Best 8185 quotes in «artist quotes» category

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    Nast is an artist of uncommon abilities. His works evince originality of conception, freedom of manner, lofty appreciation of national ideas and action, and a large artistic instinct.

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    Nature always begins by resisting the artist, but he who really takes it seriously does not allow that resistance to put him off his stride; on the contrary, it is that much more of a stimulus to fight for victory.

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    Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artists is born to pick, and choose, and group with science, these elements, that the result may be beautiful - as the musician gathers his notes, and forms his chords, until he brings forth from chaos glorious harmony

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    Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail. Nature is garrulous to the point of confusion, let the artist be truly taciturn.

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    Nature has mysterious infinities and imaginative power. It is always varying the productions it offers to us. The artist himself is one of nature's means.

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    Nature does not proceed in a straight line, it is rather a sprawling development.

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    Nature is garrulous to the point of confusion, let the artist be truly taciturn.

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    Nature is my main source of inspiration - I will never stop taking hints from what I call 'the greatest artist'

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    Nature is the best and really the only real vocabulary that an artist can legitimately work with.

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    Nearly a half-century on from feminism, simply being a woman artist is still a revolutionary act. And getting one's work shown continues to be met by enormous inbuilt resistance.

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    Nature was one of the key forces that brought me back to God, for I wanted to know the Artist responsible for beauty such as I saw on grand scale in photos from space telescopes or on minute scale such as in the intricate designs on a butterfly wing.

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    Never become an artist if you can't learn to draw.

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    Never in my wildest dreams did I entertain the idea that I would become a fashion designer.

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    Never permit a dichotomy to rule your life, a dichotomy in which you hate what you do so you can have pleasure in your spare time. Look for a situation in which your work will give you as much happiness as your spare time.

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    Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.

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    Never read bad stuff if you're an artist; it will impair your own game.

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    Nevertheless, the Tenth Commandment-'Thou shalt not covet'-recognizes that making money and owning things could become selfish activities. But it is not the creation of wealth that is wrong, but love of money for its own sake. The spiritual dimension comes in deciding what one does with the wealth. How could we respond to the many calls for help, or invest for the future, or support the wonderful artists or craftsmen whose work also glorifies God, unless we had first worked hard and used our talents to create the necessary wealth?

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    New artists will be discovered and trained. Moreover, when the artists who've gone abroad return home, they can share and pass on skills and knowledge to their peers here. I am certain their stints abroad will make them better artists and mentors. It will teach them discipline and independence. It will broaden their horizons.

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    New York City is a great monument to the power of money and greed... a race for rent.

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    New York City is just one node on the global cultural scene. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist feels local and small. Social media feels now.

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    New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.

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    New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.

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    New York City is just one node on the global cultural scene now. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist today feels local and small. Social media feels now.

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    New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.

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    New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.

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    Next to Morning Pages and Artist Dates, the most potent tool for contacting inner guidance and creativity is walking.

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    Next to the writer of real estate advertisements, the autobiographer is the most suspect of prose artists.

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    Nirvana's amazing, but they're just never going to find another one, there's no artist development anymore, you're never going to have a U2, you're never going to have a Bruce Springsteen, those guys didn't make it off of their first single and real artists probably won't make it off of their first singles.

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    No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism , everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.

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    No amount of technical knowledge and competence is, of itself, sufficient to make a craftperson into an artist. That requires caring - passionate caring about ultimate things.

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    No, and I never, ever eat in between the meals. I control it well enough and with no pills, and I sleep seven hours a night. I go to bed. I fall asleep, and I wake up seven hours later, and this is the most important.

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    No amount of pay ever made a good soldier, a good teacher, a good artist, or a good workman.

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    No artist tolerates reality.

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    No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.

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    No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.

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    No artist, if he has original talent, can paint like another.

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    No artist knows in his own lifetime whether what he does will be the slightest good, because it takes at least seventy-five to a hundred years before the thing begins to sort itself out.

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    No artist is ever morbid. The artist can express everything.

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    No artist will tolerate the world for one second as it is.

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    No, as an artist, you have to be free to explore all the corners of your heart. There are no boundaries.

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    Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed. Their highest merit is suggestiveness.

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    No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.

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    Nobody has a perfect life. What you see on the screen is the best of the artist.

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    No doubt other writers have often put a thing more brilliantly, more subtly than even a very cunning artist in words can hope to emulate, a supreme phrase being a bit of luck that only happens now and then. And inasmuch as the condiments and secret travail of human nature are always the same, and that certain psychological moments must ever and ever recur, what more tempting than to pin down such a moment with the blow of a borrowed hammer?

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    No, I'm not a French designer either. I'm from nowhere. I'm a European, old European is all I am.

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    No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.'

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    No great artist ever sees things as they really are. If he did, he would cease to be an artist.

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    No. I mean those people really did something for designers I don't think department stores can, could or should do still today. Today the world is different so you have to make it differently. There's TV. There's a lot of things.

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    No fate holds more splendour for an artist, than the one which greets his effort with such enthousiasm!

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    No man who has managed to keep out of an office can be called a failure in life.