Best 6271 quotes in «kind quotes» category

When I was in college in Philly, there was a lot of post-punks hardcore like, rock. Sixties, retro, proto-Strokes kind of bands.

When I was in my 20s, I thought that being known for 'Swimming Pool' was kind of a burden. Like, OK, everyone thinks I am this tanned bimbo and I was having problems coping with that image.

When I was playing, it would be whatever role I wanted. Now it's whatever they ask me to do, which I kind of like better.

When I was stalking my special lady friend on MySpace, people would always say, 'Is this really Marilyn Manson or some kind of psycho?' And I'm like, 'Both'

When I was maybe like, under 10 years old, I was kind of like a maniac.

When I was really young, I was really into Black Sabbath and Iron Maiden and those kinds of bands.

When I was younger, I was one of the few girls in the neighborhood who could break dance. That's kind of my local, ghetto-celebrity claim to fame.

When I was young I became kind of a party animal. I had a massive crash. My health suffered. I was just overdoing it. That person could not be further from the one who emerged from that earlier experience. I regressed massively.

When I was younger I was attracted to people who had that kind of artifice - people who were incredibly polished and had a complex persona that always seemed to be turned on. I was really interested in these kinds of people because I felt so unformed.

When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.

When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.

When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!

When I won the belt, it was kind of a precedent... The only Canadian to have ever held it.

When I went through the break-up, I really looked for some kind of music, or art or literature that could say, "I've been in the same situation." I couldn't find anything at the moment, and that made me really sad.

When I was young, people were almost identified solely by the kind of music they liked. People fell into categories of who liked what.

When I would go on stage I would start to feel that the eyes that watching me weren't kind. And it took me a while to realize that those eyes were my own eyes.

When I was young, when I started to write, we were totally convinced that literature was a kind of weapon.

When my own son is going through what he goes through, coming back, I can certainly relate with other families, who kind of fill these ramifications of some PTSD.

When my physicality is involved, it's kind of my comfort zone, so I find it much easier to access emotions.

When my mother signed at MGM, that was the only kind of contract you could sign. There was no such thing as an independent agent.

When my stepfather died, I just kind of fell apart. I felt pretty vulnerable, like there literally could be no tomorrow.

When Obama was inaugurated, he and his team had an insight - though whether the insight was conscious or not I don't know. But it was this: The TARP $700 billion price tag was a new kind of model.

When one forgets the distinction between method and truth, one becomes foolishly prone to respond to any question that cannot be answered from the vantage of one's particular methodological perch by dismissing it as nonsensical, or by issuing a promissory note guaranteeing a solution to the problem at some juncture in the remote future, or by simply distorting the question into one that looks like the kind one really can answer after all.

When people like Glenn Beck throw around the word Nazi without taking that kind of care, they are engaging in demagoguery. I am doing it with a concrete footnoted historical context.

When people recognise me they just kind of go 'Hi how are you,' really kind of cool you know.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

When somebody on a professional scale says "you did it wrong," it has a pretty intense impact. If you don't have some kind of opposing force to say, "that's all right, that's their opinion," or, "I may have screwed that one up but I'll do better the next time," then you're screwed.

When the federal government announces indictments, weather it's a terrorism indictment or something else, it's almost like it's taken like gospel. My message to anyone who wants to do any of this kind of work is we desperately need a new generation of journalists who do not regard these indictments as gospel. Not to say they shouldn't be fairly reported on, but we need to start asking, "Is this really true?" I hope this can happen more in the future.

When the Vikings moved into a place they just kind of killed everybody who was there before them.

When they're standing right in front of you, kings are a kind of speech impediment.

When Tim Allen made The Santa Clause, I thought that was a delightful film. It took a modern sensibility but layered onto it a kind of sentiment.

When we all can worship from our own kind of pew, then we shall be free.

When we encounter new details of our world we fill in more of the spaces. When we discover details that don't seem to fit with our view of the world, we have a kind of "crisis of faith," even if our worldview is not especially religious. We're forced to redraw our "map" a bit.

When we perceive any object of a familiar kind, much of what appears subjectively to be immediately given is really derived from past experience.

When we're on set, we kind of joke around, and when we're rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'

When we realize that there is never a single story about any place, we regain a kind of paradise.

When we're shooting, I commute to the UK, every three weeks or so, and that's hard. That's probably the toughest, physically, on me. It's a much longer commute than I've ever had to deal with. And then, there are the challenges of this particular production. It's not the kind of show that has standing sets.

When we respond to threats immediately and take action right away, it's usually the threats that we're hard-wired to respond to, the kinds of things that our ancestors survived.

When we, doctors, ask patients what their priorities are if time is short, what we do is we use what is available to us - whether it's geriatric care or palliative care or hospice care - to make sure they're living the kind of life that they want to live.

When we really understand time travel we may find out it's as common as dirt and has been going on all around us is all kinds of physical processes.

When we were on breaks from recording and touring, I was kind of moping around, like not knowing what to do. It was hard to adjust back to normal life after being so busy.

When women make their image about youth and sexuality, and not about intellect, that's kind of a dead-end road. So I think it's a combination of self-entrapment and entrapment by society.

When you are an actor every day kind of morphs into one as there is no set structure to my job.

when you are dealing with art, any kind of art, your pleasure in making it is what matters most.

When you are in control of what the final product is, there is kind of no limitation to what you feel like you can do because you know that if you don't like it, you can just cut it out.

When you are stressed on mind...to pour it out, is the behaviour, most kind!

When you are shooting with a robot you can't improvise. You can't really... the script is kind of the script.

When you come from where I come from, if anyone in the family makes it out, the others kind of come with you.

When you do a slasher film, you find yourself repeating the same kind of scene, then it becomes not very challenging and not very interesting.

When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.