Best 1830 quotes in «criticism quotes» category

Still the voices of your critics. Listen intently to your own voice, to the person who knows you best. Then answer these questions: Do you think you should move ahead? How will you feel if you quit pursuing this thing you want to do? And what does your best self advise? What you hear may change your life.

Successful people do the right thing just because it is the right thing. Not minding if no one is committed to it.

Success lies in absorbing negative feedback and making the best use of it.

Surely you do not think that criticism is like the answer to a sum. The richer the work of art the more diverse are the true interpretations. There is not one answer only, but many answers. I pity that book on which critics are agreed. It must be a very obvious and shallow production.

take criticism, smash it into dust, add color & use it to paint breathtaking images of unicorns frolicking thru endless fields of greatness

Take the path less traveled and learn from your mistakes. Don’t just let life happen around you; control your future. Learn to ask questions, set small goals, and dream of big ones. Absorb any criticism and let it fuel you. Convince others that you are worthy of your dream, and show them that you are willing to put up a damn good fight for it.

Take seriously the criticisms on yourself, then you move forward; ignore the criticisms on yourself, then you move backwards because in every criticism there is at the least some truth!

Taking in another’s criticism, even when it’s offered out of love, requires courage.

Taste is a mystery.

Thank you sir for your criticism. If you knew about me what I know about me, you would have written a longer letter.

That is what the highest criticism really is, the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilized form of autobiography, as it deals not with events, but with the thoughts of one's life; not with life's physical accidents of deed or circumstance, but with the spiritual moods and imaginative passions of the mind...The best that one can say of most modern creative art is that it is just a little less vulgar than reality, and so the critic, with his fine sense of distinction and sure instinct of delicate refinement, will prefer to look into the silver mirror or through the woven veil, and will turn his eyes away from the chaos and clamor of actual existence, though the mirror be tarnished and the veil be torn. His sole aim is to chronicle his own impressions. It is for him that pictures are painted, books written, and marble hewn into form.

That’s what artists and athletes do day in and day out. Whether you see them at work or not the process is ongoing. They are working to achieve their heart’s desire to either enlighten or entertain anyone who cares to watch or listen. Some of them achieve glory but others just do it because they love to and they are driven to. When something, anything, interferes with that desire, their sense of self is jeopardized and they have to struggle to hang on to their identity. That’s the real cost involved in producing a painting, writing a novel, or hitting over .300 for the season.

The absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect--even if rejected--enrich and enlarge one's view of existence. Deadlier still, to the artist who lacks models, is the curse of ridicule, the bringing to bear on an artist's best work, especially his or her most original, most strikingly deviant, only a fund of ignorance and the presumption that as an artist's critic one's judgement is free of the restrictions imposed by prejudice, and is well informed, indeed, about all the art in the world that really matters.

The actions of a leader are always criticised by scholars as well as common men. A scholar has no obligation to produce result, so he is free to rebuke leaders for not sticking to noble means. Common men envy leaders their position and power, thus feeling happy in vilifying them to pull them down to their own levels.

The ambition of domineering over the mind, is one of the strongest passions. A theologian, a missionary, or a partisan of any description, is always for conquering like a prince, and there are many more sects than there are sovereigns in the world…. I conclude, that every sensible man, every honest man, ought to hold Christianity in abhorrence. ‘The great name of Theist, which we can never sufficiently revere,’ is the only name we ought to adopt. The only gospel we should read is the grand book of nature, written with God’s own hand, and stamped with his own seal. The only religion we ought to profess is, 'to adore God, and act like honest men.’ It would be as impossible for this simple and eternal religion to produce evil, as it would be impossible for Christian fanaticism not to produce it…. But what shall we substitute in its place? say you. What? A ferocious animal has sucked the blood of my relatives. I tell you to rid yourselves of this beast, and you ask me what you shall put in its place! Is it you that put this question to me? Then you are a hundred times more odious than the Pagan Pontiffs, who permitted themselves to enjoy tranquility among their ceremonies and sacrifices, who did not attempt to enslave the mind by dogmas, who never disputed the powers of the magistrates, and who introduced no discord among mankind. You have the face to ask what you must substitute in the place of your fables!

The artist is the creator of beautiful things.    To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.      The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review.

The aim is to love God because the pure heart loves loving God and because the true mind knows He deserves it. Unlike the accusations and beliefs of the critics and skeptics, it is neither an obligation of duty; nor a fear of damnation; nor a wish for power; nor a desire to appear more righteous than others; nor because God needs it; but because through all love, truth, reason, faith, honesty, and joy in and beyond oneself and the universe, He is worthy.

The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.

The art of living. The only really Fine Art we have produced in modern times.

The arts that have escaped [uniformity] best are the arts in which the public take no interest. Poetry is an instance of what I mean. We have been able to have fine poetry in England because the public do not read it, and consequently do not influence it.

