Best 240 quotes in «cds quotes» category

I believe that vinyl will outlast CDs.

I believe that vinyl will outlast CDs. There's no reason for it, but it stays around because there are still people that want them.

I buy DVDs. I don't really buy CDs unless they're for other people.

I can assume that the younger generations will no longer know what vinyl was. Maybe some kids will take their CD back to the shop, telling the shop owner they have a faulty disc and if they could please get a new one.

I can't work without it [music]. And it has to be the right kind, because if it's not then I get into a bad mood. I work with a remote so that I can change CDs instantly if I need to.

I consider a CD or a comedy collection as a record of what I've been doing, and I try to wrap it up and start new material.

I did find some time to go to a record store and check out "Headstrong" actually in the racks. It was pretty cool; I never thought I'd see my own CD sitting there with everyone else's. I made my Mom take lots of pics!

I did extensive, extensive recordings and made a classical CD-ROM set, which is still on the market. For ten years, it was by itself as the cream of the crop of samples.

I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.

I did The Frank Skinner Show, and they gave me a little jukebox-shaped CD player, which looks nice in the kitchen.

I do not buy CDs any more; I usually stream Internet radio. For movies, I hardly every buy any DVDS. I have a DVR, so just record things off HBO, Showtime and so on.

I don't determine the singles. I believe the record company sends a bunch of CDs out to people that they trust in the business, and wait for their response to determine which songs will become singles.

I don't believe there are any more blockbusters films. Back in the day with music, people would wait up all night for the music store to open to get their favorite CD, and if it were sold out they would come back again.

I don't get how people want to read books on computers because it must be really bad for your eyes, for starters. I love the smell of books and I just like the whole experience of it. Maybe I'm just old-fashioned, but I like that whole experience - it's the same as I like putting on a record or a CD and waiting for it to arrive or buying it and waiting to listen to it in full.

I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.

If you purchased the latest Joss Stone CD, what you're saying is that you're an employee of VH1.

I don't stream or buy CDs pretty much everything I buy, I do it on iTunes.

If I am good, people compliments me that my voice is like a CD, but whenever my voice condition is not as well and do some mistakes....I tend to sacrifice myself for my next album.

I figured the process of someone standing at a shelf and deciding what juice to buy is going to be very different than someone sitting at the computer clicking through a bunch of different books or CDs-until I actually looked at the data, and it turned out that the patterns were remarkably similar.

If you can afford...a computer, you can afford to pay $16 for my...CD.

If you're asking me have I purchased a CD, a DVD or downloaded a current artist? The answer is no.

I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.

I don't really have control over my direct impression on people anymore. I used to be the person putting my CD in people's hands. But I'm kind of a mainstream artist now. Not by choice.

I'd take about 40 thousand CDs, and then take about three full vans of people to hit every hood, every mall, and every club. Just hit one city to the next.

If anybody ever called our number, it would be picked up in less than 2 rings with a friendly voice answering, CD Baby. From 7 am to 10 pm, there was always somebody to pick up a call in 2 rings. No voice mail system; no routing to different departments. We treated our customers like our best friends. You don't route your best friend's call to an automated system!

I find it ironic that now water is more expensive than music. On the one hand, record companies can't go crying when they've gouged consumers for decades, charging exorbitant prices for CDs that cost 29 cents to make. On the other hand, when music is free, musicians starve.

If someone's really busy listening to other CDs, and worried about what's new and what's truly relevant for discourse now, maybe it isn't that interesting. To me it is, because I'm tuned into that and that's what I like, so it's interesting to me. It's all I can do.

If you don't think drugs have done good things for us, then take all of your records, tapes and CD's and burn them.

If you hope to have more money tomorrow than you have today, you've got to put a chunk of your assets into stocks. Sooner or later, a portfolio of stocks or stock mutual funds will turn out to be a lot more valuable than a portfolio of bonds or CDs or money-market funds.

If you're a sexist, racist, homophobe, or basically an asshole, don't buy this CD. I don't care if you like me, I hate you.

If you tell people they can't burn CDs of their music, as almost every current legal music service has done, or they can only burn one CD with a track or pay per track per burn extra, nobody is going to go for it.

If you've got a CD that's not working, just wipe it on your trousers, and if you're not wearing any trousers, put some on

I got an amazing 10-CD set, it's the music that Alan Lomax recorded in Haiti in 1936. And what's incredible is how fantastic the drummers are and how off-the-grid they are. The liveliness is astonishing; they're just totally alive, these recordings. It's very interesting, to me, to be reminded of that, that there was a time when things were not that tight.

I get embarrassed listening to my last CDs. I've got a lot of work to do, let's put it that way.

I go to movies and concerts and stuff - that's why I think all my money would be gone if I weren't working because I just keep spending it, on that, and CDs, and I don't know.

I got really paranoid, burning every song onto three CDs and hiding them in various places around the house just in case I got burgled and there was, y'know, a fire in my bedroom. I told friends where I was hiding them in case I was killed.

I grew up listening to Commission, Kirk Franklin and Hezekiah Walker. If I was found listening to any rap, my pops would throw them out, or crush the CDs and tapes - literally.

I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.

I grew up listening to Patsy Klein, Reba Mcentire and would study their voices. But once I became bored with that, I moved on to more contemporary stuff like Sheryl Crow and I combined everything that I had learned from country and rock and made this CD.

I hate the way CDs just drone on for bloody hours and you stop caring.

I have an iPod, but I do still love CDs. There's something nice and tangible about a CD. I'm a mixture of old and new - I love my sewing machine, but I've also embraced new technology. The iPad is what did it for me - it's extraordinary.

I have a huge record and cd collection of all kinds of great classical, jazz and all music but I find the internet very accessible and quick.

I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.

I have Pro Tools on my computer, and I make CDs all the time.

I have lots of CDs that came out at one time or another, and according to the statements I've gotten, no one's buying them.I figured there's no need making a new CD. There are plenty of mine out there, and none of them are selling.

I like keeping music in front of people. I try to sell at shows as much as I can - setting up a distro table and bringing out crates of vinyl and some CDs. That's my favorite way to sell because you're actually face-to-face with the customer.

I know what it's like being with a major label. But I've always wanted to do things differently. And when I found out that the internet was a digital medium that could transfer binary code, the 0s and 1s - which is what a CD is - I knew it was only a matter of time before the feed would be fast enough to transfer files.

I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us.

I like the fact that everyone is nostalgic for vinyl, and I'm being nostalgic for CDs, which are like the new outdated things that no one is going to mourn the loss of - everyone's already written them off.

I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.