Best 1830 quotes in «criticism quotes» category

I have an intense dislike for artificial society. In France, one could lead a free life - to do what one wanted to do without interference or criticism from one's neighbors.

I have been both praised and criticized. The criticism stung, but the praise sometimes bothered me even more. To have received such praise and honors has always been puzzling to me.

I have criticisms of Ronald Reagan, but he lives in another universe from the kind of political theater that is represented by people, like Sarah Palin, who aren't really public servants.

I have moments of weakness, but mostly I brush the criticism off... Who cares if I'm not a size zero? I don't want to be. I love my body; I'm healthy, I work out.

I have never found criticism is ever inhibited by ignorance.

I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.

I have observed in my 30 years in Washington that when a President initiates a major policy speech on a controversial issue while Congress is in recess, it usually is because what he is advocating is indefensible and that he is seeking to minimize criticism.

I have one criticism about the Negro troops who fought under my command in the Korean War. They didn't send me enough of them.

I have the worst ear for criticism, even when I have created a stage set I like, I always hear the woman in the back of the dress circle, who says she doesn't like blue.

I hear the criticism loud & clear That is how I know that the time is near

I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.

I like criticism, but it must be my way.

I'll let criticism spoil breakfast, but I don't let it affect my lunch.

I like art history and art criticism. Leo Steinberg has always been my favorite. Hes very original, very accurate and acute.

I like Nora Ephron. She wasn't a critic in the strictest sense of the word, but she did a lot of social criticism. She was so funny and so in the right place at the right time.

I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure.

I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.

Ill writers are usually the sharpest censors.

I lose my patience, and I own it too, When works are censur'd, not as bad but new; While if our Elders break all reason's laws, These fools demand not pardon but Applause.

I look for what's of value and extract that. I don't look to criticize.

I love constructive criticism. I love getting notes when I'm acting. I love them telling me what to do. I don't always agree with it, but I really need it.

I love constructive criticism.

I'm a fan of Hugh Kenner, Richard Ellman, Lionel Trilling and Frank Kermode. All these people have taught me how to read - but perhaps, above all literary critics, I'm indebted to Wayne Booth (several people have suggested to me that I'm trying to reinvent "ethical criticism").

I'm a bit of a connoisseur of Google criticism.

I'm afraid of being too sure, to just deliver. I think that's the biggest danger for actors - after a certain time, when you're known and recognised, people expect you to do what you're supposed to do, and there's almost no more criticism and that's very dangerous.

I love my voice. But I'd be the first one to make a criticism of it, so I'm not the best person to critique because I'm pretty hard on myself.

I'm no stranger to criticism. You're never going to be good enough, or just the right thing in everybody's eyes.

I'm developed as an artist to accept the fact there are different points of view, but I believe in what I do and I have to stay with that.

I'm easy to work with, not a pushover, but I respond to criticism and find it inspiring.

I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, "I work with a steel factory. Why can't I work with the media?

I'm not afraid of criticism or what somebody may think.

I mean no film is beyond criticism, but I think we've made a very modest movie.

I'm fighting hard - it's difficult under the weight of criticism but you have to take it

I'm not nearly the saint some of my fans imagine and I'm nowhere near the devil my detractors wish, so you simply take both of those with a grain of salt.

I'm not going to read reviews like, "I have to do these things." Any good criticism makes you think about your own films and about cinema in general.

I'm not saying I'm impervious to criticism.

I'm not saying Sonic Youth was a conceptual-art project for me, but in a way it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.

I'm not saying that President Obama should be exempt from criticism, nor do I believe it is some act of racial treason for a black person to hold our president accountable for his actions.

Impersonal criticism?is like an impersonal fist fight or an impersonal marriage, and as successful.

I'm not turned away from the church through anger, although I have criticisms of it. It's through finding affirmation of life and illumination of life through creativity and art.

I'm the same as maybe six or seven people in every ten - I can't take f***ing criticism.

In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.

In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future.

In a democratic age, only the behavior of the authorities is subject to public criticism; that of the people themselves, never.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

In all institutions from which the cold wind of open criticism is excluded, an innocent corruption begins to grow like a mushroom - for example, in senates and learned societies

In America, we debate everything except capitalism. If there's an institution in your society that's above criticism, you're giving it a free pass to indulge all of its weaknesses and darker tendencies.

In an ongoing relationship, each current criticism packs the punches of all the others that have gone before.

In a sense the whole American comic tradition had been that of social criticism.

In any field, it's a plus if you view criticism as potentially helpful advice rather than as a personal attack.