Best 14098 quotes in «character quotes» category

One of the best ways to elevate your character is to emulate worthy role models

One of the biggest misconceptions about me is that I'm a comedian, which I'm not. A comedian is someone who can stand up in front of an audience and make you laugh. I've never done stand-up and I never will. I'm a comic actor. My comedy comes through my characters.

One of the favorite games I play, when I improv or take on a character, is what I like to call arrogant ignorance. That's the game I enjoy playing most.

One of the first observations to make in conversation is the state, or the character, and the education of the person to whom we speak.

One of the first things was I made Arlo [the Apatosaurus] a younger character. And then when I was that age (around 11 or 12), what was I like? Sweat pants, turtle-neck kid; didn't know anything about fashion or style, the culture of the world. I was very sheltered.

One of the first memories I have was watching Whoopi Goldberg perform her one-woman show on Broadway on HBO. She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.

One of the great things about being involved with comics is that those people are devoted to their characters, writers and artists. The average comic reader isn't casual about their habit.

One of the great things about writing a series is that with each book, the novel is meant to stand alone on its own legs, but also to bring along those loyal readers who become attached to the characters over the years.

One of the main coaching points I've heard throughout my entire life is, 'How you respond to difficult situations defines your character,' and I think it's a good saying. I also think it applies to more than just the players.

One of the main effects of war, after all, is that people are discouraged from being characters.

One of the great myths in America is that sports build character. They can and they should. Indeed, sports may be the perfect venue in which to build character. But sports don't build character unless a coach possesses character and intentionally teaches it. Sports can team with ethics and character and spirituality; virtuous coaching can integrate the body with the heart, the mind, and the soul.

One of the great things about TV is the story to tell can be very internal and really character-based.

One of the joys of this show [Dirk Gently's Holistic Detective Agency] is that each of those characters could be starring in their own show. It's only as the show goes on that you realize how they interconnect. They're all moving towards one another inexorably, to meet at a certain point.

One of the great things that you should never do that I learned from John Malkovich is to never judge your characters.

One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.

One of the many reasons for the bewildering and tragic character of human existence is the fact that social organization is at once necessary and fatal. Men are forever creating such organizations for their own convenience and forever finding themselves the victims of their home-made monsters.

One of the most beautiful things about 'Game of Thrones' is it's told from so many different points of view, and these characters can convince you that what they're doing is right. But they're only showing you a bit of the picture, and when you see it from another character's point of view you may switch allegiances.

One of the most important lessons that experience teaches is that, on the whole, success depends more upon character than upon either intellect or fortune.

One of the most important virtues of the American character is our ability to approach the complexities that life presents us with common sense and decency, .. The considered judgment of the American people is not going to rise or fall on the fine distinctions of a legal argument but on straight talk and the truth. It is time for the president and the Congress to follow that common sense for the good of the country.

One of the nice things about books as opposed to television and movies to some extent is it's not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It's great - it means their brains are working.

One of the outstanding ironies of history is the utter disregard of ranks and titles in the final judgments men pass on each other. The final estimate of men shows that history cares not an iota for the rank or title a man has borne, or the office he has held, but only the quality of his deeds and the character of his mind and heart.

One of the reasons they [the Japanese] have bad eyesight is probably these microscopic characters [furigana] which have many lines and strokes to them.& We wonder why they went mad and bombed Pearl Harbor when they knew they couldn't win. That [the Japanese language] would be a reason.

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing.

One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.

One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.

One of the things I liked about my character in 'Run' is that she can just disappear into the background if she wants, which is what I'm like.

One of the surest signs of the estimated changes in the consciousness of the American proletariat is to be found in the character of the demands now being put forward by the leadership.

One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.

One of the things I strive for is realism. I need to be as real as possible in the dilemmas my characters face.

One of the things that all authors of fiction must learn to judge is whether - and in what detail - to describe the face of a character.

One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.

One of the things that I really love about doing a film is working with actors and the whole casting process. I feel I'm not looking for actors. I feel I'm looking for characters. If the characters come from Bollywood, fine. If they come from Indian theater, perfect.

One of the things I love, more than anything, is jumping around and playing lots of different parts. I love the variety of playing different characters.

One of the things I noticed more in this draft than in any recent drafts was the importance of the character issue. Players who had baggage, like Justice, fell much farther than his talent dictated. But a lot of coaches didn't want to take the chance.

One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes.

One of the things particularly admirable in the public utterances of President Lincoln is a certain tone of familiar dignity, which, while it is perhaps the most difficult attainment of mere style, is also no doubtful indication of personal character. There must be something essentially noble in an elective ruler who can descend to the level of confidential ease without forfeiting respect, something very manly in one who can break through the etiquette of his conventional rank and trust himself to the reason and intelligence of those who have elected him.

One of the things that defines our character is how we handle mistakes.

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.

One of the things that makes Hamlet unique among Shakespeare's characters is his courage to face up to the darker elements of his personality.

One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.

One of the things that's great is that Batman is a character that lends himself to very personal stories.

One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways.

One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper.

One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.

One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.

One of the ways [racism] pops up is when they turn a comic into a live-action movie and there's this temptation to make Asian characters white.

One of the things that you come pretty early on to understand in this job, and you start figuring out even during the course of the campaign, is that there's Barack Obama the person and there's Barack Obama the symbol, or the office holder, or what people are seeing on television, or just a representative of power. And so when people criticize or respond negatively to me, usually they're responding to this character that they're seeing on TV called Barack Obama, or to the office of the presidency and the White House and what that represents.

One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill.

One of those things that I like about TV is that if you get a group of people you like, you can work with these people for months at a time, and you can discover their strengths and weaknesses, and you can use those in the direction where you take the characters.

One of the things that would steer me away from a franchise is that I'm playing the same character all the time and I wouldn't want to be known for that.