The Church being what she is cannot have the instincts of a gentleman.

The best judge is the one who knows what is best, and has stand in the same shoes while trying to succeed in the same goal.

The biggest prison in the universe is caring about what other people think of you.

The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form.

The bigger the bricks critics throw at you the bigger the palace you are going to build.

[The critic] serves up his erudition in strong doses; he pours out all the knowledge he got up the day before in some library or other, and treats in heathenish fashion people at whose feet he ought to sit, and the most ignorant of whom could give points to much wiser men than he. Authors bear this sort of thing with a magnanimity and a patience that are really incomprehensible. For, after all, who are those critics, who with their trenchant tone, their dicta, might be supposed sons of the gods? They are simply fellows who were at college with us, and who have turned their studies to less account, since they have not produced anything, and can do no more than soil and spoil the works of others, like true stymphalid vampires.

The courage to be different. This is a brave path to follow in a society that sometimes become very cruel.

The critical spirit rises up against itself and consumes its form. But instead of coming out of this process greater and purified, it devours itself in a kind of self-cannibalism and takes a morose pleasure in annihilating itself. Hyper-criticism eventuates in self-hatred, leaving behind it only ruins. A new dogma of demolition is born out of the rejection of dogmas. Thus we euro-americans are supposed to have only one obligation: endlessly atoning for what we have inflicted on other parts of humanity. How can we fail to see that this leads us to live off self-denunciation while taking a strange pride in being the worst? Self-denigration is all too clearly a form of indirect self-glorification. Evil can come only from us; other people are motivated by sympathy, good will, candor. This is the paternalism of the guilty conscience: seeing ourselves as the kings of infamy is still a way of staying on the crest of history.

The critics only made me work harder.

The danger in reviewing and teaching literature for a living (is) you can develop a kind of knee-jerk superiority to the material you're "decoding

The fearful thing about the Chinese literary scene is that everyone keeps introducing new terms without defining them. And everyone interprets these terms as he pleases. To write a good deal about yourself is expressionism. To write largely about others is realism. To write poems on a girl's leg is romanticism. To ban poems on a girl's leg is classicism.

The dreams you have that may meet mockeries from the lips of negative people will yield the success that will squeeze tears from their eyes later! Dare to resist every negative criticism and persist to make it happen!

The fear of criticism stagnates the power of creativity.

The fact that we are now crusaders needn't blind us to the fact that for a very long time we have been, as Badger would say, echidnas. I can think of a hundred ways already in which the war has "brought us to our senses." But it oughtn't to need a war to make a nation paint its kerbstones white, carry rear-lamps on its bicycles, and give all its slum children a holiday in the country. And it oughtn't to need a war to make us talk to each other in buses, and invent our own amusements in the evenings, and live simply, and eat sparingly, and recover the use of our legs, and get up early enough to see the sun rise. However, it has needed one: which is about the severest criticism our civilization could have.

The great philosopher, Aristotle had this to say in regards to criticism. “There is only one way to avoid criticism: do nothing, say nothing, and be nothing.

The greater the fruit a tree bears, the greater the number of stones thrown at it.

The greater the fruit a trees bears, the greater the number of stones thrown at it.

The habit of comparing leads to the habit of criticism, which soon leads to self-condemnation, and fills your life with pain and misery.

The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public.

The haters are the ones that must investigate what is wrong with themselves and why they spread negative vibes instead of encouraging people to follow their dreams and be better in what they do.

The higher you rise, the smaller your enemies.

The IGAD-Plus's compromise peace agreement is probably pregnant with a noisy, perhaps thunderous baby.

The hushing of the criticism of honest opponents is a dangerous thing. It leads some of the best of the critics to unfortunate silence and paralysis of effort, and others to burst into speech so passionately and intemperately as to lose listeners. Honest and earnest criticism from those whose interests are most nearly touched,—criticism of writers by readers, of government by those governed, of leaders by those led,—this is the soul of democracy and the safeguard of modern society.

The hushing of the criticism of honest opponents is a dangerous thing. It leads some of the best of the critics to unfortunate silence and paralysis of effort, and others to burst into speech so passionately and intemperately as to lose listeners.

The idea of innovation is the idea of progress stripped of the aspirations of the Enlightenment, scrubbed clean of the horrors of the twentieth century, and relieved of its critics.

The larger the bricks your enemies throw at you the larger the palace you are going to build.

The ironic, too-cool meta satire, the sneering and mocking? Is actually just a contemporary version of the bourgeois sentimentality it's trying to mock. It is not new. Really it's almost quaint. The backlash has already outlasted it.

The main aim of some people is to criticize you to stop, and then they can start what you have stopped! Keep moving on in the right direction when you know deep within you where you are heading towards! Don't give up!

The literary text seems like "a fortified medieval town –foreigners and outsiders are repelled, or allowed in only after rigorous checks, but within all is bustling life; exchange, mutual interdependence and influence are the rule.