Best 474 quotes in «scene quotes» category

I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.

I long for scenes where man has never trod;... There to abide with my Creator, God.

I love being in scenes where I get to be part of a Maggie Smith put-down. A Dowager Countess put-down is always a special moment. Especially if you're working on set and she managed to do one off set at you.

I loved being behind the scenes and finding out how they make movies.

I loved, loved, loved the fight that I got to do with Matthew Bomer, who plays Bryce, when we did the fight scene that was back to back in the Buy More.

I love Dickens. I love the way he sets a scene.

I love directing scenes that I'm not in because suddenly I really feel like a filmmaker which is a different thing.

I love having 30 shots of every scene.

I love more than anything looking at a movie scene by scene and seeing the intention behind it.

I love to do very long and complicated scenes.

I'm a good Indian girl, I still don't do sex scenes in my movies because my mum would kill me!

I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.

I'm always working in this universe - whether picturing hamburger joints, Virgin Marys, domestic scenes - using these "vacant-faced" women as a medium to question universal truths.

I mean that much more than wiser beings from beyond the stars bringing us enlightenment or death or salvation, we are likely to find ourselves the wisest beings on the scene.

I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are.

I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.

I'm not opposed to nude scenes, if they're appropriate. I'm not against them morally. But I personally no longer find movie nudity to be worth my while.

I'm not into the whole showbiz scene.

I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything.

I'm, like, y'know, I didn't have a problem doing one scene in Dude, Where's My Car? I'm certainly not going to have a problem doing one scene in a [Martin] Scorsese movie!

I'm sure every film it's going to be like, 'Okay, this is the scene where your shirt gets ripped off.' I'll never be able to keep my shirt on.

I'm not the kind of person who thrives in "the scene." I know that when this is all over, and I'm no longer cool, I'm going to be just as happy because I'm going to be at home.

Im really into the indie-music scene and listen to a lot of De La Soul.

I'm not worried about the kernel itself or the basic system. All the commercialization is about the distributions and the applications. As such, it only brings value-added things to Linux, and it doesn't take anything away from the Linux scene.

I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.

Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.

I'm too shy to do kissing scenes.

I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.

I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.

In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.

In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.

In a perfect world, the entertainment and media industry and the content on our screens would reflect the true American scene.

I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.

In movies, you just see somebody close their eyes, and you go on to the next scene.

I never felt I would be part of the international scene for 50 caps in my wildest dreams.

In every relationship, sooner or later, there is a court scene. Accusations, counter-accusations, a trial, a verdict.

In films of terror, it's often not about being graphic. Or if there is a graphic image, it's extremely swift. Everyone talks about the shower scene in 'Psycho,' but that's the only graphic scene in the entire film.

In For Whom the Bell Tolls, Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).

I never liked living in Montreal. And I don't really like the music scene there. It was never my cup of tea, and I never felt like I ever fit in.

In general, I don't care for scenes of copulation.Certain functions of the human body are bloody private.

In reference to the murder scene in 'Dial M for murder' As you have seen on the screen the best way to do it is with a scissor.

In scene after scene, meaning sneaks in and sometimes roars.

In sci-fi convention, life-forms that hadn't developed space travel were mere prehistory -- horse-shoe crabs of the cosmic scene -- and something of the humiliation of being stuck on a provincial planet in a galactic backwater has stayed with me ever since.

In theater, the scenes I like the most are the ones where you are there and you cannot talk.

In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.

Instead of saying, ah, I don't have the money, just embrace it and do what we can do. And the scenes that we film and the characterizations in the scenes can come out interesting. And I really feel good about that, going into it.

In the '90s, people wore scrunchies, but it was very uncool in the punk scene.

In the given circumstances you must be rooted in the play. Do not depart from the play. Don't cut yourself off from your partner in the scene, or partners.

In the scenes of moral life the soul is at once actor and spectator.

I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.