Best 14098 quotes in «character quotes» category

I wish that I had gotten a chance to do another season of [ Gigi Does It], to see if I could explore the story more, or the character more, and also find an easier way to make the show. We never got that opportunity. But I'll always be super, super proud of it.

I wish I were a character actor. Of course, if I played hockey without a mask, I could become one.

I wish the bald eagle had not been chosen as the representative of our country; he is a bird of bad moral character; like those among men who live by sharping and robbing, he is generally poor, and often very lousy. The turkey is a much more respectable bird, and withal a true original native of America.

I wish we had more female writers. Most of the female characters you see in films today are ‘the poor heartbroken girl.’ That’s why I’m so proud of the Fast movies. I feel like Giselle is an empowering woman.

I wish to note that the level of discourse in Nigeria is abysmally low, and, usually, garnished with character assassination. We allow our personal frustrations to becloud reason

I wish to say seriously to all the daily newspapers, to the Republicans, the Democrat, and Socialist parties, that they cannot, month in month out and year in and year out, make the kind of untruthful, of bitter assault that they have made and not expect that brutal, violent natures, or brutal and violent characters, especially when the brutality is accompanied by a not very strong mind; they cannot expect that such natures will be unaffected by it.

I wonder if any element of interior design is more personal than color? Nothing can more quicly reveal aspect of personality and character than the choice - or absence - of color.

I, with other Americans, have perhaps unduly resented the stream of criticism of American life... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.

I wonder whether I should gain anything by the attempt to assume a character which is not mine. My wavering manner, born of doubt and scruple, has at least the advantage of rendering all the different shades of my thought, and of being sincere. If it were to become terse, affirmative, resolute, would it not be a mere imitation?

I won't be doing the new show in character, so we'll all get to find out how much of him was me. I'm looking forward to it.

I worked as an actor for a few years before anything happened, so I'm used to going up for auditions, and then not getting the role. But sometimes I don't read the book of the film, in case I just totally fall in love with it, and then it just becomes an obsession and you want to do it so much because you've completely fallen in love with the story and the characters. And then, if the part doesn't go your way, it's heartbreaking. So, there's a certain amount of distance you have to keep before you can throw yourself in 100%.

I won't even think about acting in a role where I didn't do a back story for a character.

I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.

I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.

I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I worked with and became close with these characters [in Twilight] and the people who are portraying them and it's kind of, I think, a safety net that we had, and it's going to be kind of strange not going back to set with these people that I've become so familiar with.

I work very hard on finding good characters who can explain things to me, and I use them to help tell the story. I organize my pieces not just around people but around animals and plants, energy flows, the path that carbon takes through the food system.

I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.

I would assume most people hate my character. But I'm hoping that I'm the character you love to hate.

I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.

I would do the baby voice and it's kind of like this character I made up. But in real life, I'm completely different. I'm very smart. I think a lot of people will assume I'm an airhead.

I would certainly choose my jobs depending on the actions of the character. I won't do anything that has to do with child abuse or women's abuse.

I would draw my own comic book characters listening to metal. The drawing and music kind of went hand in hand.

I would have liked to come back in 300; they did an origins film of 300 just recently, and it would have been fun to come back and see what happened to my character.

I would have, then, our ordinary dwelling-houses built to last, and built to be lovely; as rich and full of pleasantness as may be within and without: . . . with such differences as might suit and express each man's character and occupation, and partly his history.

I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal.

I would far rather add a character who generates strong feelings than someone who just kind of floats along, generating medium-warmth smiles of gentle affirmation.

I would give no thought of what the world might say of me, if I could only transmit to posterity the reputation of an honest man.

I would have to say News Radio is the highlight of my career. I love the character so much.

I would like Martin Scorsese to be interested in a female character once in a while, but I don’t know if I’ll live that long.

I would like to be remembered as someone who gave it all and went for it all, As a woman of strong conviction, character, dignity, and talent who always put God first.

I would like to find a more precise way to not only tell the stories of female characters, but also do so in a female "way." My biggest advice would be to trust yourself.

I would have to say Björk is my dream collaboration. She's just such a character and has such a spirit that is unlike any other artist out there. She's literally on a whole 'nother planet. She's consistently changing and evolving and doing these different wild things with her songs. I think I could learn a lot from a person like that.

I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.

I would have to say that I have to concentrate more when I'm doing comedy. There are so many details that make up any character, but developing a character for a dramatic role seems to come more naturally.

I would like the events never to be told directly by the author, but rather to be introduced (and several times, from various angles) by those among the characters on whom they will have had any effect. I would like those events, in the account they will make of them, to appear slightly distorted; a kind of interest stems, for the reader, from the simple fact that he should need to restore. The story requires his collaboration in order to properly take shape.

I would like to have opportunities in my career to do parts that people would remember - either the whole character or certain moments that they personally could really connect to or were really affected by it deeply.

I would love to be in 'Downton Abbey.' That's the thing I thing many people would have a good laugh with me saying anything like that. I feel like that's the next phase of my career. To reprove to everyone that I can do things besides the crazy characters.

I would love to be in the position where the role is challenging enough that I need three months to prepare for it and then six months to live the life of character.

I would love to do some more comedy. I would love to do some silliness. I would love to do some characters that have greater vulnerability.

I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.

I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.

I would love to do a period piece. That would be really cool. And also like to do something transformative and have to transform yourself physically to become that character. Any interesting, fun roles, I'm attracted to.

I would love a combination of action/adventure and... love. And stories told with heart. I would like people to be invigorated as well as moved. People to see the movie and see that. I love to play, y'know, well-rounded characters.

I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.

I would love to do more movies, but the reality is women have many more opportunities on television to play a greater variety of characters.

I would love to do some characters that have greater vulnerability. I don't know why. I know I can play these roles, but they're certainly not the only roles I can play.

I would love to play an unexpected character. Really raw and simple and not a cliche - something rugged. People like to put actors in boxes.

I would never be fearful of any character.

I would love to play a British character one day. My accent wavers between Scottish and Irish very easily, though.