Best 1830 quotes in «criticism quotes» category

If you are ever called upon to chasten a person, never chasten beyond the balm you have within you to bind up.

If you are good, people will criticize you. If you are bad, people will criticize you. If you are both good and bad, people will still criticize you. Therefore, don’t waste your life trying to please anyone.

If you aren't polite when giving criticism you will come off as an awful person and if you aren't polite when receiving criticism you will come off as an awful person.

If you base your worth on other people's opinion of you, you will be worth little or nothing by the time you encounter your first critic.

If you criticize what you’re doing too early you’ll never write the first line.” [Paris Review, interview with Jodi Daynard, The Art of Fiction No. 113, Winter II 1989]

If you don't know your worth, people will put a cheap price tag on you.

If you don't like something it's okay to shut the fuck up about it and find something you do like.

If you find yourself criticizing other people, your probably doing it out of Resistance. When we see others beginning to live their authentic selves, it drives us crazy if we have not lived out our own. Individuals who are realized in their own lives almost never criticize others. if they speak at all, it is to offer encouragement. Watch yourself. Of all the manifestations of Resistance, most only harm ourselves. Criticism and cruelty harm others as well.

If you find yourself criticizing other people, you're probably doing it out of Resistance. When we see others beginning to live their authentic selves, it drives us crazy if we have not lived out our own. Individuals who are realized in their own lives almost never criticize others. if they speak at all, it is to offer encouragement. Watch yourself. Of all the manifestations of Resistance, most only harm ourselves. Criticism and cruelty harm others as well.

If you have to criticize, do it with deep understanding and love.

If you know who you are, it makes you immune to criticism

If you love my work, you are a good critic. If you do not love my work, you are a 'not good' critic.

If you listen to critics for too long, you will become deaf to success.

If your critics lack sense, you are steps ahead of them. If you have sense, you are miles ahead of them.

If you're in the fault-finding business you'll find me full of faults.

If your hands are tied towards anyone who's in need of a helping hand, let your tangue also be tied

If you say something and reject any criticism, then your words truly meant to advise yourself.

If you think it’s offensive that I call alleged biblical miracles ridiculous, you should ask yourself whether or not it’s ridiculous to insist that Muhammad flew on a winged horse. Or that the earth was hatched from a cosmic egg? Or that Xenu, the dictator of the Galactic Confederacy, brought billions of his people to earth 75 million years ago and killed them using hydrogen bombs? These are all religious beliefs of others, but that doesn't mean calling them ridiculous is an insult - it's an objective fact until proven otherwise.

If you think the world is full of darkness, let us see your light. If you think the world is full of wickedness, let us see your goodness. If you think people are acting wrongly, let us see your right action. If you think people don't know, let us see what you know. If you think the world is full of uncaring people let us see how you care about people. If you think life is not being fair to you, let us see how you can be fair to life. If you think people are proud, let us see your humility. We can easily find fault and we can easily see what is wrong but a positive attitude backed by a right action in a true direction is all we need to survive in peace and harmony in the arena of life

If you tend to a flower, it will bloom, no matter how many weeds surround it.

If you throw ice at the sun, it will melt; if you throw spears, they will burn; and if you throw bricks, they will crumble. The sun is invincible; all that comes before it is consumed.

If you truly have faith in your convictions, then your convictions should be able to stand criticism and testing.

If you want to know who rules over you, look at who you are not allowed to criticize.

If you want to criticize someone, do not compare him with an imaginary creature but yourself.

Ignore your haters. Resist your fears. Embrace your dreams.

Ignore negative criticisms, focus on positive thoughts.

I had never experienced the intense healing effect of another loving you, of their kind words. The illumination of my inner beauty had been initiated. Non-judgmental awareness is the most powerful tool for change. Could I look at my life without criticism? Without comparison? Could I simply look as a witness to my own life? Could I see my life through Tony’s loving eyes and observe without criticism? This was to be a massive part of my journey home.

I know whether of not your statement is true, and you know that I know whether or not it is true, because it is about me. But do you know that your statement is true? This is what I mean by passing judgment.

I have many an hour been pained that my investigation raises questions about so many things on which good, pious people have placed all their trust. I have remembered old friends, kind listeners, children of God both known and unknown to me, who might see my work. However, I have been unable to alter anything here.

I know what coming back to America from a war zone is like because I’ve done it so many times. First, there’s a kind of shock at the comfort and affluence that we enjoy, but that is followed by the dismal realization that we live in a society that is basically at war with itself. People speak with incredible contempt about, depending on their views: the rich, the poor, the educated, the foreign born, the President, or the entire US government. It is a level of contempt that is usually reserved for enemies in wartime except that now it is applied to our fellow citizens. Unlike criticism, contempt is particularly toxic because it assumes a moral superiority in the speaker. Contempt is often directed at people who have been excluded from a group or declared unworthy its benefits. Contempt is often used by governments to provide rhetorical cover for torture or abuse. Contempt is one of four behaviors that, statistically, can predict divorce in married couples. People who speak with contempt for one another will probably not remain united for long.

I hate criticism, it makes me feel important.

I have learned to be kinder to myself, to imagine that I am my own best friend, whispering comforting words in my ear and drowning out the voices of Self-Doubt and Self-Criticism. I have learned to acknowledge and appreciate the 98% that I have achieved instead of the 2% that I didn’t.

I just want us to be honest with ourselves, what’s our intent when we criticize, is it to make someone else better, or just to announce to the world that we are better, and use someone else’s error to help us shine a little brighter?

