Best 8185 quotes in «artist quotes» category

I have heard Ori Kam on several occasions over the last few years and have always been deeply impressed with his playing. He possesses a rare combination of musical talent, technical facility, intelligence, and charisma, and he is undoubtedly one of the most extraordinary young artists I have heard in recent years.

I have great admiration and respect for the editors, writers, and artists of the comic books. They're turning out, I don't know, maybe 100 Batman stories a year, and the character turns 70 years old in May. It's incredible: for 70 years, on a weekly basis, every Wednesday, there is some Batman story coming out, if not a bunch of Batman stories coming out.

I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.

I have heard it very often said that an artist does not need intelligence, that his is the province of the soul

I have many musical inspirations, but I would really love to just be me. My very own artist.

I have met Mariah before and she's really cool and so funny. Everyone has been given the wrong impression of her, and maybe it is her doing. But you have to remember that celebrities are always in the spotlight and are sometimes forced to conduct themselves in a different way than they normally do. That's how it is in the business. I have met artists who are real divas, but Mariah Carey is not one of them. She is a very sweet person, and what nobody sees off camera is the real person she is on the inside.

I have many favorite artists...Van Gough as one, but he didn't really sing a lot!

I have never been able to understand the artist whose image never changes.

I have my own little sense of style. As far as image goes today for a new artist, you'll find that fashion is really important. I wouldn't want to show up for a performance in something that is absolutely the opposite of who I am as an artist.

I have never felt more alive than when I watched my children delight in something, never more alive than when I have watched a great artist perform, and never richer than when I have scored a big check to fight AIDS.

I have never felt salvation in nature. I love cities above all.

I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.

I have no interest in artists who are purely affirmative, who've made a commercialized fetish of the culture's stupidity.

I have noted that, barring accidents, artists whose powers wear best and last longest are those who have trained themselves to work under adversity. Great artists treasure their time with a bitter and snarling miserliness.

I have not become the artist I believe I am. I want to become a stadium act. I'm not done at all.

I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.

I have no regrets. I have not one single regret. I was born with a wonderful DNA where I felt that my life was not a race against someone else or another artist. It was probably internal.

I have not, in general, much belief in the ability of woman as a creative artist. Unwritten lyrics, as [Ralph Waldo] Emerson said once when we conversed on this subject, should be her forte.

I have often heard the statement made by foreign singers, as a demonstrated fact, that the German artists are artists in feeling indeed, and serious in their devotion, but that their singing is crude.

I have plenty of enemies... among artists who resent my earning a living. They think I should go off and starve while painting something 'significant.

I have realised that my worst day as an artist is still better than my best day as a lawyer.

I have read that the ancients, when they had produced a sound, used to modulate it, heightening and lowering its pitch without departing from the rules of harmony. So must the artist do in working at the nude.

I have some things that I've been workin' on, such as delivery, wordplay, breath control, just a lot of other things that artists work on, that the listener may not be listening for.

I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.

I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.

I have the right to speak up. If you don't want to listen, just unfollow. If you're so upset about it you can't even listen to my music, because you're upset that we're not supporting Trump or whatever, then fine. Don't. Don't listen. Moving on. End of story. I'm more disappointed in fellow artists that stay mum for fear of losing a handful of fans.

I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me -as an artist, the only notable thing- ought to look carefully at my pictures and try and see in them what I am and what I want to do.

I have this weird thing where all the artists that I find myself engaging with the most are the ones that I have a bone to pick with.

I have to be really honest: People who say they can't escape the paparazzi are full of sh*t. Let me just be the artist to throw everybody under the bus. I don't spend lots of money on houses or lots of cars, but I do spend money on security and they never find me.

I have tons of regrets, but I think that's one of the reasons that push people to create things. Out of their angst, their regret, comes the best from artists, painters and writers.

I have to create an object which resembles the tree. The sign for a tree, and not the sign that other artists may have found for the tree.

I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.

I have to do the work of self-love and affirmation, and say, "I am a woman, I am a person of color, I am the granddaughter of immigrants, I am also the descendant of slaves, I am a mother, I am an entrepreneur, I am an artist, and I'm joyful." And maybe in seeing my joy, you can finish your sentence with, "And I am joyful too.

I have traveled with Jessy Dixon for the past several years and never have I been with an artists with more heart. He is the real thing.

I have to tell you, a few people had very controversial feelings about what I was doing with Gucci at the beginning, and now, after a couple of years, they are changing their minds. I want to give journalists the time and space to know me and what I'm doing better. But it's not a priority for me. At the end of the day, I am not an artist; I am not doing a performance; I'm doing things that need to be sold. And I know my job.

I have to tell you, you can't have an ego when you're an actor. A lot of actors have them, but in reality most of those people are just sensitive artists dying for a hug and a compliment.

I have tried to present my sensations in what is the most congenial and impressive form possible to me.

I have wanted . . . to commit a murder myself. I recognized this as the desire of the artist to express himself! . . . But-incongruous as it may seem to some-I was restrained and hampered by my innate sense of justice. The innocent must not suffer.

I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.

I helped found Artists for New South Africa, but it used to be called Artists for Free South Africa. Alfre Woodard and a bunch of us started this.

. . I have written a couple of screenplays for studios, and each time has been less gratifying than the last. In my experience, they want no real representations of homosexuality, they want no complexity, they are terrified of ambiguity and unanswered questions - they don't know what they want, except that they want to make lots of money. The only freedom I've ever had as an artist has been in the theatre.

I have very little interest in the bottom line or signing artists to help make the label profit. That's a lucky, unique position to be in, but it all comes out in the wash.

I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.

I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.

I honestly don't feel that it's my music that's under-appreciated. I think that it's me that's under-appreciated. As an artist, period.

I hope and believe we are paving a better future for female artists to come

I hope we can be consummate artists as women or revolutionaries, or whatever women want to be, and also have love, not only for ourselves but from a partner.

I hope what I do has an art to it, and as an artist you have to try new things and keep yourself entertained.

I identify first and foremost as a fine artist. Even the way that I put words together; this could be called painterly and the combinations don't always make sense. I think there are a lot of people who are fine artists and musicians also. I think it's a common thread, the way the brain words.

I invest because I'm really a firm believer in letting the artist make their work, if you choose to work with an artist then you give them the go-ahead.