Best 474 quotes in «scene quotes» category

For a director, the most challenging scenes are the dialogue scenes.

For me, certain shots or scenes are keys in the movie.

For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.

For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".

For me, screenwriting is all about setting characters in motion and as a writer just chasing them. They should tell you what they’ll do in any scene you put them in.

For me, the thing that I love about the show is the psychological thriller aspect of it. It's frightening and it's scary, and there are all these things that happen. You have these really dramatic scenes, and then you get in a scene with him and I can't tell you how many times I would start cracking up.

For poems are like rainbows; they escape you quickly.

Gareth [Edwards] was very open to just shaping the performances and the scenes to fit what was happening with the actors and the storytelling that was emerging.

Going out is such a hassle. The singles club scene where you sit down, talk, get to know each other, hang out-it's such a big ordeal.

Get on up, stay on the scene, get on up, like a sex machine.

Greater than scene is situation. Greater than situation is implication. Greater than all of these is a single, entire human being, who will never be confined in any frame.

He was unheeded, happy, and near to the wild heart of life

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

[H]istory is a melodrama on the theme of parasitism, characterized by scenes that are exciting or dull, as the case may be, and many a sudden stagetrick.

How stagnant and tepid the whole British political scene is now is just beyond belief.

How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.

How many ages hence Shall this our lofty scene be acted over In states unborn and accents yet unknown!

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.

I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do

Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.

I am looking to get into the grime rap U.K. scene.

I am comfortable talking about sex scenes and stuff, but to me, when it's physically explicit, I do feel prudish and uncomfortable.

I bet that if you actually read the entire vastness of the U.S. Tax Code, you'd find at least one sex scene . . .

I can't stand the club scene. It's all about impressing people.

I care less if I can't be part of your scene because I am the scene. I am everything that is.

I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

I did love that scene in the movie [ "Our Brand Is Crisis"] because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.

I don't do match cuts really. That's a ridiculous thing to say - I do. But we always explore how we can propel a scene, and that's including dialogue, without doing match cuts. Because the audience is really willing to accept a lot of discontinuity.

I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will.

I don't find intimate scenes more difficult than other scenes.

I don't get very involved in the L.A. scene. When you do get invited out, you are expected to be on all the time. It's just wearying.

I don't know if you want to see the Everybody Loves Raymond guy in a nude scene.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

If a brutal scene is shown for no reason except to shock, then it is bad.

If a scene isn't well written they'll drop your neckline to fill the void.

If all that's going on in your scenes is what's going on in your scenes, think about it a long time.

If a scene isn't honest, it stands out like a sore thumb.

I find it really awkward to do a scene where I'm supposed to seem like I'm in love.

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

If I want to kiss, I shall kiss. If I am told that a lovemaking scene is integral to the script, I will consider it.

If life gives you lemons, don't settle for simply making lemonade - make a glorious scene at a lemonade stand.

If the director says you can do better, particularly in a love scene, then it is rather embarrassing.

If you look closely at some scenes in Diner, my eyes look like Dracula's.

If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.

If you don't like the scene you're in, if you're unhappy, if you're lonely, if you don't feel that things are happening, change your scene. Paint a new backdrop.

If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.