Best 136 quotes in «japanese quotes» category

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    Strangely enough, the Japanese base most of their traditional desserts on beans. Called an, this smooth chocolatey-looking paste is made from azuki beans boiled in sugar and water. I encountered it for the first time one afternoon when I helped myself to a traditional Kyoto sweet resembling a triangular ravioli stuffed with fudge. What a shock to find a center made from azuki beans, instead of cocoa beans! Sometimes sweet makers choose chestnuts or white kidney beans to make the an, which they craft into dainty flowers, leaves, and fruits that look just like marzipan. Using special tools and food coloring, they fashion such masterpieces as prickly green-jacketed chestnuts with dark brown centers, winter white camellias with red stamens, and pale pink cherry blossoms with mint-colored leaves to commemorate the flower's arrival in April. The bean fudge also fills and frosts other confections, including pounded glutinous rice taffy called mochi and bite-size cakes, made from flour, water, and eggs that are baked until golden. These moist confections go by the name of namagashi and are always served before the thick whipped green tea at the tea ceremony.

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    Studying overseas as an international student in a foreign country is a very challenging undertaking. How Japanese students adapt to a new country plays an important role in their study and their ultimate success.

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    Suohon uponnut puu ei kukkinut koskaan. Nyt minä kannan ainoan hedelmäni: menen itse kuolemaan.

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    tamarind seedling on a cowdung cake - green phoenix

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    Tea followers were among the earliest converts to the Christian faith. Takayama Ukon, a daimyo turned ardent evangelist, was a disciple of Sen no Rikyu, the preeminent tea master of all time. After Christianity had been banned - Takayama was exiled to the Philippines - underground Christians cherished the tea ceremony as the only opportunity to assemble without arousing suspicion on the part of the authorities. It proved to be a fitting substitute for Holy Communion; even in its Zen context the rite symbolized the giving of oneself. For Christians liable to detection and torture because of their outlawed faith, it was a solemn reminder that Christ had willingly given his life for them. Some of the cups were boldly inscribed with a cross. So it is little wonder that some Japanese Christians have envisioned their Lord in the graceful robe of a Zen tea master.

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    The analysis provides a clear difference between the age and gender of Japanese students in Australia. The difficult management question is “what do these numbers mean”?

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    The bells of the Gion monastery in India echo with the warning that all things are impermanent. The blossoms of the sala trees teach us through their hues that what flourishes must fade. The proud do not prevail for long but vanish like a spring night’s dream. In time the mighty, too, succumb: all are dust before the wind.

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    The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.

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    The blue of the sky is one of the most special colors in the world, because the color is deep but see-through both at the same time.

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    The life cord became thin filament, and the heaven cord a rope, by the times the camps were liberated. But I don't think many focused on heaven; too much of hell had been lived to allow for God's grace and heaven.

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    The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.

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    The Japanese have two words: "uchi" meaning inside and "soto" meaning outside. Uchi refers to their close friends, the people in their inner circle. Soto refers to anyone who is outside that circle. And how they relate and communicate to the two are drastically different. To the soto, they are still polite and they might be outgoing, on the surface, but they will keep them far away, until they are considered considerate and trustworthy enough to slip their way into the uchi category. Once you are uchi, the Japanese version of friendship is entire universes beyond the average American friendship! Uchi friends are for life. Uchi friends represent a sacred duty. A Japanese friend, who has become an uchi friend, is the one who will come to your aid, in your time of need, when all your western "friends" have turned their back and walked away.

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    The law is an accumulation of tireless attempts to block a man's desire to change life into an instant of poetry. Certainly it would not be right to let everybody exchange his life for a line of poetry written with a splash of blood. But the mass of men, lacking valor, pass away their lives without ever feeling the least touch of such a desire.

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    The bond between husband and wife is a strong one. Suppose the man had hunted her out and brought her back. The memory of her acts would still be there, and inevitably, sooner or later, it would be cause for rancor. When there are crises, incidents, a woman should try to overlook them, for better or for worse, and make the bond into something durable. The wounds will remain, with the woman and with the man, when there are crises such as I have described. It is very foolish for a woman to let a little dalliance upset her so much that she shows her resentment openly. He has his adventures--but if he has fond memories of their early days together, his and hers, she may be sure that she matters. A commotion means the end of everything. She should be quiet and generous, and when something comes up that quite properly arouses her resentment she should make it known by delicate hints. The man will feel guilty and with tactful guidance he will mend his ways. Too much lenience can make a woman seem charmingly docile and trusting, but it can also make her seem somewhat wanting in substance. We have had instances enough of boats abandoned to the winds and waves. It may be difficult when someone you are especially fond of, someone beautiful and charming, has been guilty of an indiscretion, but magnanimity produces wonders. They may not always work, but generosity and reasonableness and patience do on the whole seem best.

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    The generational change that is now occurring now in Japan will transform the employment market, education requirements, job skills and lifestyles of the next generation

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    [The] Japanese were a people in a profound, inverse, reverse, or if I preferred it, even perverse sense, more in love with death than living.

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    The various units of Philippine guerrillas, their tactics, military resources, and vigor to survive and end the Japanese maltreatment of the Philippine people paint the Pacific Theater from 1941-1945 as desperate, dark, and bloody for Asian communities throughout East and Southeast Asia

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    The official JLPT guide states that JLPT N3 level is roughly equivalent to Japanese Grades 1 through 4 in terms of kanji and vocabulary content with approximately 650 Kanji made up of Grade 1 (80), Grade 2 (160) Grade 3 (200) and Grade 4 (200) and 3750 vocabulary

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    These days, even plain tea has become a treat, hasn't it?

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    The study looks at the Japanese student market and aims to better understand it by concentrating on age and gender insights of the market to ascertain trends, awareness and key features that will allow marketers to appreciate and reach out to these customers

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    The purpose of the research was to better understand all the stages Japanese international students encounter when studying abroad and to better ascertain their buyer behaviour when selecting foreign education

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    There’s a word in Japanese for being sad in the springtime – a whole word for just being sad – about how pretty the flowers are and how soon they’re going to die.” — Sarah Ruhl

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    they make love in the sculptures on a temple wall

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    This may sound like a terrible generalization but the Japanese language has taught me that a person's understanding of the world need not be so well articulated -- so rationally articulated -- the way it tends to be in Western languages. The Japanese language has the full potential to be logical and analytical, but it seems to me that it isn't its real business to be that way. At least, not the Japanese language we still use today. You can mix the present and the past tense. You don't have to specify whether something is singular or plural. You aren't always looking for a cogent progression of sentences; conjunctions such as "but," "and," and "so" are hence not all that important. Many Japanese people used to criticize their language for inhibiting rational thought. It was quite liberating to me when I realized that we can understand the world in different ways depending on the language we use. There isn't a right way or a wrong way.

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    To appreciate the best opportunity for attack and defence, you must fully understand the rhythm of movement. (Page 28).

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    Those who hurt others will also hurt themselves.

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    This was her heritage. Her people. So why did she feel so small and weak? So far removed from it?

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    Whereas, in the west, individuality and drive are considered positive qualities, they are not seen the same way, in Japan. In that country, if you are too much of a rugged individualist, it might actually indicate that you are a weak, unreliable character and that you are selfish, in a childish, willful kind of way.

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    To gain mastery you must unite the qualities of spirit, strength, technique and the ability to take the initiative. (Page 31).

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    To study the self is to forget the self. Maybe if you sat enough zazen, your sense of being a solid, singular self would dissolve and you could forget about it. What a relief. You could just hang out happily as part of an open-ended quantum array.

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    To understand how seriously the people of Noto take the concept of waste, consider the fugu dilemma. Japanese blowfish, best known for its high toxicity, has been a staple of Noto cuisine for hundreds of years. During the late Meiji and early Edo periods, local cooks in Noto began to address a growing concern with fugu fabrication; namely, how to make use of the fish's deadly ovaries. Pregnant with enough poison to kill up to twenty people, the ovaries- like the toxic liver- had always been disposed of, but the cooks of Noto finally had enough of the waste and set out to crack the code of the toxic reproductive organs. Thus ensued a long, perilous period of experimentation. Locals rubbed ovaries in salt, then in nukamiso, a paste made from rice bran, and left them to ferment. Taste-testing the not-quite-detoxified fugu ovary was a lethal but necessary part of the process, and many years and many lives later, they arrived at a recipe that transformed the ovaries from a deadly disposable into an intensely flavored staple. Today pickled fugu ovaries remain one of Noto's most treasured delicacies.

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    When the Germans surrendered with their arms raised high, holding a white flag, they weren't at all how i imagined them: hard, cruel, tall and monstrous with cigars chomped between their lips talking about how they wanted to shoot babies and old people. Instead they were boys like us, teenagers, tired, scared, dirty, and looking almost relieved that their was over, for now, that they can rest their bone-tired bodies in the POW camps.

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    When you suffer a calamity - then be it so; now is the time of calamity. When you die - then be it so; now is the time to die. Thus you save yourself from calamity and death.

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    To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?

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    Too lazy to be ambitious, I let the world take care of itself. Ten days' worth of rice in my bag; a bundle of twigs by the fireplace. Why chatter about delusion and enlightenment? Listening to the night rain on my roof, I sit comfortably, with both legs stretched out.

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    We face the enemy and contend with him—if he turns away we let him go. (Page 13).

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    Weißt Du, daß es außer den über dreißig Farben in einem Farbtub-Kasten noch eine weitere, für Menschenaugen sehr wohl sichtbare Farbe gibt — die der Traurigkeit?

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    Well, I thought, America's not stingy with its bombs.

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    When Nick leaves our room, he leaves behind a dark thunder cloud. He has carried the shadow with him for so long that it has become a part of him and has settled in the shadows of the room.

