Best 8185 quotes in «artist quotes» category

We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.

What a face this girl possessed!—Could I neither die then nor gaze at her face every day, I would need to recreate it through painting or sculpture, or through fatherhood, until a second such face could be born.

What does it mean to be a "real artist"? It means you are spending your time doing the things that matter most to you. It means you don't need someone else's permission to create.

What if pretending is interfering with the person you’re meant to be?” he said.

What immense satisfaction it must be to fashion a story like [Maupassant's]! One must say 'fashion' because it is not merely writing, but massing and cutting away like a sculptor, chiseling lean and clear. And to put one's work confidently in the crucible of Time; to know that in six perfect pages is the finest form of one's idea: This satisfaction is the only true reward of the artist, and this his highest possible joy on Earth.

What I say is misdirection, what you see is an illusion and what results is magic.

What I see is sacred.

What is the difference between “creator” and “craftsman”? The one who creates bestows being itself, he brings something out of nothing—ex nihilo sui et subiecti, as the Latin puts it—and this, in the strict sense, is a mode of operation which belongs to the Almighty alone. The craftsman, by contrast, uses something that already exists, to which he gives form and meaning.

What I wear on and off stage is my mask. You see, a mask doesn't hide you, it exposes you.

What makes an amazing artist? It's not his ability to impress but his skill in touching people's lives through his craft. When he does even a simple piece of work with not much adornment (fanciful words, colors) and it moves the hearts of his audience, it is considered to be a masterpiece! A true artist lets people enter a different kind of sanctuary out of the conventional. What makes his work standout is its uniqueness -if it has a HEART.

What’s there to say about making paintings?” He looks hard at his son. “My real life, it’s when I’m working. It’s entirely there. The rest—everything—is flimflam. And that’s tragedy. Because what am I really doing? Wiping colors across fabric? Tricking people into feeling something’s there, when it’s nothing? When I’m doing the work, I almost think it adds up. Then they drag me to some farce like tonight, and I’m reminded what my job really is: goddamn decoration.

What was it like to live with genius? Like living alone. Like living alone with a tiger. Everything had to be sacrificed for the work. Plans had to be canceled, meals had to be delayed; liquor had to be bought, as soon as possible, or else all poured into the sink. Money had to be rationed or spent lavishly, changing daily. The sleep schedule was the poet’s to make, and it was as often late nights as it was early mornings. The habit was the demon pet in the house; the habit, the habit, the habit; the morning coffee and books and poetry, the silence until noon. Could he be tempted by a morning stroll? He could, he always could; it was the only addiction where the sufferer longed for anything but the desired; but a morning walk meant work undone, and suffering, suffering, suffering. Keep the habit, help the habit; lay out the coffee and poetry; keep the silence; smile when he walked sulkily out of his office to the bathroom. Taking nothing personally. And did you sometimes leave an art book around with a thought that it would be the key to his mind? And did you sometimes put on music that might unlock the doubt and fear? Did you love it, the rain dance every day? Only when it rained.

What was missing, I've come to believe, were the two postures that are most characteristically biblical -- the two postures that have been least explored by Christians in the last century. They are found at the very beginning of the human story, according to Genesis: like our first parents, we are to be creators and cultivators. Or to put it more poetically, we are artists and gardeners. ... after the contemplation, the artist and the gardener both adopt a posture of purposeful work. They bring their creativity and effort to their calling. ... They are acting in the image of One who spoke a world into being and stooped down to form creatures from the dust. They are creaturely creators, tending and shaping the world that original Creator made.

What we must think about is an agriculture with a human face. We must give standing to the new pioneers, the homecomers bent on the most important work for the next century - a massive salvage operation to save the vulnerable but necessary pieces of nature and culture and to keep the good and artful examples before us. It is time for a new breed of artists to enter front and center, for the point of art, after all, is to connect. This is the homecomer I have in mind: the scientist, the accountant who converses with nature, a true artist devoted to the building of agriculture and culture to match the scenery presented to those first European eyes.

What would you do if you saw something nobody else could see?” The tape gun fell out of Luke’s hand, and hit the tiled hearth. He knelt to pick it up, not looking at her. “You mean if I were the only witness to a crime, that sort of thing?” “No. I mean, if there were other people around, but you were the only one who could see something. As if it were invisible to everyone but you.” He hesitated, still kneeling, the dented tape gun gripped in his hand. “I know it sounds crazy,” Clary ventured nervously, “but…” He turned around. His eyes, very blue behind the glasses, rested on her with a look of firm affection. “Clary, you’re an artist, like your mother. That means you see the world in ways that other people don’t. It’s your gift, to see the beauty and the horror in ordinary things. It doesn’t make you crazy—just different. There’s nothing wrong with being different.

When a mad man found some certain way to express his insanity in original way, he would get promoted to be called an Artist.... Wait, are you talking about me?

When a man devotes himself body and spirit to a single object, if he has training and aptitude, no matter how mediocre he may be in ordinary affairs, he will produce something so nearly akin to a work of genius as to deceive half the judges who think themselves competent to decide between genius and talent. ("The Phantom Model")

When an artist friend of mine explained she was working her way up the creative ladder, I asked if she would kindly paint the front of my house on the way up.

When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art.

When I first started showing the “Indra’s Jewels” work, I had people coming out of the woodwork saying “Who is this guy? What is he doing? Who does he think he is doing this stuff?” and the more they’d find out they’d go “Oh, he was a painter? He taught for more than decade on the university level? He knows what he’s talking about? Oh, well let’s look at it a little closer.

