Best 8172 quotes in «night quotes» category

Then she called Gansey. It rang twice, three times, and then: "Hello?" He sounded boyish and ordinary. Blue asked, "Did I wake you up?" She heard Gansey fumble for and scrape up his wireframes. "No," he lied, "I was awake." "I called you by accident anyway. I meant to call Congress, but your number was one off." "Oh?" "Yeah, because yours has 6-6-5 in it." She paused. "Get it?" "Oh, you." "6-6-5. One number different. Get it?" "Yeah, I got it.

Then without any warning the car stopped. They were there. "The ride's over," someone said. "End of the ride." For a moment nobody got out. They just sat there. The driver cut the ignition, and after that there was silence. Complete, uncanny silence, more frightening than the most threatening noise or violence could have been. Night silence. A silence that had death in it. ("The Number's Up")

The officers of the 26th Precinct had their hands full. The night was starting out to be quite busy. What they did not realize is that it was only the beginning. Things were about to get worse and not just for them, but for the entire city.

Then you realize: night gives the world back its natural, original appearance, without suger-coating it; day is a flight of fancy, light a slight exception, an oversight, a disruption of the order. The world in fact is dark, almost black. Motionless and cold.

The only ones awake at three in the morning are either those who are lonely or those who are in love

The only thing I’d understand right from the very beginning was that our love was supported by loneliness. That neither one of us could haul ourselves up out of the deadly numbness we felt when we lay together, so silent, in darkness so isolating it seemed to shine. This was the edge of night.

The phone rang. Softly, in actuality, yet it seemed loud and ominous, as phones do at night in dark hotel rooms.

The rangers of the night stay strangers in the eye of time.

The quest is ongoing The night forever young And someday, if you're lucky You, too, may see the stars.

There are no good or evil people. There is only a great, unfathomable mob trampling itself underfoot. The life-giving sources of the old morality have dried up and vanished in the sands of oblivion. There's no other source to draw from, no place to refresh oneself. There is no example, no inspiration. It is night. A night of indifference, apathy, chaos.

There are some days we can claim and there are other days that claim us.

There are some places you can't visit anymore, poetry and writings take you there.

There are the people of the day, and the creatures of the night. And it's important to remember that the creatures of the night aren't simply the people of the day staying up late because they think that makes them cool and interesting. It takes more than heavy mascara and a pale complexion to cross the divide.

The reason I sketch your pic at times because in your smile I see something more beautiful than the stars.

There are very few friends that will lie down with you on empty streets in the middle of the night, without a word. No questions, no asking why, just quietly lay there with you, observing the stars, until you're ready to get back up on your feet again and walk the last bit home, softly holding your hand as a quiet way of saying “I'm here”. It was a beautiful night.

There dwells a life in every star; With brother spheres it rolls afar Its self-elected, radiant way. Still throb within the great earth-ball The forces which conduct us all From day to night, from night to day. - - - GER: Das Leben wohnt in jedem Sterne: Er wandelt mit den andern gerne Die selbsterwählte reine Bahn; Im innern Erdenball pulsieren Die Kräfte, die zur Nacht uns führen Und wieder zu dem Tag heran. Zahme Xenien VI.

There is a romance about all those who are abroad in the black hours.

There is something to be said for the night. The darkness holds a sense of promise, as if anything could happen. Maybe something good, like a handsome stranger or something with snarling teeth that whispers pretty things as it eats you. Thus, the night is a test. A test of fear and the sweet promise of pain.

There is only one time of absolute silence. Halfway between the dark of night and the light of morning, all animals and crickets and birds fall into a profound silence as if pressed quiet by the deep quality of the blackest time of night...This silence is how I know it is not yet dawn, nor is it the middle of the night, but it is the place of no-time, when all things sleep most deeply, when their guard is dozing

There needs but so little to encourage beauty in our soul; so little to awaken the slumbering angels; or perhaps is there no need of awakening --- it is enough that we lull them not to sleep. It requires more effort to fall, perhaps, than to rise. Can we, without putting constraint upon ourselves, confine our thoughts to everyday things at times when the sea stretches before us, and we are face to face with the night? And what soul is there but knows that it is ever confronting the sea, ever in presence of an eternal night?

There open up, deep inside a city, reflected streets, streets which are double, make-believe streets. One's imagination, bewitched and misled, creates illusory maps of the apparently familiar districts, maps in which the streets have their proper places and usual names but are provided with new and fictitious configurations by the inexhaustible inventiveness of the night.

There's no good reason why I shouldn't kiss you right now.

There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.

There’s an infant part in our souls which longs for the lullaby truths of life every night for a tranquil slumber.

