Best 14098 quotes in «character quotes» category

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    Life is [perceived as] a series of problems: Either you are in one now, you're just coming out of one, or you're getting ready to go into another one. The reason for this is that God is more interested in your character than your comfort. God is more interested in making your life holy than He is in making your life happy. We can be reasonably happy here on earth, but that's not the goal of life. The goal is to grow in character, in Christ likeness.

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    Life is what our character makes it. We fashion it, as a snail does its shell. A man can say: I never made a fortune because it is not in my character to be rich.

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    Life, whether in this world or any other, is the sum of our attainment, our experience, our character. The conditions are secondary. In what other world shall we be more surely than we are here?

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    Like all of my friends, she's a lousy judge of character.

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    Like all of you I'm angry. I'm angry at what's happening to our nation. Citizens, it's time to take our country back. Bombastic insults wont take it back. Political rhetoric that promises a lot and delivers little, won't take it back. All of our problems can be solved. All of our wounds can be healed by a tested leader who is willing to fight for the character of our nation.

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    Like at Halloween: I knew I'd arrived when I saw people dressing up on Halloween as my character.

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    Like all very handsome men who die tragically, he left not so much a character behind him as a legend. Youth and death shed a halo through which it is difficult to see a real face.

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    Like an actor who transforms into the character that they're playing, you can transform into yourself.

    • character quotes
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    Like every normal person, I hate my voice. And I am not the only one who hates my voice. The voiceover gets a lot of strong reactions. A lot of people love it, and a few people truly hate it and pronounce the films are unwatchable because of my Latvian accent. But it also has a certain level of theatricality, and everything is important for a manic character.

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    Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations.

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    Like Flannery O'Connor, McCorkle's genius is to give us both philosophical speculation and a riveting narrative filled with unforgettable characters. Great writing, poignancy, humor, wisdom-all are in abundance here. Jill McCorkle is one of the South's greatest writers; she is also one of America's.

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    Like, in general I think people have very complicated reasons for wanting things, and we often have no idea whether we’re actually motivated by altruism or a desire to hook up or a search for answers or what. I always get annoyed when in books or movies characters want clear things for clear reasons, because my experience of humanness is that I always want messy things for messy reasons.

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    Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.

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    Like one's own children, golf has an uncanny way of endearing itself to us while at the same time evoking every weakness of mind and character, no matter how well hidden.

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    Like most people, Im fascinated by characters who are completely flawed personalities, riven by anguish and doubt, and are psychologically suspect.

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    Like stories, people have individual lives, and are all caught up in this murky thing. All of them have the best intentions. In that sense, you could just as easily tell the same story from another character's perspective. Maybe that's a good idea for a TV series.

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    Like the character I played in Jekyll, we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.

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    Like the crow among mankind are the Zanj [African Blacks] for they are the worst of men and the most vicious of creatures in character and temperament.

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    Like the characters in Chekhov, they have no reserves -– you learn the most intimate secrets. You get an impression of a world peopled by eccentrics, of odd professions, almost incredible stupidities, and, to balance them, amazing endurances.

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    Lincoln described character is a tree and reputation as its shadow. The tree will always be what it is but the shadow we see depends on where we stand and the angle of the light.

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    Listening is the key to total concentration. You listen as the character would listen, closing the door on everything else. Then you are ready to respond.

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    Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.

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    Listen to a man's words and look at the pupil of his eye. How can a man conceal his character?

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    Literary characters, like my grandmother's apparitions, are fragile beings, easily frightened; they must be treated with care so they will feel comfortable in my pages

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    Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.

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    Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.

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    Literature is the voice of the age and the state; the character, energy, and resources of the country are reflected and imaged forth in the conceptions of its great minds; they are organs of the time; they speak not their own language, they scarce think their own thoughts; but under an impulse like the prophetic enthusiasm of old, they must feel and utter the sentiments which society inspires.

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    Little progress can be made by merely attempting to repress what is evil. Our great hope lies in developing what is good.

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    Literature ultimately helps one to ground a deeper and wider outlook. An over-directed life without the inner resource to step outside of itself is closed to other beauties and the complexities of character and world.

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    Little lies are very dangerous, because there are so many of them, and because each one of them scours upon the character as diamond-pointed.

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    Live truth instead of professing it.

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    Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.

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    Live your life while you have it. Life is a splendid gift. There is nothing small in it. For the greatest things grow by God's Law out of the smallest. But to live your life you must discipline it. You must not fritter it away in "fair purpose, erring act, inconstant will" but make your thoughts, your acts, all work to the same end and that end, not self but God. That is what we call character.

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    Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.

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    Lizzie Pepper is pure fiction! The character is pulled from tabloids. But I think we all look at celebrity marriages and invest in them.

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    [London] is sentimental and tolerant. The attitude to foreigners is like the attitude to dogs: Dogs are neither human nor British, but so long as you keep them under control, give them their exercise, feed them, pat them, you will find their wild emotions are amusing, and their characters interesting.

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    Longevity, like intelligence and good looks and health and strength of character, is largely a matter of genetic heritage. Choose your parents with care.

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    Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.

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    Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.

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    Look for players with character and ability. But remember, character comes first.

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    Look at the sky. It’s not dark and black and without character. The black is, in fact deep blue. And over there: lighter blue and blowing through the blues and blackness the winds swirling through the air and then shining, burning, bursting through: the stars! And you see how they roar their light. Everywhere we look, the complex magic of nature blazes before our eyes.

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    Look for the contradictions in every character, especially in your heroes and villains. No one should be what they first seem to be. Surprise the audience.

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    Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.

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    Looking at the Batman pages is like revisiting my youth. My first seven years in New York were the first seven years of Batman itself. While my time on Batman was important and exciting and notable considering the characters that came out of it, it was really just the start of my life.

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    Look, I play all these tough guys and thugs and strong, complex characters. In real life, I am a cringing, neurotic Jewish mess. Can't I for once play that on stage?

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    Look well to the characters and qualifications of those you elect and raise to office and places of trust.

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    Look what they did to MaCauley Culkin. The poor child. I know because I've been there. But I could say after living my life, truth will always win out. And no one can take my character away from me anymore.

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    Look to a day when people will not be judged by the color of their skin.

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    Lord of the golden tongue and smiting eyes; Great out of season and untimely wise: A man whose virtue, genius, grandeur, worth, Wrought deadlier ill than ages can undo.

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    Loss as muse. Loss as character. Loss as life.