Best 6271 quotes in «kind quotes» category

I never thought that I'd be a role model. Everyone kind of just made me a role model, and I hated that.

I never told anybody I wanted to write, I kind of fell into it backwards.

I never thought that I'd be considered to have a good body. I was bony up top and kind of dumpy on the bottom.

I never took fans for granted. I always assumed subconsciously that people who followed what I did were just people who were kind of like me.

I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

I never want to be a showoff or attention getter or something that, truthfully, is kind of repulsive to me, but I get uncomfortable.

I never wear matching socks. It's kind of a thing that I have!

I never weary of great churches. It is my favorite kind of mountain scenery. Mankind was never so happily inspired as when it made a cathedral.

In every true searcher of Nature there is a kind of religious reverence.

In fact, all kinds of men, and not merely architects, can recognize a good piece of work.

In every kind of adversity, the bitterest part of a man's affliction is to remember that he once was happy.

In everything, there are two kinds of development-analytical and synthetical. In the former the Hindus excel other nations. In the latter they are nil.

In fact it was always the Communist problem which was responsible for the opposition to [Albert] Camus. It was always and overall a political thing, a kind of misunderstanding.

In Fall Out Boy, we were all playing with our pop punk influences, so that was always within that kind of framework.

In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things.

Influence is to be measured, not by the extent of surface it covers, but by its kind.

... in general, the Anglo-Irish do not make good dancers; they are too spritely and conscious; they are incapable of one kind of trance or of being seemingly impersonal. And, for the formal, pure dance they lack the formality: about their stylishness (for they have stylishness) there is something impromptu, slightly disorderly.

In general, I think I'm quick to worry about disasters of all kinds.

In goodness there are all kinds of wisdom.

In hindsight, I realized I could see into the future. Which is kind of like having premonitions of flashbacks.

In high school, I was kind of a loner because I had moved to a new school.

In Hollywood, marriages are kind of expected to fail.

Initially, terrorism was a certain mixture of politics, economics, and religion. Now, it seems that terrorism is more individual and done to avenge personal grudges. So there are two kinds of terrorism.

In L.A., it's very hard to have some kind of conscience of some style out there. The weather's too hot; there's no seasons.

In life there are certain sores which, like a kind of canker, slowly erode the soul in solitude.

In mixed company women practise a kind of visual shorthand that they later decode in detail in other women's company.

In Missouri, it's a 50/50 state, so I'm kind of used to half the state being mad at me.

(In) most cop shows, every cop in the squad speaks exactly the same and the same kind of short clipped film noir-ish talk.

In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.

In music the mystical element is definitely there all the time, and one can see it. When it comes to rock and roll, when it comes to any kind of industry, it's not there. It's not there. So it's a battle between the two. Music, Industry.

In my dealings with the press, I was like the guy who goes into the cathouse and the madam gets him prepared and looks at him and says, "Who are you going to satisfy with that?" And he looks back at her and says, "Me." That's kind of my sense of humor at times.

In my day-to-day life, I'm kind of a tomboy. I like being comfortable.

In my heart I know what kind of person I am, and that's good enough.

In my hometown of Chicago, I'm kind of a medium deal.

In my family, Fashion was something we never talked about, it was thought of as kind of superficial.

In my films, all the great things are put together. It's not like one kind of ice cream but rather a very big Sundae.

In my mind, my music is kind of inseparable from my hometown and my life growing up.

In my years of working in theatre and TV I've learnt that my main skill is not the instrumental playing but the idea of what to play and my interest for so many kinds of music. Often people ask me to contribute to projects when they don't stay in just one genre. I feel more like a composer who just has to play his own things.

In my work I try to get things right, to do it well, and if there are specific skills involved - like in a case conducting or playing the piano, or in this film I have coming up where I play a character who is German - I'm very meticulous about learning accents and dialects and those kinds of things. That's probably the closest I come to being a perfectionist.

In New York everyone just kind of knows each other.

In normal life, I'm just kind of chill. I don't normally get that angry.

Innovating economies expand and develop. Economies that do not add new kinds of goods and services, but continue only to repeat old work, do not expand much nor do they, by definition, develop.

In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.

In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.

In our counterterrorism cases and our counterintelligence cases, we can issue all kinds of - of layers of approval in the FBI, a national security letter to find out the subscriber to a particular telephone number and to find out what numbers that telephone number was in contact with. Not the content of those communications, but just the connection.

In our society, most of us wear protective masks of various kinds and for various reasons. Very often the end result is that the masks grow to us, displacing our original characters with our assumed characters.

In our play we reveal what kind of people we are.

In Philadelphia, you are welcome, and that's The City of Brotherly Love. I think that makes us culturally thick and sound, so you can experience all kinds of cultural authenticity.

In real life, I myself am kind of a rambling guy. I like to travel.

In short, liturgies make us certain kinds of people, and what defines us is what we love.