There was nothing the matter out there. It was in here, with me. I decided I'd better go to work, maybe that would exorcise me. I fled from the room almost as though it were haunted. It was too late to stop off at a breakfast counter now. I didn't want any, anyway. My stomach kept giving little quivers. In the end I didn't go to work, either. I couldn't, I wouldn't have been any good. I telephoned in that I was too ill to come, and it was no idle excuse, even though I was upright on my two legs. I roamed around the rest of the day in the sunshine. Wherever the sunshine was the brightest, I sought and stayed in that place, and when it moved on I moved with it. I couldn't get it bright enough or strong enough. I avoided the shade, I edged away from it, even the slight shade of an awning or of a tree. And yet the sunshine didn't warm me. Where others mopped their brows and moved out of it, I stayed - and remained cold inside. And the shade was winning the battle as the hours lengthened. It outlasted the sun. The sun weakened and died; the shade deepened and spread. Night was coming on, the time of dreams, the enemy. ("Nightmare")

There will be stars over the place forever; Though the house we loved and the street we loved are lost, Every time the earth circles her orbit On the night the autumn equinox is crossed, Two stars we knew, poised on the peak of midnight Will reach their zenith; stillness will be deep; There will be stars over the place forever, There will be stars forever, while we sleep.

There will be thunder then. Remember me. Say "She asked for storms." The entire world will turn the colour of crimson stone, and your heart, as then, will turn to fire. That day, in Moscow, a true prophecy, when for the last time I say goodbye, soaring to the heavens that I longed to see, leaving mI haven't locked the door, Nor lit the candles, You don't know, don't care, That tired I haven't the strength To decide to go to bed. Seeing the fields fade in The sunset murk of pine-needles, And to know all is lost, That life is a cursed hell: I've got drunk On your voice in the doorway. I was sure you'd come back.

There was something in the moonlight tonight. It was stroking the stonework and spires, leaning into cracks between the cobblestones, caressing the stained-glass windows. She felt her heart lift with magic.

The road was wet with rain, black and shiny like oilskin. The reflection of the street lamps wallowed like yellow jelly-fish. A bus was approaching - a bus to Piccadilly, a bus to the never-never land - a bus to death or glory. I found neither. I found something which haunts me still. The great bus swayed as it sped. The black street gleamed. Through the window a hundred faces fluttered by as though the leaves of a dark book were being flicked over. And I sat there, with a sixpenny ticket in my hand. What was I doing! Where was I going? ("Same Time, Same Place")

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

The same night, the same rain.

The sea loved the moon When she was supposed to love the shore. The moon knew And hence made his intentions known. That she should love the shore Who was destined for her. Yet his protests seemed weak. And even when he pushed her towards the shore- She always retreated back. To want, to need, to love the moon For all she's worth. Everyone said, it wasn't meant to happen. Yet, the Tsunami rose that night for their union.

These steel monstrosities screamed night and day, blotted out the starlit skies and Northern Lights with flashing red strobes, slaughtered thousands of bats and entire flocks of birds banished tourism and wildlife, made people sick and drove them from their now-valueless homes.

The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.

The road swerved left. The crash of waves morphed into the rumble of thunder, and the black asphalt tapered to become a slender stretch of rope. She followed it up into the darkness, night spilling around and below her as someone knocked over the ink-jar of the sky and scattered its liquid to the furthest corners, dislodging silver shards of moon that bounced off her umbrella.

the sapphire depth of my own love...startles and warms and wounds my soul.

These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.

The silence of the night awakens my soul

The sky was so thick with stars it was as if he could reach out and brush them with his hand.

The sky was clear, the stars hung high overhead, and the moon was just a sliver, rather than a full moon, so that it proved to be significantly dark out. However, the coating of snow upon the ground looked bright in the moonlight.

The sky was low at night, full of the presence of a strange and watchful God.

The sky is but a looking glass into a pool of airless oceans, cast off into a dance of light and energy, leaving only a facet of guidance to navigate. Such an existence lays but within the mind man.

The sounds of laughter and music were dying down on the thousandth floor, the party breaking up by bits and pieces as even the rowdiest guests finally stumbled into the elevators and down to their homes. The floor-to-ceiling windows were squares of velvety darkness, though in the distance the sun was quietly rising, the skyline turning ocher and pale pink and a soft, shimmering gold. And then a scream cut abruptly through the silence as a girl fell toward the ground, her body falling ever faster through the cool predawn air.

The stars will live for me, if not anything else

The sky is a riot of stars, and his smile is full of catastrophe. The night belongs to us. He belongs to me.

The starry night sky echoed across my thoughts, the expanse of my own void filtered in its quiet solitude.

The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.

The stars are forth, the moon above the tops Of the snow-shining mountains.—Beautiful! I linger yet with Nature, for the night Hath been to me a more familiar face Than that of man; and in her starry shade Of dim and solitary loveliness, I learn'd the language of another world.

The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")

The Sun is an arrogant thing, always leaving the world behind when it tires of us. The Moon is a loyal companion. It never leaves. It's always there, watching, steadfast, knowing us in our light and dark moments, changing forever just as we do. Everyday it's a different version of itself. Sometimes weak and wan, sometimes strong and full of life. The Moon understands what it means to be human. Uncertain. Alone. Cratered by imperfections.