Best 1830 quotes in «criticism quotes» category

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    The study of Scripture I find to be quite like mastering an instrument. No one is so good that they cannot get any better; no one knows so much that they can know no more. A professional can spot an amateur or a lack of practice or experience a mile away. His technicality, his spiritual ear is razor-sharp. He is familiar with the common mistakes, the counter-arguments; and insofar as this, he can clearly distinguish the difference between honest critics of the Faith and mere fools who criticize that which they know nothing.

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    The text is not inserted into a genetic process in which it is understood as emerging from this or that prior moment of form or style; nor is it 'extrinsically' related to some ground or context which is at least initially given as something lying beyond it. Rather, the data of the work are interrogated in terms of their formal and logical and, most particularly, their semantic conditions of possibility.

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    The thing about language is that once you start getting analytical about it, you can't stop.

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    The trade of critic, in literature, music, and the drama, is the most degraded of all trades.

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    The trouble with today's snarky pipsqueaks who break off a sentence or two, or who write a couple of mean paragraphs, is that they don't go far enough; they don't have a coherent view of life. Spinning around in the media from moment to moment, they don't stand for anything, push for anything; they're mere opportunists without dedication, and they don't win any victories.

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    The ugliest government is the one which is spreading fear to its own people! The finest government is the one which encourages its own people to criticize the government harshly.

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    The world is already full of critics; to stand out, be an encourager.

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    The writers in the newspapers could sounds smart because they did not have the responsibilities of decision, and they could sound bold by enunciating positions which they were not required to implement.

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    They fired arrows at me, but I did not fire back. I picked them up instead to build my castle.

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    They have a Right to censure, that have a Heart to help: The rest is Cruelty, not Justice. (Frequently misquoted as "He has a right to criticize, who has a heart to help.")

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    They lost Olivia at Newport Beach. The panic made Alice hyperventilate. You were meant to be watching her, Nick kept saying. As if that were the point. That Alice had made a mistake. Not that Olivia was missing, but that it was Alice's fault.

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    This book is dedicated to Israel's constructive and nuanced critics, whose rational voices are too often drowned out by the exaggerations, demonizations, and hate-filled lies put forth by Israel's enemies. Criticism is the lifeblood of democracy and a sure sign of admiration for an imperfect democracy seeking to improve itself.

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    They told me I couldn’t. That’s why I did.

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    This has been done by masters of the trade and Garcia had taken in every stock situation with amazing powers of retention, but he had not put things together right and had used extraordinary discernment in not adding one single touch of originality.

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    They said you would fall, but were surprised when you were rising. The said you would fail, but were surprised when you were succeeding. They said you would break, but were surprised when you kept it together. The said you would deteriorate, but were surprised when you were flourishing.

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    This mannerism of what he'd seen of society struck Homer Wells quite forcefully; people, even nice people—because, surely, Wally was nice—would say a host of critical things about someone to whom they would then be perfectly pleasant. At. St. Cloud's, criticism was plainer—and harder, if not impossible, to conceal.

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    This is what is known as perspective, and it is a swindle.

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    This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job.

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    Those who doubt themselves will doubt you. Those who limit themselves will try to limit you. Do not fight them. Smile, go your own way, and trust that your example is enough.

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    Those who find it hypocritical of others to use, say, a smartphone, to speak ill of capitalism, needs to be reminded that capitalism is an ideology, not a technology.

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    Those who make uncritical observations or fraudulent claims lead us into error and deflect us from the major human goal of understanding how the world works. It is for this reason that playing fast and loose with the truth is a very serious matter.

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    Those who seek to listen to their own inner voice forget to listen to the judgment of others.

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    Though in single life your joys may not be very many, your sorrows, at least will not be more than you can bear. Marriage may change your circumstances for the better, but in my private opinion, it is far more likely to produce a contrary result

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    Tigers cannot afford to care about what sheep think.

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    To claim that one can never live a positive life with a negative mind is a very negative claim to make!

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    time is the best teacher; patience is the best lesson

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    Time: the critic for whom nothing is ever good enough.

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    To avoid enemies, say nothing; to avoid critics, do nothing; to avoid haters, be nothing; but to avoid mediocrity, ignore all.

