Best 14098 quotes in «character quotes» category

There were no shortcuts, I realized. It took years of racing to build up the mind and body and character until a rider had logged hundreds of races and thousands of miles of road. I wouldn't be able to win a Tour de France until I had enough iron in my legs, and lungs, and brain and Heart.

There were many generations of Latino people coming to this country, coming from difficult political or social situations in their own countries, and they worked very hard to have their kids go to universities. Well, those kids came out and they are now doctors and architects, or they are on the Supreme Court. That has a reflection in Hollywood. So, we are actually very proud that our characters are Latinos, and I think it's good for diversity and cultural interaction.

There were definitely scenes I struggled with more than others: the car accident and the thunderstorm are two that come to mind. It's difficult to write about a thunderstorm. There are only so many ways to describe it and our vocabulary is so limited. And the car accident scene required a tense, manic quality that had to be conveyed in the language, as well as the character's dialogue and actions. I was editing these scenes long after I thought I was finished with them.

There were moments when I wondered at the gossamer veil that stops licence from being libel. I suspect that taking on the job of England manager puts you outside the protection of the courts. It must be part of the job description that you will be held hostage by media speculation and can have your character tortured, molested and finally executed at the public whim, in exchange for a lifetime's supply of money.

There were some things that I found I really enjoyed singing about; like, on the title track, there's this film-noir character of a woman who's sort of losing it in a room.

There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.

There were definitely parts of my character I didn’t approve of, and maybe from time to time I had moments when I didn’t like myself much. But I got through each day as it came to me, and so far I’d survived every thing life had thrown at me. I could only hope that the survival was worth the price I’d paid.

There were [in Wilson] a lot of clues in it that you don't normally get, you know, normally you use your imagination or whatever, you get some clues in the script, of course, but yeah, it was really helpful, and I really like the graphic novel. There's stuff in there, there's a couple things in there I really wanted to use that they couldn't get in the movie, but it's definitely, he's a unique guy, you know, I never read a character like this before.

There were two things that became apparent, pretty quickly into the process. One was that the muscles didn't take as much reconditioning as I thought they would. It was more like voice acting than I thought it would be. You're using your whole body and there are things that are different, but when you are doing a character, even in the booth, nobody is watching but my face will do different things when I do different characters.

There will always be people that will have assumptions about you, about my character, my personality, or that I might put on a show of being gay or something, or that I play up stereotypes or anything like that. It's always funny to me that those people are typically the people that know me the least.

There were very strict social conventions, and you adhered to it, and I think it gave you a lot of character. When a man said something, he meant it. He wasn't kidding around. There were no jokes involved. Nobody was in the mood to joke unless you hit a guy with a baseball bat.

The riches of the soul are stored up in its memory. this is the test of character, not whether a man follows the daily fashion, but whether the past is alive in his present.

The right time to show your good character is when you are pestered by someone weaker than you.

The right to do something does not mean that doing it is right.

The right to freedom of expression is justified first of all as the right of an individual purely in his capacity as an individual. It derives from the widely accepted premise of Western thought that the proper end of man is the realization of his character and potentialities as a human being.

The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography.

The right of freely examining public characters and measures, and of free communication among the people thereon . . . has ever been justly deemed the only effectual guardian of every other right.

The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.

The role I played [in theatre] was originated by Ian McKellen in 1979 and he came. I didn't know he was there and I walked out at the end of the play, which is a very intense play - my character is required to do some really horrible things - and the director was waiting backstage and he goes, "Obviously I didn't want to tell you guys, but Ian was here today" and we, of course, freaked out.Ian McKellen said some really beautiful, kind things, one of which was, "It's so much harder to watch than it is to do.

The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.

The road to gooď is the roughest and steepest in the universe. It is a wonder that so many succeed, no wonder that so many fall. Character has to be established through a thousand stumbles.

The role of an actor is to make every character believable.

The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.

The Romans never allowed a trouble spot to remain simply to avoid going to war over it, because they knew that wars don't just go away, they are only postponed to someone else's advantage. Therefore, they made war with Philip and Antiochus in Greece, in order not to have to fight them in Italy... They never went by that saying which you constantly hear from the wiseacres of our day, that time heals all things. They trusted rather their own character and prudence- knowing perfectly well that time contains the seeds of all things, good as well as bad.

