Best 14098 quotes in «character quotes» category

About Superman and Batman: the former is how America views itself, the latter, darker character is how the rest of the world views America.

About 80 percent of the stuff I live with is old. I like letting things take on the character they’re meant to have by really being used. … when you own things that have the imperfections they deserve, that they’ve earned from a well-lived life, it frees you from feeling as though they’re untouchable.

A brisk, bright, blue-eyed fellow, a very neat figure and rather under the middle size, never out of the way and never in it.

Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation. It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.

Absolutely. I think, I think the American people, at their core, are a decent people. I think that we still have prejudice in our midst, but I think that the vast majority of Americans are willing, are willing to judge people on the basis of their ideas and their character. And in the case of the presidency, I think what's most important is whether the American people think that you understand their hopes and dreams and struggles and whether they think you can actually help them achieve those hopes and dreams.

A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!

A cartoon character isn't a specific person. It isn't Tom Cruise or George Clooney playing the part, it's a character that could be you. It's easier for you to get drawn into it in a special way.

Accidents will occur in the best-regulated families; and in families not regulated by that pervading influence which sanctifies while it enhances... in short, by the influence of Woman, in the lofty character of Wife, they may be expected with confidence, and must be borne with philosophy.

Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!

According to Dickens, the first rule of human nature is self-preservation and when I forgive him for writing a character as pathetic as Oliver Twist, I'll thank him for the advice.

According to my observations, mankind are among the most easily tamable and domesticable of all creatures in the animal world. They are readily reducible to submission, so readily conditionable (to coin a word) as to exhibit an almost incredibly enduring patience under restraint and oppression of the most flagrant character. So far are they from displaying any overweening love of freedom that they show a singular contentment with a condition of servitorship, often showing a curious canine pride in it, and again often simply unaware that they are existing in that condition.

According to Gandhi, the seven sins are wealth without works, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, worship without sacrifice, and politics without principle. Well, Hubert Humphrey may have sinned in the eyes of God, as we all do, but according to those definitions of Gandhi's, it was Hubert Humphrey without sin.

A character standard is far more important than even a gold standard. The success of all economic systems is still dependent upon both righteous leaders and righteous people. In the last analysis, our national future depends upon our national character that is, whether it is spiritually or materially minded.

A character, to be acceptable as more than a chess piece, has to be ignorant of the future, unsure about the past, and not at all sure of what he's supposed to be doing.

A character is like an acrostic or Alexandrian stanza; - read it forward, backward, or across, it still spells the same thing.

A character is what he does, yes - but even more, a character is what he means to do.

A character on a page has to feel real, and for me the greatest fun is if you could gender-swap the role.

A character like Wonder Woman is so iconic and yet, over the course of her history, there have been lots of subtle changes. We couldn't stray too far from the comic book look, but you do have a certain amount of leeway in terms of how you interpret those elements for animation.

A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.

Achievers are Believers in Commitments and Dreams. But, the great achievers believe in their own and others' good CHARACTER too.

A child's character develops in accordance with the obstacles he has encountered... or the freedom favoring his development that he has enjoyed.

A certain luxury when you get to writing a novel is to have the space to have your characters just banter.

A character has a distinctive voice - you should be able to hear them in your head and conduct a conversation with them while you're out walking. If the answers surprise you, you know it's the character speaking and not you.

A character is never entirely white or black, there's never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.

A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.

A character is defined by the kinds of challenges he cannot walk away from. And by those he has walked away from that cause him remorse.

A character, their ability or inability to laugh at themselves should always be a very, very conscious choice. It's a very big key to the nature of a human being.

A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat.

"A child!" said Edith, looking at her. "When was I a child? What childhood did you ever leave to me? I was a woman - artful, designing, mercenary, laying snares for men - before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt. You gave birth to a woman. Look upon her. She is in her pride tonight.

A comedy isn’t about being funny...a comedy is about characters who dare to know that they may choose a happy ending after all.

A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.

A company that was I think the one I learned the most from in Wall Street 2, just in terms of my own character in and the kind of firm he worked in, was John Thomas Financial. There it's like warriors in an arena getting ready for battle. Thomas Belesis just fires these guys up like there is no tomorrow, and I absolutely got addicted to that optimism and adrenaline and that "We're going to do it, we're going to do it, buddy" kind of attitude that he had.

A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here.

A compelling and important story of First Word War Scotland, a time when women redefined the word hope as the world was losing its innocence. Andrea MacPherson writes beautifully, balancing the lives of her characters between history and the poetry of gesture, secrets and love.

A Concordance of Leaves is an epic poem of the indomitable yet fragile human spirit. Philip Metres brings Palestine and Palestinians into English with rare luminosity. One feels echoes of Oppen's succinct tenderness in the depiction of the numerous characters of this work. Without other, there is no self. And that other is the stranger who must be loved. Concordance is, after all, a wedding poem-leaves and pages in search of a certain passage toward harmony.

A conventional playwright tries to tell you more about the characters than they know about themselves.

Acquisition of knowledge is not the end, but the means to the end; the end consists in the attainment, thanks to this knowledge of the higher worlds, of greater and truer self-confidence, a higher degree of courage, and a magnanimity and perseverance such as cannot, as a rule, be acquired in the lower world.

A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.

A conventional ‘success’ story is one where, with each next, the protagonist has more money, more respect, and more possessions. I’d like to suggest an alternative ‘success’ story – one where, with each next, the protagonist is closer to finding that spot where he’s no longer held back by his heart, and he explodes with talent, and his character blossoms, and the gift he has to offer the world is apparent.

A criminal has a kind of freedom by definition that the ordinary citizen doesn't have. The criminal's able to realize himself in ways not available to the general population, if you want to put it that way. They're interesting and unpredictable. Characters always have to break some sort of bound or other to be interesting. It also helps if they're paradoxical.

A creative person has to be alive. He can't borrow from things he's done in the past. He can't let his method choose his subjects or his characters. They can't be warped to fit his style.

A creative writer can do his best only with what lies within the range and character of his deepest sympathies.

Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke.

A cross between Leo [DiCaprio]'s character in Catch Me If You Can and ... I don't know, I really like any of his movies.

Acting and writing go together. Actors write because they love words and becoming other people - we love to escape into other characters.

Acting has helped me detox in football. Getting lost in a character and a scene, it's awesome.

Acting allows me to explore new worlds, to discover characters by delving into their lives, and ultimately to become someone else entirely.

Act in accordance with your true beliefs by spending your time on those things that will build and develop your character and help you become more Christlike. I hope none of you see life as primarily fun and games but rather as a time 'to prepare to meet God.'

Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.

Acting didn't solve much! If it did, I would have ended up much less crazy than I am today, but I'm not. At least for me, acting is a relief - a relief to be able to admit certain things about myself and disguise in my work, in my characters.