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    Whereas an Otaku is a true connoisseur of the culture, showing the same reverence and respectful distance which any true expert shows to their chosen field of expertise, the Weeaboo is like a socially awkward adolescent, ineptly trying to gain the social acceptance of Japanese people — because their unfortunate mental disorder has caused them to believe they are, in fact, Japanese.

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    White bread in Japan is a steroidal megaloaf called shokupan. Brioche-like and great for toasting, shokupan is sold in bags of four, six, or eight perfectly square slices, without heels. Where do the heels go? Out back with the imperfect vegetables? I bought shokupan several times before figuring out why the four-, six, and eight-slice sacks all sold for the same price. It's the same loaf, cut into thicker or thinner slices. Eight-slice shokupan is similar in thickness to Wonder bread. Six-slice shokupan is like what we buy in Seattle as Texas Toast (the fresh kind, not the frozen garlic bread). A piece of four-slice shokupan is like a Stephen King paperback. It would make a slot toaster cry out in pain. Iris and I liked the six-slice bread best and usually ate it toasted with melted butter and a sprinkle of sea salt.

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    Yes," I continued, "I discovered this model recently and her style never fails to be mathematically perfect. She seems to come by it naturally. As if she were born resonant. I notice Japanese models tend to do this. Like I said, they seem to have resonance somewhere deep in their culture. But Yuri Nakagawa, she's the best I've ever seen. The best model, with the most powerful resonance. I need her to probe deeper into this profound mathematical instinct, which I call resonance.

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    You know Americans...Self-improvement. No matter who or what we are, we're always working on ways to become somebody else.

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    5.6.2. Egocentricity "The linguistic phenomenon of evidentiality reflects a strong awareness of the self in Japanese language usage, however primordial and simplistic such a notion may be. In order to use the language appropriately, the speaker needs to be aware of the distinction between self and all others. This fact runs counter to many researchers in anthropology, linguistics, and sociology who contend that the Japanese people lack the concept of the individualistic self akin to the Western notion of self. Some even insist that Japan is a "selfless" society. Actual observation of Japanese society clearly demonstrates these notions to be myths. Quite the contrary, Japanese is a highly egocentric language, in which the presence of "I" as the speaker is so obvious as to not have to be expressed overtly.

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    You will tell me that there always exists a chasm between the world depicted in novels and films and the world that people actually live in. It is the chasm between the world mediated by art and the world unmediated by art, formless and drab. You are absolutely right. The gap that my mother felt was not necessarily any deeper than the gap felt by a European girl who loved books and films. Yet there is one critical difference. For in my mother's case, the chasm between the world of art and real life also symbolized something more: the asymmetrical relationship I mentioned earlier—the asymmetrical relationship between those who live only in a universal temporality and those who live in both a universal and a particular one. To make this discussion a little more concrete, let me introduce a character named Francoise. Francoise is a young Parisienne living before World War II. Like my mother, she loves reading books and watching films. Also like my mother, she lives in a small apartment with her mother, who is old, shabby looking, and illiterate. One day Francoise, full of artistic aspirations, writes an autobiographical novel. It is the tale of her life torn between the world of art and the world of reality. (Not an original tale, I must say.) The novel is well received in France. Several hundred Japanese living in Japan read this novel in French, and one of them decides to translate it into Japanese. My mother reads the novel. She identifies with the heroine and says to herself, "This girl is just like me!" Moved, my mother, also full of artistic aspirations, writes her own autobiography. That novel is well received in Japan but is not translated into French—or any other European language, for that matter. The number of Europeans who read Japanese is just too small. Therefore, only Japanese readers can share the plight of my mother's life. For other readers in the world, it's as if her novel never existed. It's as if she herself never existed. Even if my mother had written her novel first, Francoise would never have read it and been moved by it.

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    You know, when people familiar with the mountains enter the wilds, they often look for a branch that stands out, break it to mark their tracks. It’s useful on the way back. It’s called a shiori, a folded branch, just like the word for bookmark. It is written differently but is pronounced the same.

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    a broken mirror tries hard to fix itself everytime she smiles at it

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    A feeling of liberation should contain a bracing feeling of negation, in which liberation itself is not negated. In the moment a captive lion steps out of his cage, he possesses a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds to him; the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage. Etsuko however, had in her heart not the slightest interest in these matters. Her soul knew nothing but affirmation.

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    A faint tear wet Meiko's eye, so slight a bit of moisture that it passed unseen by Yasuko. Yet all the anguish of which she never spoke was compressed into that single drop

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    Als ich sehe, wie Harus Haar verspielt im Wind tanzt und völlig zerzaust wird, und das, obwohl das Grau da draußen doch bleischwer in der Luft lastet, erkenne ich auf einmal, wie weit, weit weg die Vergangenheit ist. Weiter als der Tod, ja weiter sogar als die unüberbrückbare Distanz, die zwischen zwei Menschen besteht.