Best 222 quotes in «los angeles quotes» category

I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going on around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation was the idea of “sin”—this sense that it was possible to go “too far,” and that many people were doing it—was very much with us in Los Angeles in 1968 and 1969. A demented and vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.

I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of “sin"–this sense that it was possible to go "too far”, and that many people were doing it–this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.

I love Las Vegas because it's the one city less classy than Los Angeles.

I Love LA, It has Beautiful Weather, Beautiful Women and Beautiful Weed; the three W's you need.

In California the only way to look like you are getting older is to look like you are getting younger...if you can move your forehead over the age of forty, then people become very suspicious.

In the distance Richard could see the skyscrapers of Los Angeles rising out of the ocean; barnacle crusted concrete and steel emerging from crashing waves. Once a symbol of economic might, they were now a macabre monument to the mortality of man.

In California, the state's huge dairy herd produces twenty-seven million tons of manure a year, the particulates and vapors from which have helped to make air quality in the argiculturally intensive San Joaquin Valley worse than it is Los Angeles.

Is nothing real in Los Angeles?' Elaine considered this. 'Actually, no.

It's very easy to stand L.A., which is why it's almost inevitable that all sorts of ideas get entertained.

In Los Angeles, everything is 100% organic, except the people.

It must have been marvelous when the century was young and things impressed themselves in such blatant vivid brilliance that an approaching fire under a starry sky could illuminate, even to a Crimean actress, this sense of “place” – that there was nothing to be wanted from material things, nothing to be saved.

It’s 2009, a Thursday night in September, and I’ve stopped looking for stars in the Los Angeles sky. I settle instead for the ones I see in my head when I go three or four days without eating. Same difference.

I was thinking earlier that to know this city you must first become penniless, because pennilessness (real pennilessness, I mean not having $2 for the subway) forces you to walk everywhere and you see the city best on foot.

In the apocalyptic environment that is Los Angeles on fire, we should all be making a point to have a lot of sex, but no one seems particularly motivated. They need leaders, and sadly I am not up for the task.

I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole. I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are. 'There you are.' I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me. 'There you are.' And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him. 'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly. Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!' I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?' No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent. 'You reminded me of someone is all.' 'Hopefully in a good way.' I smile but it takes just a minute to speak. 'In the best possible way.' I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.' 'Is frozen yogurt okay?' 'Frozen yogurt is perfect.

I went to the door and looked out. The cool night breeze was blowing peacefully down the hall. No excited neighbors hung out of doorways. A small gun had gone off and broken a pane of glass, but noises like that don't mean much any more.

L.A. in the late sixties had a desolation about it, a disquiet. More than anything, that had to do with a feeling, one that you still find in parts of the San Fernando Valley. There was a sense of apocalyptic expanse, of sidewalks and houses centipeding over mountains and going on forever, combined with a shrugging kind of anchorlessness. Growing up I was always aware of L.A.'s diffuseness, its lack of an attachment to anything other than its own good reflection in the mirror.

LA owed me. LA was like a beautiful painting that I could only see afterhours through the museum window. It was like a Firebird blasting some catchy tune until the light turns green and it speeds off, leaving me stuck with Katy Perry in my head the rest of the day. LA had promised me a lot and it had paid off very fucking little.

It's June and the city is ripe with meaningless fecal heat. It will be a different kind of hot in LA, the kind that made the Beach Boys all tan and giddy, a heat that doesn't harass you in the shade.

What has started you on this?" I asked. "We were talking about the holidays." "Los Angeles is not a safe place for a young woman alone. I feel it in my bones." "That's your arthritis, Aunt Sadie. Do you want me to get a gun? I'd probably shoot myself in the foot." "I'd rather you got married again." "That might be worse than shooting myself in the foot.

[Los Angeles] the world's biggest third-class city...

Los Angeles: city that was nothing but a slot machine dispensing plastic toys.

Los Angeles is a city made up of refugees from better cities.

Maybe curiosity did kill your cat. But it wouldn't hurt to keep an eye on the neighbor's rottweiler just the same.

Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith's, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.

My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams

Life is what you make it. Unless some guy finds you with his girl. Then the ball's pretty much in his court.

People could say a lot of negative things about the apocalypse, but there was no arguing the air quality in Los Angeles had really improved.

Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committed’. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the ‘smelly little orthodoxies’—tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote Dr Faustus. My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: This old, folkish layer survives in us all, and to speak as I really think, I do. not consider religion the most adequate means of keeping it under lock and key. For that, literature alone avails, humanistic science, the ideal of the free and beautiful human being. [italics mine] The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann’s point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo’. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.

Paradise sucks.

Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood -- and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue youi could get better somewhere else.

people here have become the people they're pretending to be.

Rain filled the gutters and splashed knee-high off the sidewalk. Big cops in slickers that shone like gun barrels had a lot of fun carrying giggling girls across the bad places. The rain drummed hard on the roof of the car and the burbank top began to leak. A pool of water formed on the floorboards for me to keep my feet in. It was too early in the fall for that kind of rain.

she likes that and I like it too because to/make a thing true all you've/got to do is believe

So much of what we call Conventional Wisdom is complete bullshit.

Slade placed his pistol on the table next to his chair. "Sid down, Doll. This might take awhile," he said, as he took a deep breath. "I gots a proposition for ya'. Does 100 G's interest you? Sure might help keep them debt collectors you got at bay. Plus, might be able to finish up yer' master's degree without havin' to work your ass off to pay the bills.

The cushions of my friend's couch were some kind of rubberized velour, the windows were uncurtained, and at five a.m. the birds were all atwitter and the light, the L.A. light everyone goes on and on about, was right in my East Coast eyes. Give me New York any day, I thought. But when New York came, it was with fangs and claws, in a nightmare I now woke from screaming.

The finest thing in the world is knowing how to belong to oneself. Michel de Montaigne

That wasn't Josh Hartnett; that kid was eighteen years old," Kate said. I told you, they age slower out here. It's all the fresh California air," Val replied. Yes, because that's exactly what Los Angeles is known for," Kate said dryly. "Clean air.

the few heroic sluts on this great working-girl turf

The homeless dudes on Alameda all have legs any runway model would kill for, and sometimes I think of giving them money, but— I don’t know, I’ve got bills to not pay, and drinks to make people buy for me.

This is why I wanted to write this book, to tell about a place I love that doesn’t belong to me but feels like it is mine, and how that feels like a marvelous and exceptional thing. All the things that are wrong in the world seems conquered by a library’s simple unspoken promise: Here is my story, please listen; here I am, please tell me your story.

The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles.

There are never any real stars in LA, but we’ve got a bunch of fake ones made out of brass and terrazzo. We embed them in the sidewalks outside of strip clubs and gift shops— Walk of Fame, walk of shame… walk of names we’re all destined to forget sooner or later.

There are times when Los Angeles is the most magical city on Earth. When the Santa Ana winds sweep through and the air is warm and so, so clear. When the jacaranda trees bloom in the most brilliant lilac violet. When the ocean sparkles on a warm February day and you're pushing fine grains of sand through your bare toes while the rest of the country is hunkered down under blankets slurping soup. But other times, like when the jacaranda trees drop their blossoms in an eerie purple rain, Los Angeles feels like only a half-formed dream. Like perhaps the city was founded as a strip mall in the early 1970s and has no real reason to exist. An afterthought from the designer of some other, better city. A playground made only for attractive people to eat expensive salads.

There is no question that Los Angeles expects its long-termers to survive the inevitable and chronic ass-kickings alone.

They pine for the hip, frosty girlfriend they abandoned for a pleasant if unexciting marriage to her sunnier, less mentally present sister coast.

Trying to get information out of a Los Angeles lawyer was like opening a can of sardines without a key.

The bag was a hybrid I had picked up at a store called Suitcase City while I was plotting my comeback. [...] It had a logo on it -- a mountain ridgeline with the words "Suitcase City" printed across it like the Hollywood sign. Above it, skylights swept the horizon, completing the dream image of desire and hope. I think that logo was the real reason I liked the bag. Because I knew Suitcase City wasn't a store. It was a place. It was Los Angeles.

Through political opportunism and ineptitude, the city had allowed the [police] department to languish for years as an understaffed and underequipped paramilitary organization. Infected with political bacteria itself, the department was top-heavy with managers while the ranks below were so thin that the dog soldiers on the street rarely had the time or inclination to step out of their protective machines, their cars, to meet the people they served. They only ventured out to deal with the dirtbags and consequently, Bosch knew, it had created a police culture in which everybody not in blue was seen as a dirtbag and was treated as such. Everybody.