Best 14098 quotes in «character quotes» category

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    Donald Trump has many ads about Hillary Clinton's character and it's fair to look at both.

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    [Donald Trump] is a true republican: he is hypocritical and two-faced, he's a liar, a cheat, and a thief and the more he speaks, the more his real character shows.

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    Donald Trump has been mischaracterized, misdiagnosed, his character has been assaulted from the get-go by both Republicans and the Hillary Clinton campaign.

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    Do not accept the roles that society foists on you. Re-create yourself by forging a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define if for you. Incorporate dramatic devices into your public gestures and actions – your power will be enhanced and your character will seem larger than life.

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    Donald Trump's temperament and character is precisely what you would hate to see in your children, much less your president.

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    Do not any longer contend for mastery, for power, money, or praise. Be content to be a private, insignificant person, known and loved by God and me....of what importance is your character to mankind, if you was buried just now. Or if you had never lived, what loss would it be to the cause of God.

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    Do not conceive that fine Clothes make fine Men, any more than fine feathers make fine Birds. A plain genteel dress is more admired and obtains more credit than lace and embroidery in the Eyes of the judicious and sensible.

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    Do not let yourselves be discouraged or embittered by the smallness of the success you are likely to achieve in trying to make life better. You certainly would not be able, in a single generation, to create an earthly paradise. Who could expect that? But, if you make life ever so little better, you will have done splendidly, and your lives will have been worthwhile. Property may be destroyed and money may lose its purchasing power; but, character, health, knowledge and good judgement will always be in demand under all conditions.

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    Do not make mistakes about character. Better be cheated in the price than in the quality of goods.

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    Do not forget that small daily actions do or undo character.

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    Do not, however, mistake me. It is not to my good friend's heresy that I impute his honesty. On the contrary, 'tis his honesty that brought upon him the character of a heretic.

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    Don't accept the excuse of complexity. A lot of people will tell you, this is too challenging, this is too complicated, yeah well I know other people simplify but that's not for me, this is a complicated business. They're wrong. You can change the world in 140 characters.

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    Don't be intimidated by power, wealth or station, character alone makes all the difference.

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    Don't be didactic - don't write about poverty. Write about poor people. When you dramatize their lives and let life and characters be your inspiration, you will express the 'idea' dynamically and without preaching.

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    Don't be discouraged, but know that suffering produces perseverance, perseverance brings character, and character brings hope, and this is a hope which will not disappoint us.

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    Don't ever forget that you're a citizen of this world, and there are things you can do to lift the human spirit, things that are easy, things that are free, things that you can do every day: civility, respect, kindness, character.

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    Don't get discouraged: it is often the last key in the bunch that opens the lock. Ability may get you to the top, but it takes character to keep you there.

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    Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.

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    Don't get me wrong, Carter Smith is an insanely talented photographer, but as a director he approached it more from a story standpoint. He definitely had an interest in communicating the text and the characters first, and he allowed his cinematographer Darren Lew to really find the visuals - of course, he worked with him throughout the entire Jamie Marks Is Dead movie, it was a collaborative effort. While the movie is very visually beautiful, in my opinion, very visually striking, Carter was definitely approaching it from a performance standpoint first.

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    Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.

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    Don't make friends who are comfortable to be with. Make friends who will force you to lever yourself up.

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    Don't let your character change color with your environment. Find out who you are and let it stay it's true color.

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    Don't let your special character and values, the secret that you know and no one else does, the truth - don't let that get swallowed up by the great chewing complacency.

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    Don't measure yourself by what you have accomplished, but by what you should have accomplished with your ability. Do not let what you cannot do interfere with what you can do. Be more concerned with your character than with your reputation. Your character is what you really are while your reputation is merely what others think you are. Failure to prepare is preparing to fail.

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    Don't put your characters on a treadmill. They need to go new places, face new challenges and do new things.

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    Don't separate the mind from the body. Don't separate even character - you can't. Our unit of existence is a body, a physical, tangible, sensate entity with perceptions and reactions that express it and form it simultaneously. Disease is one of our languages. Doctors understand what disease has to say about itself. It's up to the person with the disease to understand what the disease has to say to her.

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    Don't take our word for it. Read the Bible itself. Read the statements of preachers. And you will understand that God is the most desperate character, the worst villain in all fiction.

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    Don't try so much to form your character - it's like trying to pull open a tight, tender young rose. Live as you like best and your character will take care of itself.

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    Don't think about how your characters sound, but how they see. Watch the world through their eyes - study the extraordinary and the mundane through their particular perspective. Walk around the block with them, stroll the rooms they live in, figure out what objects on the cluttered dining room table they would inevitably stare at the longest, and then learn why.

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    Don't try to be different. Just be good. To be good is different enough.

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    Don’t use your conscious past. Use your creative imagination to create a past that belongs to your character. I don’t want you to be stuck with your own life. It’s too little.

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    Don't we all deserve forgiveness? I hope we do; I believe we do. Forgiveness says as much about the character of the person bestowing it as the person receiving it. Learning to forgive may be the most difficult of human acts,and the closest thing to divinity, whatever you decide that is.

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    Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.

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    Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing.

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    Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.

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    Dostoyevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem 'pathological', while they are only visualized more clearly than any other figures in imaginative literature... He was in the rank in which we set Dante, Shakespeare and Goethe.

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    Do the work. Create the character, don't wing it and don't hope for an award or the Red Carpet. At the end of day the people who stay in the line the longest are the people who are good.

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    Do what you know and perception is converted into character.

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    Do you know how hard it is to play a character where youre always in heels? Oh, my goodness!

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    Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.

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    [Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.

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    Do you set down your name in the scroll of youth, that are written down old with all the characters of age?

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    Drawing on the experience I have of now directing, to me, my one strength that I know is my ability to communicate with actors and therefore make characters really important.

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    Do you think that a man is renewed by God's Spirit, when except for a few religious phrases, and a little more outside respectability, he is just the old man, the same character at heart he ever was?

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    Dr. Cox mentors the rookie doctors with a spoonful of dirt and then a cup of sugar. I see him as an archetypal descendent of two of my favorite curmudgeonly characters: Lou Grant and Louie De Palma.

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    Dr. Okun. Who's named after a special-effects guy named Jeff Okun, who had done Stargate for Roland Emmerich and Dean Devlin, who did Independence Day. But "Brakish" just came up one day when Jeff Goldblum and I were improvising, and he told me his character's name and I told him mine.

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    Duke is a character who believes that heroism and the Robin mantle can exist entirely separate from Batman himself.

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    Drudgery is one of the finest touchstones of character there is. Drudgery is work that is very far removed from anything to do with the ideal - the utterly mean grubby things; and when we come in contact with them we know instantly whether or not we are spiritually real.

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    Dr. McDreamy, that's what I call Patrick's character. He's gorgeous, he's got a great body and he's got damn fine hair.

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    [Duke] is the same way that Harper Row is a character who doesn't want to know who you are beneath the mask, and that makes her interesting. She'll show up and help Batman, but she never wants to know if he's Bruce Wayne.