Best 4015 quotes in «fantasy quotes» category

On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that wouldn’t be admissible as evidence on Judge Judy. Those missing frames would last a little less than a quarter of a minute, consolidate themselves back into a semblance of reality, and then I would theoretically go walking right back out of here. Between now and that moment, there stretched an infinite ocean of potential time. Time enough to walk around the world. Time enough to fall in love, get married on a white beach under purple stars, write a book of poems about truest passion, have a few good and bloody screaming matches, get divorced in a court of autumn elves and gypsy moths, then set the ink-stained, tear-streaked pages of your text ablaze.

Oooo wee! You see that chump go flying? Look’eah, nothing like charred demon to make a brotha feel right. - Calvin Freeman (Sineaters‬:Devotion Book One)

...Opal is dead, and I don't see how a healer can change that! It's not something to joke about." Joke?" Then Owen hit his forehead and cried, "That's right, you haven't heard!" Heard what?" asked Adrien, who felt an insane glimmer of hope return to his heart. Death is on strike! She hasn't done that for two centuries, and it's very annoying. Your friend is alive." Very annoying?" repeated Amber. "I don't see what's so annoying about a miracle! What is Death on strike for?" Everyone knows that Death lives in Fairytale-in an inaccessible area, obviously. And just a few hours ago, she decided to stop working. So, for now, no one can die.

Opposite learn from each other, like attract~

Oscar always said that books are truly our best friends. He said that they never think poorly of us and that they always have a shoulder for us to cry on or relieve stress. They take our minds away from the real world by telling us captivating stories. When we look back at our choice of books, we can nostalgically recall our younger years.

Othalas: Words. What are they but shadows on a page or howling on the wind? They are as ever-changing as the mists below us and it is just as easy to lose sense of yourself among them. I am older than most sorcerers so what I know may, indeed, be close to the truth. Magic, wyrd, words, dreams, they all come from the spirit. Within them lie both power and peril. For to misuse any is to warp your sense of self. To lie in words, or in magic, or in dreams -- that is how you become lost. The lights you see, they were lost long before they came to the Vale.

Others wield swords, while I wield lies, rewriting the past, corrupting the present, twisting the future.

Our doctrine is one of cost-efficiency. Any officer who believes extermination of the enemy is a valid path to victory should immediately be demoted back to the ranks.” –Marshal Ranker

Our life is not in stuff, focus your attention on Christ where it should be. Prosperity and wealth has damaged the body of Christ. God takes pleasure in the prosperity of his children but don't replace him with material.

Our lives are composed of unexpected moments and unforgettable adventures.

Our pendants glowed in unison and I understood that they represented us – Siren and human intertwined for eternity.

Our place is here, our time is now!" Killian firmly declared.

Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result.

Ours was not one of those nice, quaintly old-fashioned mobile homes that senior citizens putter around in. We lived in the beat-up tin can of clichéd poverty.

Out of misery, comes unexpected joy.

Our women – our wives – are the heart of Calberna. Without them, Calbernan males could not function. We would die. Just as you would die without the heart that beats in your chest.

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

padahal di weekend maupun libur panjang mereka kencing dimari,buang hajat dimari,buang sampah dimari. masih mau bilang sampah kiriman bogor?

Pam. Listen.' 'The phone is pressed to my ear. Speak.' 'Appius Livius Ocella just dropped in.' 'Fuck a zombie!' - Sookie & Pam, Dead in the Family, Charlaine Harris

Pain was fleeting. Death was forever.

Pappou did not look at Lexi. He scratched his nose and swung his komboloi in one hand so that the worry beads clacked against each other like tiny firecrackers, as if he hoped the clicking of them would snap the world back to its senses, knowing also that they couldn't.

Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –

Parmi les nombreuses maîtresses que vous avez troussées, avouez qu’il y en a une ou deux qui vous ont laissé des échardes dans le saignant. Il ne s’agit jamais de la plus belle, de la plus douce, de la plus prestigieuse, non, non… En général, ce serait plutôt une conquête de seconde catégorie, levée parce qu’elle était piquante, que vous avez prise pour l’aventure d’un soir. Et voici que la sournoise vous a ferré, en embuscade! (nouvelle "Le sentiment du fer")

Paranormal. It rolls off the tongue with such poetry but it means something like, beyond normal. There is nothing paranormal about magic. Magic is the norm. —Penny Sweeney Magic All Around

Part of the job of adults was to set limits. But the last rule, the unspoken rule of any story or journey, is that all limits are suspect. All warnings show only the point where the last story stopped, the boundary past which the map is unmapped. The Kingdom of Here There Be Dragons is the province of explorers, magicians, and kids.

Patience is all that I have had for fifteen years, more grey hairs, rotted teeth and the continuing decline of my Kingdom my only reward. Patience, Magnar, has overdue debts to be paid. (King Klonag)

[Patricia Highsmith] had experienced at first hand many of Ripley's characteristics - splintered identity, insecurity, inferiority, obsession with an object of adoration, and the violence that springs from repression. Like her young anti-hero, she knew that in order to survive, it was necessary to prop oneself up with a psychological fantasy of one's own making. 'Happiness, for me, is a matter of imagination,' she wrote in her notebook while writing The Talented Mr. Ripley. 'Existence is a matter of unconscious elimination of negative and pessimistic thinking. I mean, to survive at all. And this applies to everyone. We are all suicides under the skin, and under the surface of our lives.

Paul left to get the beers from the kitchen and Simon turned to face Beth. Slowly, he crept in closer to her side, completely unaware of his appearance, and in desperate need of comfort. She tensed, more so with every inch he got closer, but she couldn’t move away. She didn’t want to hurt his feelings, she so wanted to be there for him; she wanted to love him and accept all of this willingly and unconditionally, but it was too hard.

Paul Robinson, I'm coming, it has taken me a while, but I have almost caught up with you. Keep running, if you cannot run walk, if you cannot walk crawl, if you cannot do this dream. Paul Robinson author.

Paunch? I've a curved spine. Anyway, It's relaxed muscle." He looked down. "All right, it's a paunch. A few more days of this and it will go.

PDR: Persons of Dubious Reality; refugees from the collective consciousness. Uninvited visitors who have fallen through the grating that divides the real, from the written. They arrive with their actions hardwired due to their repetitious existence and the older and more basic they are, the more rigidly they stick to them. Characters from cautionary tales are particularly mindless; they do what they do because it's what they've always done. And it's our job to stop them.

Pearl Dale, the fabled corsair of Atlas who escaped the royal fleet of Sherwood and intervened in the private affairs of the foreign people of Agra to save one Squid crew from being tortured to death... you too have a reputation that is worthy of songs. Let it not draw a line between you and I.” - Claudio Drago da Venezia, Mermaid Island #1

Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet." "Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth. "No," he says, almost puzzled. "But they taste familiar. Sugar berries?" "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go. "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable. I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.

Peace, so Miss Sanders could grapple with her demons. Quiet, so she could almost hear the Hellfire crackling beneath the crust of the carpeted schoolroom.

pedulilah, jangan terbawa perasaan semua kata yang dilontarkan berjumlah tidak tetap!

People can always say I don't look impressive enough, but they can't argue over how strong I am once I punch them in the face.

People make mistakes all the time – some of us just are in more of a position to leave an impact when we do.

People don’t like to guess. It’s easier to know something by how it immediately appears. Dark, hard metal is known as it appears, and so dark, hard people are built from it. Marble is smooth and pale and bright like the faces chipped into it. But that’s something about life, what you think you know about a thing is always the first obstacle you face when trying to get to know it better. If they could speak, do you think they’d all be the same?

People don't like us, my dear. The idea that someone who can play with their emotions, who can "mystically" get them to do certain things, makes them uncomfortable. What they do not realize - and what you must realize - is that manipulating is at the core of our social interaction. (...) Think about it. What is a man doing when he seeks the affection of a young lady? Why, he is trying to manipulate her to regard him favorably. What happens when two old friends sit down for a drink? They tell stories, trying to impress each other. Life as a human being is about posturing and influence. This isn't a bad thing, in fact, we depend upon it. These interactions teach us how to respond to others.

People were so often mean that when they weren’t, there was a tendency to bestow sainthood upon them. Aster did not reward common decency with her affection.

People should know better than to be an ass in front of writers. We immortalize things. Lots of things. And we take liberties with character descriptions.

People weren't just angry about it. They were still afraid. Fear is a powerful, often irrational emotion, and mass fear... has the power to shake any society to its core. As long as the world remembered, they would live in fear of all cryptids-- regardless of whether or not any individual among us was truly dangerous. Of course, not everyone supported stripping cryptids of all right. But dissenters were few among a dangerous and violent many, and most ignored the problem. Submission was the only solution they could conceive of to fix my problem. But with the imprint of Clyde's fist still throbbing in my stomach I was less interested in fixing a problem than in becoming one.

People search in vain forever to find what we've got. I don't know shit about anything, Jenna, and I might be inexperienced, but I know you'll never love anyone like you love me.' 'I won't she,' she whispered. 'And yet you can leave me so easily for a baby you don't have and a husband you've never met. I'm here, I'm real, and I just lost to a goddamn fantasy. I must've never really had you at all.

People that are lazy don't get anything accomplished. It's People like me that are reliable.

People won't change until the pain of not changing is greater than the pain changing brings.

People with imagination

Perfection is death,' Anastasia said. 'The world is imperfect, but if it weren't, who would love it?

People with vision sees opportunity where there is problem. They see money not problem.

People would want to get safe and come to Christ because they see the evidence in your life not because you quote the scriptures to them.

Perceval said to the Grail Knight: “Will you break a spear with me this day?” He did not expect Galahad to look down on him from Lancelot’s immense height and say, gently, as if he knew it must disappoint, “Sir, I cannot.” “No? Well, there are others to fight,” said Perceval, trying not to show how vexed he felt to be denied the honour. “Not for any lack of love,” Galahad added. “But for the regard in which I hold you, Perceval of Wales.