Best 240 quotes in «cds quotes» category

I'm always concerned about marketing or commercial philosophies. I can't feel good about having my name on a bottle of perfume that comes from a factory making perfume with all the same ingredients as every other perfume. I can't feel good about a factory overseas polluting the air for something with my name on it. I'm okay with music - because it's digital or a CD. My music is my emotion in a bottle. But how is a perfume supposed to reflect me? How is a sweatshirt supposed to represent me?

I'm always gonna be all over my CD the most, of course. My talent is my talent. I ain't really tripping off no ego; I just like to make good music with good people.

I'm a member of the Primitive Baptist Church, and they will buy every CD that I have released, but they don't me just to bring the instruments much into the church.

I'm going to get a pair of wire-snips, and I've also started a new campaign to have blank CDs on jukeboxes so you can play the silence.

I'm going to the lobby to sign babies and kiss CDs.

I miss CDs. I miss listening to a whole album, even the lame songs that sometimes grow on you.

I'm looking for anything interesting in the guitar playing, songwriting, artwork, and production. If you look at the stack of CDs on my desk and in my car, you'll find a very wide range of music under the umbrella of metal.

I'm not going to put out a Christmas CD until it's coming out of me naturally.

In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.

I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.

I'm old enough to remember the advent of CD. You thought, "What's this piece of space age technology that's in front of me?" Now I ask, "When's the last time you bought a CD?" You see things come and you see things go, and you have to be on your toes and be nimble and stay with it, or you die. It's exciting. I love technology.

I'm really happy that I've been able to make people laugh and distract them from their day to day bullshit at a comedy show or because they enjoyed one of my CDs or TV specials, but I don't know how many people have actually had life changing thoughts because of it.

I'm working toward a CD that will have all of you dancing like crazy.

In America, we met this guy who'd been in the army. He'd been over in the Iraq war. He said that our CD helped him get through a hard time in the Iraq war. It's amazing to know that we helped him in some way. It's definitely cool.

Intimacy is really good. But then again, the first disk on the record is not intimate in the least. It's a really good CD.

In the course of transferring all my CDs to my iPod, I have found myself wandering the musical hallways of my past and reacquainting myself with music I haven't listened to in years.

Indeed, there is a moment on the first CD - the electrifying opening to "I Got Loaded," which sounds like an R&B standard but isn't - when you might find yourself asking whether anyone who has ever been smitten by pop music can fail to have his heart stopped by the chords, the swing, and, once again, Steve Berlin's wonderfully greasy sax.

In our day, computer technology and the proliferation of books on CD-ROM have not affected - as far as statistics show - the production and sale of books in their old-fashioned codex form.

In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the - they've had a whole series now of these things called Kaoss Pads. They're wonderful because they do get your muscles working again. And what DJs do, of course, with their DJ turntables now, the CD turntables, which have pitch change and speed change and everything else. They're doing something that I think is interestingly physical.

I remember opening up my first vinyl and seeing the incredible artwork it had. There's nothing like it. You also get that true gritty sound on vinyl that really makes a rock record sound great, which CDs can never achieve.

I remember I did quite a lot of interviews when the book and the CD came out, and I did a drivetime interview for Radio London or something. You wouldn't immediately associate the music on Ocean Of Sound with drivetime radio, but people found things that they liked, and the DJ was playing some records at 5 o'clock in the afternoon on a weekday.The man who was playing them said to me, "That Peter Brotzmann track, it's like having your head boiled in acid.

I remember when I got my first Adam Sandler CD and it was the funniest thing I'd ever heard in my entire life, and continues to be.

I remember the first time I saw a CD, a technology guy brought one to my house and said we will be able to sell millions and millions of players, and people will have to restock their record collections. It was all about money. It was all about how much money we would make, "we" being "him.

I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.

I think it's a great thing to hear the author reading. I've listened to CDs of Cheever and Updike reading their stories and Hemingway. To hear what their voices were like is amazing. Whether they're reading well or not, it's great to listen to the intonation and the beat of the guy who wrote the story.

I still buy CDs and DVDs, but generally for more obscure material.

I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.

I think it's okay that there's digital music out there, because that does mean more people have access. I mean, you're a student, and you're studying music, and you want to find a CD of a whole work, but there's one piece that intrigues you. It's easy to get that piece for a dollar for the most part. And it's so easy for people to carry around music digitally.

I think it's important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.

It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.

It just amazed me that so many people came to see my show even to a place that I've never been to. I was independent for a long time and I knew every person who I sold my CD to. But now with a major record contract, you don't get to meet every person who buys your CD. It's a new feeling, and it's very inspiring that they have been waiting for me to come to their town and sing.

I think the inspiration came from the fans. Whenever I'm online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.

It is significant that one says book lover and music lover and art lover but not record lover or CD lover or, conversely, text lover.

It seemed like the best weapons in my life had always been the most innocuous: empty plastic bins, a blank CD, an unmarked syringe, my smile in a dark room.

It's hard to play a laptop in the midst of band and have people want to buy your t-shirts and CD's.

I was very thrilled to witness the workby my ol' buddy Jim Widner whose expertise in the field of jazz education proved invaluable in putting this masterful CD (Yesterdays & Today) together.

It's very irresponsible as a parent to follow Tipper Gore or the Religious Right's advice and just take the offending CD or game away from the kid without discussing it.

I've been very happy with the commercial Linux CD-ROM vendors linux Red Hat.

I've bought DBSK's CD and every time I listen to their songs I feel very good.

I want to hold a CD I didn't burn. I hate burnt CDs.

I was an ignored guy and have been for many years. But I suppose I became well-known after being ignored. After the release of the CDs and LPs, especially the LPs, people like it. I was impressed.

I was approached in Texas to be a model a few times. One of my first jobs was the cover of a CD.

I was obsessed with Eminem when I was younger. When he first came out I was about 12 and fanatical about his 'Slim Shady' CD. I think he's a genius.

I wish I could have 25,000 years of my personal family history documented in a very powerful computer or a CD-ROM that I could just pop in and my computer would never crash

I've always had my ear peeled for interesting music. As a student, I regularly spent time hunting for interesting repertoire, looking through music bins, buying stacks and stacks of CDs, and discovering rarely played pieces by composers.

I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.

I've got quite a varied iTunes, and I like to raid people's CD collections and take on their music.

I've probably bought ten CDs in my whole life.

I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.

I want to release another CD this year, finish writing a screenplay, and make another short film