Best 8172 quotes in «night quotes» category

It is inevitable that there will come a time when mankind will go out more at night and stay indoors during the day to avoid harmful solar rays.

It is the hour of departure, the hard cold hour which the night fastens to all timetables.

it is the deep-black-sky quiet time of night, which is the halfway time between the sun setting and the sun rising when even the night animals are quiet—as if they, like day animals, take a break in the middle of their work to rest.

It is the kind of glassy night when sound travels miles across the surface of the sea; the air a crystal wineglass, susceptible to the slightest flick of a fingertip.

It is unnecessary to heighten the glory of day by comparing it with the preceding twilight.

It is wonderful, this whole business of tickling and kissing God every night.

It's a beautiful night to think about who I am in her eyes.

It's a Full Moon tonight! The Moon is a source of energy for me. On these lonely nights when I am not writing or listening to music, I drown myself in moonlight! It is an aphrodisiac for me. The Moon bathes my skin with the sublime silvery rays and it transforms me into a Jackal! I become a Jackal every Full Moon night! It is a blessing as well as a curse for me. I howl, I go crazy in the silvery moon beams, and I search for nothingness. Once reached, this state of nothingness exhilarates the mind, body, and soul into a powerful limitless state that can radiate love, passion, and energy. The Jackal has risen again tonight!

It's an easy guess, why some get famous over night and not during the day.

It's late at night when the memory comes for me, like it always seems to when the relief of sleep seems ready to draw me under.

It's made of poetry and art and lost hearts enhanced in magic It's the kingdom of love, where free spirits find their resilience It's the dream catcher of lost passion and deep silence It's the torso where rebel souls find their homeland It's the beginning of a dream and the end of another It's what keeps you up in the night, when you're breathing dreams It's that madness of artists caught in the wind It's the night on a full moon drown between chimeras It's you making love to me, under the blessings of Seine..." (fragment from "Paris", chapter Hope)

It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is?

It’s not easy to kill; it’s not supposed to be. If it is, then there’s something wrong with you. But sometimes good people have to do unpleasant things just so we can come home at night to our kids.

It's six o'clock; my drink is at the three-quarter mark - three-quarters down not three-quarters up - and the night begins. ("New York Blues")

It's only a moment, but ye feel as though it will last forever. Strange, is it no?" he said thoughtfully. "Ye can almost see the light go as ye watch - and yet there's no time ye can look and say 'Now! Now it's night.

It’s the beating of my heart. The way I lie awake, playing with shadows slowly climbing up my wall. The gentle moonlight slipping through my window and the sound of a lonely car somewhere far away, where I long to be too, I think. It’s the way I thought my restless wandering was over, that I’d found whatever I thought I had found, or wanted, or needed, and I started to collect my belongings. Build a home. Safe behind the comfort of these four walls and a closed door. Because as much as I tried or pretended or imagined myself as a part of all the people out there, I was still the one locking the door every night. Turning off the phone and blowing out the candles so no one knew I was home. ’cause I was never really well around the expectations of my personality and I wanted to keep to myself. and because I haven’t been very impressed lately. By people, or places. Or the way someone said he loved me and then slowly changed his mind.

It's the moon that moves me. The sunlight makes everything so obvious.

It's true. I've seen it when the crescent moon shone bright on a cold, dark night. The darker the night, the brighter God's smile.

It was easy to conclude: The night was young and alive, in its ever so subtle way.

It was a beautiful spring night, the air rain-washed and smelling of crushed blossoms, and Henry felt as if the muscles of his body were singing in unison.

It was dark now, and broodingly sluggish. Like something supine waiting to spring, with just the tip of its tail twitching. Leaves stood still on the trees. An evil green star glinted in the black sky like a hostile eye, like an evil spying eye. ("For The Rest Of Her Life")

It was getting dark by the time I went out, and nobody who knows the country will need to be told how black is the darkness of a November night under high laurel bushes and yew-trees. I walked into the heart of the shrubberies two or three times, not seeing a step before me, till I came out upon the broader carriage-road, where the trees opened a little, and there was a faint grey glimmer of sky visible, under which the great limes and elms stood darkling like ghosts; but it grew black again as I approached the corner where the ruins lay. ("The Open Door")

It was nearing 9 O'clock, and the fist duck was drawing down. Behind the trees, the first star pricked out, low and brilliant. The light breeze of the day had dropped, and the evening was very still. The stream sounded loud. I walked down to the gate and stood leaning on the top bar, enjoying the scent of the roses, and straining to listen for any sound from the lane or the road beyond.

It was night, and the sky spreading into a rain that fell like darkness visible, a glistering where there was no light.

It wasn't night, it was simply darkness, with me in the middle hoping all the while that time was carrying on flowing, that something would crop up, me all alone in the middle, with my veins and my muscles dissolving rapidly into nothingness, me made of molecules of flesh and thought, dispersing in a cloud (a process of expansion as sudden as that of the room, a nebula of bedroom and me, between limits that grew dimmer by the moment).

It was on a dreary night of November that I beheld the accomplishment of my toils.

It takes grace to stop working and go to bed. When in bed, more grace is needed to rise up and begin work again.

It was a good apple too. A good apple, picked by a madman on a full moon night.

It was dark, now, the gossamer moon hanging among diamond stars in the soft black of the night.

