Best 8185 quotes in «artist quotes» category

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    Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.

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    Hip hop is ever changing and has definitely entered a new era. Many fans have mixed feelings over the direction of rap as more and more artists are emerging with content that some would describe as less than meaningful.

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    Hip-hop is the music of the youth. It sort of has the same purpose as what we do, at least lyrically, because we both are communicating a message, just in different ways. Hip-hop artists talk, we sing. They rap forcefully, we sing gracefully.

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    His art is the health of the artist.

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    Hip-hop artist, especially the older ones, are the ones who new hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.

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    Hip-hop is a competition culture. It's based around, "My DJ is better than you. My graffiti artist is better than you.

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    His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

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    History is a facsimile of events held together by finally biographical information.

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    Historical memory is a potent weapon in fighting against the desert of organized forgetting and implies a rethinking of the role that artists, intellectuals, educators, youth and other concerned citizens can play in fostering a reawakening of America's battered public memories.

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    Hitler was never more than average as an artist. His great talent was for the games of politics.

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    Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.

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    How awful that the artist has become nothing but the after-dinner mint of society.

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    Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.

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    How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.

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    How can you say one style is better than another? You ought to be able to be an Abstract Expressionist next week, or a Pop artist, or a realist, without feeling you've given up something.. I think that would be so great, to be able to change styles. And I think that's what's is going to happen, that's going to be the whole new scene.

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    How can you measure the contribution that artists make to society?

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    How does the artist function as poet-slash-witness-slash-trickster?

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    How did I come to be an artist ? Endless curiosity, observation, research - and a great amount of joy in the thing

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    However, because Britain is young and exciting, I did show my second line here once or twice.

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    How do you complete a painting, really? There are paintings by so many different artists that are interesting precisely because they haven't really been completed.

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    However, the radio and national media depend much more on the hype from a good record label, and from a " buzz " about a band, then from just one or two good shows. There are a lot of artists that have a ton of good press going for them, and still do not make it big in the US.

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    However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.

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    How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)

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    How many are silenced, because in order to get to their art they would have to scream?

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    How often have I actually discovered in myself that enthusiasm raises the artist above himself, how in an ordinary mood one would not have been able to accomplish many of the things for which enthusiasm lends one everything, energy, fire.

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    How rare that an artist should make something which forces us to think, and encourages us to stop and think, to question why we behave the way we do.

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    How terribly hard and almost impossible it is to tell the truth. More than anything else, the artist in us prevents us from telling aught as it really happened. We deal with the truth as the cook deals with meat and vegetables.

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    How will I be remembered? As a technician or artist? As a humorist or a visionary?

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    Hubris itself will not let you be an artist.

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    How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.

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    How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.

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    How wonderful it feels to be an artist and a woman in the twentieth century.

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    How would you judge an artist who mutilated animals in a gallery because it was visually arresting? How riveting would the sound of a tortured animal need to be to make you want to hear it that badly? Try to imagine any end other than taste for which it would be justifiable to do what we do to farmed animals.

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    Human nature is not amenable to prediction based on the trends or tendencies prevailing at the time. It is amenable to startling creativity of the kind practiced by great artists, directors, writers, musicians, actors, who know how to touch a chord in humans everywhere.

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    Humanitarian convictions are the linchpins of our salvation, and these an artist must champion.

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    Human life itself may be almost pure chaos, but the work of the artist is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning.

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    Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.

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    Hurray for criticism, if it means that an artist's voice is heard. Let the wise artist invite criticism and survive it when it comes.

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    Hurry ruins saints as well as artists. They want quick success, and they are in such a hurry to get it that they cannot take time to be true to themselves. And when the madness is upon them, they argue that their very haste is a species of integrity.

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    Humor is everything. Everything. Usually the negatives turned out to be the most positive for me. In the music industry, any other artist would have looked at the situation I was in and thought, "Oh man, this is not for me." I looked at it more like Darwin exploring the Galápagos Islands. You know - survival of the fittest.

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    Hypnotically haunting sounds from a true artist that dares to dream.

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    I actually quite like promo, which is quite odd for an artist, but recording's not the easiest thing.

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    I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.

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    I admire artists who are ageing and still retaining their edge.

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    I admire the artists that work everyday to attest things for themselves... In the act of transforming the objects of the everyday they transform the passage of time and analyze the economics and politics of the instruments of living.

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    I admire actors and artists who devote just as much time to their life as they do to their work.

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    I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.

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    I ain't a new artist, I'm good in the studio, I don't need somebody to hold my hand in the studio. I don't even really want them all over my album or anything like that.

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    I always figured it was best if I write my songs, take them to my publisher and just lay back. There used to be so many things going on - getting to the artist, getting to the publishers - you know, politics. I just didn't want to get mixed up in all of that.

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    I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.