Best 14098 quotes in «character quotes» category

Courage is, on all hands, considered as an essential of high character.

Courage combined with integrity is the foundation of character.

Create a really interesting, complex person that you want to know more about, and take her on a journey that is rich and fulfilling and that has an end that is perfectly fulfilling, and that has an end that is perfect for that character, and the audience will love it.

Courtesy is a science of the highest importance. It is...opening a door that we may derive instruction from the example of others, and at the same time enabling us to benefit them by our example, if there be anything in our character worthy of imitation.

Creating a character is about what they look like. The look speaks volume to the audience.

Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.

Creating the characters is the most creative part of the novel except for the language itself. There I am, sitting in front of my computer in right-brain mode, typing the things that come to mind - which become the seeds of plot. It's scary, though, because I always wonder: Is it going to be there this time?

Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.

Creating Your Character is Like an Artist Creating a Sculpture

Creating characters is just another way to express a type and put that type to use.

Creating things. I love the idea of creation and creativity. Whether it's a character, a short film, a piece of music, a painting, or a bookcase - to watch something go from an idea to a creation is pretty much where it's at for me.

Credulity as a character trait is encouraged in every child who grows up with religious training, which invariably insists on the virtue of blind faith and the sinfulness of doubting and questioning.

Credulity is perhaps a weakness almost inseparable from eminently truthful characters.

Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.

Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.

CROUCHING TIGER is nevertheless a gloriously big epic, starring the Hong Kong action stars Chow Yun-Fat and Michelle Yeoh in a visionary adventure where the characters seem set free from the force of gravity.

Crime is the price society pays for abandoning character.

Crime seems to change character when it crosses a bridge or a tunnel. In the city, crime is taken as emblematic of class and race. In the suburbs though, it's intimate and psychological, a mystery resist to generalization, a mystery of the individual soul.

Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down.

Cultural constraints condition and limit our choices, shaping our characters with their imperatives.

Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It's going to be a bit deeper into a bigger picture.

Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.

Culture is not just an ornament; it is the expression of a nation's character, and at the same time it is a powerful instrument to mould character. The end of culture is right living.

Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.

Cry Baby is just a character in this world that I'm trying to create, and the music videos are really important to me, and I've fought to obviously get all of them approved.

Culture arises and unfolds in and as play... culture itself bears the character of play.

Cus was my father but he was more than a father. You can have a father and what does it mean?—it doesn't really mean anything. Cus was my backbone . . . . He did everything for my best interest . . . . We'd spend all our time together, talk about things that, later on, would come back to me. Like about character, and courage. Like the hero and the coward: that the hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.

Customs are made for customary circumstances, and customary characters.

Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.

Cuvier had even in his address & manner the character of a superior Man, much general power & eloquence in conversation & great variety of information on scientific as well as popular subjects. I should say of him that he is the most distinguished man of talents I have ever known on the continent: but I doubt if He be entitled to the appellation of a Man of Genius.

Dad's Theory of Arrogance--that everyone always assumes they're the Principal Character of Desire and/or Loathing in everybody else's Broadway Play.

'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.

Daja doesn't exactly need to be tested on whether she's honorable or not.

Damita Jo. Jo. That's my middle name. It's let in about the different characters that live within me. They say we have 200 characters that we portray with different people.

Dan Brown, is a character from Foucault's Pendulum! I invented him. He shares my characters' fascinations - the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is connected. I suspect Dan Brown might not even exist.

Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.

Dance is a way of connecting and finding a moment with someone. It really is something special and unique that you don't find in any other physical activity, you know? Because it's you with another person, and you guys dive in together with these characters. So dance, to me, has been really special to create amazing bonds with people.

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable... and hilariously original. A supernatural crime story, blazing with creative intrigue... don't miss it.

Darla [from Buffy The Vampire Slayer] was where I grew up. For me, Darla was like going to graduate school for acting. I learned so much with Joss Whedon and David Greenwalt. They encouraged us to make creative choices with our characters.

Darth Maul dies and it's okay. And maybe he'll be picked up later and another actor will play him and that's okay. However if they call me up and they need him for this or that and they want me to play him, then that's okay too. I do actually love this character. I feel strongly about him. I feel badly for him and if there's anything more I can contribute to him or the larger Star Wars mythology I will continue to do so and if my time has come then I will watch as a fan the way I have since I was born.

Dan instantly recognized the angry scratch that stretched from the corner of Ian's eye all the way along the olive skin to his chin. "Have you been messing with Saladin?" "No. Saladin has been messing with me," Ian shot back. "He isn't big on Lucians," Dan explained. "Animals are really good judges of character.

Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.

Daughter, we didn't need your note - or a prince's visit - to tell us you'd done nothing wrong. We know the daughter we raised. We fear for your future, but never for your character. You take our love and our trust wherever you wander. Father.

David Corbett's The Art of Character offers a deep inquiry into the creation of character for the novice writer, with valuable nuggets of wisdom for the seasoned storyteller. If you are a writer, it should be on your desk.

David knew that the very quality of his worship was not based on his own volition but on the object of his worship - the Father, Son and Holy Spirit. Though our affections for God may wax and wane, His character is unchanging! We even see David speaking to his own soul, demanding of it, "Bless the Lord!

David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.

David Corbett has combined his unique talents as a gifted writer and an extraordinary teacher to create a superb resource on character development. Deftly crafted and impeccably researched, The Art of Character is a thoughtful and insightful book that is immensely readable and practical.

Dear God, I prayed, all unafraid (as we're inclined to do), I do not need a handsome man but let him be like You; I do not need one big and strong nor yet so very tall, nor need he be some genius, or wealthy, Lord, at all; but let his head be high, dear God, and let his eye be clear, his shoulders straight, whate'er his state, whate'er his earthly sphere; and let his face have character, a ruggedness if soul, and let his whole life show, dear God, a singleness of goal; then when he comes (as he will come) with quiet eyes aglow, I'll understand that he's the man I prayed for long ago.

Deal honestly and objectively with yourself; intellectual honesty and personal courage are the hallmarks of great character.

Death stamps the characters and conditions of men for eternity. - As death finds them in this world, so will they be in the next.