Best 136 quotes in «japanese quotes» category

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    Might it have been nothing but life itself? Life; this limitless complex sea, filled with assorted flotsam, brimming with capricious, violent, and yet eternally transparent blues and greens.

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    Miekkani nostan, tämän miekan niin kauan omistamani: on vihdoinkin aika se singota taivasta päin.

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    Most white Americans were willing to sacrifice civil liberties in the name of national security as long as they were the civil liberties of someone else.

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    Mrs Guinea answered my letter and invited me to lunch at her home. That was where I saw my first finger-bowl. The water had a few cherry blossoms floating in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms. Mrs Guinea never said anything, and it was only much later, when I told a debutant I knew at college about dinner, that I learned what I had done.

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    Nationality isn’t much more than a lease to an apartment, ” I said. “If you don’t like the apartment anymore, you break the lease and get out.

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    Not that we were incompatible: we just had nothing to talk about.

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    Oi elämäni, toivoton sammumaton. Miten kadehdin tuulen tuivertamia soihtuja yössä.

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    Other studies have also found unusual levels of persistence in even very young Asian children. For example, the cross-cultural psychologist Priscilla Blinco gave Japanese and American first graders an unsolvable puzzle to work on in solitude, without the help of other children or a teacher, and compared how long they tried before giving up. The Japanese children spent an average of 13.93 minutes on the puzzle before calling it quits, whereas the American kids spent only 9.47 minutes. Fewer than 27 percent of the American students persisted as long as the average Japanese student — and only 10 percent of the Japanese students gave up as quickly as the average American. Blinco attributes these results to the Japanese quality of persistence.

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    Quelle insegne luminose assiepate sulle catapecchie del Golden Gai stanotte sembrano le bandiere attorno a un monumento decrepito, dedicato a una metropoli che ha saputo resistere alle bombe, al fuoco, alla cenere e lo ha fatto con i denti e con le unghie, con i fuorilegge, con la yakuza, le puttane, il gioco d’azzardo, i ladri, gli assassini, con tutti quanti i figli del disastro, armati di coltello e tenuti svegli dall’acquavite mescolata alla voglia di rivalsa, affogati e raggrinziti nella bile come una rapa daikon nell’aceto di riso.

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    She trailed behind Baba and Jiji as they left the palace, nightingales singing a sad farewell.

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    Studying overseas as an international student in a foreign country is a very challenging undertaking. How Japanese students adapt to a new country plays an important role in their study and their ultimate success.

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    Suohon uponnut puu ei kukkinut koskaan. Nyt minä kannan ainoan hedelmäni: menen itse kuolemaan.

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    The analysis provides a clear difference between the age and gender of Japanese students in Australia. The difficult management question is “what do these numbers mean”?

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    The blue of the sky is one of the most special colors in the world, because the color is deep but see-through both at the same time.

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    The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.

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    The Japanese have two words: "uchi" meaning inside and "soto" meaning outside. Uchi refers to their close friends, the people in their inner circle. Soto refers to anyone who is outside that circle. And how they relate and communicate to the two are drastically different. To the soto, they are still polite and they might be outgoing, on the surface, but they will keep them far away, until they are considered considerate and trustworthy enough to slip their way into the uchi category. Once you are uchi, the Japanese version of friendship is entire universes beyond the average American friendship! Uchi friends are for life. Uchi friends represent a sacred duty. A Japanese friend, who has become an uchi friend, is the one who will come to your aid, in your time of need, when all your western "friends" have turned their back and walked away.

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    The life cord became thin filament, and the heaven cord a rope, by the times the camps were liberated. But I don't think many focused on heaven; too much of hell had been lived to allow for God's grace and heaven.

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    The official JLPT guide states that JLPT N3 level is roughly equivalent to Japanese Grades 1 through 4 in terms of kanji and vocabulary content with approximately 650 Kanji made up of Grade 1 (80), Grade 2 (160) Grade 3 (200) and Grade 4 (200) and 3750 vocabulary

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    There’s a word in Japanese for being sad in the springtime – a whole word for just being sad – about how pretty the flowers are and how soon they’re going to die.” — Sarah Ruhl

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    they make love in the sculptures on a temple wall

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    Those who hurt others will also hurt themselves.

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    Too lazy to be ambitious, I let the world take care of itself. Ten days' worth of rice in my bag; a bundle of twigs by the fireplace. Why chatter about delusion and enlightenment? Listening to the night rain on my roof, I sit comfortably, with both legs stretched out.

