Best 1830 quotes in «criticism quotes» category

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    On Critique – Those who can, do. Those who can’t, teach. Those who can’t do or teach, criticize.

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    One Accuracy about criticism is that you don't ask for it but it's given to you. How you deal with it? Says a lot about you. People may criticize you for many reasons. You can't let it brake you or even elevate you. I always say; Know the limit of it, which one should be accepted and which one to be rejected.

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    One critic complained to me that "Well, if you are right, we will have to rewrite the textbooks!" As if that were a bad thing ... [But], curiously, some of our most virulent critics are associated with NASA and the government. A NASA employee tells me that this attitude of opposition to impact threats is entrenched in NASA and is only now slowly beginning to change. When it became obvious to NASA decades ago that asteroids and comets are a serious threat, their employees were instructed by top government officials to downplay the risk. The government was concerned that the populace would "panic" over space rocks and demand action, when NASA couldn't do anything about them and didn't want to admit it. Plus, trying to mitigate any impact hazards would have used up funding they wanted to put elsewhere.

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    One genuine criticism is more precious than a thousand false praises!

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    One of the easiest things in life is to judge others. One of the simplest things we can ever do is to tell how wrong people are. One of the most thoughtless things we can ever do is to show people their faults unconstructively. It is always so easy and common to do such things but, before you do that, find the uncommon reasons for the faulty life.Yes! before you do that, identify how to correct a faulty life and before you do that, think of what drives and invokes the joy, slothfulness or the melancholy in people. Until you go through what people have been through, until you experience what has become a part of people, until you understand what drives the real interest of people and until you become fully aware of the real vision, aspirations, desires and the needs of others, ponder before you criticize!

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    One who throws stones at others has less to use to build his own house.

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    Only a man of knowledge is capable of giving constructive criticism.

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    Only dead leaves allow the wind to blow them to and fro.

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    Only fools imply compliments. The wise man comes right out with it, point-blank. Imply criticism--unless the criticized isn't within earshot.

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    Only Love or Death can bring peace - I leave it on destiny to decide which one will find me first.

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    Only the dead know the true meaning of patience.

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    On occasion I read Raymond Chandler although I have certain reservations about this author. Chandler, while obviously a master of his craft, makes overuse of simile, to my annoyance.

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    Opinions of the masses kill the 'extra' in an 'extraordinary' idea.

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    Our critics make us strong! Our fears make us bold! Our haters make us wise! Our foes make us active! Our obstacles make us passionate! Our losses make us wealthy! Our disappointments make us appointed! Our unseen treasures give us a known peace! Whatever is designed against us will work for us!

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    Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience.

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    People hate to see their vices depicted, but vice is terrible and it should be depicted.

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    Penulis harus mampu "membaca" bahwa musik bukan melulu perkara teknis (aransemen, komposisi, tata suara, dll), tapi juga sebuah peristiwa budaya atau jaringan artefak sosial.

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    Pensar que la literatura entre nosotros llega al pueblo es una mentira: el pueblo no sabe leer, y si sabe aún no puede ir más allá de los comics y las fotonovelas; además, el libro es caro, casi un objeto de lujo. En definitiva, la literatura mexicana se desenvuelve dentro de un círculo vicioso burgués: la escribimos los burgueses, la leemos los burgueses y la criticamos los burgueses. Todo queda en familia.

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    People offer free advice because they don't use that advice for themselves anyway.

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    People love a seer, until he starts to look beyond them.

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    People quick to criticize others, but won't shine the light on themselves. You can't always judge a book by the outside appearance. You have to open it up and read in order to discover how precious it is.

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    People only stone a tree that is full of ripe fruit.

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    People suffering from insecurity and intellectual deficiency thrive on constant vilification; rarely engaging in a communication based on sound reasoning.

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    People that criticize the harshest usually are the ones who would trade places the fastest

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    Perfection is not the ultimate requirement in order someone to have a remarkable career and to deserve to have one, not only in music but everywhere.

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    People will react to you as a result of their own mindset, rather than as a reflection of your worth. Most people use others as mirrors for their own darkness. If you have been hurt by such people, perhaps you can use these experiences to become a different kind of person—one who reflects the light within others instead of using them as mirrors. Maybe your experiences of pain can lead you to being a great leader, someone who lights up the world. Your most painful struggle is ripe with opportunity.

