Best 14098 quotes in «character quotes» category

We need wilderness preserved-as much of it as is still left, and as many kinds-because it was the challenge against which our character as a people was formed.

We never know how much one loves till we know how much he is willing to endure and suffer for us; and it is the suffering element that measures love. The characters that are great must, of necessity, be characters that shall be willing, patient and strong to endure for others. To hold our nature in the willing service of another is the divine idea of manhood, of the human character.

We not only interpret the character of events... we may also interpret our interpretations.

We not only live among men, but there are airy hosts, blessed spectators, sympathetic lookers-on, that see and know and appreciate our thoughts and feelings and acts.

We often pray for purity, unselfishness, for the highest qualities of character, and forget that these things cannot be given, but must be earned.

We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused - in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery - by which term we may designate the character of the greater portion of the newspaper press - their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.

We now possess four principles of morality: 1) a philosophical: do good for its own sake, out of respect for the law; 2) a religious: do good because it is God's will, out of love of God; 3) a human: do good because it will promote your happiness, out of self-love; 4) a political: do good because it will promote the welfare of the society of which you are a part, out of love of society having regard to yourself. But is this not all one single principle, only viewed from different sides?

We often wonder: "How will I be when I die?" The answer to that is that whatever state of mind we are in now, whatever kind of person we are now, that's what we will be like at the moment of death, if we do not change. This is why it is so absolutely important to use this lifetime to purify our mindstream, and so our basic being and character, while we can.

We pass for what we are.  Character teaches above our wills.  Men imagine that they communicate thier virtue or vice by overt actions, and do not see that virtue or vice emit a breath ever moment....One tendency unites them all.  The voyage of the best ship is a zsig zag line of a hundred tacks.  See the line from a sufficent distance and it straightens itslef to the average tendency.

We ought to be very cautious in the prosecution of magic and heresy. The attempt to put down these two crimes may be extremely perilous to liberty, and may be the origin of a number of petty acts of tyranny if the legislator be not on his guard; for as such an accusation does not bear directly on the overt acts of a citizen, but refers to the idea we entertain of his character.

We plant sod where God wants 2 plant seed. He's more interested in growing our character than having us look finished.

We pass our values, ideas and moral character on to our children, but we do that knowing that our children are going to revise our knowledge and reshape their values. There's something very paradoxical and profound about being a parent as opposed to parenting. We put in all this effort and energy not so that we can shape a child of a particular sort, but so that all sorts of possibilities can happen in the future.

We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.

We read the [Dracula] scripts, but Jess [De Gouw] and I are completely taken out of the hunts and anything with Van Helsing. We're just living our lives, as our characters.

We pledge to fight the dark forces high in the counsels of the Republican Party which have made political capital out of the techniques of character assassination by innuendo.

We really have a close friendship with Christian Petzold, which means we can be more frank and open towards each other, always with total respect. But, we push each other a bit further and further always, and we're always still curious about each other. And when he talks about a story he's thinking of doing, then the whole process is so special because I'm involved in a very early stage and I have the feeling I can, and not only, influence anything about my character, but about the whole story that my character's in.

We're all on a journey. The average American switches professions four times. I'm lucky to be in a business where I can change the character I am playing every couple of months.

We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.

We're always attracted to characters who are people we could identify with and yet are put through incredibly tortured or difficult circumstances - the idea being that you don't really know who you are until you've been tested or suffered in some way.

We're being asked to continually be "authentic" and "honest" with the world through social media. There's a demand to post our wedding pictures, baby pictures (only minutes after the birth), our relationship status, and our grief and joys on Facebook and Instagram. Similarly, we construct persona through dating apps and networking sites. All of these social media networks exert pressure on us to share the personal details of our lives with unknown masses. So the pressure on the characters in "Openness" isn't merely romantic, but public/social as well.

We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.

We're big fans of the show on BBC, and some of the greatest actors in film and television have done this character, from Basil Rathbone to Nicol Williamson to Michael Caine. (Executive producer) Rob Doherty came in with the pitch last season, it was immediately a show that we gravitated towards.

We referenced fictional characters as if they were people to learn from. As if real-life people were too nebulous, too private and unreal for us to understand.

We recognize that our progress as a species does not have to be defined in terms of wealth or material and physical growth any more than our progress as individuals has to be defined in terms of physical growth. Physical growth of the body reaches a limit, but the character and the soul of the individual continues to grow, or at least has a chance to continue, often to our last breath. It is simple minded to define our well being in material terms, when that well-being has an aesthetic dimension, and intellectual dimension, a moral dimension.

We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.

We’re miserable because we think that we are mere individuals, alone with our fears and flaws and resentments and mortality. We wrongly believe that our limited little egos constitute our whole entire nature. We have failed to recognize our deeper divine character.