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    To criticize a person for their race is manifestly irrational and ridiculous, but to criticize their religion, that is a right. That is a freedom. The freedom to criticize ideas, any ideas - even if they are sincerely held beliefs - is one of the fundamental freedoms of society. A law which attempts to say you can criticize and ridicule ideas as long as they are not religious ideas is a very peculiar law indeed. It all points to the promotion of the idea that there should be a right not to be offended. But in my view the right to offend is far more important than any right not to be offended. The right to ridicule is far more important to society than any right not to be ridiculed because one in my view represents openness - and the other represents oppression

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    Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.) The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have.

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    To engage with criticism, is on some level, a validation of that which otherwise would go unnoticed.

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    To fail, try to please your critics. To please your critics, try to fail.

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    ...to hunt in the morning, fish in the afternoon, rear cattle in the evening, [and] criticise after dinner...

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    To listen to criticism and act on it if it is valid and ignore it if it is not is a sign of intelligence.

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    To maintain our own economy,we are disturbing the nature's economy

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    To most of the general public, language comes down less to wonder than a rather censorious bifurcated sentiment – namely, that the vast majority of the world's humans either speak and something primitive or speak something badly.

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    To many intellectuals such as Celsus, the whole idea of a ‘Creation myth’ was not only implausible but redundant. During this period in Rome, a popular and influential philosophical theory offered an alternative view. This theory – an Epicurean one – stated that everything in the world was made not by any divine being but by the collision and combination of atoms. According to this school of thought, these particles were invisible to the naked eye but they had their own structure and could not be cut (temno) into any smaller particles: they were a-temnos – ‘the uncuttable thing’: the atom. Everything that you see or feel, these materialists argued, was made up of two things: atoms and space ‘in which these bodies are and through which they move this way and that’. Even living creatures were made from them: humans were, as one (hostile) author summarized, not made by God but were instead nothing more than ‘a haphazard union of elements’. The distinct species of animals were explained by a form of proto-Darwinism. As the Roman poet and atomist Lucretius wrote, nature put forth many species. Those that had useful characteristics – the fox and its cunning, say, or the dog and its intelligence – survived, thrived and reproduced. Those creatures that lacked these ‘lay at the mercy of others for prey and profit . . . until nature brought that race to destruction’.

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    To point out nonepistemic motives in another’s view of the world, therefore, is always a criticism, as it serves to cast doubt upon a person’s connection to the world as it is.

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    To deprive the bourgeoisie not of its art but of its concept of art, this is the precondition of a revolutionary argument.

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    Usually people don't see beyond the surface of things and cannot understand more other than the obvious; they are used to judging a book by its cover, and that is why they don't hesitate to bully.

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    To train a citizen is to train a critic. The whole point of education is that it should give a man abstract and eternal standards, by which he can judge material and fugitive conditions.

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    To write poetry after Auschwitz is barbaric.

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    Unless we learn to criticize friends, we shall never find true ones.

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    Until you stop blaming and become positively self-critical you are not going to move forward.

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    To those who suspect that intellect is a subversive force in society, it will not do to reply that intellect is really a safe, bland, and emollient thing. In a certain sense, the suspicious Tories and militant philistines are right: intellect is dangerous. Left free, there is nothing it will not reconsider, analyze, throw into question. "Let us admit the case of the conservative," John Dewey once wrote. "If we once start thinking no one can guarantee what will be the outcome, except that many objects, ends and institutions will be surely doomed. Every thinker puts some portion of an apparently stable world in peril, and no one can wholly predict what will emerge in its place." Further, there is no way of guaranteeing that an intellectual class will be discreet and restrained in the use of its influence; the only assurance that can be given to any community is that it will be far worse off if it denies the free uses of the power of intellect than if it permits them. To be sure, intellectuals, contrary to the fantasies of cultural vigilantes, are hardly ever subversive of a society as a whole. But intellect is always on the move against something: some oppression, fraud, illusion, dogma, or interest is constantly falling under the scrutiny of the intellectual class and becoming the object of exposure, indignation, or ridicule.

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    True ability is undisturbed by pretentious criticism.

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    Turn down the volume of your negative inner voice and create a nurturing inner voice to take it’s place. When you make a mistake, forgive yourself, learn from it, and move on instead of obsessing about it. Equally important, don’t allow anyone else to dwell on your mistakes or shortcomings or to expect perfection from you.

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    Unreasonable self-criticism represents a form of self-hatred and fear.

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    Wealthy people attract critics like wealthy ships attract pirates.

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    We need very strong ears to hear ourselves judged frankly, and because there are few who can endure frank criticism without being stung by it, those who venture to criticize us perform a remarkable act of friendship, for to undertake to wound or offend a man for his own good is to have a healthy love for him.