Best 14098 quotes in «character quotes» category

To improv-nerd-out for a second, it's like the most aggressive yes-anding you can do - if someone's like, "Yeah, you're super thin, right?" And you just pull that into a character and do seven more episodes of the podcast and remember to bring that up.

To know a people's character, we must see it at its homes, and look chiefly to the humbler abodes where that portion of the people dwells which makes the broad basis of the national prosperity.

To know the true nature of a person unknown, just see closely and correctly the character of known people who truly like him or her.

To know what you want to say is not the best condition for writing a novel. Novels go happiest when you discover something you did not know you knew: an insight into one of your opaque characters, a metaphor that startles you... a truth... that used to elude you.

To judge a man's character by only one of its manifestations is like judging the sea by a jugful of its water.

To keep the readers interested, and coming back, and to keep coming up with new and exciting ways to present stories and to present the character in a reflection of the times, is an absolutely incredible accomplishment. Hats off to all these people who have done such incredible creative work and still do every week.

To live in a great idea means to treat the impossible as though it were possible. It is just the same with a strong character; and when an idea and a character meet, things arise which fill the world with wonder for thousands of years.

To live each day as though one's last, never flustered, never apathetic, never attitudinizing - here is the perfection of character.

To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision.

To love someone properly probably means that you won’t be very popular. Pure love, loving the way it was intended, is unfortunately a foreign concept to many. Love is messy. Love will involve hardship, demand patience, require forgiveness, test maturity, strain friendship, challenge priorities, refine character, ignite the heart and unleash the soul. Love is not something you sing about, it’s the reason you sing. Love is not something you write about, it’s the reason you write. Love is not something you live to find, it’s the reason that you are alive.

To make astute people believe one is what one is not is, in most cases, harder than actually to become what one wishes to appear.

To make no mistakes is not in the power of man; but from their errors and mistakes the wise and good learn wisdom for the future.

To make the improving of our own character our central aim is hardly the highest kind of goodness. True goodness forgets itself and goes out to do the right thing for no other reason than that it is right.

Tom [Cruise] is a great producer himself. He's got great sense of story. It's always great to have the perspective of the person who's playing the character in your film.

To me, casting is all about finding a character within the actor off the screen as much as on the screen.

To me, character in a person is judged by the decisions that are made under pressure.

To me experimental fiction ultimately is about the experiment and I'm not interested in experiments for their own sake, and if anything I've always steered a bit clear of that kind of thing, because it seems gimmicky to play around with text rather than do the work of telling a story and creating characters.

To me, 'Educating Rita' is the most perfect performance I could give of a character who was as far away from me as you could possibly get and of all the films I have ever been in, I think it may be the one I am most proud of.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

To me, getting to do music and videos, you work on a character. Being onstage is acting; you get to be larger than life and larger than yourself.

To marry a man out of pity is folly; and, if you think you are going to influence the kind of fellow who has never had a chance, poor devil, you are profoundly mistaken. One can only influence the strong characters in life, not the weak; and it is the height of vanity to suppose that you can make an honest man of anyone.

To me, acting is a matter of absolute concentration. You can laugh and giggle with your friends up to the minute the director says, "Action!" Then you snap your mind into shape and into the character that you're playing and relate to the people that you're acting with and forget everybody else that you've been joking with.

To me, it's the kiss of death when you start winking at the audience as an actor. I just never liked it. I don't like it when we do monologues, looking into the character.

To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.

To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.

To me, obstacles in life build character. You have to be able to overcome adversity in order to succeed and appreciate the simple things life has to offer...that's where most of my inspiration for writing and singing comes from.

To me sympathy for a character has little to do with how morally upstanding or wicked they are. All that really matters for me is how human and interesting they are. I happen to be drawn to characters who operate under intense internal pressure, which often comes from some deep psychological conflict.

To me it's not so much that the movies are slow-paced as much as they are about spending time building a relationship between the audience and the characters. If you don't spend an adequate amount of time doing this, then how can you expect to scare anyone?

To me, the essence of keeping the soul nourished is obedience to one's conscience. I don't think that the soul can be nourished unless people have a strong sense of conscience that they have educated and developed and soaked in the universal and timeless principles of integrity and service. This way, the individual's soul becomes part of the universal soul of service, contribution, and making a difference.

To me, nothing tastes more like summer than peach pie. I began collecting pie recipes from friends and family while I was still working on my first draft. As the recipes poured in, it was fun to try to match the pies to the characters in the book.

To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.

To me the interesting main character is never the one without flaws.

To me, to spend all the time and energy and face all those creative challenges that you would spend for a two hour movie, you're inventing a world, you're inventing characters. If they're interesting enough, they should be compelling enough to go for five more episodes. How incredibly frustrating would it be to just do one movie?

Tom Kenny is a master of changing a pubic hair this way or that way, and sounding like a totally different character.

To model our political system upon speculations of lasting tranquility, is to calculate on the weaker springs of the human character.

To me, the more bizarre the character, the more I'm attracted to it.

To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.

Tomorrow's character is made out of today's thoughts. Temptation may come suddenly, but sin does not.

To me there never has been a higher source of honour or distinction than that connected with advances in science. I have not possessed enough of the eagle in my character to make a direct flight to the loftiest altitudes in the social world; and I certainly never endeavored to reach those heights by using the creeping powers of the reptile, who in ascending, generally chooses the dirtiest path, because it is the easiest.

To me, you couldn't write a character like J. Edgar Hoover and have it be believable. I mean, he was a crock pot of eccentricities. We couldn't even fit all his eccentricities into [ the same named] movie.

Tom Hanks, who starred in 'The Da Vinci Code,' turns out to be related to a number of the historic characters that feature in 'The Da Vinci Code,' including William the Conqueror and Shakespeare.

Tommy Lee Jones is hilarious. I would say, if you look at the body of his work, the character he is most like is the one in 'The Fugitive.' That's how he talks and jokes. That is the type of energy he has.

To me to write well is to battle stereotypes. To write well is to create three-dimensional characters that seem human.

To me, truth is the big thing. Constantly you're writing something and you get to a place where your characters could go this way or that and I just can't lie. The characters have gotta be true to themselves.

Tom’s aunt Georgie spoke to me first, and Tom found me through her. At the time, I didn’t actually think Tom was a big enough character to carry a story. If it had to be anyone from Saving Francesca, I thought, it would be Will Trombal or Tara. But the line in Francesca, ‘I want to be the first male in the Mackee family to reach 40 and still have a liver’ stuck with me, and in the end, Tom has been one of the biggest surprises. I’m glad I didn’t kick him out of my head.

To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.

To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it.

Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.

To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.

To murder character is as truly a crime as to murder the body: the tongue of the slanderer is brother to the dagger of the assassin