Best 14098 quotes in «character quotes» category

. . .and every native has a story of winter – stories that usually begin, You call this a storm? And grow in the telling like battle tales shared by graying war veterans. It’s a peculiar character flaw to those of us from cold climates that we feel superior to those who have the sense to live elsewhere.

And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.

And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead.

And from my character's point-of-view in Ravenous, he had been collected by Robert Carlyle's character, he had become infected by this ravenous, cannibalistic power, and he was making the best of it.

And from that hour his poor maimed spirit, only remembering the place where it had broken its wings, cancelled the dream through which it had since groped, and knew of nothing beyond the Marshalsea.

And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.

And if you are honest about the words coming out of your characters' mouths, you'll find that you've let yourself in for a fair amount of criticism.

And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays that is frowned upon.

And if I was going to go there – the only person you can really compare Batman to, of those characters, would be Iron Man, another rich guy who has the ability to make fantastic toys – so if you want to take Batman and Iron Man and put them in a battle, that’s an interesting battle. But if you want to take Christian Bale and Robert Downey Jr. and put them in a UFC fighting cage, Christian Bale will – to quote Full Metal Jacket – tear Robert Downey Jr.’s head off and sh-t down his neck.

And I have the support of the writers: I have a great relationship with the creative team, and they have a good hold of my character and my personality, and they come up with some great stuff, and I'm forever trying to change it up, keep it fresh.

And I have yet to find one single individual who has attained conspicuous success in bringing down enemy aeroplanes who can be said to be spoiled either by his successes or by the generous congratulations of his comrades. If he were capable of being spoiled he would not have had the character to have won continuous victories, for the smallest amount of vanity is fatal in aeroplane fighting. Self-distrust rather is the quality to which many a pilot owes his protracted existence.

And if Henry Higgins is not the most reprehensible character ever written for the stage, that's only because somewhere, somehow, someone is composing a musical biography of Ronald Reagan

And I'm so excited to remind people and even gain new fans who find out about Dharma - a new generation who could find out about Dharma and enjoy her and all the characters on the show.

and in that recurring dream, I found myself trapped in some sort of gigantic game of which I was unfamiliar with the rules; lost in a labyrinthine town of dark and damp, criss-crossing streets, ambiguous characters of uncertain authority having no idea of why I was there nor what I had to do, and where the first sign of the beginning of understanding was the wish to die.

And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.

And it's only the beginning of a new era of exceptional Star Wars storytelling; next year we'll release our first standalone movie based on these characters, followed by Star Wars: Episode VIII in 2017, and we'll finish this trilogy with Episode IX in 2019.

And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.

And I thought, you know, a little gender confusion makes a better person. A little adversity in life at an early age. It's character building.

And it would be a bit out of character. President Recep Tayyip Erdogan may have started out as a reformer, but he really enjoys being seen as a larger-than-life tough-guy figure. He doesn't go on photographed hunting expeditions, for instance. But he does have hero moments, such as when his convoy stopped in the middle of the Bosphorus Bridge and he allegedly talked down a jumper, prevented him from committing suicide.

And I've been acting for 39 years, so I define characters differently than I did in say Miami Vice

And let no one suppose that I claim that just living can be taught for, in a word, I hold that there does not exist an art of the kind which can implant sobriety and justice into depraved natures.  Nevertheless, I do think that the study of political discourse can help more than any other thing to stimulate and form such qualities of character

And liberty cannot be preserved without a general knowledge among the people who have a right from the frame of their nature to knowledge, as their great Creator who does nothing in vain, has given them understandings and a desire to know. But besides this they have a right, an indisputable, unalienable, indefeasible divine right to the most dreaded and envied kind of knowledge, I mean of the characters and conduct of their rulers.

And, my God, the actors. The cast, led by the extraordinary Jennifer Lawrence, is absolutely wonderful across the board. It’s such a pleasure to see how they’ve embodied the characters and brought them to life.

And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolations that an intelligent man cannot seriously become anything; that only a fool can become something. Yes, sir, an intelligent nineteenth-century man must be, is morally bound to be, an essentially characterless creature; and a man of character, a man of action - an essentially limited creature. This is my conviction at the age of forty. I am forty now, and forty years - why, it is all of a lifetime, it is the deepest of old age. Living past forty is indecent, vulgar, immoral!

And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment; it is transient as all moments are; it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name; let us call it the Fullness of Time.

And may I not be allowed to ... read in the character of the American people, in their devotion to true liberty and to the Constitution which is its palladium [protection], ... a Government which watches over ... the equal interdict [prohibition] against encroachments and compacts between religion and the state.

And my father was a comic. He could play any musical instrument. He loved to perform. He was a wonderfully comedic character. He had the ability to dance and sing and charm and analyze poetry.

And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.

And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.

[And on going from character to leading actor] I don't approach anything differently; I just approach it as a character. I'm always astounded at the fact that I've ever played a leading character in anything [Laughs]. And my wife concurs with that, frankly. She always thought I would be, at best, the wacky neighbor on a sitcom, so this is all just a surprise and a joy.

And once we have given our community a good start,' I pointed out, ' the process will be cumulative. By maintaining a sound system of education you produce citizens of good character, and citizens of sound character, with the advantage of a good education, produce in turn children better than themselves and better able to produce still better children in their turn, as can be seen with animals.

And that doesn't cost any money, to have decent relationships and viable situations. What costs money is car chases and shoot-outs, so I always thought that the thing to work on was the characters.

And the most important thing - apart from telling a good, believable story, and being a true character - is to be someone the audience will care about, even if you're playing a murderer or rapist.

And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.

And then while she's lip-syncing, "I've Grown Accustomed To Your Face," to this little head next to her, the head eats the cloth fabric and swallows it and it's sort of this weird, demonic character there, who then tries to eat the singer. But it's a lot of fun. So there's a couple of pieces like that.

And then, 'Why is a raven like a writing desk?' Those things just became so important to the character. You realize that the more you read it, if I read the book again today, I'd find 100 other things that I missed last time. It's a constantly changing book.

And the glory of character is in affronting the horrors of depravity to draw thence new nobilities of power: as Art lives and thrills in new use and combining of contrasts, and mining into the dark evermore for blacker pits of night.

And then certainly, whatsoever you do - your character, your behaviour - is yours, authentically yours. It has your signature on it. Then you are not a carbon copy, you are original. The Zen people call it finding the original face.

And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.

And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.

And they're [Coen brothers] so smart, they're so witty, they have such an extraordinary way of communicating with an audience in a such a clean way - with just a few lines or just a gesture from a character, they say so much.

And well historically it's never been a good thing to compare yourself to biblical characters.

And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.

And whether you're drawn to gospel music or church music or honky-tonk music, it informs your character and it informs your talent.

And whatever our faith - whatever our faith, one belief should bind us all: The measure of our character is our willingness to give of ourselves for others and for our country.

And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.

And while we're on the subject of ducks, which we plainly are, the story, 'The Ugly Duckling' ought be banned as the central character wasn't a duckling or he wouldn't have grown up into a swan. He was a cygnet.

And very often the influence exerted on a person's character by the amount of his income is hardly less, if it is less, than that exerted by the way in which it is earned.

And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters

An earthly immortality belongs to a great and good character. History embalms it; it lives in its moral influence, in its authority, in its example, in the memory of the words and deeds in which it was manifested; and as every age adds to the illustrations of its efficacy, it may chance to be the best understood by a remote posterity.