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    To understand how seriously the people of Noto take the concept of waste, consider the fugu dilemma. Japanese blowfish, best known for its high toxicity, has been a staple of Noto cuisine for hundreds of years. During the late Meiji and early Edo periods, local cooks in Noto began to address a growing concern with fugu fabrication; namely, how to make use of the fish's deadly ovaries. Pregnant with enough poison to kill up to twenty people, the ovaries- like the toxic liver- had always been disposed of, but the cooks of Noto finally had enough of the waste and set out to crack the code of the toxic reproductive organs. Thus ensued a long, perilous period of experimentation. Locals rubbed ovaries in salt, then in nukamiso, a paste made from rice bran, and left them to ferment. Taste-testing the not-quite-detoxified fugu ovary was a lethal but necessary part of the process, and many years and many lives later, they arrived at a recipe that transformed the ovaries from a deadly disposable into an intensely flavored staple. Today pickled fugu ovaries remain one of Noto's most treasured delicacies.

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    We face the enemy and contend with him—if he turns away we let him go. (Page 13).

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    Weißt Du, daß es außer den über dreißig Farben in einem Farbtub-Kasten noch eine weitere, für Menschenaugen sehr wohl sichtbare Farbe gibt — die der Traurigkeit?

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    Well, I thought, America's not stingy with its bombs.

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    When Nick leaves our room, he leaves behind a dark thunder cloud. He has carried the shadow with him for so long that it has become a part of him and has settled in the shadows of the room.

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    When you suffer a calamity - then be it so; now is the time of calamity. When you die - then be it so; now is the time to die. Thus you save yourself from calamity and death.

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    Whereas an Otaku is a true connoisseur of the culture, showing the same reverence and respectful distance which any true expert shows to their chosen field of expertise, the Weeaboo is like a socially awkward adolescent, ineptly trying to gain the social acceptance of Japanese people — because their unfortunate mental disorder has caused them to believe they are, in fact, Japanese.

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    You know, when people familiar with the mountains enter the wilds, they often look for a branch that stands out, break it to mark their tracks. It’s useful on the way back. It’s called a shiori, a folded branch, just like the word for bookmark. It is written differently but is pronounced the same.

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    You will tell me that there always exists a chasm between the world depicted in novels and films and the world that people actually live in. It is the chasm between the world mediated by art and the world unmediated by art, formless and drab. You are absolutely right. The gap that my mother felt was not necessarily any deeper than the gap felt by a European girl who loved books and films. Yet there is one critical difference. For in my mother's case, the chasm between the world of art and real life also symbolized something more: the asymmetrical relationship I mentioned earlier—the asymmetrical relationship between those who live only in a universal temporality and those who live in both a universal and a particular one. To make this discussion a little more concrete, let me introduce a character named Francoise. Francoise is a young Parisienne living before World War II. Like my mother, she loves reading books and watching films. Also like my mother, she lives in a small apartment with her mother, who is old, shabby looking, and illiterate. One day Francoise, full of artistic aspirations, writes an autobiographical novel. It is the tale of her life torn between the world of art and the world of reality. (Not an original tale, I must say.) The novel is well received in France. Several hundred Japanese living in Japan read this novel in French, and one of them decides to translate it into Japanese. My mother reads the novel. She identifies with the heroine and says to herself, "This girl is just like me!" Moved, my mother, also full of artistic aspirations, writes her own autobiography. That novel is well received in Japan but is not translated into French—or any other European language, for that matter. The number of Europeans who read Japanese is just too small. Therefore, only Japanese readers can share the plight of my mother's life. For other readers in the world, it's as if her novel never existed. It's as if she herself never existed. Even if my mother had written her novel first, Francoise would never have read it and been moved by it.

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    No kitchen is complete without veal stock." "Do you have veal stock in this kitchen? Does your neighbor?" "It is the foundation of all sauces. It adds a complexity. Deliciousness. Has Escoffier not told you of this theory of five tastes? A Japanese chemist proved it, and called it 'umami,' which means deliciousness.

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    Not having some basic Japanese language skills will make your time in Japan, confusing, frustrating and expensive because you can’t communicate effectively

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    Once you question your own belief, it's over." -Naruto Uzumaki

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    Otaku (おた) is also a formal way of saying "you". た means "house", and with the honorific お, it literally means "your honorable house", implying that you are less of a person and more of a place, fixed in space and contained under a roof. Makes sense that the stereotype of the modern otaku is a shut-in, an obsessed loner and social isolate who rarely leaves his house.

