Best 8185 quotes in «artist quotes» category

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    Half the time I don't even think about it, I just throw something on because I'm so late or so busy.

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    Hands are the tool of the painter, the artist.

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    Harvard takes perfectly good plums as students, and turns them into prunes.

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    Hatred, rancor, and the spirit of vengeance are useless baggage to the artist. His road is difficult enough for him to cleanse his soul of everything which could make it more so.

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    Have you ever felt so at one with the world, with the universe, with everything that is, that you were overcome with love? That is reality. That is the truth. What we make of it is up to us, as the painting of the sunrise is up to the artist. In our world humanity has strayed from that love. It lives hatred and power struggles and manipulations of the earth itself for its own narrow reasons. Continue and no one will see the sunrise. The sunrise will always exist, of course, but people on earth will know nothing of it and finally even stories of its beauty will fade from our knowing.

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    Having a mood disorder is not synonymous with having artistic talent, but it is true that people in the so-called creative professions-writers, actors, artists, musicians-have a higher than normal incidence of such illnesses, and there are also a disproportionate number of alcoholics in these fields whose drinking may be an attempt to medicate the anxiety of depression.

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    Having a little fun at my work does not make me any less of an artist and people who appreciate truly beautiful and original creations in pottery are not frightened by innocent tomfoolery!

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    Having a little fun at my work does not make me any less of an artist.

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    Having the courage to dream means following your calling today, in some way, despite the facts in your life that seem to be unmovable obstacles. And then, if your canvas is unfinished at the moment you die, at least you'll die an artist rather than a dabbler who talks about how she or he would truly like to live.

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    Having more curators to go around among the artists is more effective and more efficient. The artists are better looked after so you get better works. What isn't so effective is actually that some visitors and some members of the press really want a single voice with which they can relate.

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    Having photographed the landscape for a number of years and specifically working with trees and in the forest I found, without consciously thinking about it, that it was a great learning experience for me in terms of organizing elements.

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    Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive.

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    He had been standing still; for an artist, one of the more painful forms of death.

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    Heidegger wrote a book called Was Ist Das Ding - What Is a Thing? which was kind of interesting and influential to me, as a matter of fact. It's a small paperback, which I read. It's about the nature of thingness; what is it? It's a very penetrating analysis of that, and I think a rather influential book. I know other artists who have read it and come up with it.

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    Heidi [Montag]'s a far more talented artist. Personally, I think Lady Gaga is repulsive and classless.

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    He is a Patron who looks down, / With careless eyes on men who drown; / But if they chance to reach the land, / Encumbers them with helping hand

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    He is not simply looking into the mirror because he is transfixed by what he sees. Rather, the artist’s success depends as much as anything on his powers of detachment, on de-narcissizing himself… Freud… studied his own dreams not because he was a “narcissist,” but because he was a student of dreams. And whose were at once the least and most accessible of dreams, if not his own?

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    Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely.

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    Here in England, everyone's a pop star, innit, whereas in America they believe in the term artist.

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    Here I am, the artist, the person, the black woman, and the stereotype. I'm using myself and it has nothing to do with my muses or other women. It has to do with me. You see parts of my body moving, very collage like, flashing, and not speaking, just laying on a couch, looking out at the viewer.

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    Here is a fear for me, I never wanted to be one of those guys that was defined by a body of work 20 years old.

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    Here, on the river's verge, I could be busy for months without changing my place, simply leaning a little more to right or left.

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    He revolutionized music videos. Before Michael Jackson, MTV refused to play African-American artists.

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    Here's the thing, trust changes everything. Once you know what an artist can do, and you know their commitment level, it opens up the playbook hugely. I have worked with artists I really love, but they may have some small aspect that they hate drawing, or that they don't excel at, and that effectively takes that option off the table.

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    Here's some more stuff we're going to need." 1 pair coveralls 1 extension ladder (30 foot) 1 glass cutter 1 artist's portfolio (large) 1 water pistol 1 bottle india ink 1 portable trampoline (collapsible) 1 bicycle w/basket 4 pizza boxes Jonah whistled. "I hope you've got some crazy evil-genius strategy, 'cause–straight up–I don't get it.

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    Here the artist is, as it were, an archaeologist, uncovering deeper and deeper strata as he works, recovering not an ancient civilization, but something as yet unborn, unseen, unheard, except by the inner eye, the inner ear. He is not just removing apparent surfaces from some external object, he is removing apparent surface from the Self, revealing his original nature.

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    He scarce had ceased when the superior fiend Was moving toward the shore; his ponderous shield Ethereal temper, massy, large and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fésolè, Or in Valdarno, to descry new lands, Rivers or mountains in her spotty globe.

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    Here, where we reach the sphere of mathematics, we are among processes which seem to some the most inhuman of all human activities and the most remote from poetry. Yet it is here that the artist has the fullest scope of his imagination.

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    Herman Melville said that artists have to take a dive and either you hit your head on a rock and you split your skull and you die … or that blow to the head is so inspiring that you come back and do the best work that you ever did. BUT you have to take the dive and you do not know what the results will be.

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    ...heroine: the artist, the premier mistress writhering in a garden graced w/highly polished blades of grass... release (ethiopium) is the drug...an animal howl says it all...notes pour into the caste of freedom...the freedom to be intense...to defy social order and break the slow kill monotony of censorship. to break from the long bonds of servitude-ruthless adoration of the celestial shepherd. let us celebrate our own flesh-to embrace not ones race mais the marathon-to never let go of the fiery sadness called desire.

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    He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.

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    He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.

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    He was, as Billy Name said in the acclaimed Ric Burns documentary about Andy Warhol, uninterested in being a second-tier artist. He was uninterested in being a first-tier artist! He wanted to be, you know, a god. Someone who completely changed the...he wanted to be Zeus with the lightning bolt and nothing less would have satisfied him.

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    He wasn't, but producers are by definition annoying because they have a different agenda from you. They're trying to stop you spending money and you're trying to not spend money, but at the same time we're great artists.

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    He was one of those inexplicable gifts of nature, an artist who leaps over boundaries, changes our nervous systems, creates a new language, transmits new kinds of joy to our startled senses and spirits.

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    He who is discouraged after a failure is not a real artist.

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    Hip hop is ever changing and has definitely entered a new era. Many fans have mixed feelings over the direction of rap as more and more artists are emerging with content that some would describe as less than meaningful.

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    Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.

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    Hip-hop artist, especially the older ones, are the ones who new hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.

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    Hip-hop is a competition culture. It's based around, "My DJ is better than you. My graffiti artist is better than you.

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    His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

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    Hip-hop is the music of the youth. It sort of has the same purpose as what we do, at least lyrically, because we both are communicating a message, just in different ways. Hip-hop artists talk, we sing. They rap forcefully, we sing gracefully.

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    History is a facsimile of events held together by finally biographical information.

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    Historical memory is a potent weapon in fighting against the desert of organized forgetting and implies a rethinking of the role that artists, intellectuals, educators, youth and other concerned citizens can play in fostering a reawakening of America's battered public memories.

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    His art is the health of the artist.

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    Hitler was never more than average as an artist. His great talent was for the games of politics.

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    Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.

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    How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.

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    How awful that the artist has become nothing but the after-dinner mint of society.

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    Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.