Best 477 quotes in «seeing quotes» category

The secret of seeing is, then the pearl of great price. If I thought he could teach me to find it and keep it forever I would stagger barefoot across a hundred deserts after any lunatic at all. But although the pearl may be found, it may not be sought. The literature of illumination reveals this above all: although it comes to those who wait for it, it is always, even to the most practiced and adept, a gift and a total surprise. I return from one walk knowing where the killdeer nests in the field by the creek and the hour the laurel blooms. I return form the same walk a day later scarcely knowing my own name. Litanies hum in my ears; my tongue flaps in my mouth. Ailinon, alleluia!

The sight of a castle does not necessarily means that there is a king.

The very small quantum world, it seems, is a mixture of possibilities. The quantum fields to which all particles belong are the sum of these possibilities and, somehow, one possibility is chosen out of all the existing ones just by seeing it, just by the very act of detecting it, whenever one tries to probe a particle's nature. Nobody knows why or how this happens.

These three things give meaning to life: dreams and aspirations which inspires confidence and direct actions and steps in the day, a person’s ability to not just look but see distinctively, and a real and robust action with tenacity which make dreams realities. So many people sleep and they only sleep! So many people wake up and they don’t see anything in the day from dawn to dusk! When you close your eyes, dream! When you open your eyes, see! When you take a step, take a definite action with the right attitude!

The source calls to you. Find a quiet place and listen for the voice of creation. Look upon the horizon and see the future of your new life, where you are again a natural soul living in joy and peace.

...they never see what they're too much of a hurry to look for

They were the truth, so far as I can see." "But you cannot see very far, and what you do see you do not understand. You do not know the truth.

Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?

Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.

Those who have eyes…do not know their happiness.

Though my eyes cannot see beyond what I can see, I can see beyond what I cannot see

Through love, you see the whole world, not just people, differently.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

To look is important. We look to immediate things and out of immediate necessities to the future, coloured by the past. Our seeing is very limited and our eyes are accustomed to near things. Our look is as bound by time-space as our brain. We never look, we never see beyond this limitation; we do not know how to look through and beyond these fragmentary frontiers. But the eyes have to see beyond them, penetrating deeply and widely, without choosing, without shelter; they have to wander beyond man-made frontiers of ideas and values and to feel beyond love. Then there is a benediction which no god can give.

To see the world as it is, hide yourself from the world, because when you show yourself to the world, the world will behave differently! And do the same thing to know the people as they are!

To see in the dark, close your eyes.

Tremendously meaningful outreach begins with how you choose to see the world.

Ugliness sees ugliness; beauty sees beauty.

Unfortunately, nature is very much a now-you-see-it, now-you-don't affair. A fish flashes, then dissolves in the water before my eyes like so much salt. Deer apparently ascend bodily into heaven, the brightest oriole fades into leaves. These disappearances stun me into stillness and concentration; they say of nature that it conceals with a grand nonchalance, and they say of vision that it is a deliberate gift, ... For a week last September migrating red-winged blackbirds were feeding heavily down by the creek at the back of the house. One day I went out to investigate the racket: I walked up to a tree, an Osage orange, and a hundred birds flew away. They simply materialized out of the tree. I saw a tree, then a whisk of color, then a tree again. I walked closer and another hundred blackbirds took flight. Not a branch, not a twig budged: the birds were apparently weightless as well as invisible. Or, it was as if the leaves of the Osage orange had been freed from a spell in the form of red-winged blackbirds; they flew from the tree, caught my eye in the sky, and vanished. When I looked again at the tree the leaves had reassembled as if nothing had happened. Finally I walked directly to the trunk of the tree and a final hundred, the real diehards, appeared, spread, and vanished. How could so many hide in the tree without my seeing them? The Osage orange, unruffled, looked just as it had looked from the house, when three hundred red-winged blackbirds cried from its crown. I looked downstream where they flew, and they were gone. Searching, I couldn't spot one. I wandered downstream to force them to play their hand, but they'd crossed the creek and scattered. One show to a customer. These appearances catch at my throat; they are the free gifts, the bright coppers at the roots of trees.

Unless we close our eyes we are always deceived.

Unless you see it, it isn’t there, though it is there!

Water’s water and that’s why it’s beautiful.

We all know the true beauty of people everywhere, because we have all looked into the eyes of children, and saw ourselves looking back.

We always look for everything in the immediate proximity, that is a mistake.

We are not great connoisseurs of the two twilights. We miss the dawning, exclusably enough, by sleeping through it, and are as much strangers to the shadowless welling-up of day as to the hesitant return of consciousness in our slowly waking selves. But our obliviousness to evening twilight is less understandable. Why do we almost daily ignore a spectacle (and I do not mean sunset but rather the hour, more or less, afterward) that has a thousand tonalities, that alters and extends reality, that offers, more beautifully than anything man-made, a visual metaphor or peace? To say that it catches us at busy or tired moments won't do; for in temperate latitudes it varies by hours from solstice to solstice. Instead I suspect that we shun twilight because if offers two things which, as insecurely rational beings, we would rather not appreciate: the vision of irrevocable cosmic change (indeed, change into darkness), and a sense of deep ambiguity—of objects seeming to be more, less, other than we think them to be. We are noontime and midnight people, and such devoted camp-followers of certainly that we cannot endure seeing it mocked and undermined by nature. There is a brief period of twilight of which I am especially fond, little more than a moment, when I see what seems to be color without light, followed by another brief period of light without color. The earlier period, like a dawn of night, calls up such sights as at all other times are hidden, wistful half-formless presences neither of day nor night, that draw up with them similar presences in the mind.