It was normal to drink two pots of coffee during an extreme night shift.

It was not a bed with curtains, but a bed with doors like shutters. This may not seem like a nice way of having a bed, but we would all be glad of the wooden curtains about us at night if we lived in such a cottage, on the side of a hill along which the wind swept like a wild river. Through the cottage it would be streaming all night long. And a poor woman with a cough, or a man who has been out in the cold all day, is very glad of such a place to lie in, and leave the the rest of the house to the wind and the fairies.

It was raining that night, when we kissed for the first time.

It was the time of night that precedes dawn and is without perspective or reason. It was the hour when regret and fear overwhelm hope and courage and when all that is ugly in us is magnified and when we are most panic-stricken by what we have lost, and what we have almost lost, and what we fear we might lose.

It was the Kojagar full moon, and I was slowly pacing the riverside conversing with myself. It could hardly be called a conversation, as I was doing all the talking and my imaginary companion all the listening. The poor fellow had no chance of speaking up for himself, for was not mine the power to compel him helplessly to answer like a fool? But what a night it was! How often have I tried to write of such, but never got it done! There was not a line of ripple on the river; and from away over there, where the farthest shore of the distant main stream is seen beyond the other edge of the midway belt of sand, right up to this shore, glimmers a broad band of moonlight. Not a human being, not a boat in sight; not a tree, nor blade of grass on the fresh-formed island sand-bank. It seemed as though a desolate moon was rising upon a devastated earth; a random river wandering through a lifeless solitude; a long-drawn fairy-tale coming to a close over a deserted world,—all the kings and the princesses, their ministers and friends and their golden castles vanished, leaving the Seven Seas and Thirteen Rivers and the Unending Moor, over which the adventurous princes fared forth, wanly gleaming in the pale moonlight. I was pacing up and down like the last pulse-beats of this dying world. Every one else seemed to be on the opposite shore—the shore of life—where the British Government and the Nineteenth Century hold sway, and tea and cigarettes.

I've always felt that distant train whistles heard in the dead of night are the universe's way of letting us know the best days are neither ahead nor behind us...they're happening right now, cradled in the palms of our hands. But that doesn't change the fact that the whiskey, weed, and romance eventually runs out and the night will soon turn to day.

I’ve always felt safer at night. You can be much more forgiving of yourself, not to mention the world and everyone in it, when your shortcomings aren’t threatened by the brazen light of day. And by shortcomings, I mean damage. The scars are still there, but at least they're easier to hide. I never understood why they shine a fluorescent spotlight in the faces of alleged culprits in old movies to get them to tell the truth. Put me to bed and turn off the lights. I’ll tell you everything. I’ll be who you want me to be, I’ll be honest. I’ll be who I want to be, I’ll be braver. Just don’t ignore me. I really do want to be stronger, sweeter, less afraid all the time. Maybe it’s a within-the-womb thing, but it’s safer in the dark. What they should really warn you about is the light.

I've often been sorry to see a night end, even while I have loved seeing the dawn come.

I wanted what most people wanted—love, companionship. I wanted someone to touch. I wanted someone to touch me back. I wanted someone to laugh with, someone who would laugh with me, laugh at me. I wanted someone who looked and sawme . Not my power, not my position. I wanted someone to say my name. To call out, “Merit,” when it was time to go, or when we arrived. Someone who wanted to say to someone else, with pride, “I’m here with her. With Merit.” I wanted all those things. Indivisibly. But I didn’t want them from Morgan.

I want night, deep ambrosial night.

I want to create a place for us, like a room. And I want to store everything that I come across as a memory of us, in there. Years after, someday I will take you there in the middle of the night. I want to see you at that moment. I want to watch you drowning in the memories helplessly, losing the bounds of time, getting weaker every second. And then I want to hold you in these arms in those moments of never-ending the silence. Where only our eyes speak, while we look at each other, like the dreams that we never want to stop seeing.

I was a creature of the night, I wasn't supposed to be afraid of the dark. Not that it was the dark I was afraid of--it was the other creatures of the night.

i want her to know that every night lying there in my bed i think about her

i want to be in love with you the same way i am in love with the moon with the light shining out of its soul.

I want to say more, but don't know what the words are supposed to be. I feel such a tenderness for these vulnerable night-time conversations, the way words take a different shape in the air when there's no light in the room.

I want you to look at me the way I look at the ceiling in the night. The way three am knows my name.

I was downstairs, reading." " Now?" I strained to see her face. She was smiling, it appeared. "Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house...It's so interesting to me, that sound. Time. The measure of it.

I was waiting ecstasy, agony arm in arm the raindrops were falling… swirling, unfurling, cascading, the leaves were sparkling… dazzling, smiling, playing hide and seek… I was waiting, I was waiting for you, that night ecstasy, agony arm in arm...

I went to the little window and inhaled the country air. One could hear the breathing of the night, feminine, enormous.

I was never afraid of the dark and I spent my youth walking through empty playgrounds at midnight, worried mothers telling girls to be careful and ”the world is an ugly place and not everyone wants you well”. But I was not afraid and I wished for adrenaline to make my veins pulsate in that way that puts them more on the outside of my skin than inside. After the first night with you I never walked alone at night again because suddenly I had something to lose. Something to save.

I went to the little window and inhaled the country air. One could hear the breathing of the night, feminine, enormous. ("The Blue Bouquet")