Best 66 quotes in «analogy quotes» category

[About describing atomic models in the language of classical physics:] We must be clear that when it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images and establishing mental connections.

An airplane should never lean too much to the left or the right, because it puts every passenger into a panic and fear. Politics are much the same. Better to be balanced on both sides than to fly on a crazy angle.

According to Teleology, each organism is like a rifle bullet fired straight at a mark; according to Darwin, organisms are like grapeshot of which one hits something and the rest fall wide. For the teleologist an organism exists because it was made for the conditions in which it is found; for the Darwinian an organism exists because, out of many of its kind, it is the only one which has been able to persist in the conditions in which it is found. Teleology implies that the organs of every organism are perfect and cannot be improved; the Darwinian theory simply affirms that they work well enough to enable the organism to hold its own against such competitors as it has met with, but admits the possibility of indefinite improvement.

After Jesus showed up, the Old Testament basically became a way for Bible publishers to keep their word count up. Of course, just because Jesus replaces the Old Testament doesn't mean that you should necessarily skip it. That would be like skipping Batman and Robin just because the story starts over in Batman Begins. The important thing to realize is that both the old and new stories are about an all-powerful being trying to rid the world of evildoers, only in the new one The Batman can eat pork.

He is like the fox, who effaces his tracks in the sand with his tail. {Describing the writing style of famous mathematician Carl Friedrich Gauss}

And I shuddered at the apparent freedom so many women felt simply to take what they wanted without regard for other women's feelings. It was as though we were all crazed customers at some kind of year-end shoe sale, shoving our fellow females out of the way as we clutched desperately at the few remaining pieces of merchandise. I had the discouraging sense that our culture had created female monsters, dooming us to play out these intense and bitter rivalries almost against our will.

As I look back over China's sixty years under communism, I sense that Mao's Cultural Revolution and Deng's open-door reforms have given China's grassroots two huge opportunities: the first to press for a redistribution of political power and the second to press for a redistribution of economic power.

Another way to find whether an analogy is fallacious is to see whether you can discover a counter analogy. Surely this is the most effective practice in refuting analogy in argument.

As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.

Don't you agree? Swordplay is a dance of sorts, an understanding of the logical, most sophisticated next step. Except that in a fight, one must take the unexpected step. In dance it is all about taking the right, expected step.

But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless — a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches’ tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd.

By degrees, the bitterness at my heart diffused itself to the circumference of the circle in which my life went its cheerless mechanical round.

Claiming "the budget can't allow it" reminds me of when you walk into a restaurant at a civilized hour like ten o'clock and they say "the kitchen is closed." For years I would hear this, and think, "damn, just a little too late, oh well, thank you, I guess it's Denny's again." And then one day it hit me: kitchens don't close. Just as at home, at a certain point in the night, I stop using the kitchen--but at three in the morning, if I want to, I still have the ability to go downstairs and "re-open" the kitchen by turning on the stove and opening the refrigerator! Restaurants are not banks; at the stroke of ten an enormous airlock doesn't seal off the kitchen and render the preparation of food an utter impossibility./ No, kitchens can open and budgets are what certain people say they are.

Cohn assembled every piece of economic data available to show that American workers did not aspire to work in assembly factories. Each month Cohn brought Trump the latest Job Openings and Labor Turnover Survey, called JOLTS, conducted y the Bureau of Labor Statistics. He realized he was being an asshole by rubbing it in because each month was basically the same, but he didn't care. "Mr. President, can I show this to you?" Cohn fanned out the pages of data in front of the president. "See, the biggest leavers of jobs--people leaving voluntarily--was from manufacturing." "I don't get it," Trump said. Cohn tried to explain: "I can sit in a nice office with air conditioning and a desk, or stand on my feet eight hours a day. Which one would you do for the same pay?" Cohn added, "People don't want to stand in front of a 2,000 degree blast furnace. People don't want to go into coal mines and get black lung. For the same dollars or equal ollars, they're going to choose something else." Trump wasn't buying it. Severl times Cohn just asked the president, "Why do you have these views?" "I just do," Trump replied. "I've had these views for 30 years." "That doesn't mean they're right," Cohn said. "I had the view for 15 years I could play professional football. It doesn't mean I was right.

Elms are dying all over the place, it's Dutch elm disease. [...] It came from America on a load of logs, and it's a fungal disease. That makes it sound even more as if it might be possible to do something. The elms are all one elm, they are clones, that's why they are all succumbing. No natural resistance among the population, because no variation. Twins are clones, too. If you looked at an elm tree you'd never think it was part of all the others. You'd see an elm tree. Same when people look at me now: they see a person, not half a set of twins.

Faced with our addiction to oil, what does our leadership say? Get more of it! Strange when you consider their answer to drug dependence is to cut off the supply.

Falsehood flies, and truth comes limping after it, so that when men come to be undeceived, it is too late; the jest is over, and the tale hath had its effect: like a man, who hath thought of a good repartee when the discourse is changed, or the company parted; or like a physician, who hath found out an infallible medicine, after the patient is dead.

