Best 474 quotes in «scene quotes» category

He was unheeded, happy, and near to the wild heart of life

[H]istory is a melodrama on the theme of parasitism, characterized by scenes that are exciting or dull, as the case may be, and many a sudden stagetrick.

How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.

How stagnant and tepid the whole British political scene is now is just beyond belief.

Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do

I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.

I am comfortable talking about sex scenes and stuff, but to me, when it's physically explicit, I do feel prudish and uncomfortable.

I bet that if you actually read the entire vastness of the U.S. Tax Code, you'd find at least one sex scene . . .

I can't stand the club scene. It's all about impressing people.

I am looking to get into the grime rap U.K. scene.

I care less if I can't be part of your scene because I am the scene. I am everything that is.

I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

I did love that scene in the movie [ "Our Brand Is Crisis"] because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I don't know if you want to see the Everybody Loves Raymond guy in a nude scene.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

How many ages hence Shall this our lofty scene be acted over In states unborn and accents yet unknown!

I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

I don't do match cuts really. That's a ridiculous thing to say - I do. But we always explore how we can propel a scene, and that's including dialogue, without doing match cuts. Because the audience is really willing to accept a lot of discontinuity.

I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.

If a brutal scene is shown for no reason except to shock, then it is bad.

If all that's going on in your scenes is what's going on in your scenes, think about it a long time.

If a scene isn't honest, it stands out like a sore thumb.

If a scene isn't well written they'll drop your neckline to fill the void.

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

I don't find intimate scenes more difficult than other scenes.

I find it really awkward to do a scene where I'm supposed to seem like I'm in love.

If the director says you can do better, particularly in a love scene, then it is rather embarrassing.

I don't get very involved in the L.A. scene. When you do get invited out, you are expected to be on all the time. It's just wearying.

If I want to kiss, I shall kiss. If I am told that a lovemaking scene is integral to the script, I will consider it.

If life gives you lemons, don't settle for simply making lemonade - make a glorious scene at a lemonade stand.

If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.

If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.

I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will.

If you look closely at some scenes in Diner, my eyes look like Dracula's.

I get a lot of credit for Tron. They called us scene choreographers back then because the animation unit wouldn't let us be called animators because we were working on computers. And we were some of the first people ever to make 3-D computer animation.

If you're going to walk into a scene on a stage, you've gotta know what room you just left and what just happened.

I had a really weird moment when I was doing ADR, and I was watching a sex scene that I was in. I had this really detached moment where I realized I was looking at my own behind in third person.

I had to work with Ben Mendelsohn who's one of the great actors of our time. I had a lot of scenes with him and I was thrilled to be on the set with him; I just wanted to see how we were going to play it.

I have a rotten habit of picturing the bedroom scenes of my friends.

I have done so many love scenes in the past that I have learned how to pull off a sexy smoulder on the dance floor.

I have never been part of a scene. I've always been a bit of an island really, but I am fine with that.

I have the impression that the new generation of young people, are coming up on the scene with a sense "ancestorhood", and with more wisdom than was evident before.

I have to say for both of us [ with Adam Savage], this experience that we've been having here has changed us dramatically, and we've evolved since we've come on the scene with Mythbusters, because of what we've learned, and that, I think, is the biggest reward for us.

I heard I'm going to have scenes with Lady Gaga so I'm hoping it's true. I know of one scene I have.

I know that I'm a decent actor, but it's another thing to be in a scene with Jon Hamm and hold your own.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing, but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene.