Best 14098 quotes in «character quotes» category

I'm really, really happy with what I do for a living. I mean, that's what I consider work, like being on set, bringing a character to life and, you know, working with other actors and directors and stuff.

I'm really shy with my acting when it's off, because the camera gives me an excuse to be in character, whereas otherwise I would just feel like an idiot.

I'm sad in a way that the character [Doctor Strange ] leaves [neurosurgery] behind. It's an amazing discipline.

I'm really trying not to feel I'm getting spoiled, because the way I look at it, since I'm not a main character of any of the movies, I realize just how fortunate I am.

I'm really open to anything that's good. If I read something and it's good, and I like the director, it never really needs to be a specific type of character.

I'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.

I'm really quite bad at coming up with plot ideas. I like to create characters and just see what will happen to them when I let them loose!

I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.

I'm so personally attached to all the characters I met and photographed over the years ... the anthology is like a photographic reliquary that could potentially preserve their grace, fierce joy, and restlessness.

I'm so critical, especially of the movies I do. If the movie flows and I buy it, that's important. Beyond it working, if I buy the character, especially if I'm close to the character.

I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.

I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'

I'm sorry, but anyone who thinks the use of an angelic (or seemingly angelic character), whose likes have been written about for, oh, about 4,000 years, is ripping off Star Trek, has his head so thoroughly up his ass as to have blipped into an entirely new intestinally-based reality and desperately needs to get a wider frame of reference.

I'm someone who loves to play. I make films so I can have fun with the characters.

I'm sorry, Mother. It's just that five days of flying with these characters has made me crawl right to the edge of sanity.' 'I fell over the edge.' Karen said. 'I jumped,' Walter added, 'And I can't seem to climb back up.

I'm so sick of hearing how there's no strong roles for women. I don't care about strong roles. I just want to see women who are characters! A nun, a serial killer, a housewife, as long as there's some depth there.

I'm starting to be a lot more comfortable with allowing people to decide for themselves and almost creating a situation that forces people to decide for themselves whether they like it or don't like it or agree with the character or disagree with the character.

I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.

I'm sort of a reverse Method actor. In my personal life, I become my characters. After 'One Tree Hill', I started dressing in Converse and ripped jeans and hoodies. On 'Awkward', it manifests in how I speak.

I’m so thankful to have been born in the times that we live in. I felt a responsibility to Simon [Halls] and to our kids to be able to live with integrity and not have some strange split psychology of This is who my dad is at home, and this is who he is to the public. That trumped any type of professional repercussions that it could have had. And – not by my own volition or choice – I’ve been playing exclusively straight characters for the first 10 years of my career. Whatever happens from this point on says a lot more about the business and society than it does about me.

I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music.

I'm such a fan of Deadwood. I love the characters in that. They're such wonderful characters. I'm a fan of The Wire. Those are all heavily character-based shows.

I'm such a product of my media diet... it's interesting that you say what I do is observational. It's observational as far as it goes - to the extent that I observe media closely. Kriota might have a better sense of this. I don't always have the best sense of how human nature works, but I certainly know how to dismantle representations of characters.

I'm still watching all those old-timers really going along, and I'm enjoying it so much, not just looking at the pictures, but looking at the acting. Paul Muni. Beautiful character. Edward G. Robinson. Jimmy Cagney. All those old boys. You don't find those characters anymore.

I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.

I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.

I'm straight, but the character was too important to me to muddle his world with my private life. As a nobody, I got away with that deflection. I think it may have helped to introduce Brian as a believable gay man. Maybe not. However it played, it's been out of my hands for a long time.

I'm such a fan of anime and manga to this day, but I never really like got to know all the characters and everything, so I don't think I'd be able to pick one.

I'm sure you find it fascinating. It's always interesting for everybody to look at people who've been pushed to the brink. You wonder how you would fare with that. Nobody's interested in somebody who doesn't ever really do anything. I don't have a choice in that. I will always go for those kinds of characters. Each one is a separate choice for me, but I think it's fairly natural to find yourself gravitating towards people who have done extraordinary things.

I'm the character actor in Hollywood movies, the girl who has to be annoying so the guy can go to the other girl.

I'm surrounded by a lot of live-action movie professionals, and I'm just taking their lead, as far as what to schedule to do next. I'm guessing the challenge is going to be not having two characters together, and shooting the live-action without having the animation. In animation, you get to get in between every frame and you work it all out together.

I'm thinking like the character in order to be as authentic as I can. But after a while, how would I be able to cleanse myself from this unless I do something that's a different medium but also creative. That's what I do. It's my little ritual. After every filming, I just write a poem about it and my character specifically and I can let her go.

I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.

I'm there [on Moana] with the other actors, so you play off one another. It's not just your idea of what the character is and what the world is like it would be in an animated [film], where it all sort of exists in your head. It's all right there, and if Diego's performance is doing what it's doing, it affects yours.

I'm thrilled that Alice Medrich, one of America's premier bakers, has embraced teff, buckwheat, oat, and rice flours. She understands that these flours are far more than substitutes for wheat flour. These flavor flours are stars on their own, full of character. Her recipes are sure to entice you to move into the kitchen and start baking.

I'm the only person I know that's lost a quarter of a billion dollars in one year. It's very character-building.

I'm the opposite of someone like David Grossman, who knows how his characters walk, and how they smell. I don't allow myself to imagine what mine look like at all. My sense of them comes from the inside. They remain, by necessity, physically vague in my mind.

I'm thrilled that Wonder Woman and that character endures because every actor wants a role that has some positive affect and causes people to smile or have good memories and to endure. It doesn't just go away, fade away. It's been 25 years that it's been off the air and so it still surprises me when younger people recognize me or know my work.

I'm tired of defending my character. I am what I am. What you see is what you get.

I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.

I'm totally comfortable today with the success that Omar and 'The Wire' have brought me - living with that character, being recognized and remembered for that character.

I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.

I'm told my SF is of the hard variety and my Fantasy is romantic but hopefully all the characters are strong and the plots are lively.

I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.

I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.

I'm trying to find a character that's my age and I can sustain week after week. I'd like to do a series.

I'm told there's a saying from those ancient times, kalos kai agathos, when someone or something is good and beautiful on the outside, but is also good and noble on the inside in terms of character and in terms of purpose. And I think that's a fine description of the friendship that exists between the Greek people and the American people.

I much prefer following a lead character that is doing morally questionable things. How much do you get on board? Do like that? Do you hate it? Does it matter?

I'm trying to show I'm a trained actress - I can transform myself into different characters. I'm not just an ingenue.

I much prefer to watch actors and writers create "humanizing" moments for characters. In a drama, "humanizing" is far more impactful and powerful than "redeeming.