Best 8185 quotes in «artist quotes» category

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    No, the thing to do is try to make a painting that will be alive in your own lifetime.

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    Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.

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    Nothing is a hobby - each discipline is its own world with its own high standards. Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.'

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    Nothing is more subtly destructive than a closed circle of artists feeding on one another. Envy grows from insignificant differences between people, not from overwhelming inequalities... it was envy that forced them to emulate each other, not esteem.

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    Nothing is really media driven or committee driven, so you can actually just produce something

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    Nothing right can be accomplished in art without enthusiasm.

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    Not 'I don't give a f-' to just be reckless and do whatever, but 'I don't give a f- what they say.' … I know who I am and what I'm doing in my life and what I've accomplished and continue to accomplish as a performer, as a writer, as an artist, as a person, as a human being. I'm happy with the man I'm becoming.

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    Nothing that's ever happened has taken away the optimist in me. It's always, "Whatever-let's go to Disneyland." Yes, I have my bleak, tortured-artist moments, but you have to hold on to what's positive.

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    Not only must you be an artist, must you be generous, and must you be able to see where you can help but you must also be aware. Aware of where your skills are welcomed.

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    Not only do we end up with a vivid, surprising and soulful sense of one artist and his work, but Leigh also offers us a commanding view of a city, London, and country at the dawn of the modern age and of a man being overawed and overtaken by new technologies such as photography and the railways. As ever with Leigh, 'Mr Turner' addresses the big questions with small moments. It's an extraordinary film, all at once strange, entertaining, thoughtful and exciting.

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    Not only Freud but artists and writers were also interested in the unconscious. It was medicine that made the first steps toward modernity.

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    Not many shows bring fans and artists together, and 'Rock Dinner' is one of the few shows that does it. Every opportunity I get to get closer to one of my fans - and get to know them and talk to them - I'm always going to take that opportunity with arms wide open and make it a priority.

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    Not only that, but when I first met Joe, to my intense delight, he showed me that he was a collector. He was collecting some of the early Tarzan pages by Hal Foster, and, later, early Flash Gordons; and I found that we were both absolutely interested in the same type of thing.

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    Not only was Tupac an iconic figure in Hip-Hop, he was an iconic artist across the whole world. He transcends to all races. And everybody loved him. It's just his honesty. Good or bad, had to love him.

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    Not only was he not mad, but he was a musician, and my favorite men had always been musicians or writers or anything that involved the creative process and behaving like tortured artists. ... I found financial insecurity a great aphrodisiac.

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    No two people take on the information of being admirable and being admired in the same way.

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    not wholly consciously, but not quite unconsciously, as far as I can remember, I determined to fashion my future as a sculptor his marble, and there was in it the same mixture of foresight and the unknown. The thing in the mind of the artist takes its way and imposes its form as it wakens under his hand. And so with life.

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    Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.

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    Nowadays, an artist is someone who makes art mean the things he does.

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    Not to waste time on nonsense. Not to be taken in by conjurors and hoodoo artists with their talk about incantations and exorcism and all the rest of it. Not to be obsessed with quail-fighting or other crazes like that.

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    No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

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    Novelty is seldom the essential... make a subject better from its intrinsic nature.

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    Nowadays I see my work being used, without my permission, as if it was an attack against the Trump regime. People want to say, "No! That's not my America, not the America I know." I'm honored - it's just not me. But as we were saying before, the artist loses control.

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    Nowadays you need so much money to be able to launch a new artist, notably in America; you would hardly believe the sums involved.

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    Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?

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    Nowadays, with the state of the music business, for any artist, whether you're up-and-coming or you've been in it for awhile, you have to explore different revenues and different ways of expressing yourself.

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    Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.

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    Now I'm a symbol of what to be and how hard to work. I have heads of major labels say, "I wish you could teach our artists how to do it." At one point I was the punching bag of what not to be, and now I'm the model of what to be.

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    Now I want to become an artist, rather than one thing, like a dancer, or a movie star, or a choreographer.

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    Now keep in mind that I'm an artist and I'm sensitive about my sh*t

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    Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.

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    Now "professional" seems to be whoever you went to school with. It constitutes your nuclear world. And that's the fault of the teachers; it's not the fault of the young artist.

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    No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

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    No writer or teacher or artist can escape the responsibility of influencing others whether he intends to or not, whether he is conscious of it or not.

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    Now that I'm in my 40s, it's much easier to be an artist. It's good knowing that I'm not in the game to be competing with really young groups of kids on the radio. Or to, you know, make 'beat' music.

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    No writer, painter, or actor - no artist - is ever handed a sharp knife (although a few people are handed almighty big ones; the name we give to the artist with the big knife is 'genius'), and we hone with varying degrees of zeal and aptitude.

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    Now, there are people that are Christian artists, because they have a purpose to be evangelical for Christ. I don't feel I've been called to that yet. Now, that could change. There's no telling what kind of call God will put on my life.

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    Now that I'm coming out with my own record people can see I'm a solo artist.

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    Now that I know what I want, I don't have to hold on to it quite so much.

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    Now the expectation is that, once the public decides that the artist is gentrified, the public demands that the artist stop growing. And [the public] actually puts all their energy into reasserting or re-establishing what the artist has long ago left behind. Because that's what they want. The source of creativity, the gift that's been given, be damned.

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    Now there is fame! Of all - hunger, misery, the incomprehension by the public - fame is by far the worst. It is the castigation of God by the artist. It is sad. It is true.

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    Now, when you look at somebody, it's not simply, 'Are you like me or unlike me? Has your culture produced great artists? What are your rituals?' It's: 'Is your culture safe or not? Will it produce terrorists?'

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    Obviously all writers, all artists, have their own internal critics; as they write they are being self-critical.

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    Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.

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    Obviously I've always loved singing and performing, but I fell in love with songwriting and then I enjoyed doing that for other people and getting coached. But then I kind of stumbled into the right group of people that really started to create some unique music for me and what I wanted to say, so then it made me want to be an artist.

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    Obviously businesses do not operate like an artists' commune. Business involves deploying finite resources to achieve goals in a competitive environment to make money. That is something creative people understand.

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    Obviously I've got to work hard to have my own label, but it all benefits me in a different kind of way. I can say "No," and nobody's going to be pissed off or breathe down my neck. I can draw the line and take breaks when I want to. I try not to. And getting to develop other artists is something I've always wanted to do.

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    Obviously Spawn was at the top of the charts at that point so you get a lot of opportunities.

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    Obviously, the duty of artists is there, but it's more an indictment of the political system that someone like Zinn views artists as the seers, idealizing them as the people responsible for inspiring change.

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    Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman.