Best 8185 quotes in «artist quotes» category

It's understandable that the music companies that are comprised of people that are successful by making good creative decisions - they have to decide which out of fifty artists is the next hot one, with no data to go from. It's an intuitive process, and that's what they do well when they're successful. They don't understand technology.

It's very difficult for me to dislike an artist. No matter what he's creating, the fact that he's experiencing the joy of creation makes me feel like we're in a brotherhood of some kind we're in it together.

It's very important for any artist, in any field, to take their own temperature and check out their own energy, and see what it is they ought to be doing to keep the energy up. Because if your energy is not up, you're going to come up with some really dreary piece of work that no one's going to enjoy.

Its very important to me to be respected by true talented artists and great minds than by the masses who need to be told how to think. Its more important for me to do things that are spiritually rewarding because that wealth is what makes me feel alive. I do not touch projects that do not yield personal fulfillment, or put me in a field with talent that is over-measured. You wont find me where there is no Truth. And Im not one to jump on any bandwagons or join a gold rush without a purpose. Id rather create my own projects and grow my own fields.

It's very hard to be an artist, on my first album, and I'm like asking for money for a music video for every song - it's so hard to do. You have to pick your battles for sure, but I definitely want - and I've always worked to make it all connect - for all of it to feel cohesive.

It's very hard to find artists in the history of western art who don't make portraiture ideological in some way.

It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.

It's very often the artist who gives a voice to the voiceless by speaking up when no one else will.

It's very interesting being an artist and a comedian, (because) you aim for jobs that will feed your ego, but when you get up to the precipice of them, you actually have to deliver. You actually have to understand that you're reaching a new level where there are way more eyes on you, way more expectations and way more pressure.

It's whatever sells; it's the business of it.

It takes a long time to make a painter - even with a good artist's education - but without one it tries the patience of Job; it is a great thing if one does not go backward.

It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.

It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.

It took time to really build myself a reputation as a good live performer, a musician and an artist.

It terrified me to have an idea that was solely mine to be no longer a part of my mind, but totally public.

It takes only one man to make an artist, but forty to make an Academician.

It was a challenge for me to see how I could deal with that at Jil, and I had a lot of doubt about it. I wondered if maybe it was just better to do your own thing in the long run, like an artist.

It used to be that youd have a song recorded by a major country artist and if it was a hit, you could buy a car. Now you can buy a dealership.

It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.

It used to be that Nashville would work to develop promising artists.

It was a natural path for me, being an artist. Both my parents were artists. I was surrounded by it and I instinctively was drawn toward it, and received a lot of encouragement.

It was an epiphany when I realized you don't have to call yourself a linguist, a translator, a poet. You can call yourself an artist and you can do all these things.

It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.

It was an experience that was exceptional. People frequently ask what it was like and it truly was inspiring. Sometimes during his lifetime, people would try and put him on a pedestal and that's not where he wanted to be, but he was really a great individual.

It was a period when live TV was just starting and getting popular and they took it seriously too. Not so much like TV now. They did Hemingway and Faulkner - and they’re all wonderful artists and it just was very creative at that time.

It was a requirement by the veterans to list the 57,000 names. We're reaching a time that we'll acknowledge the individual in a war on a national level.

It was important that I learn that what I wanted was no different from what other artists wanted: confidence that I could be my own censor, audience, and competition.

It was my mom and I against the world. We lived in New York in this bohemian lifestyle where an extended group of artists and photographers were like my aunts and uncles.

It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have.

It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.

It wasn't until school that we realised that we were abnormal.

It was not very easy for a woman to impose herself as a modern artist in Germany… Most of our male colleagues continued for a long time to look upon us as charming and gifted amateurs, denying us implicitly any real professional status.

It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.

It was special with me being from Memphis and knowing the history of the venue, knowing all of the artists who performed in the Orpheum before me. Even having the idea to approach it was ambitious on my part, but I thought they would turn me down at first.

It was Sophie ( Sophie Arp Tauber, woman artist and later Arp's wife) who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.

It was this feeling for a lot of my characters, who are dissidents or banned artists and writers, that they had had to fight living under so much surveillance, and then suddenly they come to America and they're like, I'm not being surveilled - I'm not even being noticed at all.

It would be bypassing the issue to say that the artist's business is to work with this and that material or manipulate the findings of perceptual psychology, and that the rest should be left to other professions.

It would be very glamorous to be reincarnated as a great big ring on Liz Taylor's finger.

It would be inadmissible if I would vent my opinion publicly. Not only could I harm the artist concerned seriously because people have so much respect for me and believe in me because of my musical accomplishments. And I could also antagonize people against me, because everyone has his own taste. We all make music, people can choose from that what they like. Every musician likes his own music the best, man. I don't want to attack that. I don't mind criticism, I can handle it, but most people can't".

It wouldn't be right for me to clown around when I'm painting a president.

I understand that artists and critics make a big deal over the Grammys. But when I go to my shows and I'm selling out arenas in London, and when I'm in Australia and Japan, there aren't any Grammys there. There are human beings who I've touched. There are human beings who are inspired by me, who I love dearly. And that's what my career is based on.

I understand why people went nuts for 'The Artist.' We use words so much, it's nice to be able to explore a different way of communication, to be able to express silently what someone - or something - is thinking or feeling.

I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.

I understood my personal responsibility in putting Christ on the cross and the implications of how the Gospel impacts every area of life. It informs my identity as a human, as an artist, and as a citizen of this country.

I used to have to downplay my sexuality because I wanted to be taken so seriously as a thespian and as an artist and as an actor, so I'd play crack heads and down trotting women and disguise myself, and I think as I've gotten older, I become more comfortable with who I really am and all parts of me knowing that my physical self doesn't diminish me in any way or my talent.

I've always been a firm believer that soul music never dies. The artists we still listen to today, years after their music was first heard are mostly soul artists; Donny Hathaway, Marvin Gaye, Chaka Khan. We still sing along to all of them with our hearts.

I used to produce years ago when I feel like. I produced myself, Bounty Killer. That was the first set. Then I did a Bounty Killer, Lexxus, Spragga Benz, Sizzla, a whole lot of artist.

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.

I usually prepare a track and then I work with the artist when it's time to do the vocals.

I value those artists who embody the expression of their life.