Her bare feet whispered across the floor as she approached him with the sort of stealth that only small children and trained killers possess.

fleas are like a bad habit—awfully hard to get rid of once you get them

Fracture lines etch the surface of the glass box as if a body fell from the sky and landed on it. He doesn't hear the impact, can't smell the blood.

Good management is the lifeblood of the healthy corporate body. Getting rid of it to save cost is like losing weight by giving blood.

he dragged her like a string of cans behind the wedding car

He looked at the road white a lot now. Sometimes the white line was solid, sometimes it was broken, and sometimes it was double like streetcar tracks. He wondered how people could ride over this road all the other days of the year and not see the pattern of life and death in that white paint. Or did they see, after all?

I am lost without my Boswell. [Sherlock Holmes on Dr. Watson.]

Le savant doit ordonner ; on fait la science avec des faits comme une maison avec des pierres ; mais une accumulation de faits n'est pas plus une science qu'un tas de pierres n'est une maison. The Scientist must set in order. Science is built up with facts, as a house is with stones. But a collection of facts is no more a science than a heap of stones is a house.

If the entire course of evolution were compressed into a single year, the earliest bacteria would appear at the end of March, but we wouldn't see the first human ancestors until 6 a.m. on December 31st. The golden age of Greece, about 500 BCE, would occur just thirty seconds before midnight.

I have spoken of analogy as a constructive method. This, however, should be used only for suggestion, for it is most dangerous. Often we use an analogy and are quite unaware of it. Thus many social and political thinkers have called society an "organism," and have proceeded to deal with it as if it were a large animal. They have thought not in terms of the actual phenomena under consideration, but in terms of the analogy. In so far as the terms of the analogy were more concrete than those of the phenomena, their thinking has been made easier. But no analogy will ever hold good throughout, and consequently these thinkers have often fallen into error.

I know, I know: it can be frustrating as hell. But people have an unfortunate habit of assuming they understand the reality just because they understood the analogy. You dumb down brain surgery enough for a preschooler to think he understands it, the little tyke’s liable to grab a microwave scalpel and start cutting when no one’s looking.

The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works. He has read enough to know there are no collections where each story is perfect. Some hits. Some misses. If you’re lucky, a standout. And in the end, people only really remember the standouts anyway, and they don’t remember those for very long. No, not very long.

I love violent Shakespeare. It is to me what steak is to some people: the bloodier the better.

I realised something else tonight. Something about pancakes.’ ‘What about them?’ ‘We both got so obsessed about that first pancake being thrown away that we forgot something really important,’ Max explained. ‘That first pancake tastes just as good as all the other ones. It’s not its fault that it was first in line and the pan wasn’t hot enough so it got a bit lumpy and misshapen.’ ‘And when you’re really famished that first pancake tastes better than all the ones that come after it,’ Neve said, and then she couldn’t wait any longer. Her arms were around Max before she’d even finished forming the thought, but his arms were around her too in that exact same moment. Just having him there to hold, warm and solid and real, was enough for five seconds, and then she was peppering his face with kisses – his forehead, his eyebrows, the tip of his crooked nose, along his cheekbones until she reached the glittering prize of his mouth. Sometimes Neve thought that her appetite was the most robust thing about her, and she didn’t kiss Max so much as she devoured him. Graceless, messy kisses without any thought or reason, but simply because she hungered for him. Kissed him with everything she had and everything she was, and she didn’t know why she could kiss Max and have him kiss her back with the same fierceness but still be greedy for the next kiss and the one after that and the one after that and the one…

It's a good plan, Mr. Snicket." "Oh sure," I said, "like juggling dynamite, or kicking a polar bear.

Love and guilt are like ham and eggs. So many people enjoy them together, but there’s no rule saying you must have one with the other. They don’t even come from the same animal.

More about the selection theory: Jerne meant that the Socratic idea of learning was a fitting analogy for 'the logical basis of the selective theories of antibody formation': Can the truth (the capability to synthesize an antibody) be learned? If so, it must be assumed not to pre-exist; to be learned, it must be acquired. We are thus confronted with the difficulty to which Socrates calls attention in Meno [ ... ] namely, that it makes as little sense to search for what one does not know as to search for what one knows; what one knows, one cannot search for, since one knows it already, and what one does not know, one cannot search for, since one does not even know what to search for. Socrates resolves this difficulty by postulating that learning is nothing but recollection. The truth (the capability to synthesize an antibody) cannot be brought in, but was already inherent.

Pure analysis puts at our disposal a multitude of procedures whose infallibility it guarantees; it opens to us a thousand different ways on which we can embark in all confidence; we are assured of meeting there no obstacles; but of all these ways, which will lead us most promptly to our goal? Who shall tell us which to choose? We need a faculty which makes us see the end from afar, and intuition is this faculty. It is necessary to the explorer for choosing his route; it is not less so to the one following his trail who wants to know why he chose it.

She stared down into her coffee, as if she had more to say, but the words had fallen into the mug and were now too soggy to use.

Studying wine taught me that there was a very big difference between soil and dirt: dirt is to soul what zombies are to humans. Soil is full of life, while dirt is devoid of it.