We can give happiness a chance: happiness is learnable. Life is a choice and happiness is a question of focusing, hearing and seeing the right things behind the appearances. It is a matter of finding out, differencing worthiness and irrelevance, connectedness and distantness, warmth and aloofness, brightness and dimness. Happiness is the lucky potential to steer friskily along the cliffs of the unknown avoiding the obstacles of narcissism and conceit. ( " Happiness blowing in the wind. " )

We keep seeing certain things all our life, yet seldom do we notice them!

Well, not everyone believes these things exist. The things we see are not common; they should not be common knowledge. It is like the story of Santa Claus. You and I know he does not exist -- that he is a metaphor. You know this because you are a special child; you sought to discover the truth yourself. But all of the other children do not know that yet. And we've discussed that you should not tell them the truth because it is not their time to hear it. It would make them very sad without good reason. Just so, it is better for us that we do not tell people about these extra things we see." "When will they figure it out? When can I talk about it?" "Some of them will never know." Pappou paused. "They must never know. Because they will think we are different, and people sometimes do bad things to people whom they consider to be different." Lexi's legs stopped swinging. "Why?" "Why, indeed." The old man sat for a moment, his elbows propped on his knees and his chin resting on his fist. "Perhaps to make us appreciate the nicer people all the more.

We’re so used to just glancing at the environment through the eyes of the past that we’re frequently not certain if we are in fact paying attention or if we merely think that we’re paying attention. Dynamic meditation in everyday existence involves the act of truthfully seeing. Many of us have changed some aspect of our appearance only to have this go unnoticed by friends. Perhaps you’ve shaved off a mustache, added a tattoo, or altered your hairstyle, but your acquaintances failed to initially notice. In such a case, your friends were looking at their environment through the eyes of the past instead of actually seeing what was taking place in the present.

Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.

We see the world as we are.

We see not just that which is uninjured, but that within us which is uninjurable.

We shouldn’t abbreviate the truth but rather get a new method of presentation.

What changes is the mindset from which he is seeing life. Sometimes, it is higher. Sometimes, it is lower. When it is higher, he is more strongly confident in his attachment to you. When it is lower, he gets pulled by all the offerings of the ego and the people in his life who share those values with him. He doesn’t know that he is constantly gravitating between the two. Otherwise, it would be easy to fix, and it is not. One has to learn to recognise both mindsets and understand the consequences of each.

What does this think about that? Nothing thinks about anything. Does the earth have consciousness of its stones and plants? If it did, it would be people. . . Why am I worrying about this? If I think about these things, I’ll stop seeing trees and plants And stop seeing the Earth For only seeing my thoughts... I’ll get unhappy and stay in the dark. And so, without thinking, I have the Earth and the Sky.

What do you see when you look in the mirror? I hope it goes beyond beauty. I hope what you see is that person who's worth it and deserves nothing less than the best, I hope that you see beyond the pain, I hope that you see the glory ahead of you, I hope that you see the strong woman who doesn't break to fail, but breaks to stand and I hope that you'll always remember that you need to love the person in the mirror first to make a change

What do you see when you look in the mirror? I hope it goes beyond beauty. I hope what you see is that person who's worth it and deserves nothing less than the best, I hope that you see beyond the pain, I hope that you see the glory ahead of you, I hope that you see the strong woman who doesn't break to fail, but breaks to stand the tallest and I hope that you'll always remember that you need to love the person in the mirror first to make a change

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

Yesterday I watched a curious nightfall. The cloud ceiling took on a warm tone, deepened, and departed as if drawn on a leash. I could no longer see the fat snow flying against the sky; I could see it only as it fell before dark objects. Any object at a distance –like the dead, ivy-covered walnut I see from the bay window- looked like a black and white frontispiece seen through a sheet of white tissue. It was like dying, this watching the world recede into deeper and deeper blues while the snow piled; silence swelled and extended, distance dissolved, and soon only concentration at the largest shadows let me make out the movement of falling snow, and that too failed. The snow on the yard was blue as ink, faintly luminous; the sky violet. The bay window betrayed me, and started giving me back the room’s lamps. It was like dying, that growing dimmer and deeper and then going out.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

You are not even seeing most of what's going on in the universe. On top of that, your brain filters out much of what it receives from the environment. So that what you are consciously aware of is only a fractional representation of your universe.

You can't see clearly through defensiveness.

You only see what i choose to show you.

A great actor is simply just seeing him or herself, and reacting to what exists around them.

A lot of the stuff I am now seeing is edgy, raw kinda material.

A man has not seen a thing who has not felt it.

Anyone might become homosexual after seeing Glenda Jackson naked.

Anything under the sun is beautiful if you have the vision it is the seeing of the thing that makes it so.

Art is first a seeing and then a revealing

Ask yourself, 'What is obstructing my vision?' What is the difference between seeing and looking?