Best 474 quotes in «scene quotes» category

I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this [horror] genre.

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

I indeed had only one scene, one speech, one little speech, but it was with Robin Williams.

I hurt myself doing a fight scene with some dwarves.

I know that I'm a decent actor, but it's another thing to be in a scene with Jon Hamm and hold your own.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing, but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene.

I like getting carried away by what is happening and then decide each scene based on the actors, the set and the light.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

I liked the scenes with the baby, but the baby steals all the scenes that you're in. So that would get old after a while, because the baby is too perfect. I liked being high on ecstasy.

I love Dickens. I love the way he sets a scene.

I long for scenes where man has never trod;... There to abide with my Creator, God.

I loved being behind the scenes and finding out how they make movies.

I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.

I love being in scenes where I get to be part of a Maggie Smith put-down. A Dowager Countess put-down is always a special moment. Especially if you're working on set and she managed to do one off set at you.

I loved, loved, loved the fight that I got to do with Matthew Bomer, who plays Bryce, when we did the fight scene that was back to back in the Buy More.

I love having 30 shots of every scene.

I love more than anything looking at a movie scene by scene and seeing the intention behind it.

I love directing scenes that I'm not in because suddenly I really feel like a filmmaker which is a different thing.

I'm, like, y'know, I didn't have a problem doing one scene in Dude, Where's My Car? I'm certainly not going to have a problem doing one scene in a [Martin] Scorsese movie!

I'm always working in this universe - whether picturing hamburger joints, Virgin Marys, domestic scenes - using these "vacant-faced" women as a medium to question universal truths.

I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are.

I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.

I love to do very long and complicated scenes.

I'm a good Indian girl, I still don't do sex scenes in my movies because my mum would kill me!

I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.

I mean that much more than wiser beings from beyond the stars bringing us enlightenment or death or salvation, we are likely to find ourselves the wisest beings on the scene.

I'm not worried about the kernel itself or the basic system. All the commercialization is about the distributions and the applications. As such, it only brings value-added things to Linux, and it doesn't take anything away from the Linux scene.

I'm not into the whole showbiz scene.

I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything.

I'm not the kind of person who thrives in "the scene." I know that when this is all over, and I'm no longer cool, I'm going to be just as happy because I'm going to be at home.

I'm not opposed to nude scenes, if they're appropriate. I'm not against them morally. But I personally no longer find movie nudity to be worth my while.

Im really into the indie-music scene and listen to a lot of De La Soul.

I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.

Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.

I'm sure every film it's going to be like, 'Okay, this is the scene where your shirt gets ripped off.' I'll never be able to keep my shirt on.

In a perfect world, the entertainment and media industry and the content on our screens would reflect the true American scene.

I'm too shy to do kissing scenes.

I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.

In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.

I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.

In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.

I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.

I never felt I would be part of the international scene for 50 caps in my wildest dreams.

In every relationship, sooner or later, there is a court scene. Accusations, counter-accusations, a trial, a verdict.

I never liked living in Montreal. And I don't really like the music scene there. It was never my cup of tea, and I never felt like I ever fit in.

In general, I don't care for scenes of copulation.Certain functions of the human body are bloody private.

In films of terror, it's often not about being graphic. Or if there is a graphic image, it's extremely swift. Everyone talks about the shower scene in 'Psycho,' but that's the only graphic scene in the entire film.

In For Whom the Bell Tolls, Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).

In movies, you just see somebody close their eyes, and you go on to the next scene.