Best 14098 quotes in «character quotes» category

I always start from scratch with a character - they're never based on anyone else. You get ideas of what people look like, and I'm a great people watcher. You can draw inspiration from people.

I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.

I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.

I always say, "Never give your lead character an infant. Make them a recovering alcoholic, or the victim of a horrible violent crime because you can really never truly recover from that." It's a story pitfall.

I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.

I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.

I always talk about my characters like they're real people.

I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.

I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret.

I always say it takes as much preparation and thought to do a small part as a leading part. In some ways, leads are easier because you have the luxury of time to discover the character.

I always say that the characters in Jane Austen's original books are rather like zombies because they live in this bubble of immense wealth and privilege and no matter what's going on around them they have a singular purpose to maintain their rank and to impress others.

I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.

I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.

I always thought Cheers ended well. You always anticipate that the characters, theough they're leaving television, will somehow go on in another world of the imagination, which I think is good.

I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.

I always think I could do better. I always think that something could be more perfect, but I think that that's just within my nature. I think I want to please a director, I want to give my everything and find every which way I could have burrowed further into a character.

I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.

I always think I know the way a novel will go. I write maps on oversized art pads like the kind I carried around in college when I was earnest about drawing. I need to have some idea of the shape of the novel, where its headed, so that I can proceed with confidence. But the truth is my characters start doing and saying things I don't expect.

I always think of the word 'abandonment' when I think of the character.

I always think once you have the lead protagonist, you cast around that character.

I always think photographs abominable, and I don't like to have them around, particularly not those of persons I know and love. Those photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love.

I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.

I always thought what an interesting idea because almost everybody's fascinated by the perpetrator of a crime; very few people study what happens to people for the rest of their lives, and how it affects not only that particular character but other characters around him as well.

I always tend to like the characters that I play. I'm convinced that I am this person and I'm OK with whatever they do.

I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge. But, you want to take up that challenge and try your best.

I always thought that the spine of a character was awe and wonder.

I always thought fainting showed an inherent weakness of character, but I understood it now. It was an act of self-preservation. Confronted by emotion too extreme to handle, the body shuts down to keep from running around like a chicken with its head cut off, potentially injuring itself.

I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.

I always try to approach character first and foremost viscerally.

I always wanted to be a character actor. I love watching movies where you dont recognize someone because theyre so lost in the part.

I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.

I always try to honor a character by being honest and truthful to who they are, in spite of my own personality and beliefs.

I always wanted to be a writer! But I wanted to do other things, too - be a psychologist, a librarian, et cetera. Now Ive decided that reading fiction that features characters who are in those professions will do.

I always want a challenge. My whole career has been based on trying to avoid female characters that don't get to do anything. And it's really hard to avoid those.

I always wanted to be a fireman, a cop, an Indian chief, a doctor, a lawyer. I always wanted to be all these things, so I am drawn to these kinds of characters.

I always try doing a different character for every film so it's not just changing one.

I always try to get as personal as I can with the characters that I play, which is a reason why I don't play a lot of characters.

I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk; I think 4'10" was the cutoff.

I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.

I always try to do something very different with each character because that's why I like to do this, because I can become someone else completely and it's fun.

I always try to find something I admire about every character I play.

I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.

I always try to make my characters people, and yet I always want to entertain.

I always wished there was somebody like the Coen Brothers and they appeared. And so yeah, my favorite role that I've ever done was in The Man Who Wasn't There. That's my very favorite character I've ever played.

I always want to know what's wrong with you, why you ain't smiling. That's just my character; I just love people and want to see people having a good time.

I always would be happy to make a character even more unlikable, but you know, there's a limit and if you go there, you get into a very different kind of movie, man.

I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.

I am about to discuss the disease called 'sacred'. It is not, in my opinion, any more divine or more sacred that other diseases, but has a natural cause, and its supposed divine origin is due to men's inexperience, and to their wonder at its peculiar character.

I am absolutely convinced that no wealth in the world can help humanity forward, even in the hands of the most devoted worker in this cause. The example of great and pure characters is the only thing that can produce fine ideas and noble deeds. Money only appeals to selfishness and always tempts its owners irresistibly to abuse it

I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all.