Best 474 quotes in «scene quotes» category

There's nothing sexy about doing a nude scene. It's rather uncomfortable. I like dressing up rather than dressing down.

There's nothing worse than shooting a scene you haven't rehearsed.

The roughest part is showing up. Once you throw yourself into the scene, it's just great fun to let it all go and not be self-conscious, and stop questioning whether you're sufficient.

The scene is dull. Tell him to put more life into his dying.

The scene changes but the aspirations of men of good will persist.

The scene isn't one of perpetual death but of life circulating within itself.

The scene with Danny [McBride] and the cake and all of that [in the Pineapple Express], most of that is improvised, I would say. But you would never know, to me anyway, and that's what is always amazing.

The scenes of existence can be modified. One creates his own circumstances.

The scenes on this field would have cured anybody of war.

The scene was set. All that was required was an action, a cold start, instant and brutal as beginnings always are.

The scene where I took my eyelashes off we did in two takes.

The script of 'Shogun' was so tight that you could not take a word out of a sentence, you could not take a sentence out of a scene, and you certainly couldn't take out a scene without putting ripples right through the back or the front of the overall story.

The studio scene in California is sort of ridiculous anyway.

The subject matter... is not that collection of solid, static objects extended in space but the life that is lived in the scene that it composes.

The trouble with normal is it always gets worse, fashionable fascism dominates the scene.

The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.

They sat it "Rains Blood" at scenes of battle... you truly...make blood rain

They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.

They hadn't much faith in travel, nor a great belief in a change of scene as a panacea for spiritual ills; they were simply glad to be going.

This is the place. Stand still, my steed,- Let me review the scene, And summon from the shadowy past The forms that once have been.

This s - t [smoked on scenes] called Wizard Smoke. I didn't like it. [James] Franco didn't have that hard of a time with it. Franco will smoke anything.

Thus heavenly hope is all serene,But earthly hope, how bright soe'er,Still fluctuates o'er this changing scene,As false and fleeting as 't is fair.

Though introverts are drained by interaction, we can take immense pleasure in watching the scene around us.

This word gets overused in describing actors but I think it applies to Mike [Tyson] in this case - he was totally fearless. He jumped in and played with us comedically and improvised a lot. A lot of jokes in those scenes with him are from him improvising.

Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.

To meet the demands of the fast-changing competitive scene, we must simply learn to love change as much as we have hated it in the past.

To be honest, I was unaware of the huge frat-rap scene that was taking over the blogosphere until I found myself right in the middle of it. But there are really a ton of talented dudes out there doing this, and I'm just having a great time making music and being a part of it all.

Verbal representations of such places or scenes may, or may not, have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith.

Walter is incredibly complex. I do a lot of thinking about the work I do, and try to get the rhythms of scenes.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

We were the ones on scene when everything went down. We weren't better. We weren't worse. We were just the ones standing in the blast radius.

We are drawn to Twitter the way we are drawn to the scene of an accident.

We came down here to see this teddible scene: people all pissed out of their minds and vomiting on themselves and all that and now, you know what? It's us

We had this scene where I'm supposed to be bending over to get something. I thought it was kind of cute.

We have that Indian scene. We can get the Indians from the reservoir.

Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.

We pass now quickly from each other's sight; but I know full well that where beyond these passing scenes you shall be, there will be Heaven.

We put the murderer in charge of the crime scene.

We've had experience of involvement in a local scene, and it was a good one, and we've learned a lot from it, and I don't have any need to join into that ever again. It's too counterproductive to writing music and performing to the best of your abilities. It's okay when you're 20 years old - you're getting out there and you're learning - but not when you're 30 years old.

We are never completely contemporaneous with our present. History advances in disguise; it appears on stage wearing a mask of the preceding scene, and we tend to lose the meaning of the play.

We goofed around a lot and acted silly. It was great working with Mark Wahlberg too. Some off scenes I had with him I was terrified to do, but he was great.

Well first of all, it's hard to shoot a movie and break for a long time and then come back and do, in a sense, one of the biggest scenes that each character had.

Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.

We mountaineers always live with the feeling that we came on the scene too late.

We prate of freedom; we are in deadly fear of life, as much of our own American scene betrays.

Whatever you decide is your motivation in the scene, the opposite of that is also true and should be in it.

What pen can describe this scene of marvellous horror; what pencil can portray it?

What I remember myself from films, and what I love about films, is specific scenes and characters.

What I hear all the time is to stop and listen. When you do a scene 30 times, and know the lines, you stop listening. The point is to listen, that's the only thing that can make it real.

When I first came to New York everybody on the scene would treat me like I could play but I couldn't.