Best 6271 quotes in «kind quotes» category

I think Donald Trump is going to find it very hard to do the kind of massive change he wants.

I think denim is something everyone feels comfortable in. It's kind of my uniform, really.

I think editors have to come out of a certain kind of community.

I think everyone has a certain kind of formula in their life. When you deviate from that formula, you're going to fail big or you're gonna win big.

I think explicit love scenes are a turn off unless it's the kind you read with one hand.

I think Hamlet, as much as he loves his privacy and is kind of an introvert, he's a very functional introvert. When he has to be out, he can be out with people.

I think how you start the day many times determines what kind of day you're going to have.

I think I can live without you, but it won't be any kind of life.

I think if anything I am perhaps more inclined than most people are to be polite and considerate because I am aware that human relationships are innately fragile and kind of dangerous.

I think I did not like him [Corey Feldman] in Goonies. He's kind of a similar character in Stand By Me isn't he? Well I liked him in Stand By Me.

I think if you could remove all of the baggage - all of the ideology, the history, whatever else - and look in purely geostrategic terms, I think it's hard to figure out why the US and Iran would necessarily be in conflict. In fact during the shah's era, before 1979 - recognizing that there were all kinds of other problems - the US and Iran worked together splendidly at the strategic level.

I think I have kind of a natural magnetism.

I think I have my own sort of distinctive swing, for sure. I think that's something that comes really natural to me, to push against the beat and kind of explore a triplet feel behind everything just to see what that feels like.

I think, I just always carry this kind of happy sense of being able to come into any situation and know that I don't exactly fit in, but I can make a place for myself.

I think if you were to look at my resume in total you would see a lot of things that are kind of all over the map.

I think I gave Alec a complex about what kind of fighter he was, just because he wanted to live.

I think I have a natural, if I can say that, got a kind of natural ability in comedy.

I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.

I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.

I think I'm a very good driver. Apparently, the cause of road rage - as with most anger - is some kind of superiority complex, which, god knows, cars foster.

I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.

I think I live such a boring life. But I can't imagine any other kind of life, so I guess it's the life I want.

I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.

I think in show business, it's really kind of easy to perpetuate that feeling of, like, Oh, I don't measure up. Or always having to prove yourself.

I think I'm the kind of person who would be very difficult to employ - I'm pretty annoying, but driven.

I think Iran is the kind of place where it's difficult to predict what's going to trigger structural change. It's hard to also predict the role that civil disobedience or mass protests could play.

I think it distinguishes television from every other medium. It's what makes it kind of radical, and risky, and fun.

I think it is fatal to specialize. And all kinds of things show us that and that the more diverse we are in what we can do, the better.

I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.

I think it's better that life is kind of like a mystery, I think that's what drives us.

I think it's fair rude to make him a tree and not know what kind he is.

I think it's good to have pressure on yourself. The worst crime is to get kind of really complacent.

I think it's nearly impossible to be original now. For anything revolutionary to happen again, new instruments have to be invented. A new kind of guitar, maybe, and a new way to play it. There are only so many ways to manipulate sound, if you look at it scientifically.

I think it's possible to have the kind of career you really want if you want to. You just don't do the things you don't want to and you just have to be cool with waiting for something to come around that you really feel passionate for.

I think it's kind of a stretch. You know, it's one thing if somebody working for the U.S. government has sold secrets to the other side, it's another if they have something in their personal life that they're hiding for which they could be blackmailed. Having evidence that they didn't tell the truth to somebody in the same building where they work, maybe it's just the old intel guy, is - it's a problem.

I think it's maybe because Sergeant Pepper's came out when I was about 13 or 14 and that was a pretty impressionable age, and it was such a kind of radical period. But that period of the Beatles really had a big influence on me and I think are directly related to hyperinstruments.

I think it's very boring for a director to always do the same kind of movies.

I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.

I think I've always been much better at responding kind of reasonably appropriately to whatever is required.

I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.

I think maybe they're all right when they say there are some things I won't know anything about until I'm older. But if [love] makes you like to eat all kinds of wurst I'm not sure I'm going to like this.

I think I've tried to stay true to my music since the beginning. It's kind of hard because of the access and technology but I just do what I do.

I think making movie is kind of like getting fat people to walk 20 miles. If you just do it 100 yards at a time, and nobody knows how far they are going, they can do it!I would include myself in those fat people! You do this little by little and you don't realize your potential, or you don't realize how really rich, and how far you can go.

I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time.

I think most of the actors that I know that I think are good are kind of funny people. There's just something about being alive to the truth of a moment that makes a good joke that also makes a good actor.

I think my best work is when I'm kind of in charge.

I think Lindsay Kemp really introduced me to the work of Jean Genet, and through that, I kind of kept re-educating myself about other prose writers and poets.

I think mystery is kind of great. I don't know anything about Bette Davis or Katharine Hepburn or Ava Gardner - not really - and I like that. I love watching their movies because they're my personal movie stars. I don't know what they eat and who their trainer is.

I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.

I think of my life as a kind of music, not always good music but still having form and melody.