Best 14098 quotes in «character quotes» category

You know, we're the most undisciplined generation the world has ever knownhow many of you are disciplined? How many go to bed at the same time every night, get up every morning at the same time? How do you discipline your appetites, how do you discipline your tongue? We're the most weak, effeminate Christianity the world has ever had-no wonder nobody wants it. It has no strength, it has no character

You know what would help this boy?" Demeter mused. "Farming." Persephone rolled her eyes. "Mother-" "Six months behind a plow. Excellent character building.

You know, when you're in your twenties you use a great deal of symbolism. You somehow think that a character standing beneath a cross is more interesting than a character standing underneath a billboard, but when you get a little older you realize that there's not much difference.

You know when you watch old movies, it's always the small parts you remember, the character actors who come in like a breath of fresh air.

You learn stuff from every character you play about the human condition that can be quite enlightening.

You learn the values that are inherent in the scene that the writer has written. You learn about who you as a character are in relation to those others who are working with you within that scene.

You know you are really famous the day you discover you have become a comic character!

You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.

You learn to exploit genre for the more important things - to my mind - like story, character, image, language.

You know you knit too much when ... You will check out a book from the library just because you heard that one of the characters knits.

You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.

Youll never see a good performance out of me, in terms of a character, when the camera isnt rolling.

You'll work hard to create characters that are compelling and unforgettable. But in the end, it's the story that matters.

You make adjustments according to the specifics of the character.It's something I feel like a lot of my comedic heroes have always done. It's not even necessarily vulnerability, always, but it's an earnestness, a genuine desire to actually do the right thing, but then still make really misguided, stupid decisions along the way.

You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.

You make a movie to entertain audiences. That's why you make a movie. The product sales is because people love the characters, and to me, that is a testament to how our movie has become so ingrained in family's homes all around the world and that's why I make movies.

You may be good, but what are you good for? You've got to be good for something. You've got to be about some project, some task that requires you to be humble and obedient to the universal principles of service. You've got to live a life of complete and total integrity in order to give this kind of service. This integrity enables you to love other people unconditionally, to be courageous and kind at the same time, because you have integratedness inside your own soul.

You May Fall In Love with Beauty of someone but Always Remember 1 Thing that finally you have to live with the Character of that person not with beauty

You may not become a celebrity. You may even experience lots of illness or divorce, or unhappiness. But I think there is still a thread of individual character that determines how you live through those things.

You must achieve the confidence of knowing that you possess absolute, unbending, unimpeachable integrity. Everyone must know that. Above all else, it is integrity that defines your character.

You must be respectful and assenting, but without being servile and abject. You must be frank, but without indiscretion, and close, without being costive. You must keep up dignity of character, without the least pride of birth, or rank. You must be gay, within all the bounds of decency and respect; and grave, without the affectation of wisdom, which does not become the age of twenty. You must be essentially secret, without being dark and mysterious. You must be firm, and even bold, but with great seeming modesty.

You must learn to be three people at once: writer, character, and reader.

You must lose yourself if you want to be successful in animation and be the character.

You must learn to look at people who are angry with you straight in the eye without getting angry back. When children see their parents treating them this way, they then recognize the parents' authority. It speaks louder than words. Their new respect for the parents is as good for them as it is for the parents. It never works to demand respect of children. It must be given willingly as a result of strength of good character in the parents, which is manifested by their non-reaction to stress in the children.

You must worry about the truth of your characters and that it fits your vision. The rest will come naturally if you've done your job properly. I love the horror genre but I want to transcend it too. Allow the hardcore audience to see possibilities beyond the easy scare, to embrace its multi-faceted richness.

You need as much ballast as possible to stop you from floating away; you need people around you, things going on, otherwise life is like some film where the money ran out, and there are no sets, or locations, or supporting actors, and it's just one bloke on his own staring into the camera with nothing to do and nobody to speak to, and who'd believe in this character then?

You need clear, energetic minds, in order to appreciate the exalted character of the truth, to value the atonement, and to place the right estimate upon eternal things.

You must rouse into people's consciousness their own prudence and strength, if you want to raise their character.

You need to learn independence. You have to be independent - it builds character.

You never feel lonely if you're writing, because you're living with all these characters in your head.

You never display your character more clearly than when you speak about the character of others.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

You need to keep your creative juices flowing and keep [your] character interesting.

You never know when you're on a show if you're actually going to love it. For the episodes that I'm not in, I read them, but I try to just forget it, as long as it isn't important to my character. That way when the episodes air I get to watch it like a fan and actually enjoy it.

You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.

You never saw Peter Sellers the actor trying to make you laugh. All he was doing was the character. What I'm saying is that I don't think you should know you're in a movie. I don't like it when actors are winking at the audience and saying, 'Right, isn't this funny? Are you with me?'

You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.

You never want to play too vampiric or generically evil, so you look for emotions or character traits that you can relate to.

Young men, of course, don't want to be guided by old back numbers, but at the same time I know that in my own case I gained a lot by studying the characters of the chiefs under whom I served from time to time. Lord Wolseley, for instance, said: "Use your common sense rather than book instructions.

Young people are more hopeful at a certain age than adults, but I suspect that's glandular. As for children, I keep as far from them as possible. I don't like the sight of them. The scale is all wrongs. The heads tend to be too big for the bodies, and the hands and feet are a disaster. They keep falling into things. The nakedness of their bad character! We adults have learned how to disguise our terrible character, but children, well, they are like grotesque drawings of us. They should be neither seen nor heard, and no one must make another one.

You only learn when you give your whole being to something. When you give your whole being to mathematics,you learn; but when you are in a state of contradiction, when you do not want to learn but are forced to learn, then it becomes merely a process of accumulation. To learn is like reading a novel with innumerable characters; it requires your full attention, not contradictory attention.

You put a spell on the dog," I said as we left the house. "Just a small one," said Nightingale. "So magic is real," I said. "Which makes you a...what?" "A wizard." "Like Harry Potter?" Nightingale sighed. "No," he said. "Not like Harry Potter." "In what way?" "I'm not a fictional character," said Nightingale.

You rarely get a tentpole that has this much emotional depth, this much character to dive into.

Your brain is the organ of your personality, character, and intelligence and is heavily involved in making you who you are.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

Your characters get angry at you if you speak about them and stop you from giving birth to them on the page in revenge. Real writers sit down and write. Wannabe writers sit around and talk.

Your character defects are not where you're bad, but where you're wounded. But no matter who or what causes the wound, it's yours now and you're responsible for it.

Your character is your accumulation of your thoughts, habits and priorities on a day-to-day basis.

Your character is your destiny.

Your character should always be stronger than your circumstances.