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    Psychologically, Japanese women depend largely on each other. In their sex-segregated society, they could be criticized for living in a female ghetto, and yet they have what some American feminists are trying to build, a ”women’s culture” with its own customs, values and even language.

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    Read Hearn, the most eloquent and truthful interpreter of the Japanese mind, and you see the working of that mind to be an example of the working of Bushido.

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    Ruth was a novelist, and novelists, Oliver asserted, should have cats and books.

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    Sataa kirsikan kukkaslunta ja lumen kirsikankukkaa. Minä kysyn kevväältä: lunta, kukkaa vai lunta?

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    Seek to become conscious of being filled with ki, the power of the universe, and to use that power well. To be at one with this great power is aikido, the way of the spirit. (Page 17).

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    Shinju in Japanese literally means "inside the heart." More fully, it implies that if the heart were cut open, there would be found only devotion to one's lover; thus, "revealing-the-heart death.

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    Sinä hymyilit kun kylvimme neilikat: odota syksyyn. Ne kukkivat nyt. Sinä et ole näkemässä.

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    Strangely enough, the Japanese base most of their traditional desserts on beans. Called an, this smooth chocolatey-looking paste is made from azuki beans boiled in sugar and water. I encountered it for the first time one afternoon when I helped myself to a traditional Kyoto sweet resembling a triangular ravioli stuffed with fudge. What a shock to find a center made from azuki beans, instead of cocoa beans! Sometimes sweet makers choose chestnuts or white kidney beans to make the an, which they craft into dainty flowers, leaves, and fruits that look just like marzipan. Using special tools and food coloring, they fashion such masterpieces as prickly green-jacketed chestnuts with dark brown centers, winter white camellias with red stamens, and pale pink cherry blossoms with mint-colored leaves to commemorate the flower's arrival in April. The bean fudge also fills and frosts other confections, including pounded glutinous rice taffy called mochi and bite-size cakes, made from flour, water, and eggs that are baked until golden. These moist confections go by the name of namagashi and are always served before the thick whipped green tea at the tea ceremony.

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    tamarind seedling on a cowdung cake - green phoenix

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    Tea followers were among the earliest converts to the Christian faith. Takayama Ukon, a daimyo turned ardent evangelist, was a disciple of Sen no Rikyu, the preeminent tea master of all time. After Christianity had been banned - Takayama was exiled to the Philippines - underground Christians cherished the tea ceremony as the only opportunity to assemble without arousing suspicion on the part of the authorities. It proved to be a fitting substitute for Holy Communion; even in its Zen context the rite symbolized the giving of oneself. For Christians liable to detection and torture because of their outlawed faith, it was a solemn reminder that Christ had willingly given his life for them. Some of the cups were boldly inscribed with a cross. So it is little wonder that some Japanese Christians have envisioned their Lord in the graceful robe of a Zen tea master.

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    The bells of the Gion monastery in India echo with the warning that all things are impermanent. The blossoms of the sala trees teach us through their hues that what flourishes must fade. The proud do not prevail for long but vanish like a spring night’s dream. In time the mighty, too, succumb: all are dust before the wind.

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    The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.

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    The bond between husband and wife is a strong one. Suppose the man had hunted her out and brought her back. The memory of her acts would still be there, and inevitably, sooner or later, it would be cause for rancor. When there are crises, incidents, a woman should try to overlook them, for better or for worse, and make the bond into something durable. The wounds will remain, with the woman and with the man, when there are crises such as I have described. It is very foolish for a woman to let a little dalliance upset her so much that she shows her resentment openly. He has his adventures--but if he has fond memories of their early days together, his and hers, she may be sure that she matters. A commotion means the end of everything. She should be quiet and generous, and when something comes up that quite properly arouses her resentment she should make it known by delicate hints. The man will feel guilty and with tactful guidance he will mend his ways. Too much lenience can make a woman seem charmingly docile and trusting, but it can also make her seem somewhat wanting in substance. We have had instances enough of boats abandoned to the winds and waves. It may be difficult when someone you are especially fond of, someone beautiful and charming, has been guilty of an indiscretion, but magnanimity produces wonders. They may not always work, but generosity and reasonableness and patience do on the whole seem best.

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    The generational change that is now occurring now in Japan will transform the employment market, education requirements, job skills and lifestyles of the next generation

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    [The] Japanese were a people in a profound, inverse, reverse, or if I preferred it, even perverse sense, more in love with death than living.