Best 8185 quotes in «artist quotes» category

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.

For a young artist to really make it and make money is a lot more difficult these days.

For instance, some early ideas for Florida were done only recently. The idea of a little village was there from the beginning and now we have this "Celebration" village. Same thing for the Disney Institute. Walt talked about this idea in the very first.

For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.

For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.

For just as for a flute-player, a sculptor, or an artist, and, in general, for all things that have a function or activity, the good and the well is thought to reside in the function, so would it seem to be for man, if he has a function.

For many, an album is no longer a considerable feat of an artist but just sounds to be half-listened to while one is halfheartedly engaged in something else.

For many artists fame complements the value of creative self-expression. Ludwig van Beethoven loved composing music, but he probably would have enjoyed it less if no one ever listened to the product.

For me, artists and people that are passionate are fighting for what they believe in and what they want, and that's always appealing. I find that really interesting.

For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice.

For me, being an artist with a high profile is a good thing for art.

For many artists the universe is expanding; for some it is contracting.

For me, a dancer is part of an artist’s entertainment - “backup dancer” isn’t even in my vocabulary.

For me as a solo artist, I never want to be a nostalgia act.

For me Greece is Maria Farantouri. This is how I imagined Goddess Hera to be: strong, pure and vigilant. I have never encountered any other artist able to give me such a strong sense of the divine.

For me, if the music is good, whether the artist is famous or unknown, I love being part of the music and contributing what I can to the bass end.

For me, being transparent about every aspect of my life is what makes my music relatable and how I'm able to be an individual amongst the mass amounts of other artists.

For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.

For me going solo meant freedom to collaborate and do whatever I feel I'm good at doing. For me it was really not ever expanding as an artist, developing everything from my songwriting to my singing to my mission statement to my vision. I've been so inspired by all the creative freedom that it brings that I have no complaints.

For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.

For me it is the direct contact of artist to material which is original, and it is the earth and his contact to it which will free him of the artificiality of the present and his dependence on industrial products.

For me narcissism is not about money. For me, narcissism is something so romantic and something so human. Everybody is a narcissist. Some people admit it and some people don't. As an artist, it's important to be a narcissist. Look at Picasso, look at Warhol.... As an artist, you can get away with a lot of things that normal people cannot.

For me, it's just a normal artistic endeavour to explore the dark side. Certainly, I'm not alone in it. Artists generally don't like to accept the version of reality that society and culture hand them. They want to know what's really going on. So you're always looking in the ceilings, under the floorboards and behind the walls, trying to find the mechanisms, the structures, and the truth. I find that often leads you into some dark places.

For me, I wanted somebody that got me musically, that understood that I'm an artist and this is who I am. I'm not going to be like another artist on your label, probably - hopefully. I found all those things with the Broken Bow group.

For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.

For me, making the show work was getting belly laughs - like most variety artists. But the straight actor believes you fix your performance in rehearsal and that's it.

For me rappers and dancers are poets and artists and often times the most interesting performances are given by them.

For me there are no rules. I think I learned that from artists-from painters and sculptors. It took photography a while to catch up to them.

For me, the worst set is always when something happens to your equipment. Or back in the days your records wouldn't arrive and you couldn't perform in front of people. The best for me was performing for the Love Parade. That was kind of a blessing. I was never respected as an electronic artist. I was very big as a hip-hop DJ in my home town and in Germany. And then becoming an electronic artist, it was very hard for me to fight my way up. It still is, to be honest. I can still watch the Love Parade on YouTube, and I still put my hand over my head.

For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.

Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.

For me the top music though has to be Rock or Hip Hop and artists like Kanye West.

For me there's several components to picture-taking and it starts with my goals as an artist. It's capturing I guess the inner life of my subject and then it is giving them their idealized version of themselves.

For now, I'm supposing that all movements are equal, which they're not, except in this respect: that none of them gives a damn about artists beyond their immediate utility. Good movements will use a writer just as ruthlessly as bad ones; since they all fancy they have better things to do than worry about one man's artistic survival.

For popular purposes, at least, the aim of literary artists should be similar to that of Rubens in his landscapes, of which, without neglecting the minor traits or finishing, he was chiefly solicitous to present the leading effect, or what we may call the inspiration.

For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.

For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.

For so many years, I've been an actor acting in other people's movies, and in 'Unstoppable,' I'm producing it, and I have an opportunity to create some of that excitement with style and form and different color templates and things like that. So, as an artist, it's really exciting.

For some reason, all artists have self-esteem issues.

For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.

For the artist, the goal of the painting or musical composition is not to convey literal truth, but an aspect of a universal truth that if successful, will continue to move and to touch people even as contexts, societies and cultures change. For the scientist, the goal of a theory is to convey "truth for now"--to replace an old truth, while accepting that someday this theory, too, will be replaced by a new "truth," because that is the way science advances.

For the artist, the color, the bouquet, the tinkling of the spoon on the saucer, are things in the highest degree. He stops at the quality of the sound or the form. He returns to it constantly and is enchanted with it.

For the artist to attach himself to his work, or identify himself with it, is suicidal.

For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.

For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.

For the mystic what is how. For the craftsman how is what. For the artist what and how are one.

Fortunately, artists can live off their works, if you're creative at how you do it. If you just depend on the videos and the radio, you're at a loss.

For the slow labor of realizing a potential gift the artist must retreat to those Bohemias, halfway between the slums and the library, where life is not counted by the clock and where the talented may be sure they will be ignored until that time, if it ever comes, when their gifts are viable enough to be set free and survive in the world.

For us chess players the language of artist is something natural.

For us Africans, literature must serve a purpose: to expose, embarrass, and fight corruption and authoritarianism. It is understandable why the African artist is utilitarian.