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    Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 1984 and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (...), is to suggest that there is no moral distinction between the United States, the Taliban and the Ba'ath Party, and that the war against jihad is about nothing. If Moore had studied a bit more, or at all, he could have read Orwell really saying, and in his own voice, the following: The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists, whose real though unacknowledged motive appears to be hatred of western democracy and admiration for totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writing of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States… And that's just from Orwell's Notes on Nationalism in May 1945. A short word of advice: In general, it's highly unwise to quote Orwell if you are already way out of your depth on the question of moral equivalence. It's also incautious to remind people of Orwell if you are engaged in a sophomoric celluloid rewriting of recent history.

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    Pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

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    Please yourself, and you will go far. Please those who matter, and you will go further. But, please God, and you will go the furthest.

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    Poetry is not life. Life is poetry.

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    Plenty of people will think you're crazy, no matter what you do. Don't let that stop you from finding the people who think you're incredible—the ones who need to hear your voice, because it reminds them of their own. Your tribe. They're out there. Don’t let your critics interfere with your search for them.

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    Politics should be for people, politics shouldn't be for politicians.

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    Programming your mind with positive thoughts each day will go a long way to keep you from allowing external criticism to derail your dreams.

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    Procrastination threatens critics’ livelihood.

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    ¿Por qué la gente sentía la poderosa necesidad de decirle al mundo lo que había desayunado? ¿A qué se debía esa obsesión por compartir frases de Paulo Coelho, si la mayoría no habían leído ninguno de sus libros?

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    Pouring water on dry feces will just give bad odour

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    ... read as little as possible in the way of aesthetics and criticism - it will either be partisan views, fossilized and made meaningless in its lifeless rigidity, or it will be neat wordplay, where one opinion will triumph one day and the opposite the next. Works of art are infinitely solitary and nothing is less likely to reach them than criticism. Only love can grasp them and hold them and do them justice.

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    Regarding Christians who feel they have a free pass on being criticized; When the blind worship of an invisible being and the doctrine of millennia-old texts written by ignorant men in another country becomes more important than real, present human beings, then the blind worshiper SHOULD be shunned and criticized. It would be unethical to respond otherwise.

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    Reality took forever — the underwater way people walked and sent their voices wobbling through the air, how printed words lay inert like bugsplat, all manifesting the basic DUH of the physical plane. By the time he decided to go anywhere he wondered why he wasn't there already. As soon as he sent an email he felt he should already have the reply. And learning any fact, he was annoyed not to have known it already, because whenever anything happened, the conversation around it had already trended and backlashed and been reexamined and swallowed and shat and reswallowed and reshat in a thousand places online, until all thinking felt redundant. We needed brain-to-brain; only then would we catch up to real time. Right now everything progressed so slowly that by the time we arrived at the future it was the present again.

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    Red Carpet Events:Sitting on the couch and watching people who actually chase their goals and dreams; criticizing what they’re wearing… and wondering why we’re depressed.

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    Relax and breathe. The trouble with imaginative people is that we're good at picturing the worst that could happen to us. Fear is often just the imagination taking a wrong turn. Bad criticism is not the end of the world. As far as I know, no one has ever died from a bad review. Take a deep breath and accept whatever comes.

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    Religious suffering is, at one and the same time, the expression of real suffering and protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people. The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo. Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or conclusion, but so that he shall throw off the chain and pluck the living flower.

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    Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. ‘Respect for religion’ has become a code phrase meaning ‘fear of religion.’ Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect." [I Stand With Charlie Hebdo, as We All Must (Wall Street Journal, January 7, 2015)]

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    Relentless criticism in childhood can internalize a parental scorn that no amount of success will silence.

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    Remember, criticism is only that person’s opinion. Don't take everything to heart.

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    Remember, we all make our work available in a commercial transaction, the terms of which we, ourselves, dictate. If we give it away for free, that’s our decision, and there is no refuge in the lame defense, “what do you want for nothing?” The buyer does not waive his right to express his opinion." [Thick Skin and Bad Reviews, Blog post, June 26, 2013]

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    Self-pitying, self-righteous, self-important, all the selfs except self-confident, the quality that she always needed the most.

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    Respect your haters; they are always the first to show you that you are better than them.

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    Sex and the City 2 makes Phyllis Schlafly look like Andrea Dworkin. Or that super-masculine version of Cynthia Nixon that Cynthia Nixon dates. Or, like, Ralph Nader (wait, bad example—Schlafly totally does look like Ralph Nader in a granny wig). SATC2 takes everything that I hold dear as a woman and as a human—working hard, contributing to society, not being an entitled cunt like it's my job—and rapes it to death with a stiletto that costs more than my car. It is 146 minutes long, which means that I entered the theater in the bloom of youth and emerged with a family of field mice living in my long, white mustache.

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    She just kept on criticizing me, but for contradictory reasons.

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