Best 14098 quotes in «character quotes» category

I have made a career of creating characters who fight school authority and chomp at the bit to get out into the 'real' world and live their lives, mostly because that's the kind of teenager I was.

I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character.

I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.

I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.

I have no idea who the characters are, later, their personalities take over anything I might want to do. I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn't have planned.

I haven't aged into a character actor. I'm an old leading man.

I have not created any characters nor have I changed my name. The last time I did, the band turned 20, and I said, "I'm going to stop changing my names. I'll present myself as Rubén Albarrán." During that time, I was visiting certain communities and one of them baptized me with my birth name. So I said, "OK, I've received it, now I will use it," and I have. If another one comes, then it will come, but it hasn't arrived yet and I'm fine for now.

I have nothing but contempt for the deceitful thing men call 'happiness,' and find myself with no choice but to push my characters, whom I pour my heart and soul out to create, into the abyss of tragedy.

I haven't got anything against films that are about the minutia of relationships or customs, but I love extremes. I love taking a bunch of characters and it usually is a bunch of characters, and you throw something at them that's usually extreme, like a bag of money, or you send them out to explode a nuclear device on the surface of the sun. And those extremes are wonderful for drama.

I haven't purposefully set out to play heroes. I'm interested in playing the character who finds himself in extraordinary circumstances. But he's really either just saving himself or acting in the service of something that's important to him.

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.

I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.

I have often wondered how anyone who does not read, by which I mean daily, having some book going all the time, can make it through life. Indeed if I were required to make a sharp division in the very nature of people, I would be tempted to make it there: readers and nonreaders of books... It is astonishing how the presence or absence of this habit so consistently characterizes an individual in other respects; it is as though it were a kind of barometer of temperament, of personality, even of character. Aside from that, for me it constituted something like sanity insurance.

I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.

I have rarely read a more wonderful book than To Win Her Favor by Tamera Alexander. Rich with historical detail and fully developed characters, this novel held me spellbound until the last page. If you read one historical novel this year, make it To Win Her Favor. It will linger with you long after the last page.

I have really crooked teeth - they give me character!

I have played Blair Cramer for 20 years, I feel a personal investment in the success of 'One Life to Live.' I love the show, I'm a fan of the characters, and I have invested in the journey these fictional characters have traveled.

I have played several characters that are crabby and cranky. I don't know if I'm just not a very well-developed human being or if I don't know myself very well, but I tend to find I can take on elements of the characters that I'm playing. When I was playing a character like Becky Freeley in Miss Guided found that I was insanely positive and happy all the time.

I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.

I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.

I have specific playlists for different books and characters. So, I need to have those with me. It helps me get into the mindset of the book.

I have spent my life in the study of military strength as a deterrent to war, and in the character of military armaments necessary to win a war. The study of the first of these questions is still profitable, but we are rapidly getting to the point that no war can be won.

I have the belief that truly evil people, it's a genetic evil. I only have the experience of exploring the landscape of some of the characters I've played that people have labeled as evil; I don't think they're evil.

I have such respect for people who do non-fiction casting after settling on the grandparents we got for this. It is really hard to find people who are not fame-whores. We're lucky these people actually wanted to spend their time doing this. All of them would have much rather been cooking without the cameras, being with their families. That's why they're great characters.

I have that sort of Curb Your Enthusiasm, Larry David/George Costanza thing where people are like, "How did you feel writing such an unlikable character?" And I'm like, "It's me! I based him on myself!" There are certain moments where they do feel like unwittingly personal attacks.

I have the embarrassing thing where often if you're watching a film, you kind of go through the emotions and the thought stages that your character went through, but you sort of do it with Tourette's. So I end up often crying when I'm crying, and looking angry when I'm looking angry, so it's pretty ugly.

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors

I have this dream life where I get to be a celebrity but I get to kind of navigate the world fairly easily because I'm always in character.

I have this wholesome disposition in a lot of my characters. A certain earnestness.

I have things planned for every character like what they're doing down the road and coming to different realizations but I don't have how they overlap.

I have to know the killer, the victim and the motive when I begin. Then I start to create the characters and see how the novel takes shape based on what these people are like.

I have to say I enjoy physical comedy and I've always loved to kind of take risks. I don't like worrying too much about how I look or how I come across, so that can sometimes... You know, I like to play those kinds of deluded but fun characters.

I have to phrase this perfectly: I'm just not convinced that the attention we give to creating what we think of as a character isn't actually quite often the means by which an actor overcomes his own terror of standing there onstage and creating a mask to hide behind.

I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.

I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.

I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.

I have to put my father over because he really taught me a lot, especially when it comes to out-of-the-ring psychology and how to react when you're approached by fans after a show or in the airport. It might sound silly, but a lot of those things come into play when you're playing a character.

I have trouble describing characters because there is just too much going on in human beings.

I have undertaken, you see, to write not only my life, but my opinions also; hoping and expecting that your knowledge of my character, and of what kind of a mortal I am, by the one, would give you a better relish for the other: As you proceed further with me, the slight acquaintance which is now beginning betwixt us, will grow into familiarity; and that, unless one of us is in fault, will terminate in friendship.

I have to say, though, that somebody pointed out to me on YouTube that Conan O'Brien was being interviewed, and he was talking about how, oddly enough, he went to see that movie [South Park: Bigger, Longer & Uncut ] in Hawaii with his girlfriend or wife or whoever, and he didn't even realize his character was in it. But there he was, and he said, "This voice comes out of me, and I'm thinking, 'That's not me! Who is that? That doesn't even sound like me!'

I hear no one boast, that he hath a knowledge of the Scriptures, but that he owneth a Bible written in golden characters. And tell me then, what profiteth this? The Holy Scriptures were not given to us that we should enclose them in books, but that we should engrave them upon our hearts.

I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.

I have watched how steadily the general feeling, as shown at elections, has been rising against Slavery. What a proud thing for England if she is the first European nation which utterly abolishes it! I was told before leaving England that after living in slave countries all my opinions would be altered; the only alteration I am aware of is forming a much higher estimate of the negro character.

I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me.

I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders...The artist can make his scenes and characters live instead of stand still on canvas in art museums.

I heard the opening bar of 'Help' as I headed down Polk Street. Every single time I've heard that tune I've taken it as some message from God, a warning of things to come, a perfect description of my mashed-potato character

I hope I never get in the situation where I refuse to audition, because I think people have a right to see you interpreting the character, and if you don't do it the way they want you to, they have a right to say, "No.

I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.

I hope to be known as a chameleon actress, as someone who can play any part out there, and someone who can transform herself into any kind of character there is.

I hope that audiences respond really positively. I think it's a very intense, entertaining film [The Last King of Scotland], because you're brought in on a fun ride, and slowly you fall into it as James [actor James McAvoy's character, Dr. Nicholas Garrigan] does. Nicholas is like the audience. I think it's a good ride for people. And you learn something, as well.