Best 474 quotes in «scene quotes» category

Carvin Jones is one of the brightest young stars on the blues scene today

Cath wanted to go back and rewrite every scene she'd ever written about Baz or Simon's chests. She'd written them flat and sharp and hard. Levi was all soft motion and breath, curves and warm hollows. Levi's chest was a living thing.

Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.

Every frame and every scene has to have an intention.

Denzel Washington was so great at The Great Debaters, so focused and talented. That was just an honor to be cast in that, for the most part. I was fat, and I guess the casting director sold him on me. He actually said to me during the scene, "You know, I've always found that less is more," which is an expression that you've heard a million times, but it was a nice way of telling me I was overdoing it.

During one performance of 'Les Miserables,' the barricade didn't leave the stage, so we had to actually end up finishing the second act with the barricades on the stage, which was very strange... doing the love scene on the barricade.

Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.

Don't be late to the theater. The opening scene is a goody.

Eternity! thou pleasing dreadful thought! Through what variety of untried being, Through what new scenes and changes must we pass!

Everyone's looking to the urban scene for inspiration now.

Every scene you will ever act begins in the middle, and it is up to you, the actor, to provide what comes before.

Every scene is a love scene. The actor should ask the question: 'Where is the love?'

Every Sherlock Holmes story has at least one marvelous scene.

Every stage of my life set the scene for the next, and at each point all I had to do was say "yes" and not think too much about the consequences.

Every sex scene is always, without a doubt, terribly funny.

For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".

Everything Will Ferrell says during scenes is so funny and so natural. I was amazed at his genius.

Excuses are used to justify leaving the scene of truth without changing.

Faith-is the pierless bridge supporting what We see unto the scene that we do not.

For a director, the most challenging scenes are the dialogue scenes.

For me, certain shots or scenes are keys in the movie.

For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.

For me, screenwriting is all about setting characters in motion and as a writer just chasing them. They should tell you what they’ll do in any scene you put them in.

For me, the thing that I love about the show is the psychological thriller aspect of it. It's frightening and it's scary, and there are all these things that happen. You have these really dramatic scenes, and then you get in a scene with him and I can't tell you how many times I would start cracking up.

For poems are like rainbows; they escape you quickly.

Get on up, stay on the scene, get on up, like a sex machine.

Gareth [Edwards] was very open to just shaping the performances and the scenes to fit what was happening with the actors and the storytelling that was emerging.

Going out is such a hassle. The singles club scene where you sit down, talk, get to know each other, hang out-it's such a big ordeal.

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

Greater than scene is situation. Greater than situation is implication. Greater than all of these is a single, entire human being, who will never be confined in any frame.

He was unheeded, happy, and near to the wild heart of life

How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.

[H]istory is a melodrama on the theme of parasitism, characterized by scenes that are exciting or dull, as the case may be, and many a sudden stagetrick.

How many ages hence Shall this our lofty scene be acted over In states unborn and accents yet unknown!

How stagnant and tepid the whole British political scene is now is just beyond belief.

Hypotyposis is the rhetorical effect by which words succeed in rendering a visual scene.

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do

I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.

I am comfortable talking about sex scenes and stuff, but to me, when it's physically explicit, I do feel prudish and uncomfortable.

I am looking to get into the grime rap U.K. scene.

I bet that if you actually read the entire vastness of the U.S. Tax Code, you'd find at least one sex scene . . .

I can't stand the club scene. It's all about impressing people.

I care less if I can't be part of your scene because I am the scene. I am everything that is.

I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

I did love that scene in the movie [ "Our Brand Is Crisis"] because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

I don't do match cuts really. That's a ridiculous thing to say - I do. But we always explore how we can propel a scene, and that's including dialogue, without doing match cuts. Because the audience is really willing to accept a lot of discontinuity.

I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.