We're not going to deputize a whole bunch of American citizens to start grabbing people or turning them in, in part because the ordinary American citizen may not know whether or not this person is illegal or not. But, you know, the notion that we're going to criminalize priests, for example, or doctors who are providing services to individuals, and throw them in jail for doing what their calling asks them to do, which is to provide help and service to people in need, I think that is a mistake. I think that's out of America's character.

We're nothing if we're not loved. When you meet somebody who is more important to you than yourself, that has to be the most important thing in life, really. And I think we are all striving for it in different ways. I also believe very, very strongly that everybody is the hero/heroine of his/her own life. I try to make my characters kind of ordinary, somebody that anybody could be. Because we've all had loves, perhaps love and loss, people can relate to my characters

Were not one thing, as human beings, so any character that is written uni-dimensional, thats just a shallow character with shallow writing and shallow acting.

Were really trying to make Crisis as accessible as possible, which is extremely difficult to do because it involves so many characters. But, again, you dont need to know all the details. Obviously the mainstays are there Superman, Batman, Wonder Woman and heavily focused on. There are a ton of great characters, and a lot happens to them over the course of Infinite Crisis . Some change and evolve, others fall, but it really is about trying to bring everybody on stage. We probably have 90 percent of the DCU showing up, if not more but without losing focus on what the story is.

We're sometimes treated like the stupid cousin, so I'm always drawn to characters that make you feel good about being Welsh.

We're not trying to prove the character of God through science. That's a bad idea. What I'm trying to do is clear away the misunderstandings, the debris that prevent people from accepting that God who wants to accept them.

We're seldom drawn to a character we admire; only to a personality we like.

We're really delving into so many stories that are comic book based, so I like that we have a woman as part of that production. We haven't really explored that too much. Wonder Woman has had so many different connotations over the years because she's so beloved as a character, and it's been interesting to see how she's evolved - to see how her outfits have changed, and going from having her invisible plane to starting to fly herself, and sort of be on par with the physical attributes of Superman.

We repeat again: strength of character does not consist solely in having powerful feelings, but in maintaining one’s balance in spite of them. Even with the violence of emotion, judgment and principle must still function like a ship’s compass, which records the slightest variations however rough the sea.

We're well past the end of the century when time, for the first time, curved, bent, slipped, flash forwarded, and flashed back yet still kept rolling along. We know it all now, with our thoughts traveling at the speed of a tweet, our 140 characters in search of a paragraph. We're post-history. We're post-mystery.

We shall convince France and the world, that we are not a degraded people, humiliated under a colonial spirit of fear and a sense of inferiority, fitted to be the miserable instruments of foreign influence, and regardless of national honor, character, and interest.

We send our [peacekeepers] off to some disputed zone, full of local intrigue and power blocs and uncertainty and danger, and they are supposed to save lives not with their weapons, but through their competence and their character. And they do it.

We should begin at the very root from which we spring, we should effect a radical reform in the character of the food.

We should be too big to take offense and too noble to give it.

We should begin by setting conscience free. When all men of all religions shall enjoy equal liberty, property, and an equal chance for honors and power we may expect that improvements will be made in the human character and the state of society.

We should every night call ourselves to an account: What infirmity have I mastered today? What passions opposed? What temptation resisted? What virtue acquired? Our vices will abate of themselves if they be brought every day to the shrift.

We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.

We should not be too hasty in bestowing either our praise or censure on mankind, since we shall often find such a mixture of good and evil in the same character, that it may require a very accurate judgment and a very elaborate inquiry to determine on which side the balance turns.

We should not be too niggardly in our praise, for men will do more to support a character than to raise one.

[We should] suspend our belief of every tale that deviates from the laws of nature and the character of man.

We shuffle out of office buildings after being laid-off by draconian bosses; we sit on hold for ten minutes only to be told by a supervisor that the charge on our cable bill can't be removed; we click a crying emoji on Facebook as our last whimper of protest. So rather than end the story ["Ice Age"] with the expected violence and destruction of evil, I wanted to focus on the way the characters end up sabotaging their own community though their attachments to the consumerism of the old world.

We stand in need of such reflections to comfort us for the loss of some illustrious characters, which in our eyes might have seemed the most worthy of the heavenly present. The names of Seneca, of the elder and the younger Pliny, of Tacitus, of Plutarch, of Galen, of the slave Epictetus, and of the emperor Marcus Antoninus, adorn the age in which they flourished, and exalt the dignity of human natures.

We started shooting, and then Jodie found out she was pregnant. Forest broke it to me - he'd gone to work and heard it on the radio! It seemed like the movie was doomed. But, like these characters, there was a disregard for all the signs along the way.

We start out in identical perfection: bright, reflective, full of sun. The accident of our lives bruises us into dirty individuality. We meet with grief. Our character dulls and tarnishes. We meet with guilt. We know, we know: the price of living is corruption. There isn’t as much light as there once was. In the grave we lapse back into undifferentiated sameness