Best 300 quotes in «shooting quotes» category

If [the shooting of Gabby Giffords in] Tucson tells us anything at all, it tells us this: Government has failed.

If they found a way to make shooting in 240p expensive, it would be trendy.

If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.

If you ask footballers to pick out the player they most admire, so many of them will pick Paul Scholes. His passing and shooting is of the highest level and he’s the most consistent and naturally gifted player we’ve had for a long, long time.

If you can keep playing tennis when somebody is shooting a gun down the street, that's concentration.

If you do all that work of figuring out exactly how writing is done, then it's available to you at anytime, and you can build on it. It's like the difference between shooting one hoop and having it go in by accident and saying later, 'I shot a basket,' - and practicing so much you can do it whenever you want.

I grew up in the South with guns everywhere and we never shot anyone. This [shooting] is about people who aren't taught the value of life.

If you want to see a shooting star, you might have to spend a lot of nights looking up.

I grew up on a ranch with my father, so he educated us really early on about guns. We used to go target shooting all the time.

I imagine the world dividing into the people who want to feed their children, and the ones shooting at them.

I had a friend say to me the other day, I hate when I see Jonathan Metzl on your show because I know it`s bad news. I know that there has been a shooting.

I hate to say it, but killing is our way. We began America with genocide, then built it with slaves. The shootings will continue. It's who we are.

I have much less confidence on the greens than I do on the court. Everybody asks like if putting is like shooting free throws. Like that six-footer for par or something like that. It has a very similar kind of mindset.

I haven't spoken to Oprah herself. She had so much going on, since her network show was wrapping up at the time we were shooting. I can't fault her for that.

I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.

I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.

I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.

I'll take the shooting. I'm used to that. I've been shot a few times in the past, and I guess I can stand it, again.

I like shooting things in single takes. You have to rely on the idea itself to carry the full weight; you're always watching the idea, not the filmmaking.

I'm a little shot that just kept on shooting.

I loved killing zombies in 'Day of the Dead.' I basically welcome anything that involves being dirty or bloody or shooting guns.

I'm a crack shot and I've won medals for shooting. But I don't think I could shoot a person.

I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.

I love guns. I love shooting guns.

I love shooting French films because I don't have to stick with being sophisticated or stuck-up.

I'm a tomboy. I love shooting guns and running around.

I'm a tomboy. I really love sports. I'm really looking forward to being the sniper gal, running around and shooting zombies. I find that really exhilarating.

I mean, Scorsese's a genius, and that's one way of shooting.

I'm definitely not drawn to shooting on a stage, I'm just not.

I'm either shooting nine grams of coke a day or spending two hours at the gym. There's no middle ground.

I'm shooting a pilot based on my show. It's a one-camera show. I play myself.

I'm happy riding horses and getting out shooting my gun, things like that.

I'm not a method actor, but I'm affected by the life I share my life with during shooting. It's always a very strange and special period for me.

I'm like a shooting star! I've come so far! I can't go back to where I used to be!

I'm not an escapist, but the value of language is that it can create places that did not exist before. And so language for me doesn't reflect the world, it extends the world, so that it becomes larger and more fantastic and less mired in this school shooting bullshit. It actually builds a future - that's how evolution occurs.

I'm too big a fan of rhythm and editing. I'd much rather my editing be brave than my shooting.

Instead of going out and shooting people, why don't you go start a band.

I'm vomiting days before I start shooting a new movie.

Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.

In the spirit of Vivian Maier, who worked unaided by any publication or commercial shooting, I set up the Emerging Photographer Fund

Internationally, I love going to Switzerland. I went there many times for shooting and loved the Alps, the tranquility, cleanliness, the greenery and the warmth of the people there.

I once said that effort is between you, and you, and nobody else. The same can be true between and individual and their camera. What you're shooting is between you and you and nobody else. Outcomes are for the audience. The action is yours alone.

I ran into Woody Allen shooting a movie on my block. I can't believe this is my life!

It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

It may seem strange, but the most grateful I've ever felt was when I was held up at gunpoint. After I handed over my wallet and the mugger ran off into the woods, I thought, 'Thank you for not shooting me.' I was overwhelmingly glad to be alive and unharmed.

It felt as if maybe the curse had lifted, the tide had shifted, but then the breeze picked up and a skeet took a very unfortunate turn. Seconds later, Angus was pulling his shot far to the right, shooting a large hole in the second-story galley not ten feet above Marcus's head.

I think some of our members may have thought the default issue was a hostage you might take a chance at shooting. Most of us didn’t think that. What we did learn is this - it’s a hostage that’s worth ransoming. And it focuses the Congress on something that must be done.

I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.

It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.