Best 14098 quotes in «character quotes» category

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    Death stamps the characters and conditions of men for eternity. - As death finds them in this world, so will they be in the next.

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    Decide on what you think is right, and stick to it.

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    Decided ends are sure signs of a decided character.

    • character quotes
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    Deeply affecting and compulsively readable, The Fifty-First State displays Lisa Borders' emotional acuity, first-rate skills as a storyteller, and profound empathy not only for her two compelling main characters but for an oft-neglected region and a disappearing way of life.

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    Defeats and failures are great developers of character. They have made the giants of our race by giving Titanic muscles, brawny sinews, and far-reaching intellects.

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    Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.

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    Definitely, my approach is me-oriented. I feel like my job is to safeguard the believability of the emotions of the character.

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    Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.

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    Depending on the year or the therapist he was seeing, he'd learned to ascribe just about every facet of his character as a psychological reaction to his parents' fighting: his laziness, his overachieving, his tendency to isolate, his tendency to seduce, his hypochondria, his sense of invulnerability, his self-loathing, his narcissism.

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    Depending on what you believe as a person, there's always redeeming qualities to every character or individual, as spiteful as they might be.

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    Depth and strength of a human character are defined by its moral reserves.

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    Depression is about anger, it's about anxiety, it's about character and heredity. But it is also about something that is in its way quite unique. It is the illness of identity, it is the illness of those who do not know where they fit, who lose faith in the myths they have so painstakingly created for themselves. It is a plague - especially if you add in its various forms of expression, like alcoholism, anorexia, bulimia, drug addiction, compulsive behavior of one kind or another. They're all the same things: attempts to avoid disappearance, or nothingness, or chaos.

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    Design is not about decorating functional forms - it is about creating forms that accord with the character of the object and that show new technologies to advantage.

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    Designing the prints was very much like writing a story with characters, [inspired by] some of my my favorite icons of the time: Eva Perón and Josephine Baker.

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    'Desperate Housewives' is an ensemble cast, where I played a tertiary character. I made a lot of great friends, but that show didn't keep me very busy.

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    Despite the fact that wanted to voice aclassic character, a majority of my day-to-day is not Porky Pig. It's commercials and original characters, promos and other aspects of the business. Porky's just kind of high-profile.

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    Despite his [Artie Shaw's] affectations of reclusiveness, he never tired of talking about himself, as countless long interviews reveal. I do not recall an anecdote he ever told me that was not in some way intended to convey a sense of his own superiority to everyone. . One wonders how a person of his character could produce such beauty.

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    Despite everything, I believe that people are really good at heart.

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    Develop a clean line of action for your leading character

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    Develop and protect a moral sensibility and demonstrate the character to apply it. Dream big. Work hard. Think for yourself. Love everything you love, everyone you love, with all your might. And do so, please, with a sense of urgency, for every tick of the clock subtracts from fewer and fewer...

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    Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn't know but the other character does know.

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    Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.

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    Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.

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    Dialogue is character and character is plot.

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    Dialogue is the ideal means of showing what is between the characters. It crystallizes relationships. It should, ideally, be so effective as to make analysis or explanation of the relationships between the characters unnecessary.

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    Developing a character with genuine depth requires a focus on not just desire but how the character deals with frustration of her desires, as well as her vulnerabilities, her secrets, and especially her contradictions. This development needs to be forged in scenes, the better to employ your intuition rather than your intellect.

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    Development of character consists solely in moving toward self-sufficiency.

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    Dialogue in fiction is what characters do to one another.

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    Did the nineteenth-century novelists create more generously than we do now? In a general reading of contemporary work, do you see a lot of new and different characters, or is it the same character who is a stand-in for the writer? And it's interesting enough, but it's a weakness I think. We are much more self-revealing and less able to produce new people over and over again.

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    Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.

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    Did you ever think how a bit of land shows the character of the owner?

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    Different groups are differentially vulnerable to advertising; and their vulnerability varies not so much with the character or quantity of advertisements as with the informational resources they can claim by age, education, station in life, and government guarantees of consumer protection.

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    Diet, injections, and injunctions will combine, from a very early age, to produce the sort of character and the sort of beliefs that the authorities consider desirable, and any serious criticism of the powers that be will become psychologically impossible. Even if all are miserable, all will believe themselves happy, because the government will tell them that they are so.

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    Dignity of position adds to dignity of character, as well as to dignity of carriage. Give us a proud position, and we are impelled to act up to it.

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    Directors are always changing things at the last minute. Actors will do a scene, and the director will say, ‘Okay, that was perfect, but this time, Bob, instead of saying “What’s for dinner?” you say, “Wait a minute! Benzene is actually a hydrocarbon!” And say it with a Norwegian accent. Also, we think maybe your character should have no arms.

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    Disney has a bible for their characters, so that people who draw Disney characters have to make them look correct.

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    Discontent is want of self-reliance; it is infirmity of will.

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    Discipline is the bedrock of character.

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    Disney World is celebrating its 40th birthday! You can tell the characters are getting old. In addition to Snow White's seven dwarfs, she now has 25 cats.

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    'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.

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    'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm a visual person first, of this ridiculous robot character. It's much more comedy based and in an unusual setting.

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    Divorced, not loving their abandoned children as much as they loathe their former wives, directing a combination of need and hostility toward the women who drift in and out of their new lives, they are, as [one character] puts it, "involved in a variety of pharmaceutical experiments.

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    Displacement of any part of the skeletal frame may press against nerves, which are the channels of communication, intensifying or decreasing their carrying capacity, creating either too much or not enough functionating, an aberration known as disease. The nature of the affection depends upon the shape of the bone, the amount of pressure, age of patient, character of nerves impinged upon and the individual makeup.

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    Doctor Strange is an origin story so there's a certain room for me improving as well as the character improving.

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    Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also - if this isn't too grand a word - our tragedy.

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    [Doctor Strange] is a really rich character. It's an easy thing to have a good old meal every day. It's great. Yeah, I'm excited.

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    Doctrine is useless if it is not accompanied by a holy life. It is worse than useless; it does positive harm. Something of 'the image of Christ' must be seen and observed by others in our private life, and habits, and character, and doings.

    • character quotes
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    Dogwalker is a book of fiction, with characters based on the types of people who truly exist in the world. I've seen them and know them - some of them I know really well. Although the stories are sometimes gritty and unsettling, my hope is that in the end they hit a positive note.

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    Does my character hate Bree? Well, let's just put it this way. Bree hasn't seen the last of me. I gave that drunk gal a ride home a few episodes ago and she turned on me!

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    Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.