Best 477 quotes in «seeing quotes» category

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    Martin Buber tells this tale: “Rabbi Mendel once boasted to his teacher Rabbi Elimelekh that evenings he saw the angel who rolls away the light before the darkness, and mornings the angel who rolls away the darkness before the light. ‘Yes,’ said Rabbi Elimelekh, ‘in my youth I saw that too. Later on you don’t see these things any more.

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    Maybe you shake your head, but let me learn a lesson right now: plenty knowledge is in this world. Enough knowledge that you can pick and refuse. And if you want, you can refuse to know plenty things, don't care how true those things be. I know things you does not know, and things you will never know. And it is sake of that - sake of this knowledge - that people have looked on me and called me old fool or crazy. They treat me like I is retarded. Imagine that. I is the idiot because I know what they don't know.

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    Mist lies over the river like the icy breath of winter angels. Darkness gathers round... and it is beautiful. Thank you for this life, this death, whatever it is you are that makes us finally see.

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    Most people feel that the world looks like the photograph. I've always assumed that the photograph is nearly right, but that little bit by which it misses makes it miss by a mile. This is what I grope at.

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    Night doesn’t fall for my eyes But my idea of the night is that it falls for my eyes. Beyond my thinking and having any thoughts The night falls concretely And the shining of stars exists like it had weight.

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    My love, you are driving the entire world mad. The nightingales are committing suicide one by one out of jealousy of your voice. The roses took one glance at your beauty and folded themselves from shame. The trees now only whisper your name and the sky hasn’t stopped crying since you looked up. Have pity on us, my love. We have already broken all the mirrors and glass out of fear that you will forget us and fall in love with yourself once you see what we all cannot stop seeing.

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    Nature never remembers, that’s why she’s beautiful.

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    My eyes are my greatest sin.

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    O God open our eyes to see the wonders of your holy word.

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    No matter where you go, no matter where you hide, the world sees you from anywhere and from any angle!

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    Nothing at all reminds us of something else when we pay attention to it. Each thing only reminds us of what it is And it’s only what nothing else is. The fact that it’s it separates it from every other thing. (Everything’s nothing without another thing that’s not it).

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    Now I sense the perfume of flowers like seeing a new thing. I know they smell just as well as I know I existed. They’re things known from the outside. But now I know with my breathing from the back of my head.

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    Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.

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    Once people see you cry, it's like they own part of you. It's like you ripped a hole in yourself, and they saw through whatever armor you had on, got a good long view of all the screaming alien goop underneath.

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    One of the joys of shopping is browsing.

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    One sees clearly only with the heart. The essential is invisible to the eye.

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    One who walks in love sees the world through the envelope of their mission.

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    Only the beautiful can acknowledge all that is beautiful, and only the ugly can acknowledge all that is ugly as being beautiful.

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    only the eye that sees can differentiate a flower from leaves

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    Poetry is seeing everything when there is only one thing. It is looking at a rose but seeing the stars, moons, seas, and trees. It is a truth beyond logic, an experience beyond thought. Poetry is the Earth pausing on its axis in order to manifest itself as a rose.

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    Perception is reality to the one in the experience.

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    People don't see others outside of their class group; they are practically invisible.

    • seeing quotes
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    Samuel McDermott or not, I was Ian McDermott, and the way I saw life was the way I'd live life.

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    Rather than write about what you know, you told us, write about what you see. Assume that you know very little and that you'll never know much until you learn how to see.

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    Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

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    Reading, seeing, and hearing happen way more often than understanding.

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    Recognizing isn't at all like seeing; the two often don't even agree.

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    Remember that "seeing is believing" puts the cart before the horse. Art is the concrete artifact of faith and expectation, the realization of a world that would otherwise be little more than a veil of pointless consciousness stretched over a gulf of mystery.

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    Sage sees presage.

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    Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

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    Seeing is easy. The hard part is being seen.

