Best 8185 quotes in «artist quotes» category

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    I like adding little elements into the final mix. I'm more fond of the '70s glam than '80s. I have that style of vocals... there are a lot of pop artists who are using the glam vibe in their music. I'm part of that wave.

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    I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.

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    I like all the old-fashioned icons. My friends are artists, so they make me up to look like certain people. I am more inspired by people like Jane Fonda or Brigitte Bardot - people who did something as activists.

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    I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.

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    I like a lot of artists but I think the one that touched me the most was probably Tupac, coming up. Cause that was my generation, so Tupac was mine.

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    I like collaborating, but I felt I should do my first single by myself so people don't think I'm leaning on other artists to be a success.

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    I like a lot of metal music. So that's really what I listen to a lot. Or I listen to a lot of kind of off the cuff, like I love artists like Santigold, or Gold Frapp. Yeah. Pelican. Yeah.

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    I like comic conventions. I genuinely like comic conventions. I like wandering around from table to table; I like wandering up and down Artist's Alley and saying "Hello" to people. I like hanging out on the DC booth. I can't do that anymore. I'd like to, but I can't. I physically can't. If I stop moving, somebody will come up to me with something to sign, and if I sign it, somehow it's like ants sensing sugar. There will be fifty or a hundred people around me and then fire marshals will come and then I'm trapped in a crowd. It's bizarre.

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    I like getting my own thoughts out right now, I have fans to solidify, so that's why I don't do tracks with too many younger rappers or newer artists. People may consider me to be a music snob or whatever, but I like to preserve what's mine and I also don't just do tracks to do tracks, I make every song with a purpose.

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    I like kids' work more than work by real artists any day.

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    I like Salvador Dali and Rene Magritte. I also like the Scottish artist John Byrne, another surrealist.

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    I like people like Robert De Niro and Anthony Hopkins. And Gianfranco Zola, who played for Chelsea and Italy. He's an artist with his feet.

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    I like Simon Cowell - look at how many great artists have come out of the U.K. because of him.

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    I like the idea of having many different ways to express myself. There is a part of me as an artist and a creator who would like to express myself in many different ways. But then at the same time I know I have limited hours in the day, and I can only do so much successfully.

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    I like the idea of the artist going out in the world, creating a dialogue

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    I like that I stand for something like American Idol which helps musicians and artists get out there. It's important to have shows like Idol because it's so hard to get into the music industry nowadays - nearly impossible.

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    I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.

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    I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.

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    I like to break down barriers and I think that Hollywood is doing the same thing over and over. I want to do something new and say, "Let's evolve as artists!

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    I like today and perhaps a little future still, but the past is really something I'm not interested in. So, as far as I'm concerned, I like only the past of things and people I don't know. When I know, I don't care because I knew how it was.

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    I like to be in the zone. I like being in the studio with the artists, with the producers, with the musicians, feeling it, and going there. I feel like I have a lot of content to start writing about.

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    I like to blow up this notion that all we have to do as writers and artists is represent reality, which is presumably solid and self-evident, with no negotiation of the gap between myself and the world, between this body and this space, which needs narration to close it.

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    I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?

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    I like to imagine that the Neanderthals were all really good artists.

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    I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.

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    I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.

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    I like to watch 'Grey's Anatomy' when I'd doing cardio. But, sometimes I do need good music to get me moving. I like high energy songs by artists like Justin Timberlake and Rihanna.

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    I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.

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    I listen a lot to the incredible young artists who are coming through, which is something that just wasn't possible during Apartheid. That's the way I learn.

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    I like to work with artists who are as wide in their musical taste as I am.

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    I listen to new music by composers who are interesting to me. I listen to some; I don't know if I want to call it pop, but it's some interesting artist that gets my attention, I listen to in the mornings.

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    I lived there [ in New York City] as an artist, but never as a Chinese artist.

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    I listen to other artists, cuz its like every artist wanna hear something that they never heard before.

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    I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.

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    I live in sin, to kill myself I live; no longer my life my own, but sin's; my good is given to me by heaven, my evil by myself, by my free will, of which I am deprived.

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    I'll always be grateful to the public of intelligent amateurs.

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    I'll bet there are a lot of artists that nobody hears about who just make more money than anybody.

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    I'll bet there are a lot of artists that nobody hears about who just make more money than anybody. The people that do all the sculptures and paintings for big building construction. We never hear about them, but they make more money than anybody.

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    Illustrations have as much to say as the text. The trick is to say the same thing, but in a different way. It's no good being an illustrator who is saying a lot that is on his or her mind, if it has nothing to do with the text. . . the artist must override the story, but he must also override his own ego for the sake of the story.

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    I look at other artists who have had fabulous first albums, and you don't know what they're doing today. Who's to say I'll be an exception to that rule?

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    I look at the Samurai because they were the artists of their time. What I think struck me when I read Bushido is compassion. 'If there's no one there to help, go out and find someone to help.' That hit me, because I try to lead my life like that.

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    I look for roles that resonate with me these days. While I love putting out just fabulous entertainment, I think now as artists, especially with so much uncertainty going on in the world, you want to be a part of things that offer or promote healing in some way and perhaps a little introspection once you leave.

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    I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.

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    I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.

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    I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.

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    I love acting in the theater,but I'm fascinated with acting on film. If it's a film or a play or whatever, if the writing is good and you really feel passionate about it, you just can't lose. You'll grow from it. Whether it's a success or not is neither here nor there; you're going to grow as an artist from this experience.

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    I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.

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    I love being able to be the artist of the whole picture, as opposed to just one of the brushes.

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    I love being convincing. I love when a gesture is convincing and I love doing research for a picture. If you're telling a story you need a background. Just like a novelist needs background information to make a story interesting, I think an artist needs it for a picture too.

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    I love artists like Prince, who hold on to that element of mystery.

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