Illusion is whatever is fixed or definable, and reality is best understood as its negation…

I'm determined that I won't give up on my dreams for anything. I have evolved in these years. Learned and outgrown a lot many things including the unrealistic expectations of my family,fake relationships,society's criticism,surpassed people who are intimidated by my outspoken nature, Faux friends and especially the people who disappear in dark whenever they think its easier for them to do so. I have grown over stupid and useless conversations. The insecurity and the feeling of self doubt. I have never been less burdened.

In dictatorship people feared the king, in democracy they fear criticism.

[Blog post, March 10, 2014]

In all my life, the most arrogant people that I've known have been the most sensitive. The people who have done the most in contempt of other people's opinion, and who consider themselves the highest above it, have been the most furious if it went against them. Arrogant and domineering people can't stand the least, lightest, faintest breath of criticism. It just kills them.

In flight from intellectual heaviness, [he] arrives at intelligent weightlessness. Every notion is flipped this way and that; the answer to every question is yes and no; the proliferating examples from all the arts...overwhelm the observations that they are designed to illustrate; the general impression in one of uncontrollable articulateness. [He] does not think his thoughts; he convenes them. There is not a sign of struggle anywhere.

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

In my experiences, the common critic of Christianity, when he thinks of Christianity, imagines a sort of elementary, Sunday School blunder of elements: fiery Hell, an angry God, 'try not to sin', 'be good so that you can go to Heaven', absurd miracles, hyper-fundamentalist tales, religious hypocrites, and Jesus telling people not to judge. There is no horse more dead than such. I maintain that understanding Christianity and the Bible is quite like painting a piece of art. Let a toddler paint a puppy; then let an adult who is a long-time painter paint the very same puppy. They are both paintings of the puppy, but one is far more detailed, rational, realistic, and believable than the other. One is distorted and comical; the other is proportional and lively. One can write off Theology if he so pleases, but he might not be very wise in using the toddler's painting when it comes time to identify the real puppy or when trying to confront actual men of the Faith.

It has always been asked in the spirit of: ‘What are the best sources of our knowledge – the most reliable ones, those which will not lead us into error, and those to which we can and must turn, in case of doubt, as the last court of appeal?’ I propose to assume, instead, that no such ideal sources exist – no more than ideal rulers – and that all ‘sources’ are liable to lead us into errors at times. And I propose to replace, therefore, the question of the sources of our knowledge by the entirely different question: ‘How can we hope to detect and eliminate error?’ The question of the sources of our knowledge, like so many authoritarian questions, is a genetic one. It asks for the origin of our knowledge, in the belief that knowledge may legitimize itself by its pedigree. The nobility of the racially pure knowledge, the untainted knowledge, the knowledge which derives from the highest authority, if possible from God: these are the (often unconscious) metaphysical ideas behind the question. My modified question, ‘How can we hope to detect error?’ may be said to derive from the view that such pure, untainted and certain sources do not exist, and that questions of origin or of purity should not be confounded with questions of validity, or of truth. …. The proper answer to my question ‘How can we hope to detect and eliminate error?’ is I believe, ‘By criticizing the theories or guesses of others and – if we can train ourselves to do so – by criticizing our own theories or guesses.’ …. So my answer to the questions ‘How do you know? What is the source or the basis of your assertion? What observations have led you to it?’ would be: ‘I do not know: my assertion was merely a guess. Never mind the source, or the sources, from which it may spring – there are many possible sources, and I may not be aware of half of them; and origins or pedigrees have in any case little bearing upon truth. But if you are interested in the problem which I tried to solve by my tentative assertion, you may help me by criticizing it as severely as you can; and if you can design some experimental test which you think might refute my assertion, I shall gladly, and to the best of my powers, help you to refute it.

I no longer have patience for certain things, not because I’ve become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me.

Insanity is a direct and appropriate response to the coercive inauthenticity of society ... it is an act, expressing the intention of the insane person to meet and overcome to coercive situation; and whether or not it succeed in this intention, it is at least an act of criticism which exposes the true nature of society

In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship. Blog post: Criticism in SFF and YA

In the West, of course, God has been dead for some time. What remains is religion as social belief, which is at best a moral code and at worst social etiquette.

Introspection precedes constructive criticism. Introspeksi mendahului kritik yang membangun.

I only accept and pay attention to feedback from people who are also in the arena. If you're occasionally getting your butt kicked as you respond, and if you're also figuring out how to stay open to feedback without getting pummeled by insults, I'm more likely to pay attention to your thought about my work. If, on the other hand, you're not helping, contributing, or wrestling with your own gremlins, I'm not at all interested in your commentary.

I purposely used a pretty cocky, abrasive writing style in Sex and Crime, to stir up some drama. My confrontational style quickly became the talk of the scene. Some of the things I wrote were so inflammatory, people had to vent about it on online forums. So suddenly everyone in the scene was talking about Sex and Crime, just as I had hoped. I enjoyed playing the role of agitator, and people from competing hacking crews didn't even realize that the more they bitched about the things I wrote, the more credibility and notoriety they were adding to my scene mag. Thanks to all the positive as well as negative feedback I was getting, the things I wrote actually mattered. Suddenly I was the most important opinion maker in the scene.

I stared at her. "But she drugged us." "That is no longer news, dumbass. Are you going to ask why she drugged you?" "Allright," I said, narrowing my eyes. "Why?" "Because, dear October, you're the most passively suicidal person I've ever met, and that's saying something. You'll never open your wrists, but you'll run headfirst into hell. You'll have good reasons. You'll have great reasons, even. And a part of you will be praying that you won't come out again.