Best 3729 quotes in «brother quotes» category

When humility enters our souls, we are at last able to perceive that we do not live alone in the world but with millions of brothers and sisters, and that hidden in the heart of each is the same animating spirit.

When I am commanded to love, I am commanded to restore community, to resist injustice, and to meet the needs of my brothers.

When I am in the darkness, I want to think of it in the light, with you," he said, and straightened, and turned to walk toward the door. The parchment robes of the Silent Brothers moved around him as he moved, and Tessa watched him, paralyzed, every pulse of her heart beating out the words she could not say: Good-bye. Good-bye. Good-bye.

When I came into the WWF, the first thing I really didn't want to have was being Bret Hart's little brother.

When I approach a more mature age, I am not going to live in America. Visiting my grandmother, when she was 94, which is a very long life in Cambodia, I saw how important it was that she was in a community with my sisters, brothers and all grandchildren were so involved in her life. I liked that experience so much more than visiting my sister-in-law's grandparents in a nursing home. It's about looking at a community through your window versus being part of a community that's alive, that is youthful and old and hungry and smelly and loud, where everything is vibrant and colorful.

When I came back from Pakistan, I wanted to take computer classes nearby. I asked my brother. I was in my home, cooking for my family, and all our relatives and guests. But I said, "I want to live my life as a woman, but I want to study." But, he told me, "Just study at home, you don't need to go out." He said, "If you go to the courses, what will our relatives say? They will lose respect for us." They told me, "We know you're feeling different, but we cannot do anything about it.

When I came to the United States in 1975 I was eleven, and within a few months my voice broke. I recited commercials like a parrot and I got yelled at quite often. My older brother one night said, "You speak so much English when you're not supposed to, that's why your vocal chords shattered. Now you sound like a duck." I thought it was true. I went from this sweet-voiced Vietnamese kid who spoke Vietnamese and French to this craggy-voiced teenager.

When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!

When I go out there, I have no pity on my brother. I am out there to win.

When I got into "Anna Karenina" and "Brothers Karamazov" and "Crime and Punishment," that was the stuff that - that had a big effect on me, because it was so psychological.

When I go visit my brother monks in Japan and sit down with other Zen Masters, they look at my crazy clothes and my strange expression, but they feel the power that emanates from my dedication to the practice. So they are comfortable with me, yet they're very uncomfortable.

When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.

When I go to a bar or a party, I feel like a student invited me to the kegger, and I actually ended up going. And everyone's shocked: "Oh, my god, professor, I didn't know you were actually going to come!" That's me in any circle, really, especially when I hang out with my brother's friends.

When I look at him, I don't see the cowardly young man who sold me out to Jeanine Matthews, and i don't hear the excuses he gave afterward. When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind.

When I moved to L. A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.

When I meet people from other cultures I know that they too want happiness and do not want suffering, this allows me to see them as brothers and sisters.

When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.

When I met Harrison Ford I just kept thinking: "At what point do I break out my Star Wars memorabilia? When is it OK to have him sign something? Will he? And will I look like a total idiot!" The only time I ever got anything from another actor to sign was for my brother or my kids because both of my brothers are die-hard Star Wars fans.

When indeed shall we learn that we are all related one to the other, that we are all members of one body? Until the spirit of love for our fellow people, regardless of race, color, or creed, shall fill the world, making real in our lives and our deeds the actuality of human brother- and sisterhood, until the great mass of the people shall be filled with the sense of responsibility for each other's welfare, social justice can never be attained.

When I published my first novel, Slammed, I included lyrics at the beginning of each chapter from one of my favorite bands, The Avett Brothers. The overwhelmingly positive response from readers to those lyrics really surprised me.

When I say my brother and his wife are heterosexual, that doesn't mean I'm talking about their sex lives. Likewise, when we say someone is gay, we're talking about sexual orientation, not their sexual activity.

When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical.

When I think how much my Protestant brothers and sisters are missing in not having Christ's Real Presence in the Eucharist; when I kneel before the Eucharist and realize I am as truly in Christ's presence as the apostles were but that my Protestant brothers and sisters don't know that, don't believe that - I at first feel a terrible gap between myself and them. What a tremendous thing they are missing!

When I think of Britain, I don't think of these lofty ideals which once held sway like the stoic upper lip. I think of girls on a Saturday night outside kebab shops stabbing each other with stiletto heels or guys smashing glasses into someone's face. I think of shows like Big Brother which celebrate people's discomfort and anguish or kids committing these terrifying happy slapping acts of brutality to each other at the drop of a hat.

When I walk up on that shore in Florida, I want millions of those AARP sisters and brothers to look at me and say, 'I'm going to go write that novel I thought it was too late to do. I'm going to go work in Africa on that farm that those people need help at. I'm going to adopt a child. It's not too late, I can still live my dreams.'

