Best 300 quotes in «shooting quotes» category

I ran into Woody Allen shooting a movie on my block. I can't believe this is my life!

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

I think it's very dangerous for an actor to take [shooting] too seriously because I think it could really damage you if you do that.

It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.

It felt as if maybe the curse had lifted, the tide had shifted, but then the breeze picked up and a skeet took a very unfortunate turn. Seconds later, Angus was pulling his shot far to the right, shooting a large hole in the second-story galley not ten feet above Marcus's head.

It fascinates me that there is a variety of feeling about what I do. I'm not a premeditative photographer. I see a picture and I make it. If I had a chance, I'd be out shooting all the time. You don't have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.

It is impossible to preserve my friendship with people who are allegedly leaders when they are attacking their own people, shooting at them, using tanks and other forms of heavy weaponry.

I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.

I think some of our members may have thought the default issue was a hostage you might take a chance at shooting. Most of us didn’t think that. What we did learn is this - it’s a hostage that’s worth ransoming. And it focuses the Congress on something that must be done.

Its interesting, the things you learn when youre 21. I learned never to get tattoos in the middle of shooting a movie. Because if youre not Angelina Jolie or Megan Fox, they will fire you.

It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.

It's a different thing shooting for 10 weeks in India as opposed to on a set on stage pretending you're in India.

It's better for one to die than for all of us to be killed in a shooting affray. Anyway, we've practically no ammunition.

It seemed like whatever I touched, I was breaking record after record. I just knew I was on. I completely destroyed all existing shooting records there - an omen of things to come.

It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.

It may seem strange, but the most grateful I've ever felt was when I was held up at gunpoint. After I handed over my wallet and the mugger ran off into the woods, I thought, 'Thank you for not shooting me.' I was overwhelmingly glad to be alive and unharmed.

I've never done so much bloody crying in my life. I was always moaning about how hard it was when we were shooting, how awful I felt.

I've been shooting movies and television shows for now 47 years and I've worked with the best of them and [Kirk Douglas] is the only movie star I ever met.

It's one of the most progressive cities in the world. Shooting is only a sideline.

"I've always been a proponent of "if you're going to do something, do it right." I applied that across all aspects of my shooting - planning, setting up shoots, getting up early, working with athletes and models, working with clients etc. Just being a pro about it.

I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.

I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.

I was in Deadwood at the time and on hearing of the killing made my way at once to the scene of the shooting and found that my friend had been killed by McCall.

I was shooting a bikini promotion in Mahe in the Seychelles in 1980 when there was a military coup and I, along with a roomful of other people, ended up being kidnapped and held hostage at gunpoint in a windowless room with no ventilation for 36 hours.

I was out on the shooting range twice a week [for Skyfall]. I worked out with a personal trainer for two hours a day, five days a week. So, it was quite demanding!

I was shooting 45 times a game. What was I supposed to do? Pass it into Chris Mihm & Kwame Brown?

I was very new to working in front of the camera when I started shooting Gatsby, so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.

Just in case you get pneumonia or die. The dangerous bits are always the last days of shooting.

I went to see Chicago after I finished shooting, and say what you want about it, but that thing was so meticulously planned. It was planned like NASA planned its trips to the moon. It made me feel like some sort of horrible dilettante.

Jessica Jones is very unique, and we are all in awe of the response from the public. It seems that everyone connected with the character, and we enjoyed shooting it.

JJ Abrams is definitely a guy that when he calls, you want to answer. He's incredibly focused. When he was shooting the pilot on 'Lost,' we'd do a take and he'd go back to his tent and be working on the first episodes of 'Lost' as well as the cliffhanger for the eighth season of 'Alias.' He's an incredible multitasker.

I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.

Meditation is a great way to keep my body well-centered while juggling shooting schedules and recording sessions.

Now that everyone's shooting digital they want the anamorphic to soften the look. You know, to make it more filmic.

My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.

My shooting technique is so poor that if someday I score from outside the box, the keeper has to be banned from football.

Nobody could disappear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.

Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.

Nothing clears a troubled mind better than shooting a bow.

Nothing lasts forever. That's the tragedy and the miracle of existence - that everything is impermanent. Everything changes. All we can do is make the best of the time we have. And go down shooting, naturally.

On my first day shooting '13 Going on 30,' Jennifer Garner had yellow tulips sent to my trailer. I'll never forget them.

Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.

On my last day of shooting, I'd be happy to say 'Cut, it's a wrap' and fall off the twig.

Power ceases in the instant of repose; it resides in the moment of transition from a past to a new state, in the shooting of the gulf, in the darting to an aim.

People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.

Really, initially what I very quickly realized that I was loving about the show was, because it reminded me of when I was a kid and I would visit the sets where my dad was shooting with the other puppeteers.

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.

Rule One: Whenever a spectator seeks out a really good vantage point and settles down on shooting stick or canvas chair, the tallest and fattest golf watcher on the course will take up station directly in front.

Shooting an improv-based film is incredibly liberating, exhilarating, and fun, but editing that kind of movie can be difficult for obvious continuity reasons.