Best 8185 quotes in «artist quotes» category

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    Gauguin says that when sailors have to move a heavy load or raise an anchor, they all sing together to keep them up and give them vim. That's just what artists lack!

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    Generally in our world, whether in architecture or almost anywhere else, we devalue the artist, and schools at whatever level shut people down.

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    Generosity is a two-edged virtue for an artist - it nourishes his imagination but has a fatal effect on his routine.

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    Generally I would say that I'm not a super-adventurous shadow girl. I'm all about a lip, eyebrow, and mascara, but through the years, working with different talented makeup artists, I learned how awesome eye makeup can be if you get it right. That's how we got the colors we came up with.

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    Genius may anticipate the season of maturity; but in the education of a people, as in that of an individual, memory must be exercised, before the powers of reason and fancy can be expanded: nor may the artist hope to equal or surpass, till he has learned to imitate, the works of his predecessors.

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    George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.

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    Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.

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    Get it out of your historic head.

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    Getting people to go above and beyond the call of duty can be achieved but only if you, the artist, are willing to go above and beyond any and all calls of duty yourself.

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    Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.

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    Gift to the creative artist: positive images in, positive images out. On the other hand, garbage in, garbage out.

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    Give me a dozen healthy infants, well-formed, and my own specified world to bring them up in and I'll guarantee to take any one at random and train him to become any type of specialist I might select--doctor, lawyer, artist, merchant-chief, and, yes, even beggarman and thief, regardless of his talents, penchants, tendencies, abilities, vocations, and race of his ancestors. I am going beyond my facts and I admit it, but so have the advocates of the contrary and they have been doing it for many thousands of years.

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    Give me a dozen healthy infants, well-formed, and my own specified world to bring them up in and I'll guarantee to take any one at random and train him to become any type of specialist I might select - doctor, lawyer, artist, merchant-chief and, yes, even beggar-man and thief, regardless of his talents, penchants, tendencies, abilities, vocations, and race of his ancestors.

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    Girls seemed to like artists! I felt very drawn to the idea of power, really, and doing painting as a power trip, in a sense. This idea of power has always driven me.

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    Give me the artist who breathes it like a native, and goes about his work in it as quietly as a common man goes about his ordinary business. Mozart did so; and that is why I like him. Even if I did not, I should pretend to; for a taste in his music is a mark of caste among musicians, and should be worn, like a tall hat, by the amateur who wishes to pass for a true Brahmin.

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    Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys.

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    God and other artists are always a little obscure.

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    God is the great mysterious motivator of what we call nature, and it has often been said by philosophers, that nature is the will of God. And I prefer to say that nature is the only body of God that we shall ever see.

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    God's designs may be frequent justification for our actions, but it is we, the "self-made men", who take the credit.

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    God works funny so it might have just been meant for me to be an artist that doesn't sell two million records. Maybe my records might change somebody's life rather than sell thru the roof.

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    God takes care of imbeciles, little children and artists.

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    God, the king of artists, was clumsy.

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    God uses millions of no-name influencers every day in the simplest selfless acts of service.  They are the teachers whose names will never be in the newspaper, pastors who will never author a book, managers who will never be profiled in a magazine, artists whose work is buried in layers of collaboration, writers whose sphere of influence is a few dozen people who read their blogs.  But they are the army that makes things happen.  To them devotion is its own reward.  For them influence is a continual act of giving, nothing more complicated than that.

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    Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.

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    Go into yourself and test the deeps in which your life takes rise; at its source you will find the answer to the question whether you must create. Accept it, just as it sounds, without inquiring into it. Perhaps it will turn out that you are called to be an artist. Then take that destiny upon yourself and bear it, its burden and its greatness, without ever asking what reward might come from outside

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    Good artists copy, great artists steal.

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    Good artists exist in what they make, and consequently are perfectly uninteresting in what they are.

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    Good leaders, competent leaders must see it as primary task to create friendliness. This something within the scope of most people. Now artists, like writers and sort of course have an added option of using their scale and talent with this in view. It is their business to create an environment in which our people will prosper and be happy.

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    Good taste is the first refuge of the non creative. It is the last ditch stand of the artist.

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    Good new songs are the backbone of the music industry. There isn't an artist out there who could survive without hit songs.

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    Gospel artists are messengers; they are vessels of a message.

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    Gospel artists have to do something that secular artists don't always have to do and that's kind of abide by and reflect a certain set of values and morals. So everything that we do, every decision that we make, every picture that we take has a different weight on it. It's always interesting in balancing being an artist but being a minister as well.

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    Great artists have no country.

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    Go with your gut every single time. It’s never, ever wrong. Even if feels like everybody else is telling you that you need to do this or do that. Your gut is your artist and who you are as a person and what makes you special, and what makes you an interesting performer. Never try to be something you’re not.

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    Grace, not willpower, is what ultimately empowers us to live loving lives. Creativity, both in what spawns within the artist and the artifact, can be a vital source of that grace.

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    Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.

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    Great artists are like loaded guns. They are dangerous in anybody's hands.

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    Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby.

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    Gradually I saw that it was less interesting for me, as an artist, to frame the world wholly according to my own perceptions. I wanted instead to create situations in which I allowed others' perceptions to surface with my own.

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    Great artistic talent in any direction... is hardly inherent to the man. It comes and goes; it is often possessed only for a short phase in his life; it hardly ever colors his character as a whole and has nothing to do with the moral and intellectual stuff of the mind and soul. Many great artists, perhaps most great artists, have been poor fellows indeed, whom to know was to despise.

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    Great artists suffer for the people.

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    great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.

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    Great innovators and original thinkers and artists attract the wrath of mediocrities as lightning rods draw the flashes.

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    Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.

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    Growing up I didn't want to be an actor. I sort of didn't want to go into the family business; the main reason being there was something I wanted to do far more, which was be an artist.

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    Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice.

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    Growing up I wasn’t sure I was female. As I grew further I wanted to be a lesbian but I wasn’t sure I would meet even the most basic membership criteria (though eventually I created a ‘femme dyke’ persona that worked well for over fifteen years). It wasn’t until my early twenties that I was sure of at least one thing: I was an artist. Quite an accomplishment for anyone assigned female at birth in a culture that calls only male artists ‘great’.

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    Guilt is cancer. Guilt will confine you, torture you, destroy you as an artist. It's a black wall. It's a thief.

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    Gut level is a good level to deal with life, and for me, I have to say that Buddhism makes sense for me because it's how I'm an artist.

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    Half the time I don't even think about it, I just throw something on because I'm so late or so busy.