Best 14098 quotes in «character quotes» category

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama...The best way I can describe it is Pelican Brief meets Time to Kill.

WE HAVE HAD OUR LAST CHANCE. THE PROBLEM NOW IS BASICALLY THEOLOGICAL, AND INVOLVES SPIRITUALITY AND IMPROVEMENT OF human CHARACTER. IT MUST BE OF THE SPIRIT IF WE ARE TO SAVE THE FLESH.

We have every reason to say, and I note this with great satisfaction, that a truly friendly relationship has evolved with China, and in many key areas these relations, without any exaggeration, have a strategic character. As we say, the strategic character of privileged partnership.

We have hardly an adequate idea how all-powerful law is in forming public opinion, in giving tone and character to the mass of society.

We have divided the Virtues of the Soul into two groups, the Virtues of the Character and the Virtues of the Intellect.

We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.

We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.

We have no filter for music, but we feel it when what's being spoken and sung is telling a story and evidencing a character.

We have only two sources of information about the character of the people around us: we judge them by what they do and by what they say (particularly the first).

We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.

We have the character of an island nation: independent, forthright, passionate in defence of our sovereignty. We can no more change this British sensibility than we can drain the English Channel. And because of this sensibility, we come to the European Union with a frame of mind that is more practical than emotional.

We have this saying, and it's been very useful when a series, 'The Mindy Project' goes for longer than a hundred episodes, which is Mindy character can never get what she wants when she wants it. We enjoyed it because it felt very real to her character to make a big impulsive move and it seems like she has everything, this instant family, a guy she loves and then there's a moment of panic.

We have to give our poor, innocent, and undeserving-of-our-badness characters trouble in order to make them characters in a story.

We have to say now we think the character of the party has changed so far it will take something very exceptional, something really out of the ordinary line to make us be convinced there's a chance of winning back the party.

We have to keep company with supposedly bad characters if we are to survive and not succumb to mental atrophy. People of good character, so called, are the ones who end up boring us to death.

We have to wear clothes, a requirement of custom, but more time, temper, character, and peace of mind, not to mention money, have been sacrificed to them than to any other altar on this green earth, and for what?

We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.

We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.

Weirdly enough, I don't like to pretend. I try to use things in me, and translate them into the situation and the characters, so it always needs to run through my own veins.

We knew Terry Brooks' work, but we hadn't read the Shannara books. So, they sent us the book to read and we just loved the story and the characters. We thought it would make a very compelling season of television. We were like, "Someone is going to make this. Why don't we do it?

We in Illumination Entertainment tend not to put ideas through a brand funnel. We've collected a group of people who share a certain taste, and that is connected to our aspirations for our brand. We pride ourselves on making character-centric movies. If I had to say what's the most important thing this company does, it's creating characters that stay with the audience long after they leave the theater.

Weird, but sometimes I feel more like my cartoon character than I do Lizzie because she's a little more edgy and snappy.

We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours that aren't in the film that would have been there in reality. I think part of the look of the film not only has to do with the way it's shot and lit, but also the lack of certain colours that give it a softness which really suits it because there's more focus on the characters. For instance, there's no yellow at all until we get to Miss Stubbs' flat at the very end.

We knew before we came (to earth) that there would be many adverse circumstances to test us: accidents, sickness, and disease to prove us; temptations and distractions to try us; disappointments, discouragements, reverses, failures and all kinds of situations to determine our character.

We know that communication must be hampered, and its form largely determined, by the unconscious but inevitable influence of a transmitting mechanism, whether that be of a merely mechanical or of a physiological character.

We know but a few men, a great many coats and breeches.

We know nothing of the trials, sorrows and temptations of those around us, of pillows wet with sobs, of the life-tragedy that may be hidden behind a smile, of the secret cares, struggles, and worries that shorten life and leave their mark in hair prematurely whitened, and a character changed and almost recreated in a few days. Let us not dare to add to the burden of another the pain of our judgment.

We know that passion, prejudice, party, and even good-will, tempt many who preserve a fair character with the world to deviate from truth in the laxity of conversation.

We know the excitement of getting a present - we love to unwrap it to see what is inside. So it is with our children. They are gifts we unwrap for years as we discover the unique characters God has made them.

We know that communism is the right hypothesis. All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy-the form of state suited to capitalism-and to the inevitable and 'natural' character of the most monstrous inequalities.

We know that we need to explore desire in fiction - many say that the only way a story exists is that a character feels a strong desire - and nature is the place where creatures act on their desires in the most pure way imaginable, so maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I'm interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.

We leave Scarlet Witch without a home, without a family, and she ends up creating a surrogate family within the Avengers and making a decision to be a part of the team. I think a lot of that has to do with what Jeremy's character - like his attitude towards her and the speech he gives her at the end of the film. So we pick up with her having started a new life, but still trying to figure out what her abilities are and if using them causes greater good or greater damage.

We know who is benevolent, by quite other means than the amount of subscriptions to soup-societies. It is only low merits that canbe enumerated.

We learn a lot, and each museum ends up having its own distinctive character and personality.

We liked the idea of introducing the audience to the world, and to show how much they had accepted or were confused by it. It was gratifying to see the people who embraced it immediately and understood it and got into it. They have tracked the characters through the six episodes, so it felt that now we can launch into the journey element of it. And really explore more of the Badlands.

We live in a box of space and time. Movies are windows in its walls. They allow us to enter other minds, not simply in the sense of identifying with the characters, although that is an important part of it, but by seeing the world as another person sees it.

We live in a much more complicated time than when Superman was created 75 years ago. Or even when Superman The Movie was created in the 70s. There are great advances but with those come a great many complications.We felt that the character needed to grow up in that kind of environment and had to face those kinds of colossal choices that were not going to be easy. It's difficult to figure out the right path. And even if you do good there are causalities to your choices. We thought it would be compelling.

We live in an age fit for heroes. No time has ever offered such perils or prizes... The test of this century will be whether man confuses the growth of wealth and power with the growth of spirit and character.

We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.

Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.

Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.

Well first of all, it's hard to shoot a movie and break for a long time and then come back and do, in a sense, one of the biggest scenes that each character had.

Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.

Well, I always try to look at my characters as being better than I am. That's one of the reasons I guess I became an actor - because you get to create a persona that's bigger or better or more interesting than your own.

Well I mean I think everybody was devastated because my last day on set was my death scene and so it was just sad altogether because my character was taking her last breath and I was kind of taking my last breath of air on set with everybody so it's definitely very sad.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.

Well, I'm a character actor, and actually throughout my life I've... I have relatively speaking played few heroic leads, but I've done it.

Well, I'm also like 23 and playing 16. So maybe when I'm 30 I'll be playing characters in their early 20s. I don't know.

Well, I'm not a method actress by any stretch of the imagination so the best thing that I can do is be as real as possible and find whatever commonality in that character that I can see myself.