That's the thing about rocks--they don't break easily. When I held them, I wanted to be like them-strong and steady, weathered but not broken.

Imagine that a literalist and a moderate have gone to a restaurant for lunch, and the menu promises "fresh lobster" as the speciality of the house. Loving lobster, the literalist simply places his order and waits. The moderate does likewise, but claims to be entirely comfortable with the idea that the lobster might not really be a lobster after all—perhaps it's a goose! And, whatever it is, it need not be "fresh" in any conventional sense—for the moderate understands that the meaning of this term shifts according to context. This would be a very strange attitude to adopt toward lunch, but it is even stranger when considering the most important questions of existence—what to live for, what to die for, and what to kill for. Consequently, the appeal of literalism isn't difficult to see. Human beings reflexively demand it in almost every area of their lives. It seems to me that religious people, to the extent that they're 'certain' that their scripture was written or inspired by the Creator of the universe, demand it too. - pg. 67-68

I never knew anybody, anywhere I have been, who found life simple. I think a life or a time looks simple when you leave out the details, the way a planet looks smooth, from orbit.

Initially the snow had been beautiful, but not so much now. The softness and sparkle still charmed, but the storm occluded the sky, denying us the stars. At the moment, I needed to see a firmament of stars, needed to gaze past the moon and through the constellations, needed to see what can't be seen--infinity.

I realized, when I saw the forest burning, how fascinating the firelight is. It's beautiful, and people stare at it, don't they? It destroys things and kills people, but humans love it. Is it because they crave their own destruction, Sam? I want to understand your kind. I am going out into the wider world, and I must learn. But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness.

It makes no sense to expect or claim to 'make the invisible visible', or the unknown known, or the unthinkable thinkable. We can draw conclusions about the invisible; we can postulate its existence with relative certainty. But all we can represent is an analogy, which stands for the invisible but is not it.

It will be agreed that you can’t divide a cake up into its component crumbs and say ‘This crumb corresponds to the first word in the recipe, this crumb corresponds to the second word in the recipe’, etc. In this sense it will be agreed that the whole recipe maps onto the whole cake. But now suppose we change one word in the recipe; for instance, suppose ‘baking-powder’ is deleted or is changed to ‘yeast’. We bake 100 cakes according to the new version of the recipe, and 100 cakes according to the old version of the recipe. There is a key difference between the two sets of 100 cakes, and this difference is due to a one-word difference in the recipes. Although there is no one-to-one mapping from word to crumb of cake, there is one-to-one mapping from word difference to whole-cake difference. ‘Baking-powder’ does not correspond to any particular part of the cake: its influence affects the rising, and hence the final shape, of the whole cake. If ‘baking-powder’ is deleted, or replaced by ‘flour’, the cake will not rise. If it is replaced by ‘yeast’, the “cake will rise but it will taste more like bread. There will be a reliable, identifiable difference between cakes baked according to the original version and the ‘mutated’ versions of the recipe, even though there is no particular ‘bit’ of any cake that corresponds to the words in question. This is a good analogy for what happens when a gene mutates.

I’ve found that it’s of some help to think of one’s moods and feelings about the world as being similar to weather. Here are some obvious things about the weather: It's real. You can't change it by wishing it away. If it's dark and rainy, it really is dark and rainy, and you can't alter it. It might be dark and rainy for two weeks in a row. BUT it will be sunny one day. It isn't under one's control when the sun comes out, but come out it will. One day. It really is the same with one's moods, I think. The wrong approach is to believe that they are illusions. Depression, anxiety, listlessness - these are all are real as the weather - AND EQUALLY NOT UNDER ONE'S CONTROL. Not one's fault. BUT They will pass: really they will. In the same way that one really has to accept the weather, one has to accept how one feels about life sometimes, "Today is a really crap day," is a perfectly realistic approach. It's all about finding a kind of mental umbrella. "Hey-ho, it's raining inside; it isn't my fault and there's nothing I can do about it, but sit it out. But the sun may well come out tomorrow, and when it does I shall take full advantage.

I was feeling like a rock in a stream with the water passing by me, not fully engaging in life with this heavy burden hanging over me.

Once I went professionally to an archaeological expedition- and I learnt something there. In the course of an excavation, when something comes up out of the ground, evEryThing is cleared away very carefully all around it. You take away the loose earth, and you scare here and there with a knife until finally your object is there, all alone, ready to be drawn and photographed with no extraneous matter confusing it. That is what I have been seeking TO do- clear away the extraneous matter so that we can see the truth-the naked shining truth.

People are often wary of reading or watching anything in the horror genre because in their minds, it's just senseless gore, death and violence. Well, I can tell you from avid experience, that's not what horror is about. The horror genre teaches us that sometimes really bad things happen to really good people, but that hope always prevails in even the darkest of situations. That's a very important lesson, no matter how frightening you think the teacher is, and to be in the top of her class, all you need to do is to go in with an open mind.

Silvia Dunne's voice sounded calm and even, but April knew her mother was like a grenade with the pin out - she could explode any minute.

Sports is to war as pornography is to sex.