Best 14098 quotes in «character quotes» category

It's the best honor when someone wants to use as their professional title the name of a character that you portrayed.

It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

Its theme-- the operation of divine grace on a group of diverse but closely connected characters-- was perhaps presumptuously large, but I make no apology for it.

It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.

It's the same challenge as with any other character, adults or not. You want to take time with the kids. You want to tell them in the audition that they have time to exchange ideas. I'm there. It's not someone else who does the audition, but I don't want to audition a thousand children.

It's the same kind of preparation you do for something like this you do for anything. It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.

It's the misfortune of German authors that not a single one of them dares to expose his true character. Everyone thinks that he has to be better than he is.

It's the interaction between those characters that really makes that movie as special as it is, and I'm proud to say, as you probably know, it was the highest grossing film of 2012, it's the highest grossing film that Walt Disney has ever put out, and it's the third highest grossing film ever, in the world.

It's the person who would sell his soul for a nickel, who is loudest in proclaiming his hatred of money.... Let me give you a tip on men's characters: the man who damns money has obtained it dishonorably; the man who respects it has earned it. Run for your life from any man who tells you that money is evil. That sentence is the...bell of an approaching looter.

It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.

It's too easy to sum up a person's character in one negative instant, and it doesn't put anything good out into the world.

It's the weirdest thing. When you go into acting, you expect to be a huge star and to be recognized. It did happen, but not in the way you expect it to. In L.A., I'm just another character actor.

It's the writer's job to stage confrontations, so the characters will say surprising and revealing things, and educate and entertain us all.

It's tough. It's very tricky to throw a morally flexible character onto the screen and have an audience empathize. It's always an exercise in restraint.

It strikes me as unfair, and even in bad taste, to select a few of them for boundless admiration, attributing superhuman powers of mind and character to them. This has been my fate, and the contrast between the popular estimate of my powers and achievements and the reality is simply grotesque.

It sure is boring to be around people who are in character all the time. I always find it's closer to mental illness than acting excellence.

It surprises me every day that this (Eddie Haskell) character is still so popular. I don't completely understand it but it's nice.

It's true the Holy Spirit alone can reproduce the character of our Lord Jesus, and we must always abide in Christ. But the Bible also makes us active partners in the process, and we must be diligent to do our part. "Be diligent to present yourself approved to God, a worker who does not need to be ashamed".

It's true, I do love the semi-epiphany. For example, in "Fall Line," the character's final decision is less epiphany than imbecility. He makes a choice, which the conflict hangs upon - whether to seek fame or actually change his life - and so, his decision is tied to the central conflict and his own hubris.

It's tough. We don't have a character-driven show so I think the fans get really frustrated because they don't get to see any consistency in terms of what's happening romantically. We kind of just have to take it with a grain of salt. It shows up where it shows up.

It's true in the beginning I started playing villains, and I think that's pretty clear, because if you don't conventionally look a certain way and you've got a certain kind of presence when you're young, then what's available to you is character roles, and the best character roles when you're young tend to be villains.

It's true that charisma can make a person stand out for a moment, but character sets a person apart for a lifetime.

It's very easy to fall in love with every character you play.

It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.

It's very important to me to find ways to relate the audience to the characters. This is the first thing to go in most mainstream horror films.

It's very hard to play a hyperactive character all the time, I try my best, but I end up collapsing at the end of the day.

It's very hard to take a character out of nothing, and put a hook on it, especially because it's only sonic. Futurama is a sonic world, and everyone's attention is focused on that sound and that little cartoon image. You can change it.

It's very important to keep the emotions grounded, to keep the characters in some real place.

It's very rare that a character comes to mind complete in himself. He needs additional traits that I often pick from actual people. One way you can cover your tracks is to change the sex.

It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.

It's very rare that you get a director that lets you be creative and bring what you feel your character should do or should be.

It's weird. I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin.

It’s wonderful, it’s expressive. It’s a way of using a part of my instrument that I’m comfortable and familiar with. The voice is such a vital part of crafting a character. I’m so pleased that I have the kind of voice that prints well and that people want to hear. I’ve had friends actually say, ‘You know, I was in the kitchen, and the television was on and I heard you.’ I love hearing that there’s something familiar about my sound, and that to some people it’s soothing.

It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.

It's very much an exploration of the human condition and how different people react and respond to their lives. And what they present to the world, in terms of who they are as characters and what is going on behind the mask, in terms of what demons their holding... and how that interacts.

It's weird: I was in a conference room, shouting out story ideas in the voices of different characters, and it was something I had to learn because I'd never been in that atmosphere. But I think I had a quick learning curve, because this is the job I was supposed to have.

It's very rare that you get to play a character over the course of so many films. Bella meant a lot to me and she will always be such a formative event in my career. I grew up with her and she and I have been on this great journey together. I also see many parallels between her evolution and my own because I lived through so many things along the way while playing Bella and having this connection to so many people involved in making the films over the years. It would be impossible for me to separate my world from Bella's.

It's very witty and it's great to see teenage characters have control that way. And you can actually hear about sex and pot and it's okay, it's not completely bad and you can't say that to teenagers.

It's what each of us sows, and how, that gives us character and prestige.

It's why you create characters: so you can argue with yourself.

It takes a strong character for a person to say, 'I can't do it.

It takes character to withstand the rigours of indolence.

It takes courage to have a conscience when you seem to see others getting something tangible out of not bothering to struggle with the morality of a situation. It gets frustrating and demoralizing. This is precisely where character comes in. All throughout history special people have felt compelled to do what they objectively saw as right and good - even in the face of humiliation or rejection or expulsion or torture or death. That is because they believed that certain ideas were more important than individual well-being.

It takes a while to grasp that not all failures are self-imposed, the result of ignorance, carelessness or inexperience. It takes a while to grasp that a garden isn't a testing ground for character and to stop asking, what did I do wrong? Maybe nothing.

It takes a certain kind of mind to narrate, to work through character motivation, to be unforgiving to one's writer-self when it comes down to creating the minutiae of detail. Writing fiction requires stamina, a sense of how people's lives work, how people work toward and against one another and, above all, precision.

It takes many good deeds to build a good reputation, and only one bad one to lose it.

It takes a good deal of character to judge a person by his future instead of his past

It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.