Best 1187 quotes in «musician quotes» category

I speak my mind and come from a place of conscience, as well as have fun as a musician.

I started getting into Internet technologies and computers. I wasn't especially interested in being a musician, but I wound up finding my way back to being interested in music through computers.

I started to listen to Japanese jazz musicians when I went to high school. Some people I listened to were Yosuke Yamashita, Toshiko Akiyoshi, Sadao Watanabe.

I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.

I still have a fantasy of being a musician when I grow up.

I suppose I would still be a communicator, maybe a musician.

I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?

I think a lot of actors, especially actors with a theater background, have a musical ear. A lot of actors just want to be musicians anyway, and a lot of musicians want to be actors.

It can be difficult to mediate a compromise between what I have in my head and what the musician has in mind, which is often 180° different when it comes to the finished product, so it requires that element of trust from somewhere. The point I make to them is "You've seen what I do, so just trust me and we will come up with something exciting.

I think all musicians should understand that you have chosen not to be a soldier but a musician.

I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so its difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.

I think filmmakers all secretly wanna be musicians and all musicians secretly wanna be filmmakers.

I think it's a shame when you come across young actors and musicians who haven't had the time to learn their craft. It doesn't matter if it's acting or music, you really have to learn how to do it from the bottom up because unless you have a great work ethic... fame is a terrible thing to have.

I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.

I think every touring musician sacrifices aspects of their life to do it.

I think I've always felt as a band and as a musician and a music business person, I've always felt like an outsider, period.

I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.

I think Phil Collins is one of the most underrated musicians, singers, performers - he is absolutely amazing, I think, and I think he's probably got a bit of a rough ride occasionally because he became so mainstream and so popular.

I think one of the great things about being a musician is that you never stop learning.

I think some musicians can almost forget that the stage is something to do something on, even if that thing is standing still.

I think musicians are always supportive of each other because they want the groove to keep going on. They just basically want to play music.

I think musicians like me are drawn to those older desks, not just because they're legend and lore but also because they do something really specific that is hard to emulate or re-create digitally.

I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.

I think people don't realize how many hours of practice goes into becoming a musician and getting better.

I think performers are all show-offs anyway, especially musicians. Unless you show off, you're not going to get noticed.

I think that my past stands me in good stead in that it does have a certain strength for musicians.

I think the most important thing about what musicians do is the music. You can be as big an arsehole as you want but if you're not making good music, you won't get away with it.

I think that's the graveyard of musicians, playing cabaret. I think I'd rather be dead than work in cabaret. It's just so depressing.

I think that what trips up a lot of great musicians is that they become involved with too many things that aren't where their strengths lie.

I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.

I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.

It is long been a principal of ours that one is no more armed because he has possession of a firearm than he is a musician because he owns a piano. There is no point in having a gun if you are not capable of using it skillfully.

I think the world is very much embracing this whole concept of musicians going out and playing their instruments and playing music for music as opposed to music that has something to do with some form of image or imagery.

I thought - being a musician doesn't help your medical credibility really. Although I started to rethink that when I learned that Albert Einstein was quite a violinist and in fact would perform a lot with symphonies. So if it's good enough for Albert, it's good enough for me.

I think very frequently, musicians become a victim of every song they sing. I like all kinds of recreation. It's aggressive. I want to be part of everything.

I thought "I don't need to reach out to my fans, I don't need to have that dialogue with them." But as a musician, you have to constantly - especially since my music is not on the same level as my acting - you have to connect with your fans. I actually feel like I have developed friendships through Twitter, people that I've worked with I can kind of keep up with them. I've totally turned a corner. I get it. And Instagram.

It is always the same with me; only when I experience something do I compose, and only when composing do I experience! After all, a musician's nature can hardly be expressed in words.

It is jazz music that called me to be a musician and I have always sang the songs that moved me the most.

It is not a profession to be a pianist and musician. It is a philosophy, a conception of life that cannot be based on good intentions or natural talent. First and foremost there must be a spirit of sacrifice.

It is only the most elite of elite musicians whose unconventional approach becomes convention.

It is only when we become aware that our time is limited that we can channel our energy into truly living

It might be something as simple as saying the right word to the right person at the right time-and that could change the course of history. You never really know. But the whole thing is to work at the process of being in sync with the universe, so that everything will align at the proper time so that you can deliver that which is your life mission. And that's why we're here as individuals. And then there's our contribution to the collective. It makes a lot of sense, doesn't it?

It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking about how he thinks so much about cinema. I'd love to see more of a rupture between mediums and a flow between them.

It just seems like musicians want to sell a few records and put out a perfume line, and I think it's so sad that there are so many musicians who don't want to change the world.

It's all about synthesis, you don't have to be a real musician. You just synthesize your own reality, synthesize your own talents. Welcome to the electronic age.

I tried to make guitars that were close to what my heroes played. That's the way it's done. My experience is that you have to do it like a musician. You have to learn the language before you can learn to be a novelist.

I try not to become friends with musicians, but life happens and dinner happens and going out happens - it becomes interwoven in L.A.

It's always surprised me that mainstream America had the good taste to like R.E.M. It doesn't have the digestible quality the general public tends to look for in its favorite musicians.

It's amazing to hear proficient musicians play your music. It's a once in a lifetime kind of experience.

It's a scary question for a musician or songwriter today - what does the future hold? It is a strange time in the music business too; it feels like we are all in some kind of transitional period, stuck between old technology and new.