Best 8185 quotes in «artist quotes» category

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    We lived on a farm in the English countryside, where we wrote a lot of our music. You really were treated like an artist during those days-not like product, which is now the mode.

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    We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.

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    We live in an age where anonymity is growing in magnitude like a bomb going off.

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    We live in an age where the artist is forgotten. He is a researcher. I see myself that way.

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    Well, as a visual artist working with the phenomenon of cinema, the grammar of cinema, [making a feature] was bound to happen. Everything I do is like sculpting with image and sound.

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    Well, a lot of people within government and big business are nervous of Hip Hop and Hip Hop artists, because they speak their minds. They talk about what they see and what they feel and what they know. They reflect what's around them.

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    Well, from an acting point of view, I bear no relation, I don't look like Alfred Kinsey at all, but I thought somewhere in my artist's soul, my actor's soul, I could capture something of the spirit of the man.

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    Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It's more like a multimedia brand that I want to take to the next level and put some talented people on.

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    Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

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    Well, in order for me to be successful... In order to be a great artist - musician, actor, painter, whatever - you must be able to be private in public at all times.

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    Well, it was never supposed to be like that. Walt died before we had finished. The original idea of Walt's was that you came down there, into the caves, and there were no pirates. But they had been there just seconds before! There was a hot meal on the table, steaming.

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    Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

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    Well, it's pretty ironic to get an artist achievement award from the same foundation that disavowed one of my artistic achievements (that they had also earlier funded). It's a goddamn brainteaser. The Endowment had reinforced the worst bullying tactics of powerful lobbying groups and had created a less-secure environment for their own funded project to do its work in

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    Well, Jeff Buckley for me is one of the greatest singers I've ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.

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    Well, I worked with lots of different artists, of course.

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    Well, method is, it seems to me, a natural growth out of a need, and from a need the modern artist has found new ways of expressing the world about him. I happen to find ways that are different from the usual techniques, which seems a little strange at the moment, but I don't think there's anything very different about it. I paint on the floor and this isn't unusual - the Orientals did that.

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    Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.

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    Well, to me, the tensile strength and the very definition of an artist is something that I would place at the top of a vertical hierarchy. To be an artist is to suffer and to lead a life without shelter. It takes a great amount of daring-do, self reinvention, imagination, familial loyalty, sacrifice, economic uncertainty, and the right to be wrong, the right to fail in order to achieve something of noticeable value.

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    Well the artists that inspire me were, first of all I would say Sam Cooke, Otis Redding, John Holt, Alton Ellis, Errol Dunkley, Delroy Wilson and Dennis Brown you know. They have unique voice and sweet melody and you know, good lyrics those time yeh. The music was very nice in that time still seen, because you find that even the musical part, the musicians concentrate more on the melody than everything, more than how they concentrate on the money that time you Know

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    Well, you could almost say, I suppose, that the scientist seeks what is similar between any two days, or bluebirds, or glaciers. And the poet seeks what is different. The artist seeks to celebrate the unique.

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    Well you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have. I'm not alone on stage but with a group of musicians. So the more the music is successful, the more the audience feel happy about the music. It's the responsiblity of an artist to make his fans happy. That is proposition. I'm always talking about proposition.

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    Well, you know, people don't know me as a country artist and I am new to the genre. But that's how I grew up singing.

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    We lost so many talented artists and writers from the generations before ours that we're really lacking older figureheads.

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    We makeup artists are a unique bunch of people; we don't have the classic brain, the classic training, but we're creative, so we figure it out.

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    We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an ex­ternal, active, work project.

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    We [me and my husband] both had our things. Seth was the artist, I was the singer. We were like "You do your thing, I'll do my thing and never the two shall meet." I think we had a healthy competition going through our childhood. But I sort of left the funny stuff to him, I said "You're the comedian, you're the jokester, you do that I'll be the more serious one." You need that kind of balance in the family.

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    We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.

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    We must declare ourselves, become known; allow the world to discover this subterranean life of ours which connects kings and farm boys, artists and clerks. Let them see that the important thing is not the object of love, but the emotion itself.

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    We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavoring to meet it halfway, we easily become indirect and apathetic.

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    We must ask nothing of artists but to be of their own time.

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    We must grant the artist his subject, his idea, his donn´e: our criticism is applied only to what he makes of it.

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    We must not be content to memorize the beautiful formulas of our illustrious predecessors. Let us go out and study beautiful nature.

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    We must not discriminate between things. Where things are concerned there are no class distinctions. We must pick out what is good for us where we can find it.

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    We need all kinds of artists. We have no need to destroy drawing. We lose so much. This wouldn't happen in music.

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    [We need to] protect copyright at all costs. Don't do cheap deals with Google and these other cyber-monsters. Recognize that the creative artist has to be maintained.

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    We need artists to help us come together and share our voices and build community around powerful issues concerning our roles in the world and our planet's survival. Compassion must be translated into action.

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    We need that expression. Whether we want to call it protest or not, we need to express and echo the echoes of the people. Artists need to do that.

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    We're all given a window of opportunity, I think all artists are, of any genre. A window when you're truly relevant, the spotlight's on you and people are watching what you do.

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    We're all trying to be artists making our own unique statements. I think the only real way to do that is through failure.

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    We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as "undeveloped".

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    We're artists too, but we do a good job hiding it, don't we?

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    We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.

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    We're here to make a dent in the universe. Otherwise, why even be here? We're creating a completely new consciousness, like an artist or a poet. That’s how you have to think of this. We're rewriting the history of human thought with what we're doing.

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    We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.

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    We're not cameras, we're artists.

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    We're painting the same people all our life - it's just the way we look at them that changes. If you experience trauma, you can speak about it in so many different ways. You can speak about landscape, you can speak about your food; it's always different. Trauma is the beginning of life as an artist.

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    We're trying to teach artists that if you're smart enough to develop the material, then you're smart enough to market and promote the album too.

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    We're artists. We cry out to be exploited on some level. Write a dissertation on my work. Write a biography about me.

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    We're committed to giving the independent artists we support the best stage to share their mind-blowing work with audiences.

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    We're creators by permission, by grace as it were. No one creates alone, of and by himself. An artist is an instrument that registers something already existent, something which belongs to the whole world, and which, if he is an artist, he is compelled to give back to the world.