When it's all over I won't miss the bruises he gave me to impress girls, or the occasional scar which will give me a story to tell my grandchildren, but I'll definitely miss the pranks and the laughing and all the making fun of each other. I'll miss the funky advice he gives me about everything - football, girls, video games, clothes. Most of all, I'll miss having an older brother.

When it was over, she gathered him in her arms. And told him the terrible irony of her life. That she had wanted to be dead all those years while her brother had been alive. That had been her sin. And this was her penance. Wanting to live when everyone else seemed dead.

When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in The Partridge Family alongside me, so we worked together for years.

When I was 11, I moved to the United States with my two brothers and my mom. We moved to northern New York, up near the Canadian border, from Argentina, and there was nobody there that spoke Spanish, and because there was no internet at the time, not even cable TV yet, I lost the connection with my childhood friends and the culture I had been brought up with for my first decade completely.

When I was 12 my brother told me I had to wear the burqa, but I really wanted to play, because I was a child. It's an age you want to play outside and have a good time. And they told me I had to wear it or I couldn't leave the home. I felt it was controlling me, because when I wore it I felt I wasn't a child anymore.

When I was a child, my father used to encourage my brother and me to fail. At the dinner table, instead of asking about the best part of our day, he would ask us what we failed at that week. If we didn't have something to tell him, he would be disappointed. When we shared whatever failure we'd endured, he'd high-five us and say, 'Way to go!' The gift my father gave us by doing this was redefining what failure truly meant.

When I was 16 years old, my brother Frank said, 'You'd better become a catcher, because you're too big and fat to do anything else.' Well, I took his advice. It was a quick way to get to the big leagues, and I've never regretted it.

When I was a boy, I laid in my twin-sized bed and wondered where my brother was.

When I was 8, my favorite toy was a stapler. My brother was afraid of me.

When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.

When I was a kid watching "The Blues Brothers," I could not think of a better thing than watching 300 cop cars crash into each other.

When I was better known than her, she put my name in that tent. I was asked to do Celebrity Big Brother, but why should I? We live in an age where fame is not related to what you do.

When I was eight or nine years old, I saw the TV version of 47 Ronin, played by Toshiro Mifune. He played Oishi. That was my first experience. I watched every week with my brother. "Who plays Oishi tonight? Who will play Kira tonight?" And we fought every week.

When I was a kid, I was surrounded by girls: older sisters, older girl cousins just down the street... except for an older boy named Vito who threw rocks. Each year I would wish for a baby brother. It never happened.

When I was a kid, I was always around boys. I was always trying to keep up with boys - skateboarding and snowboarding. If my brother was mowing the lawn, I had to mow the lawn. If my brother was using a hammer, I needed to use a hammer. I've always been a little bit of a feminist.

When I was a little kid, my parents would show me Marx Brothers films and westerns and stuff like that. Thats where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure.

When I was a teenager and my brother Frank was in the World Series in '57 and '58 against the Yankees, Braves winning in '57 and the Yankees in '58, little did I know the next time these two teams would meet in the World Series, I would be managing the Yankees.

When I was a young kid, my dad, a man of few words, told my brother and me, "Boys, Christmas is about Jesus." I thought about what he said, and I began asking the Christmas questions. I've been asking them ever since. I love the answers I've found.

When I was eight years old I went to visit my brother who was working on a movie of the week with my mother and I saw how much fun he was having and I decided I wanted to try it too.

When I was growing up, my mother was always a friend to my siblings and me (in addition to being all the other things a mom is), and I was always grateful for that because I knew she was someone I could talk to and joke with, and argue with and that nothing would ever harm that friendship.

When I was little, I put on plays for my family at Sunday dinner, and I would direct them and have all my cousins, my brother, and my best friends in it. I was a very imaginative and theatrical child and wasn't afraid of being in front of a camera. It was like make-believe to me.

When I was training, I trained with my younger brother Brady. I would wrestle some of my friends, who I had grown up with, which showed me some moves, but it was never a full on match. When I went to competitions, there were other girls, so I always wrestled girls.

When I was younger I didn't have much financially, like we couldn't afford a lot of stuff and I remember seeing little girls' rooms on TV and they'd all be pink. I didn't have my own room, I shared with my brother, so I would have this daydream and imagine that one day I could have my own room and it would all be pink, like Cinderella's.

When I was eight years old, I played a story game with my younger brother and sister to help them fall asleep. The 'word-story game' was where they would choose a word and I would create a story. Acting and directing are similar to this game, where I am given the words then I fill in the life of the characters.

When I was in junior high I read a lot of Danielle Steele. So I always assumed that the day I got engaged I'd be naked, covered in rose petals, and sleeping with the brother of the man who'd kidnapped me.