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    SENSES, APPEARANCE, ESSENCE and EXISTENCE The world we see with our senses are very different than the world we see through our essence. Our senses perceive the world of appearance. Our essence perceive the deeper layers of existence. The first step of perceiving the world of essence is not to have any goal other than to understand. "Understanding" has to be the ultimate goal. Then, we can solve the problems.

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    Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?

  • By Anonym

    See as much as you can see, I guess. Rachel Carson said most of us go through life "unseeing." I do that some days...I think it's easier to see when you're a kid. We're not in a hurry to get anywhere and we don't have those long to-do lists you guys have.

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    Seeing into two dimensions at the same time requires a lot of special energy, and we can do it for you only when it has an important meaning and purpose.

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    Seeing is 'making,' whether you see with your mind or your true self. Try to see with your self, your self and your beast together, and not your busy, frightened mind.

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    Seeing the obvious is often harder than seeing the hidden!

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    SEE what you think.

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    SENSES, APPEARANCE and ESSENCE The world we see through our senses are very different than the world we see through our essence. Senses perceive the world of appearance. The first step of perceiving the world of essence is not to have any goal other than to understand. "Understanding" has to be the ultimate goal. Then, we can solve the problems.

  • By Anonym

    SENSES, APPEARANCE, ESSENCE and EXISTENCE The world we see with our senses is very different than the world we see through our essence. Our senses perceive the world of appearance. Our essence perceives the deeper layers of existence. The first step of perceiving the world of essence is to have no goal other than to understand. "Understanding" has to be the ultimate goal. Only then, can we solve the problems.

  • By Anonym

    She goes on with her beautiful hair and mouth like before, I go on like before, alone in the field. It’s like my head had been lowered, And if I think this, and raise my head And the golden sun dries the need to cry I can’t stop having. How vast the field and interior love... ! I look, and I forget, like dryness where there was water and trees losing their leaves.

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    She lay outside in the courtyard, staring up at the raindrops… feeling them hit her body… trying to guess where one would land next. The nuns called again, threatening that pneumonia might make an insufferably headstrong child a lot less curious about nature.

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    Sometimes I know things before they happen. Sometimes I can see a scene in my head. Like watching a movie, and then it will happen. I think, did I make it happen? Or did I just see it somehow?

    • seeing quotes
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    Something changed in part of reality — my knees and my hands. What science has knowledge for this? The blind man goes on his way and I don’t make any more gestures. It’s already not the same time, or the same people, or anything the same. This is being real.

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    Sometimes I take my glasses off to see differently from other people. Colours and words swim into each other, meanings change on the page. In the distance, everything becomes a pastel blur. There is a kind of restfulness in not seeing well that the clear-sighted will never know.

    • seeing quotes
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    Sometimes in the darkness you can see more clearly.

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    The eastern sky was red as coals in a forge, lighting up the flats along the river. Dew had wet the million needles of the chaparral, and when the rim of the sun edged over the horizon the chaparral seemed to be spotted with diamonds. A bush in the little backyard was filled with the little rainbows as the sun touched the dew.

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    Taking personal responsibility is not about being "responsible" — it is about seeing your truth and evolving.

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    Taco Hidde Bakker: (quoting a sentence from Schles' book "Oculus") Further on you write, decidedly, “Seeing is not knowing. Recognition is not knowledge”. […] Muses are the origin of knowledge. Almost everything one knows and is able to know nowadays, comes from hearsay, isn’t based on one’s own experiences or witnessing of events. Most of us don’t even directly witness historically decisive events (or what have come to be portrayed as such by the media) during our lifetimes. By means of the mechanisms of complex (visual) representation networks, we are second-order or even third-order witnesses. If we were to consider photography sui generis, then it is a Muse. It is virtually omnipresent, it sees everything, transmits visual evidence to people all over the globe, and enlargers their body of knowledge.

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    Tactics and Checkmate in 1 move, show me some interesting stuff about chess... so far I can say that I see the chessboard different.