Best 8185 quotes in «artist quotes» category

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    However, because Britain is young and exciting, I did show my second line here once or twice.

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    How do you complete a painting, really? There are paintings by so many different artists that are interesting precisely because they haven't really been completed.

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    However, the radio and national media depend much more on the hype from a good record label, and from a " buzz " about a band, then from just one or two good shows. There are a lot of artists that have a ton of good press going for them, and still do not make it big in the US.

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    However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.

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    How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)

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    How many are silenced, because in order to get to their art they would have to scream?

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    How often have I actually discovered in myself that enthusiasm raises the artist above himself, how in an ordinary mood one would not have been able to accomplish many of the things for which enthusiasm lends one everything, energy, fire.

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    How rare that an artist should make something which forces us to think, and encourages us to stop and think, to question why we behave the way we do.

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    How terribly hard and almost impossible it is to tell the truth. More than anything else, the artist in us prevents us from telling aught as it really happened. We deal with the truth as the cook deals with meat and vegetables.

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    How will I be remembered? As a technician or artist? As a humorist or a visionary?

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    Hubris itself will not let you be an artist.

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    How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.

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    How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.

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    How wonderful it feels to be an artist and a woman in the twentieth century.

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    How would you judge an artist who mutilated animals in a gallery because it was visually arresting? How riveting would the sound of a tortured animal need to be to make you want to hear it that badly? Try to imagine any end other than taste for which it would be justifiable to do what we do to farmed animals.

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    Humanitarian convictions are the linchpins of our salvation, and these an artist must champion.

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    Human life itself may be almost pure chaos, but the work of the artist is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning.

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    Human nature is not amenable to prediction based on the trends or tendencies prevailing at the time. It is amenable to startling creativity of the kind practiced by great artists, directors, writers, musicians, actors, who know how to touch a chord in humans everywhere.

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    Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.

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    Humor is everything. Everything. Usually the negatives turned out to be the most positive for me. In the music industry, any other artist would have looked at the situation I was in and thought, "Oh man, this is not for me." I looked at it more like Darwin exploring the Galápagos Islands. You know - survival of the fittest.

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    Hurry ruins saints as well as artists. They want quick success, and they are in such a hurry to get it that they cannot take time to be true to themselves. And when the madness is upon them, they argue that their very haste is a species of integrity.

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    Hypnotically haunting sounds from a true artist that dares to dream.

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    Hurray for criticism, if it means that an artist's voice is heard. Let the wise artist invite criticism and survive it when it comes.

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    I actually quite like promo, which is quite odd for an artist, but recording's not the easiest thing.

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    I admire actors and artists who devote just as much time to their life as they do to their work.

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    I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.

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    I admire artists who are ageing and still retaining their edge.

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    I admire the artists that work everyday to attest things for themselves... In the act of transforming the objects of the everyday they transform the passage of time and analyze the economics and politics of the instruments of living.

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    I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.

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    I ain't a new artist, I'm good in the studio, I don't need somebody to hold my hand in the studio. I don't even really want them all over my album or anything like that.

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    I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.

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    I also think that [political turmoil] gives artists something, a way of kind of processing.

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    I always find it fascinating to ask people, why they've chosen to live their life as an artist? Why be an actor, a singer, an author, a filmmaker? I've heard such inspiring answers to that question.

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    I always figured it was best if I write my songs, take them to my publisher and just lay back. There used to be so many things going on - getting to the artist, getting to the publishers - you know, politics. I just didn't want to get mixed up in all of that.

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    I always drew. I was, you know, the school artist. I was the person who made the posters for the prom. That's who I was.

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    I always feel like it is a privilege to be able to be an artist and to be able to exhibit my work all over the world.

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    I always considered myself being an organizer. I'm very good at teaching singers, I'm very good at staging a show, to entertain people. But I never included myself. I never applied this to me as an artist.

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    I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.

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    I always find the mirror in the dressing room is where the best artists are.

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    I always hope that my music can inspire someone, the same way other artists inspire me.

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    I always have a very good relationship with galleries, a lot of galleries and artists, so I don't want any conflict situations.

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    I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.

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    I always make this joke that I know you were expecting to see the big skirts and the hoops. But that was a long time ago. Artists aren't always seen as real people. If you start out as a teenager, sometimes people want to keep you locked as that. But I'm a woman now.

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    I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.

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    I always had to fight. I still do, believe it or not. When I had to go backstage. Even in Paris, I remember Billie Blair - a great model at the time - had to sneak me in by telling people I was her hairdresser. But her hair was so short, practically shaved. I said, "Couldn't you say I was your makeup artist?

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    I always knew I was going to be an artist. It was a done deal right from when I was very little. It sounds like the dumbest thing ever, but my mom used to doodle when she was on the telephone and she made these - they weren't just little scribbles - these little shapes and forms. I don't know why she did it. I've never seen her do it again.

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    I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.

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    I always saw myself as a multi media artist.

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    I always say this to the young chefs and mean it: The customer is excited, he says you are an artist, but we are not, just craftspeople with a little talent. If the chef is an artist, he doesn’t succeed. Why? Because he is inspired today but not tomorrow. We cannot do that.

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    I always thought Cyrano De Bergerac was a coward. He could fight a hundred swordsmen, but he was afraid of his nose, and he was afraid of Roxanne. Jam as cowardly as anybody about facing my fears. So, you spend your you years as an artist fighting those hundred people that you happen not to fear. Then you wake up one morning and realize all this time you're afraid of your nose. That's what you're going to have to face for the rest of your life. And you don't feel very courageous. But, if you don't face it, you dry up as an artist.