Best 14098 quotes in «character quotes» category

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.

I had no intention of pursuing either the characters or the setting further.

I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures

I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.

I hadn't mentioned, but Ching Shih is a pretty villainous character. She is a real person, but she was a pirate commander, so she probably murdered a lot of people.

I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.

I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.

I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.

I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.

I had the good fortune early on to cast some really great people that were not just characters, they had character.

I had these kind of unrealistic expectations that were fueled by romantic comedies, and it has both helped me and hurt me in many ways. It helped me because, in general, they've made me hopeful. I just figure things will eventually work out for me. But nobody is like any Tom Hanks character. Nobody is Hugh Grant. No one is Meg Ryan!

I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.

I had to bite back a laugh. "Cary Taylor. Loving you isn't a character defect." Chapter 12, pg 213

I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.

I had to learn early on that where conservatives are concerned, the truth about them is the last thing anybody wants to report. It's the lies and distortions, the mischaracterizations, the character assassinations, that people want to report.

I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.

I had to learn the image is not the word, which is a jolt for a literary soul. But it has served me well in terms of understanding plot, in terms of watching actors develop characters.

I had to focus and create a character in Bagger Vance, not just do my 'Will Smith' thing and get paid.

I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book.

I had wanted to be a regular character on a series for a while. 'The Brady Bunch' was an answer to a prayer.

I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don't learn to love each other or themselves.

I happen to still like really dark, dramatic, fractured characters. They're the reason I got into movies.

I hate alcoholics and AA (alcoholics anonymous). If you can't drink responsibly, don't drink at all. Don't go to meetings, whine about your character flaws and blame the fact that you are a sociopath on booze.

I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.

I hate the term "mystery". That's not what I write. I think the Scarpetta novels are much more character-driven than an average puzzle solver. Writing should be like a pane of glass - there's another world on the other side and your vision carries you there, but you're not aware of having passed through a barrier to get there.

I hate the crazy, neurotic characters beyond a certain point.

I hate the man who builds his name On ruins of another's fame. Thus prudes, by characters o'erthrown, Imagine that they raise their own. Thus Scribblers, covetous of praise, Think slander can transplant the bays.

I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.

I have a cheat-sheet for each one of my characters about their personality, the way they look, etc. So there is no possible way that I could have writer's block.

I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.

I have a dream that one day on the red hills of Georgia, sons of former slaves and sons of former slave-owners will be able to sit down together at the table of brotherhood. I have a dream that one day, even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into a oasis of freedom and justice. I have a dream my four little children will one day live in a nation where they will not be judged by the color of their skin but by content of their character. I have a dream today!

I have a big, long episode [in Full Circle] with Calista [Flockhart], and then my character actually carries out through a lot of it because he was a cop investigating this crime. But it is almost hard to remember, even though it wasn't that long ago. We shot it so fast. We literally shot that whole episode in one day.

I have a clear view of 12 years of history of my inner self. First the cramped self, that self with big blinkers, then the disappearance of the blinkers and the self, now gradually the reemergence of a self without blinkers.

I have adapted the whole book [Candid] into tweets of 140 characters, and these are being sent out daily, at the rate of eight tweets per day .

I have a character failing. I am quite incapable of identifying with anything whole-heartedly. Whatever I am doing, I am always planning to do something else. I would rather travel than arrive.

I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.

I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.

I have a great interest in Victorian musical & cabaret performances and Weimar artists so the references are there, to Cabaret and also All That Jazz and other films where, where there's a kind of (influential German playwright Bertolt) Brecht-ian approach, almost to the character standing outside of himself or, in this case, he's "self-séance-ing.

I have a history, a long history of being stereotyped as a five-foot-two woman, which is very limiting. I've worked so hard to create characters that have dignity. And I think everybody knows that I have a very pro-woman message in my work - and in my life.

I have a little bit of a temper, but it's ... a useless temper, ... It doesn't accomplish anything, generally. It's just a lot of ranting and raving and nothing, so David (Chase) probably saw that and put it into the character.

I have a lot of people in my life who are truly ridiculous characters, and they're very, very funny people, but they don't really try to be. They're not cracking jokes.

I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources

I have a lot to say about Mrs. [Hillary] Clinton that has not been said by others recently and that I think needs to be said. I mean I've known her for 40 years. I worked with her, I know her well professionally. I know her well personally. I know her to be a person of high moral character. A reliable person and an honest person, however Mr. [Donald] Trump may rant and rave to the contrary. So I'm happy to say that. People can make their own choices.

I have a lot of compassion for human beings in life experiences, so I allow myself to feel what these characters are feeling and don't have a problem accepting that.

I have a lot of people who are soap fans and they definitely know who I am, even if they call me by my character's name. I get a lot of people thinking maybe they know me from high school. My career has been a slow burn, a gradual rise, which I prefer since this is a marathon and not a sprint, so I kind of like where I am and where I'm going.

I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect.

I have always had the deepest respect for Bill Nicholson as a person and as a manager. The Spurs boss is an honest Yorkshireman and you will go a long way before finding a straighter character than that. Bill has never wavered in his determination to give White Hart Lane fans the best.

I have always believed that national character... depends more on the female part of society than is generally imagined. Precepts from the lips of a beloved mother... sink deep in the heart, and make an impression which is seldom entirely effaced.

I have always believed that hair is a very sure index of character.