Best 1187 quotes in «musician quotes» category

We'd be recording and I'd go down to Greenpoint where Rostam was living and track stuff... It was a busy time. I felt like in general, I was just super psyched with the prospect of getting to be a musician, that it became a thing that I would think about more than I would think about my studies and stuff like that. I still did fine, but it was an interesting time in my life.

Well, being a jazz musician is not a rose garden!

Well I think any author or musician is anxious to have legitimate sales of their products, partly so they're rewarded for their success, partly so they can go on and do new things.

Well, it'll always be disco/electro-pop. That's what I first wanted to do when I started out as a musician in 1977. It's only ever been dance-pop that I've wanted to do.

Well, my paper has asked me to do a series: Lives of the Great Musicians, reading time 2 minutes.

Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.

We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.

We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.

We're all different. Some people are musicians, some people are actors, some people are agents and some people are accountants... We're all different.

We often feel sad in the presence of music without words; and often more than that in the presence of music without music.

We talked a lot with the musician. And for now there are few options, and I give him few weeks to come and surprise me with something. I don't want to start and say, okay here is what I want. Because maybe he has an idea that is better than mine.

We're not just R&B guys. We can do pop, rock, blues . . . a wide variety. We are musicians and play several instruments. We understand how to record things live and work with an orchestra. We can also program with a drum machine and work with all the other computerized components that are current today.

We're deaf men working as musicians; we play the music but we can't hear it.

We're doing all the shows as an eight-piece band. There's so many different kinds of palettes for each film that we've had to find a balance of musicians who can shift from one instrument to another to make all those sounds for us come to life.

We're genuinely happy if some musicians of this younger generation are influenced by our music, as we were ourselves influenced 10 years ago by older musicians.

We want to generate the electricity of peace through music, and it’s a thrill to know that the super-creative, enthusiastic musicians of our world are with us to achieve this goal.

We've known each other [in Motorpsycho ] since 1985 or '86, are really different as personalities, and yet have actually never disagreed to any degree. We are really complimentary as musicians and songwriters too, and come from two total opposites in our approaches.

We wouldn't be artists, writers, painters, musicians, if we weren't sensitive.

What are we singers but the silver-voiced messengers of the poet and the musician?

"What can I offer you that will make you happier about how you should feel about who Angelina Jolie is?" I think that's a very strange desire to know those things. And yet I have it, with musicians in particular. I'm desperate to know what Micah P. Hinson is like or Julian Casablancas. Philip Seymour Hoffman made me feel like that.

What a young musician's dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I'll have those." It was one of those unparalleled exciting days of your life.

What a strange thing - that musicians grant permission to places like Ubuweb, and then because it's free, it'll probably be listened to more often than something that is still wrestling with this idea of making a profit.

Whatever I do, I attempt to do it fully. I try, and don't always succeed, to be thorough. There are musicians who do not know their worth, and if they knew it at one time, it has eluded them. I know my worth. You try not to dwell in the past.

Whatever my passions demand of me, I become for the time being - musician, poet, director, author, lecturer or anything else.

What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.

What I look for in musicians is a sense of infinity

What I've witnessed, managers are divisive and allow musicians to become clouded, irresponsible, and unaware of the world around them.

What Muddy Waters did for us is what we should do for others. It's the old thing, what you want written on your tombstone as a musician: 'He passed it on.'

When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.

What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you. I wanted to find a way to unlock the intensity of that, to recreate that unique perspective, first for the hundreds of people who attended the concert, and eventually for a much larger online audience.

What we should be doing as musicians is trying to bring people together.

What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.

When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style.

When a lot of musicians change styles, their songwriting suffers because they want to be different.

When I look at how fortunate I've been, being a musician... my response to being overpaid is that I should pay it back to my community in some way.

When I like a musician I want to see a picture or a video of them.

When I hear a man discoursing of virtue, or of any sort of wisdom, who is a true man and worthy of his theme, I am delighted beyond measure: and I compare the man and his words, and note the harmony and correspondence of them. And such an one I deem to be the true musician, having in himself a fairer harmony than that of the lyre.

When I look back on my life, I don't have regrets about what I didn't do. If I'd become a musician, it could have ruined my life.

When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does.

When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'

When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.

When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.

When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.

When I was a kid, all I wanted to do was to be a musician. I lost everything I had, but I just knew that someday I'd be able to tell the world to 'go big or go home.' The world needs to know.

When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.

When I want 30 musicians in the orchestra, I get 30.

When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.

When I was growing up and wanted to be a musician, the fantasy that I had of what the music industry was is so wrong.

When I was a kid I wanted to be a musician. I used to play the trumpet. I practiced all the time, but I got braces and I couldn't play it anymore, so I had all of this free time.

When I was recording from '70 to '82, I always played piano and laid the tracks down. But I used to talk to the other musicians while the track was playing.