The rule of thumb for a director or producer - which prevents them from just sticking their names on everything - is that you have to contribute substantially more than 50 percent of the character dialogue and story.

The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.

The rule for finding plots for character-centered novels, which is to ask: 'So what's the worst possible thing I can do to *this* guy?' And then do it.

The rule of God is not tyranny, for it does not partake of a political or governmental character -- it is not a rule of authority. God is not a governor of the universe, for a governor rules over those of a like nature with himself, and exercises a political and judicial power, while God exercises a creative, a preserving, and a determinative power of an altogether different kind. If I am a servant of God, I am under no tyranny; for God does not govern, but supports, sustains, and directs me.

The Russian famous actors involved [into The Darkest Hour], they are very creative and they will create sympathetic characters.

The sad truth is that most evil is done by people who never make up their minds to be good or evil.

The safest course is to do nothing against one's conscience. With this secret, we can enjoy life and have no fear from death.

The same energy of character which renders a man a daring villain would have rendered him useful in society, had that society been well organized.

The same thing will happen in China that happened in Chile. Political freedom will ultimately break out of its shackles. Tiananmen Square was only the first episode. It is headed for a series of Tiananmen Squares. It cannot continue to develop privately and at the same time maintain its authoritarian character politically. It is headed for a clash. Sooner or later, one or the other will give.

The satisfaction of short fiction does not come close to the rich pleasure I get as a writer in the long deep immersion in the same long work and its growing complexity. I suppose you might say I love to wallow in my characters and imaginary worlds. I love to play with the whole necklace, not just one glittering stone.

The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.

The school is a political prize of the highest importance. It cannot be deprived of its political character as long as it remains a public and compulsory institution.

The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process.

The scheme of separate confederacies, which will always multiply the chances of ambition, will be a never failing bait to all such influential characters in the State administrations as are capable of preferring their own emolument and advancement to the public weal.

The scope of an intellect is not to be measured with a tape-string, or a character deciphered from the shape or length of a nose.

The script is really always the main attraction, and then there's whether there is an interesting character and great people around you. Those are the key elements that I look for.

The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.

The script in many ways is limiting and novel is liberating. You get to go into the heads of your characters and their background and have fun with them; something you are discouraged from doing with a script. With the novel, I can tell you what the characters are thinking, I can tell you their view of the world, background information, things I wouldn't dare touch in the script.

The sea has formed the English character and the essential England is to be found in those who follow it. From blue waters they have learned mercifulness, and they have also learned - in the grimmest of schools - precision and resolution. The sea endures no makeshifts. If a thing is not exactly right it will be vastly wrong.

The sea has been called deceitful and treacherous, but there lies in this trait only the character of a great natural power, which, to speak according to our own feelings, renews its strength, and, without reference to joy or sorrow, follows eternal laws which are imposed by a higher Power.

These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.

These ceremonies and the National Statuary Hall will teach the youth of the land in succeeding generations as they come and go that the chief end of human effort in a sublunary view should be usefulness to mankind, and that all true fame which should be perpetuated by public pictures, statues, and monuments, is to be acquired only by noble deeds and high achievements and the establishment of a character founded upon the principles of truth, uprightness, and inflexible integrity.

The Senate has been debased to the level of a forum of hate and character assassination sheltered by the shield of congressional immunity.

The secrets that the characters hold are held back from the audience, and that's such a delight to hold onto. When you're playing scenes, it gives you an inner dialogue that allows you to really immerse yourself as the actor, in every scene that you're playing. Nothing felt expositional. Nothing felt like we were just doing it to move the story along. There was a reason these characters were saying what they're saying. It was a gift, really.

The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.

The Seer Stone referred to here was a chocolate-colored, somewhat egg-shaped stone which the Prophet found while digging a well in company with his brother Hyrum,... It possessed the qualities of Urim & Thummim, since by means of it - as described above - as well by means of the Interpreters found with the Nephite record, Joseph was able to translate the characters engraven on the plates.