Best 8185 quotes in «artist quotes» category

When artists and philosophers talk only amongst themselves, they ignore the potential of popular culture to become a variety of dialogues with and between everyday people. Its discourse may be productive of desire and pleasure, but popular culture is also a language in which people discuss politics, religion, ethics, and action.

When artists who are not associated with the typical infrastructure get recognition, that becomes a cultural movement.

When a sinister person means to be your enemy, they always start by trying to become your friend.

When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’

When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.

When bankers get together they talk about art. When artists get together, they talk about money.

When a young artist is ready, one has to bring him into the limelight.

When a young artist asks me a question, I want to do what I can to give them an answer if I have it within me. I know what I know. I won't make up stuff. But if it's something I've been through, I'll share my experiences and tell them the truth.

When creativity has become your habit; when you've learned to manage time, resources, expectations, and the demands of others; when you understand the value and place of validation, continuity, and purity of purpose, then you're on the way to an artist's ultimate goal; the achievement of mastery.

When critics disagree the artist is in accord with himself.

When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.

When did the word 'temperament' come into fashion with us? Perhaps it came in when we discovered that artists were human beings.

Whenever I become discouraged (which is on alternate Tuesdays, between three and four) I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse.

When Elliott Smith came out, it was falling on deaf ears. But artists were reacting to it.

Whenever I have time, I try to get in the studio and write, whether it's for me or other artists or my catalog of music. It's definitely one of my favorite parts of the music industry.

Whenever possible, I try to get a professional to do my makeup, because the idea of putting together a flawless look intimidates me. I like to be open to a makeup artist's ideas on the look they want to create, but I always ask to keep my foundation pretty lightweight and luminescent.

Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.

Whenever we dig down into the achievements of a creative artist, we invariably trace them to the beginning of all beginnings: labour.

When I accept a role, I feel that as an artist I have to submit completely to the tutelage of my director. And while I expect to be heard and encouraged and honored, at the end of the day, man, it's the way the director wants it.

When human beings have been fascinated by the contemplation of their own hearts, the more intricate biological pattern of the female has become a model for the artist, the mystic, and the saint. When mankind turns instead to what can be done, altered, built, invented, in the outer world, all natural properties of men, animals, or metals become handicaps to be altered rather than clues to be followed.

When I came back to California in the early '60s I was hanging out with Jimmy Bowen, Phil Spector, and I wanted to be a record producer and work with other artists.

When I began as an artist, I already did not like expressionism, or abstract expressionism, because abstract painting had already been done. I did not want to belong to any one group or the other, and I'm not one or the other.

When I am in my painting, I'm not aware of what I'm doing.

When I began competing with the other artists in New York, I discovered classical North Indian music.

When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?

When I conjure these memories, they are of the present to me, because after all, the artist is a kind of enchanter in time.

When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.

When I did "Seven Easy Pieces," I actually re-performed the performances of other artists. It was such difficult work because I had to really go through the documentation, look through the sources, to ask the witnesses who saw it.

When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.

When I first came out, like a lot of the artists at that time, I had a very polished, very overproduced sound.

When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.

When I fell in love with hip-hop, there was a terminology at the time called "battling." All that was just battling with other artists, but after Tupac and those incidents when it spilled into the street and turned into a negative situation, battling turned into a beef. A whole new dynamic.

When I get compared to artists like Jose Gonzalez or Bon Iver, I can't help but think, "I've been doing this since they were in third grade.

When I first started, I wrote some songs with Linda Perry. She's so instrumental in a lot of artist's lives, listening to you and then helping you write songs that are you, that bring the most of what you are out, whereas a lot of producers might put their stamp on you. I gained confidence because I'm less of a straight-up, traditional vocalist.

When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.

When I go in front of an audience, I'll admit I sometimes have a certain amount of fear in me, because maybe the people are not going to accept what I'm doing today. That's bad for any artist, especially if what you're doing is not in line with what's happening today.

When I first started, you could go to a college campus and it was not cool to wear a country artist's shirt on campus. It was taboo, and there was a stigma involved. In the time from then till now, I'm amazed at how much things have changed. It's young now, it's cool, it's hip

When I get up in the morning, I go and I work with beautiful women and charming men and funny comedians and dramatic artists. And I'm presented with costumes and great music to choose from and sets. I travel a certain amount of places, so I've been living in a bubble. And I like it.

When I go and write with other artists - a lot of the time it's with them - it's like a therapy session almost. I ask them what they're listening to and what they're going through and what their influences are and I try to get inside of their head and step into their shoes for a second.

When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.

When I go to an opera performance and sit there while people are cheering and shouting "bravo," I sometimes ask myself what exactly they're cheering about. And I even see myself as an artist who also knows how to enjoy other people's performances.

When I grow up I would like to be an artist in France.

When I go to farms or little towns, I am always surprised at the discontent I find. And New York, too often, has looked across the sea toward Europe. And all of us who turn our eyes away from what we have are missing life.

When I have sex with someone I forget who I am. For a minute I even forget I'm human. It's the same thing when I'm behind a camera. I forget I exist.

When I hear the same formula being used over and over, I get bored. Just as huge pop artists have taken inspiration from things that are happening at the moment, I do the same with my music.

When I left school, I wanted to be an artist, specifically a painter.

When I lived in Seattle and Oregon, we partied, which is a large reason I don't know drugs or alcohol now because I saw the Destruction of so many great musicians and artists.

When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't

When I heard that there were artists, I wished I could some time be one. If I could only make a rose bloom on paper, I thought I should be happy! Or if I could at last succeed in drawing the outline of winter-stripped boughs as I saw them against the sky, it seemed to me that I should be willing to spend years in trying.

When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom.