Best 8185 quotes in «artist quotes» category

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    I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.

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    I don't want to be an artist, go on tour and make a video and wear sexy clothes. I would just love to make music.

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    I don't use recreational drugs, except for cocaine, hallucinogens, and nitrates.

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    I don't use the word 'artists' lightly.

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    I don't want there to always be this stigma of the "female" artist. "Oh, what does it feel like to be a female doing something?" That hurts me.

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    I don't want to compare myself to Picasso, but he had four or five periods in his life. Any good artist grows and changes and matures.

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    I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.

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    I don't want to just be an artist for one country, I want to produce for the world.

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    I don't want to limit myself as an artist and only do a certain sound.

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    I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.

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    I do see a big difference in the American work ethic compared to the British work ethic in a lot of artists.

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    I do remember at my very first opening in 1979 another artist coming up to me, and he was haranguing me, saying, "Did you really intend for these things to be so dumb? You just put it there and took a picture of it." He wouldn't let it go. So that's what made me think about the dumbness aspect more.

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    I don't worry about alienating fans. I don't think most people these days think of artists as sellouts if they license their music for a commercial or a movie trailer. If anything, fans get psyched when they hear Sleigh Bells on TV or at the movies. As a band who doesn't make money off of record sales it's a great way for us to pay the bills!

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    I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.

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    I do think it's important to expose kids to artists.

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    I do struggle with how much and in which way, as an artist or celebrity, that you voice your political views.

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    I do support artists standing by their beliefs, and walking with integrity. We have to find a better way to commercially exploit music, while giving artists their proper respect. This cannot be done while taking their contributions for granted, or trying to control the scope of their growth and power through threats and fear tactics.

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    I do think I paid a price as an artist, and I am trying to make up for it now - I work six days a week in the studio, and I've never been happier.

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    I do think it is a kind of illness in the sense that it sets you apart, it injects you with an endless, unslakable thirst to keep making the thing. The artist has to voluntarily use themselves endlessly.

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    I do what I feel impelled to do, as an artist would. Scientists function in the same way. I see all these as creative activities, as all part of the process of discovery. Perhaps that's one of the characteristics of what I call the evolvers, any subset of the population who keep things moving in a positive, creative, constructive way, revealing the truth and beauty that exists in life and in nature.

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    I'd rather have people really be able to step back and get their money's worth and look at me as a true artist than somebody who is just regurgitating other material.

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    I'd really want to - just from my own experience as an artist working with a writer, I'd want to do everything I could to tailor it to the artist I was working with.

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    I'd rather be somewhere building a house, if I knew how. The whole idea of being a professional artist is like a demeaning kind of thing.

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    I'd rather get back to making art than talk about it.

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    I'd prefer to invite the artists simply to work and have fun with Guatemalan artists. To share missions of life. Maybe that is more important than seeing an exhibition.

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    I'd say my style is all me, It's different from other artist even in my city or outside of my city.

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    I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.

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    I'd say we [Apple Inc.] are the most creative of the technology companies and definitely the most artist-friendly. Almost everyone in the music business uses a Mac and everyone has an iPod.

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    I eat fish, three times a week meat, and if not yogurt, something like this and it rarely continues.

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    I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.

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    I'd studied theater growing up and loved that, but didn't have many examples of artists around me.

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    I embraced being a pop artist, but I like doing it on my own terms, at my own pace.

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    I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.

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    I enjoy working in a quiet and subversive way.

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    If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job.

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    If a good editor will let me tell my story with the right artist, I'm happy.

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    If a man ain't nothin' else, then he's an artist. It's the only thing he can claim to be that nobody can prove he ain't.

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    If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.

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    If all I hired were cake decorators, our cakes would just look like cakes that people decorate. We do astounding work at Charm City Cakes and to do that you need people who think in astounding ways. Artists just think in different ways.

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    If an artist tries consciously to do something to others, it is to stretch their eyes, their thoughts, to something they would not see or feel if the artist had not done it. To do this, he has to stretch his own first.

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    If an artist wants to use his mind for creative work, cutting oneself off from society is a necessary thing

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    If an artist is reaching for the universe as a source of creative muse, then I'm there. I'm gonna say, "Yeah. Here's Saturn. Here's a black hole. Here's twisted space-time. Talk to me. What do you need? What do you want?" And I'll just feed you, because I think only then does science become mainstream - when science becomes a legitimate topic for artists.

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    If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.

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    If an artist is any good at all, then he or she will have a later phase that's more interesting than the early one.

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    If an artist tells you "this is an oak tree," then it better be an oak tree. It's how you proclaim things; if you say "the silence is the music," then it's the music.

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    If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.

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    If anything, I hope being an artist opens up more opportunities 'cause I feel there's a lot of things I could do, like musically and stylistic-wise that I can write, but I don't really have an avenue to show it 'cause most of the things I'm writing are in Hip Hop.

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    If a record label will sign you in order for you to be moulded into something that can make more money for them, then you should get out of there if you're that artist.

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    If a person is open to a new world view, it can often mean that he is not firmly rooted in the reality of the old world view; as a lunatic or alienated artist, his own neurotic traits can become magnified as they tremble with the new energy pouring in from the universal source.

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    If artists cannot speak up for human dignity or rights, then who else will do it?