Best 14098 quotes in «character quotes» category

As we grow older, we should learn that these are two quite different things. Character is something you forge for yourself; temperament is something you are born with and can only slightly modify. Some people have easy temperaments and weak characters; others have difficult temperaments and strong characters. We are all prone to confuse the two in assessing people we associate with. Those with easy temperaments and weak characters are more likable than admirable; those with difficult temperaments and strong characters are more admirable than likable.

As we search the Scriptures, we must allow them to search us, to sit in judgment upon our character and conduct.

As we age, there are different things that become important to us and that means that different aspects of our character come to the forefront; certain aspects recede. And that's fun. It would be shitty to have to imitate myself.

As we mature and grow older we collect a lot of baggage, and a lot of that stuff you collect on life's journey gets in the way of acting. My kids can imagine a character and transform in the blink of an eye. It's so simple for kids, so complex for adults.

As we celebrate President Reagan's remarkable career and historic legacy, we also celebrate a man of strong character, deep conviction, unforgettable charm, and wonderful wit.

As we have come to understand the psychology of evil, we have realized that such transformations of human character are not as rare as we would like to believe. Historical inquiry and behavioral science have demonstrated the "banality of evil" -- that is, under certain conditions and social pressures, ordinary people can commit acts that would otherwise be unthinkable.

As with the acquisition, so with the use of money; they way in which a man spends it is often one of the surest tests of character.

As with editing, I think my strength as a writer is structure. It's not a skill that's much discussed when we discuss fiction, or not as much as language or character development anyway, but it's the first thing I determine before I begin writing - not just books, but anything. I think I know how to pace a narrative well. I think I'm aware of repetition, that I try to create different kinds of sentences as often as I can. Those are all things I learned from magazine editing.

As you become acquainted with a character you are creating, you add parts of yourself that are pertinent to that character.

As what we call genius arises out of the disproportionate power and size of a certain faculty, so the great difficulty lies in harmonizing with it the rest of the character.

As with most of my work, I started from the abstract, from research, building an intellectual model that slowly became internalized when the characters came alive. It's fascinating what happens to the model you've so assiduously assembled when characters are allowed to run rampant: things you thought essential are broken and other things are vastly improved.

As writers and readers, we're drawn to conflict. It's that ancient theory of plot that's written on the whiteboard during every fiction workshop, characters who want something overcoming obstacles as a way to create narrative momentum and suspense. So there's that, that trauma gives us more plot.

As you get older and ease your way into being a character actor you have to be comfortable with where you are in life and career, and I'm very comfortable with what I'm doing - working on projects I'm proud of.

As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.

As you live your values, your sense of identity, integrity, control, and inner-directedness will infuse you with both exhilaration and peace. You will define yourself from within, rather than by people's opinions or by comparisons to others.

As you're learning your lines and the character you're playing, you're going to make mistakes but I learned more about Shug Avery. I learned my lines, but everything had to be done quickly.

At 24, my head was as shiny as a cue ball on a billiard table. I naturally thought this meant curtains. Actually, I found it helped. When I was too young to play real character parts, they mistook me for older because of the bald noggin. I got juicy roles right from the start.

At 50 I find there is a long line of characters and shapes demanding words just outside my window.

A tale of scandal is as fatal to the credit of a prudent lady as a fever is generally to those of the strongest constitutions. But there is a sort of puny, sickly reputation, that is always ailing, yet will wither the robuster characters of a hundred prudes.

At a certain age you start becoming brave enough to reveal yourself and it's the revealing of who you are that enables you to dig deeper into different characters. You'll get to a point where you can say: 'I can relate to that', 'I know that', 'I don't have to make that up' and that resonates with people in the audience who can tell that you've been there.

At any age it does us no harm to look over our past shortcomings and plan to improve our characters and actions in the coming year.

A taste for liberal art is necessary to complete the character of a gentleman, Science alone is hard and mechanical. It exercises the understanding upon things out of ourselves, while it leaves the affections unemployed, or engrossed with our own immediate, narrow interests.

A talent can be cultivated in tranquility; a character only in the rushing stream of life.

At about the age of seven … I wrote exactly the kinds of stories I was reading: All my characters were white and blue-eyed, they played in the snow, they ate apples, and they talked a lot about the weather: how lovely it was that the sun had come out. This despite the fact that I lived in Nigeria; we didn’t have snow, we ate mangoes, and we never talked about the weather, because there was no need to.

At a young age, I was interested in comic books, which was really how I learnt to read. The name Cage came from a comic book character called Power Man.

A tender young cork, however, would have had no more chance against a pair of corkscrews, or a tender young tooth against a pair of dentists, or a little shuttlecock against two battledores, than I had against Uriah and Mrs. Heep. They did just what they liked with me; and wormed things out of me that I had no desire to tell, with a certainty I blush to think of.

Athens is the birthplace of modern tragedy. In the Greek tragic plays, the tableau of the characters would become a statue, like the statue of Oedipus reaching up to the Gods with blood spilling out of his eyes. I love the way the Greeks would immortalize experience. Things that all of us feel.

At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky.

Atheists are suffering from bad PR. What if Sesame Street had an atheist character?

At first I was always cast as the girlfriend. It was a long time before I got to play characters who were people.

At its core, 'Heroes' is an ensemble character drama with genre elements.

A thorough: miser must possess considerable strength of character to bear the self-denial imposed by his penuriousness. Equal sacrifices, endured voluntarily in a better cause, would make a saint or a martyr.

A time is marked not so much by ideas that are argued about as by ideas that are taken for granted. The character of an era hangs upon what needs no defense.

A Thousand Pardons began at the beginning. I wanted it to be one continuous, almost breathless kind of story. In order to do that, it's really hard not to begin at the beginning. There's such a chain of consequence to everything that happens to main characters - it's very hard to break it apart and still be able to hold the plot in your head.

At no time in our lives has the media ever acknowledged they were wrong about anybody. They have never felt the need to apologize for getting something terribly wrong. They have never, after trying to character assassinate people, apologized for doing it when shown they're wrong.

At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me and I started to fall in love with characters who had that burning desire inside of them, this hope.

At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.

A toothache, or a violent passion, is not necessarily diminished by our knowledge of its causes, its character, its importance or insignificance.

A tree against the sky possesses the same interest, the same character, the same expression as the figure of a human.

A tree is beautiful, but what's more, it has a right to life; like water, the sun and the stars, it is essential. Life on earth is inconceivable without trees. Forests create climate, climate influences peoples' character, and so on and so forth. There can be neither civilization nor happiness if forests crash down under the axe, if the climate is harsh and severe, if people are also harsh and severe. ... What a terrible future!

A tree uses what comes its way to nurture itself. By sinking its roots deeply into the earth, by accepting the rain that flows towards it, by reaching out to the sun, the tree perfects its character and becomes great. ... Absorb, absorb, absorb. That is the secret of the tree.

At present, when the prevailing forms of society have become hindrances to the free expression of human powers, it is precisely the abstract branches of science, mathematics and theoretical physics, which ... offer a less distorted form of knowledge than other branches of science which are interwoven with the pattern of daily life, and the practicality of which seemingly testifies to their realistic character.

A true politeness does not result from any hasty and artificial polishing, it is true, but grows naturally in characters of the right grain and quality, through a long fronting of men and events, and rubbing on good and bad fortune.

Attention to detail and a perfectionist instinct, far from stimulating action, are character qualities that lead to renunciation. Better to dream than to be.

At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.

At the core of every person or belief, there's a pain and a thorn. There's always something, whether it's a physical thing, a health thing, or an I wish I had someone or something in my life thing. We all know some level of pain, so I like to see the ugliness of characters. It's a side that we show, only when we strip down in the bathroom mirror.

At the beginning of 'The Hills,' I couldn't watch myself because I'm very critical and would pick myself to pieces. But with movies I feel like it's different because you're playing a character. So it's like watching yourself but not watching yourself.

At the beginning of the project, I wasn't certain that I could come up with an engaging storyline and cast of characters in this world, so I had a strong bias toward actually writing, and worrying about research later. In other words, I was afraid that I'd devote a year or two of my life to grinding through Kant and Husserl, then discover that there simply was no novel to be written here.

At the heart of Christian ethic is humility; at the heart of its parodies, pride. Different roads with different destinations, and the destinations color the character of those who travel by them.

Attend well to your character, and your reputation will look out for itself.