Best 14098 quotes in «character quotes» category

I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.

I had a blast, but I still wonder sometimes why they saw me as the perfect guy for this strange character.

I had a huge imagination. My granddad says I was a bit of a Walter Mitty character.

I had always wanted to lend my voice to a character. I did a voice for this video game, called 'Fallout 3,' and that was really fun.

I had a lot of coaches growing up that were very hard on the kids in the name of building character, but it could have the opposite effect on kids.

I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut.

I had always functioned with dignity, wanting to appear intelligent, macho, never vulnerable or insecure. But now I realize that... a part of these comic characters is a fundamental part of me too.

I had an obsession that I was male characters from movies.

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.

I had a plot connection that nobody understood for this fourth character, and decided, Oh, nobody gets it, that's all. I'll write another draft to make her make sense. It took me awhile to learn that these three people were the core of this play, which seems so obvious now.

I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.

I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.

I had a very hard time accepting myself as a character actress, because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn't ever see me that way.

I had been thinking for a while about how bored and tired I was of playing straight-down-the-middle everymanish characters that have what I call white guy problems. And I missed playing characters who lacked dignity and more importantly, lacked social skills.

I had done a little bit one other time. This character [in Jack Reacher] is a psychopath, but I had been hired by Carlton Cuse and Randall Wallace.

I... had guys on the set who didn't like me... they weren't interested in the cold character.

I had lived in France before graduate school, but because of Spain, I had a lot of the characters go and spend a good bit of time in Spain.

I had much rather be adorned by beauty of character than by jewels. Jewels are the gift of fortune, character comes from within.

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.

I had no intention of pursuing either the characters or the setting further.

I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures

I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.

I hadn't mentioned, but Ching Shih is a pretty villainous character. She is a real person, but she was a pirate commander, so she probably murdered a lot of people.

I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.

I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.

I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.

I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.

I had the good fortune early on to cast some really great people that were not just characters, they had character.

I had these kind of unrealistic expectations that were fueled by romantic comedies, and it has both helped me and hurt me in many ways. It helped me because, in general, they've made me hopeful. I just figure things will eventually work out for me. But nobody is like any Tom Hanks character. Nobody is Hugh Grant. No one is Meg Ryan!

I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.

I had to bite back a laugh. "Cary Taylor. Loving you isn't a character defect." Chapter 12, pg 213

I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.

I had to learn early on that where conservatives are concerned, the truth about them is the last thing anybody wants to report. It's the lies and distortions, the mischaracterizations, the character assassinations, that people want to report.

I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.

I had to learn the image is not the word, which is a jolt for a literary soul. But it has served me well in terms of understanding plot, in terms of watching actors develop characters.

I had to focus and create a character in Bagger Vance, not just do my 'Will Smith' thing and get paid.

I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book.

I had wanted to be a regular character on a series for a while. 'The Brady Bunch' was an answer to a prayer.

I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don't learn to love each other or themselves.

I happen to still like really dark, dramatic, fractured characters. They're the reason I got into movies.

I hate alcoholics and AA (alcoholics anonymous). If you can't drink responsibly, don't drink at all. Don't go to meetings, whine about your character flaws and blame the fact that you are a sociopath on booze.

I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.

I hate the term "mystery". That's not what I write. I think the Scarpetta novels are much more character-driven than an average puzzle solver. Writing should be like a pane of glass - there's another world on the other side and your vision carries you there, but you're not aware of having passed through a barrier to get there.

I hate the crazy, neurotic characters beyond a certain point.

I hate the man who builds his name On ruins of another's fame. Thus prudes, by characters o'erthrown, Imagine that they raise their own. Thus Scribblers, covetous of praise, Think slander can transplant the bays.

I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.

I have a cheat-sheet for each one of my characters about their personality, the way they look, etc. So there is no possible way that I could have writer's block.

I have a big, long episode [in Full Circle] with Calista [Flockhart], and then my character actually carries out through a lot of it because he was a cop investigating this crime. But it is almost hard to remember, even though it wasn't that long ago. We shot it so fast. We literally shot that whole episode in one day.

I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.