Best 14098 quotes in «character quotes» category

In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.

In revision, your imagination becomes deeply engaged with your material. It's when you come to know your characters and begin to perceive their motivations and values.

In short, the enlightenment privatized marriage, taking it out of the public sphere, and redefined its purpose as individual gratification, not any 'broader good' such as reflecting God's nature, producing character, or raising children. Slowly but surely, this newer understanding of the meaning of marriage has displaced the older ones in Western culture.

Inside many liberals is a totalitarian screaming to get out. They don't like to have another point of view in the room that they don't squash and the way they try to squash it is by character assassination and name calling.

Insider can be more ludicrous. How did I ever end up [as one]? Carsick [Waters's book on hitchhiking] was on the New York Times best-seller list for five weeks. [One of the characters was] a singing asshole that does a duet with Connie Francis! Times have changed. That's mainstream, in a weird way.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you.

In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.

In short, Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her. Beauty is character and expression. Well, there is nothing in nature which has more character than the human body. In its strength and its grace it evokes the most varied images. One moment it resembles a flower: the bending torso is the stalk; the breasts, the head, and the splendor of the hair answer to the blossoming of the corolla. The next moment it recalls the pliant creeper, or the proud and upright sapling.

In sketch comedy, wear your character like a hat, not a suit of armor.

In some ways, a novel isn't as structurally rigorous as a screenplay or a TV show, which have finite real estate. In a novel, you can more deeply illuminate a character's interior and get away with digressions.

In some roles you do that very hard work where, at some point into rehearsals, where all of a sudden it snaps into place. You feel like the soul of this character is now dwelling in you.

In some ways, what I learned is that you can take a character and breathe with them, and its up to the audience to interpret rather than you putting moral stamp on the character.

In society every man is taken for what he gives himself out to be; but he must give himself out to be something. Better to be slightly disagreeable than altogether insignificant.

In some of my works I take away other elements of the world - normalcy, sex drive, sense of time, memory, a loved one. Without some of these basics, characters have no choice but to do something to reclaim their lives.

In so strong a light, nevertheless, do they appear to the Secretary, that, on their due observance, at the present critical juncture, materially depend, in his judgment, the individual and aggregate prosperity of the citizens of the United States; their relief from the embarrassments they now experience; their character as a people; the cause of good government.

In speaking to you men of the greatest city of the West, men of the state which gave to the country Lincoln and Grant, men who preeminently and distinctly embody all that is most American in the American character, I wish to preach not the doctrine of ignoble ease, but the doctrine of the strenuous life.

In spite of warnings, change rarely occurs until the status quo becomes more painful than change. People seem not to see that their opinion of the world is also a confession of their character.

In Spiritual formation we are aiming at a character and life that is so shaped that the deeds of Christ routinely and easily come from what is inside.

Instead of recognizing the State as ‘the common enemy of all well-disposed, industrious and decent men,’ the run of mankind, with rare exceptions, regards it not only as a final and indispensable entity, but also as, in the main, beneficent. The mass-man, ignorant of its history, regards its character and intentions as social rather than anti-social; and in that faith he is willing to put at its disposal an indefinite credit of knavery, mendacity and chicane, upon which its administrators may draw at will.

Instead of saying that man is the creature of circumstance, it would be nearer the mark to say that man is the architect of circumstance. It is character which builds an existence out of circumstance. From the same materials one man builds palaces, another hovels; one warehouses, another villas; bricks and mortar are mortar and bricks until the architect can make them something else.

Integrity is not a character trait that one possesses more or less of but a sophisticated state of processing experience in the world one enters into in varying degrees. Integrating is a major developmental task at every stage of life.

In teaching your child, do not forget that suffering is good too. It makes a person rich in character.

Integrity is the core of our character.

Integrate what you believe in every single area of your life. Take your heart to work and ask the most and best of everybody else, too. Don't let your special character and values, the secret that you know and no one else does, the truth - don't let that get swallowed up by the great chewing complacency.

Integrity: A name is the blueprint of the thing we call character. You ask, What's in a name? I answer, Just about everything you do.

Integrity is the core of our character. Without integrity we have a weak foundation upon which to build other Christ-like characteristics.

Intentions are invisible but they are the true test of character.

Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.

Interesting, isn't it, that even though more than two and a half decades have passed since the sexual revolution brought women a new measure of sexual freedom, there's still no word in the language that doesn't reek with pejorative connotation to describe a woman who has sex freely. Since language frames thought and sets its limits, this is not a trivial matter. For without a word that describes without condemning, it's hard to think about it neutrally as well. When we say the words 'promiscuous woman,' therefore, it's a statement about her character, not just her sexual behavior.

Interestingly enough, for me, a character like Captain Jack, you feel like you could just continue. The possibilities are endless and limitless. There is any possibility of madness and absurdity that could commence, so you feel that, with this character, you're never really done.

...Intelligence and character of the masses are incomparably lower than the intelligence and character of the few who produce something valuable for the community.

In ten years, or certainly before then, I'd like to not only be continuously busy as an actor playing tormented, playful characters in film and television but also have gotten a few of my own films made.

Intellectualism' is the belief that our mind comes upon a world complete in itself, and has the duty of ascertaining its contents; but has no power of re-determining its character, for that is already given.

Intelligence without character is a dangerous thing.

Intensely vivid characters, terrible crimes, and a brutal deep-frozen landscape all prove beyond a reasonable doubt that cold nurtures good and evil as readily as heat ... and that Giles Blunt is a really tremendous crime novelist.

Interestingly, this character [Doctor Nash] is probably closer to me than somebody like the evil Sir Godfrey in Robin Hood or Lord Blackwood who wants to take over the world in Sherlock Holmes. This is a character that's English, he's based in London, and so it's closer to me than a lot of stuff I've been doing recently.

Interference is a terrific page-turner, but it's also a haunting, powerful look at the way families and friendships entangle us all. Berry is a sharp-eyed, engaging writer, and she deftly captures the terrors, ruptures and intimacies of one seemingly ordinary neighborhood, always finding a precarious beauty in her characters' lives. This is a book that is terrifying, startling, and very hard to put down.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.

In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.

In terms of a character, I would love to play a fairy. I think that would be really fun.

In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.

In terms of jumping into a characters skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is whats required to achieve what I want to achieve.

In terms of the frustration of my character, I suppose any teenager has probably gone through that, in terms of telling their parents, I want to do one thing, and their parent says no. I think parents sometimes forget that they were children.

In terms of the black female audience, usually if you're true to that character but more so in your body of work if you've proven that you love your sisters and you proven you will come back home like in 42.4% they'll give you a pass when you jump ship. I hear it all the time.

In terms of scope, and in terms of sheer number of characters, we went beyond our limits long ago.

In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.

In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium.

Internationalism on the other hand admits that spiritual achievements have their roots deep in national life; from this national consciousness art and literature derive their character and strength and on it even many of the humanistic sciences are firmly based.

In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths. The required diligence and doggedness and lucidity thus resemble the conqueror's attitude. To create is likewise to give a shape to one's fate. For all these characters, their work defines them at least as much as it is defined by them. The actor taught us this: There is no frontier between being and appearing.