent him. Hail, Arthur, King of the Britons! I wish another hero would take your place, now that the west has such a need of you.

Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old.

În ce mă priveşte, când apune soarele mă gândesc: A mai trecut o zi. Încă o zi în care n-am făcut nimic. Iar când răsare soarele, nu ştiu încotro să apuc, pe ce drum trebuie să merg, unde vreau să ajung. Eram sigură că fericirea există undeva, dincolo de zidurile casei noastre. Că într-o zi voi pune mâna pe ea, aşa cum pui mâna pe o ceaşcă sau pe scoarţa unui copac. Că dragostea este supremul miracol…

It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why! Why can’t we leave this life slowly?

I was at Peter's fondue party,before that was at the mall. Peter's tell me about Peter's, Did anything weird happen there? I was at a fondue party at a vampires everything about that is weird.

Looking back on my life, I sigh. The caprice of youth goes with the wind, I’ve no regrets.

May a man live well-, and long-enough, to leave many joyful widows behind him.