Whenever an artist becomes dominated by his own ignorance, his art loses value, for it is only the professional artist that can be humble enough to admit that he is a tool in the hands of creativity.

When I create a masterpiece I feel alive! When my creation is revered I feel immortal.

When it comes to cursing I am an Artist .

When everything is drawn and done. —vision.

When I first discovered the world of paper flower crafts, I was immediately excited and quickly consumed with all the possibilities.

When I take a picture of a derelict sign, I already begin to see and find the patterns and shapes that will form the final piece. Once I get the image in the studio, I begin to layer the patterns created, making sure to save the patterns I particularly like. I never lose a layer of work during this process; I simply continue to build and modify those patterns that appeal to me. Digital Camera, 2017

When I think of the wisest people I know, they share one defining trait: curiosity. They turn away from the minutiae of their lives-and focus on the world around them. They are motivated by the desire to explore the unfamiliar. They are drawn toward what they don't understand.

When I was giving birth to my son, I had a veritable entourage of attendees, including, but not limited to, my mother and sister. I brought two art cards of my mother’s work with me to give myself something to focus on during labour. I expected to use “Sister Moon” more than “Winter’s Cup” because to me it is my mother as a young woman. It is probably my favourite piece of hers and I wanted her with me on many levels for the grand event. However, to my surprise, it was the image of myself that I clung to. The one of me conveying utter determination and strength, clothed in old finery, raising a chalice above my head while I literally manifested and birthed good things from within. It became, in those trying hours, a vital source of power for me. I see the picture differently now. “Winter's Cup” as my mother created it has found a life of its own, far from the one she ever imagined. In the end, this is perhaps the greatest achievement of an artist, of a mother, that their work moves beyond them, becoming for the viewer a source of truth and beauty with new stories to tell….

When people see things that are strange & creative & they're like "the creator must have been on drugs!" it's like "no. you are just boring

When man becomes fully conscious of his powers, his role, his destiny, he is an artist and he ceases his struggle with reality.

When she dances the Universe stops to feel her dance moves!

When she dances the Universe stops to feel her dance movies...

When she started with the first empty canvas, she didn’t know what she was going to paint, she just let her paint brushes glide and they religiously followed the trajectory of her angst; the choice of colours and the strokes, they were all a reflection of what was going through her mind. The reds were the embers within her that refused to die. The blues were the rare instances when she was spent by her grief. The blacks were her moments of absolute weakness, the colour of the bottomless pit within her that she had plunged into, falling through and through. The brush strokes moved around blank canvases like snakes with fangs of elixir that filled her scars with a deluge of hope and a gale of faith in herself. The colours spoke to her in whispers, narrating their own tale while she poured out hers to them. They allowed her to channel her life through them. They listened. They cared. They laughed. They cried. They reassured her that there was life waiting ahead, staring at her past, urging her forward with eager arms. And Preeti rushed into them with her brush in hand that rose along with her and fell along with her.

When respecting the statue of a venerable person, don't forget to respect the artist too who made that statue!

When the creator sees the illusion of fame for what it is, it loses its power over him.

When the poor give to the rich, the devil laughs.

When we ask ourselves, “What is it that makes one work of art good and another bad?” we might initially wonder if there is any satisfactory answer. Upon mature consideration, however, we can at least conclude with a reasonable degree of certitude that since the function of art is to unearth some particle of truth, good art must be good in consequence of its revelatory capacity, and bad art must be bad, conversely, because of its failure to engender revelation.

When the sun is setting your shadow become much more popular than yourself because with the help of sunset your shadow become a great artist, creating the beautiful art of mystery!

When we show up to make art, we need to get still enough to hear what wants to be expressed though us, and then we need to step out of the way and let it. We must be willing to abide in a space of not knowing before we can settle into knowing." pg. 159

When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.

Where Norman Rockwell is the Artist for the man on the street, O'Henry is his author.

When you master the art of work, then your life becomes a work of art...and you're the artist and no one else paints your life for you.

Where there is a true art and genuine virtuosity the artist can paint an incomparable masterpiece without leaving even a trace of his identity.

Where they are setting up the market, it used to be a place for torture,” Julien remarked, indicating the place in front of them. “Wow,” Ava said. “I know I said I wanted to ditch the romanticized idea of Paris with couples and hearts and flowers but I wasn’t thinking of touring all the places they once did waterboarding.

When you are open to creativity, that's when you are more vulnerable.

When you read someone's poetry, you carry their pain. When you listen to their music, you carry their soul.

When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water. Well, I've tried to express just that. If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirits.

Where the Divine and the Human Meet" shows how important it is to meet the world with the creativity of an artist, particularly in these uncertain times: "What do we do with chaos? Creativity has an answer. We are told by those who have studied the processes of nature that creativity happens at the border between chaos and order. Chaos is a prelude to creativity. We need to learn, as every artist needs to learn, to live with chaos and indeed to dance with it as we listen to it and attempt some ordering. Artists wrestle with chaos, take it apart, deconstruct and reconstruct from it. Accept the challenge to convert chaos into some kind of order, respecting the timing of it all, not pushing beyond what is possible—combining holy patience with holy impatience--that is the role of the artist. It is each of our roles as we launch the twenty-first century because we are all called to be artists in our own way. We were all artists as children. We need to study the chaos around us in order to turn it into something beautiful. Something sustainable. Something that remains".

While I began my career as a painter in the early 1980s, I became increasingly curious about the possibilities promised by digital tools - so I switched my traditional media for computer equipment. Digital Camera, 2017

Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest— where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge.