Best 8185 quotes in «artist quotes» category

I should ask if it was good for you," Miles murmured, "but given that evidently you acquired the answer to life, the universe, and everything, it must have been-excuse the word-cosmic.

I should’ve probably warned you: once you end a relationship with an artist, you are perpetually reminded of them. They have now ruined classical music and jazz for you. They have ruined books and poetry. You should just forget about galleries and museums. But you know what the worst part is? It’s how they witnessed and observed you, making you feel like the only person in the room. And you secretly loved being looked at, being worshipped. So now you avoid mirrors. Because when you look at yourself, you remember me.

I stopped losing my sleep over you... Now i lie awake in search of me!!

I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.

It finally was entirely silent and I inhaled and breathed its magical peace...

It gives him spiritual freedom. To him life is a tragedy and by his gift of creation he enjoys the catharsis a purging of pity and terror, Which Aristotle tells is the object of art. Everything is transformed by his power into material and by writing it he can overcome it. Everything is grist to his mill. ... The artist is the only free man.

It has occurred to me that when one is raised in the absence of culture – without access to galleries and museums – one has to fill the void. I turned to books, album covers, magazines, slides and prints – anything visually stimulating that I could lay my hands on.

I think as a society we forget that men also have daddy issues, they've also had bad childhoods, they're vulnerable beings.. They also need love. We are made to think men don't have a hard time, and that's mainly because we've trained them not to show emotion, not to shed a tear.. but I can assure you, we men break down just like every other being. We get depressed. We get heartbroken, we get scared, lonely, butterflies.. We feel every emotion just as women do.

I think Livingston was going to steal a kiss in the moonlight." Lily wrinkled her nose. "Well, I certainly wouldn't have given him one. He made me too uncomfortable, and I just met him!" Tyler cupped her face with his hands, leaning closer. "What about me?" he said, his voice low. "Will you give one to me?" "I shouldn't." The lonely years stretched ahead of her. Her earlier vow to make memories rose and suddenly she was desperate for some kisses of Tyler's to remember. In answer to his question, she tilted her mouth to his.

I think that frequently, many times in the beginning of our path as artists, we do have to deal with our upsets and our negativeness - in regard to, mostly, ourselves. We may be taking it out on our loved ones or people close to us, but really we're just mad at ourselves for not giving ourselves the time to devote to our inner development and doing the soul work through our art work. So there's a certain amount of working through that. You may have to cry, you may have to dance, you may have to get the energy moving in whatever way you can, and if you need to scream as you work that's as much of a prayer as the more refined kinds of artist's prayers. Sometimes it's a more direct kind of thing. You can scream in rage, you can scream your need for God, whatever's there for you. You've got to start where you're at. If you think that you can just start making spiritual art without addressing all the build-up of shadow material that you may be carrying around with you, and it's leaking out at the borders, then I don't think that's any good. You've got to be true. So wherever you're at, that's where you start. And as far as the artist creating spiritual or visionary art, I think that it's obvious and important that the artist experience the transpersonal states prior to them trying to bring it out in their work, otherwise they're just doing imitative or derivative kind of work. It has to be from some authentic inner experience, and as long as you've had some experience of your soul or spiritual reality in some way, or visionary reality, then by all means - if it's compelling, make pictures of it.

I think part of why I have so many books around me and why I read every day is because I mythologize the writer. I don’t do that with any other artists.

I thought of the cool, fresh air of the city I'd always dreamed of living in. The art museums and trolleys and the mysterious fog that blanketed it. I could almost smell the cappuccinos I'd planned to drink in bohemian cafes or hear the indie music in the bookstores I would spend my free time in. I pictured the friends I'd make, my kindred art people, and the dorm room I was supposed to move into.

It is a dangerous thing to substitute reading or writing for living. Live first, then write.

It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other describes it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he has felt. Artist are by no means people of great passion, but they frequently present themselves as such, unconsciously sensing that others give greater credence to the passions they portray if the artist's own life testifies to his experience in this area. We need only let ourselves go, not control ourselves, give free play to our wrath or our desire, and the whole world immediately cries: how passionate he is! But there really is something significant in a deeply gnawing passion that consumes and often swallows up an individual: whoever experiences this surely does not describe it in dramas, music, or novels. Artists are frequently unbridled individuals, insofar, that is, as they are not artists: but that is something different.

It is by continuing to put out good work that the artist best shows his gratitude.

It is sometimes said that the tragedy of an artist's life is that he cannot realize his ideal. But the true tragedy that dogs the steps of most artists is that they realize their ideal too absolutely. For, when the ideal is realized, it is robbed of its wonder and its mystery, and becomes simply a new starting point for an ideal that is other than itself. This is why music is the perfect type of art. Music can never reveal its ultimate secret.

It is not about the glory of the human form more about being human.

It is well known that in exchange for visionary powers, artists often suffer with extreme sensitivity and violent changeability of temperament. A philosophical crisis, or simply boredom of inactivity, could send [Holmes] spinning into a paralysed gloom from which [I] could not retrieve him.

It is unfortunate to say, but someone has to voice the pain, the struggle, the real and the lived through. You can thank the artists, poets, musicians for that - our stories may bleed sorrow but what we create seems to always hit right down to the core, the places many fear to tread, the soul. We give meaning for the scars.

It takes an artist…. to be an artist

I treat my thoughts like an old person treats their valuables: I cannot for the life of me proceed to throwing them out.

It's hard to imagine a man more capable of living in his own cocoon than Levin. Art creates a certain familiarity with loneliness. And possibly with pain. Physical, mental, it doesn't really matter. It's all a catalyst. I don't like to admit that because it's depressing, but in truth pain is the stone that art sharpens itself on time after time.

