Best 474 quotes in «scene quotes» category

It's been a fascinating thing because we didn't really know how to write when we started South Park at all. It's been like, we've just sort of grown up a bit and it's amazing to just see how, if you take Butters and Cartman and put them in any scene, it works.

It's difficult for me to imagine any scene differently because I've read the book so many times. The book, as a whole, seems like a document that wouldn't withstand any changes at this point. Or perhaps I simply can't imagine having to revise it again.

It's good that people come to the shows because there's nothing fashionable about Swans. Never has been, really. We've never been part of a scene. So the people that come are really there for the music. Fortunately, there's a lot of young people and a burgeoning female contingent, which is good as well.

It's hard to get lost in a scene, to get into a character when everyone's standing around you on the set.

It's nice that the independent scene is taken seriously, and has been.

It's not the destination that matters. It's the change of scene.

It's not the subject of narration that interests me, but the structure. That's why I stay in touch with my old works, which I reread regularly. I don't hesitate to take up previously used images or even whole scenes.

It's possible that I've matured as a writer, and I hope I've matured emotionally, but I always find myself revisiting these adolescent scenes.

It's taking our officers much longer to respond to an accident because they have to fight their way through all of the traffic just to get to the scene

It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.

It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.

Ive always been ahead of the curve when it came to trying new stuff in the underground scene.

I've done quite a lot of dying on shows and in movies. To have a good death scene though - come on, it's brilliant. I love a good death scene!

I've always enjoyed sex scenes, though you're not really supposed to. The classic answer is, 'Oh, it's not sexy at all because there are so many technicians standing around.' But I've always found them extremely arousing.

I've always been partial to comedy. I love the idea of working on a comedic scene.

I've always loved news. I've always loved storytelling and being where the scene is.

I've been around where I knew other actors were going to steal the scene, and I don't compete with them.

I've got a canvas, I've got a scene, let’s fill that with sound.

I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.

I've never written an autobiographical novel in my life. I've never touched upon my life. I've never written a single scene that I can say took place.

I was fortunate to be connected with bands who later became pioneers for certain genres of music scenes. And my art went along with them for that ride and became associated with it.

I very much prefer the balance in a scene to standing out and so you have to make a decision

I wanna sit behind the scenes and see nothin' but the greens.

I wanted to watch the women interacting with [Warren Beatty], which takes he chose, and how the actresses were reacting in scenes with him.

I want to see more women behind the scenes.

I want to sell tracks but at the same time I want to stay true to the music I like. This is why I love the underground scene because they can stay true to what they want to do.

I was more feminine. I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene.

I was never NOT confident about doing scenes without my shirt - and now I'll find any excuse to take my shirt off!

I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.

I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.

I was working with Michael Shannon and I was like, "Oh man I'm having trouble with this scene." And he's like, "Well, then just open it up." I was like, "But, the mark?" And I was like, what's wrong with me? And he was like, "Dude, what's wrong with you?

I wish the rock 'n' roll scene to be back in.

I will walk out on a scene if it's all lit and ready to go but it's not happening.

I went swimming the other day and my wife was watching and she said: "You know, it's funny, it's when you've got no clothes on, no one recognises you." I said: "What are you saying? That I should do more love scenes?

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

I would comment on the scene, but I've never kissed a woman so I don't really have anything to add.

I wouldn’t treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it’s all about the breath mints!

I would have to say honestly I was very pleased to be in a movie whether it was good or bad with De Niro, Norton and Brando even if I don't have any scenes with them I thought it was pretty good company to keep.

Jackson doesn't bother to read the scripts anymore. He just checks to make sure he has one loud scene where he gets to shout, then cashes the paycheck.

James Bond in his Sean Connery days ... was the first well-known bachelor on the American scene who was not a drifter or a degenerate and did not eat out of cans.

John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.

John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.

Life is not an opera. Scenes belong on the stage.

Let us draw the curtain of charity over the rest of this scene

Life is a farce, and should not end with a mourning scene.

Journalism, to me, is just another drug - a free ride to scenes I'd probably miss if I stayed straight.

Just once I'd like someone to call me 'Sir' without adding 'You're making a scene.'

La Haine - first of all, it was the story of friendship. I was very close with Mathieu Kassovitz; he was somebody I met in the nights of Paris. And the hip-hop scene and all that... You know, it was very much about doing our own thing, and some of the subject matter was so close to what we knew and the people we were hanging out with.

... luckily, Eden is soon populated. The ethical dimension begins when the other appears on the scene.

...like a scene from the swamps of Louisiana or the mind of Poe on opium.