Best 6271 quotes in «kind quotes» category

I can't sit down long enough to absorb any kind of learning.

I can't talk about my style. It us kind of difficult for me. I don't like styles. I only like taking photos and expressing myself through them.

I can't say that I ever actually decided to become a writer. It kind of snuck up on me.

I can understand people wanting to look their best, and taking basic steps to do it, but I kind of admire people who are comfortable enough in their own skin to be who they are.

I certainly believe that what we perceive as humans is just the tip of the iceberg. I don't necessarily believe in vampires or werewolves or that kind of thing, but I believe there is definitely a realm we don't necessarily have access to.

I carry some kind of consideration and weight and observations about what is going on in the world, but I don't go to execute it.

I caught myself thinking about falling in love with someone who I hoped was out there right now thinking about the possibility of me, but I quickly banished the notion. It was that kind of thinking that landed me in this situation to begin with. Hope can ruin you.

I certainly feel my career was a great career because it inspired so many many people, literally hundreds of people to follow a new kind of life and to realize that they could make out and advance their own professional and private and social lives.

I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.

I chose surgery because I thought that perhaps this would make me more like the kind of person I wanted to be.

I come from a lot of different worlds, and you can't really place me in a category. I'm just kind of me, and that's what you get.

I come to work on time. I focus on my job. I bust my scenes out and everything else kind of happens from there.

I consider nature a vast chemical laboratory in which all kinds of composition and decompositions are formed.

I consider this a kind of neoliberalism of the Left, this rise and promotion of spontaneity above preparation.

I could never be like Hitchcock and do only one kind of movie. Anything that's good is worthwhile.

I could keep trying to do the same kind of comedies. You know how it's going to go, and you can get an audience with it, but then I feel like a hamster on a wheel.

I couldn't possibly lead the kind of life I lead, and keep the schedule that I do, having radiation or chemotherapy.

I couldn't survive my own pessimism if I didn't have some kind of sunny little dream.

I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.

I couldnt change who I am; I couldnt change the kind of player I am.

I could see that everything I had identified as really me, was not really me, but was just a pattern of strategies to avoid some kind of abyss or emptiness.

I could tell you a tale about something,' Miach offered, rubbing her hand absently. 'If you like.' She frowned thoughtfully. 'What sort of something?' 'Something that would soothe you,' he promised. 'I'm sure there would be swords involved. Bloodshed. Peril. That kind of thing.

I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.

I creep over to my chair and sit there with my notebook and my thermos of coffee. It's my best time for thinking, because I haven't started thinking about anything else yet, and the thoughts can kind of go in and out of my head.

I'd be fine if there weren't film festivals, and you just made your films and didn't have to do anything from that point on. That would be really great, wouldn't it? I don't know. I'm in kind of an aloof time, where I'm not taking anything too seriously.

I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages.

I decided that I wanted to explore all kinds of music with my cello, not just the Western classical tradition. I just wanted to try and expand my vocabulary and bring that different kind of music to my audience.

I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That's an on-going existential question. Perhaps we are and perhaps there's a kind of daring, a kind of necessary energetic questioning. Because often I say it's not what we know, it's what we can risk discovering.

I definitely am the kind of person that fluctuates up and down. I work really hard for a certain project and then I'm like, 'Oh, I'm done.'

I definitely think that with music my favorite thing about Nashville is that it's a music hub that accepts and allows all genres to be present, and I think there's been a kind of fusing of genres lately that for me makes me really happy and excited.

Ideology... is a kind of contemporary mythology, a realm which has purged itself of ambiguity and alternative possibility.

I definitely loved going on stage, I loved the nervous feeling and the performance and the doing-ness of it. It always felt kind of natural and inevitable and logical.

I despise followers of any kind, especially those who follow me.

I'd forgotten how challenging comics can be until I started working on Ropes. Yes, you're restricted by the boundaries of the page, but we all work within technical limitations of some kind.

I'd have to struggle to find a subject in which I can't get some kind of interested pulse started.

I did. I still do. It's kind of grown to a "Ren and Stimpy" kind of lab, which is fun.

I did lots of Shakespeare and classics, and I just kind of became that person. I was a bit of a snob.

I did have a very restricted, regimented life. There was a kind of happiness there, a contentment, but it was a small happiness within very clear and delineated borders.

I did commercials since I was 16, and that's kind of acting, depending on what you're selling.

I did [Henrik] Ibsen and [Anton] Chekhov for years. Obviously I didn't get the kind of recognition I have now. Somebody once told me, "You ride the horse the direction it's going.

I did not choose solitude. Who would? It came on me like a kind of vocation, demanding an effort that married women can't picture.

I didn't have many friends; I was kind of bullied at school.

I didn't respond to the kind of sarcastic tone. It felt like some of the Sarah Palin speech was written as though it were a Saturday Night Live newscast. Maybe that's because she looks very similar . . . She's got her Tina Fey thing going.

I didn't get lessons of any kind I slept through school.

I didn't really go the starving-artist route. I kind of went and did massive, commercial things.

I didn't realize - you think you are doing a movie but then you realize it's a Columbia Pictures movie so it's probably going to have some publicity. Then you see a billboard and it's like, 'God! I'm on a billboard!' It doesn't hit all at once, it kind of unravels itself and it's still unraveling.

I didn't want the easy kind of love, I wanted the crazy love, the kind of love that created and destroyed all at the same time.

I didn't trust adults because I thought they were all kind of corrupted.

I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.

I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.