It's not what you did, but what you didn't do that spoke to me above the wind

It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it." Andy Warhol

It’s called ”being an artist” for a reason; it’s something YOU ARE. It’s how you live. It’s WHO you are. How you spend your life and what you leave behind.

It's okay darling, creative people are called crazy all the time.

It takes an athlete to dance, but an artist to be a dancer

I turned myself into an artist because then my life would be about creating meaning out of ugliness and that would be my life, and it was noble. It was the beginning of a journey, the creating of the world every single day and I was not bored. I was ecstasy and creation and nothingness turned into melodies and I was dancing with the spirits.

[I]t was [Barnett] Newman who made the famously wry remark, “Aesthetics is for the artist as ornithology is for the birds,

It was so long ago now that the job felt like part of her soul. Like being a teacher or an artist who made things out of sand. You never really saw the results. You just trusted that you knew what you were doing and that everything would work out okay in the end.

It will not always be easy, but it will always be beautiful.

It would be futile to delude ourselves that at present, readers find every pathography unsavory. This attitude is excused with the reproach that from a pathographic elaboration of a great man one never obtains an understanding of his importance and his attainments, that it is therefore useless mischief to study in him things which could just as well be found in the first comer. However, this criticism is so clearly unjust that it can only be grasped when viewed as a pretext and a disguise for something. As a matter of fact pathography does not aim at making comprehensible the attainments of the great man; no one should really be blamed for not doing something which one never promised. The real motives for the opposition are quite different. One finds them when one bears in mind that biographers are fixed on their heroes in quite a peculiar manner. Frequently they take the hero as the object of study because, for reasons of their personal emotional life, they bear him a special affection from the very outset. They then devote themselves to a work of idealization which strives to enroll the great men among their infantile models, and to revive through him, as it were, the infantile conception of the father. For the sake of this wish they wipe out the individual features in his physiognomy, they rub out the traces of his life's struggle with inner and outer resistances, and do not tolerate in him anything of human weakness or imperfection; they then give us a cold, strange, ideal form instead of the man to whom we could feel distantly related. It is to be regretted that they do this, for they thereby sacrifice the truth to an illusion, and for the sake of their infantile phantasies they let slip the opportunity to penetrate into the most attractive secrets of human nature.

I've been thanking God for you being there. For you risking your life for Dove. I'll never forget it, Tyler. I'll never forget you...." "Truth is, Lily, I'll never forget you either.

I've been fed to the wolves, my soul experiencing near death so many times. Having a little hardship is a far easier path than being completely fucked by life. But these words, these goddamm words save me everytime. A little slice of poetic notion, a little reminder in pain there is life.

I've never been somewhere I belonged, but there are places where I think I could be happy. Like San Francisco. Well, do art museums count? Because I feel like I belong in them.

I've played Romeo for Juliet (But in depth) It's vignettes of silhouettes (And then read) And watched Russian roulette, yeah red Soviet Yet doing it simultaneously While dropping down shed oubliettes Turned around and took truth to the head that Love is the ugliest thing too beautiful for death

I was sort of collaging and I would think, “Oh, I’ll collage this work and then I’ll paint it.” But as I progressed I began to realize that everything was changing: there were different ways of printing the work, and perhaps there were things I could use to develop the work that didn’t involve painting.

I was born for the ocean, for the road, and I longed to build my reputation as a fearless nomad, forever roaming the country with a suitcase and my guitar. Light as the wind itself, a romantic mystery passing through people’s lives, leaving them with moments of magic, wondering where I might be now.

I was painter staring at a canvas waiting for the forgotten visions of my new abstract piece to come to me. But I am the abstract piece and my mind cannot comprehend the work my heart has created.

I will admit that we as young rebels always wanted fundamentalists to understand our take on their religion, but rarely, if ever, the other way around. The fundamentalists are the real artists. If you saw only a masterpiece of an original painting and someone threw a splash of red across it saying that their version is better, you would be offended too.

I want to be famous but unknown!

I was surfing the Internet for a different sort of education. I surfed for photos of circus freaks and synonyms for the word intercourse and for answers to why staring at the stars in the evening tore my heart with longing.

Little by little, brushstrokes spell out my story on canvas.

Listen to the sunset...see its pretty hue... When you see it, think of me...and I'll think of you...

Literature will save me it's the only certainty i am sure of.

Logically, I know divinity's just an illusion, but sometimes it seems the divine does manifest itself through art. Maybe there's a spark of the divine in all artists?

Loan me a canvas and I will let down my guard. Loan me a paintbrush and I will reach into my soul. Loan me jars full of colors and I will submerge in a sea of possibilities. Loan me the time and you will see infinite versions of my being re-born.

Living in the desert makes a lot of things very clear. It really gives you an unobstructed view. The severity of the landscape opens people up to their inner selves. St. Anthony went into the wilderness and was tormented by demons. Jesus was tempted by the devil in the desert. In an unexpected way, the Mojave is a very spiritual place.

Look at that magic. Light mattered to Monet, to Cezanne, to Manet, and now Matisse is moving into almost flat color, and everyone is following. And Picasso? He doesn't care about light at all. But you can't have beauty without light, and beauty is the only worthwhile quest. Don't lose your way trying to become popular.

Look at this one.” I picked up a small painting of a man with dark hair and a short, dark beard. He wore a loose shirt, cobalt blue, unbuttoned at the top, showing a prominent, knobby collarbone. He looked…complicated and hungry. She’d captured him focused intensely on a book, his face pressed against a wall like he was resting. Or waiting.