Best 8185 quotes in «artist quotes» category

I never took drug to escape. I know some people take drugs to escape, but I took drugs because I was an experimenter. And an artist. And I was always trying to go to the other side of that veil and get information, like all writers have done through the millennia. To get some insights on how the whole thing works, if there's any way to know how it works, and write about it.

I never understood why when you died, you didn't just vanish, everything could just keep going on the way it was only you just wouldn't be there. I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say 'figment.'

I never wanted to be called an artist. I wanted to be called a photographer.

In every artist there is a touch of audacity without which no talent is conceivable.

In every artist we can perceive a man with both a message and a method. His message may be innate in him, but his method he has to acquire from others.

In every photographer there was a painter, a true artist, awaiting expression.

In every society the artist or writer remains an outsider.

In every work of art, the artist himself is present.

In every society, the artists will be the ones who set themselves up as contrary to whatever the society expects.

In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.

In fact, I don’t believe I’m guilty of any crimes, but I’ve always been drawn to and fascinated by physical, sexual, and psychological change, and there’s an erotic aspect to that.

In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.

In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role.

In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.

In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.

In general, therefore, color is a means of exerting a direct influence upon the soul. Color is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposefully sets the soul vibrating by means of this or that key.

In general when you fall in love with an artist and their music, the plan is a fairly simple one. .. get people to go and see them, and make a record that you think properly presents their music to the public and some of which you can get on the radio.

In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.

In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.

In her dance, she controlled the bright paper birds with invisible wires and threads. She played the human: heavy, tied to earth. Her dances weren't pretty or delightful, but they were magical, [...] They called her a dancer and a puppeteer and an artist. They might have called her a witch, and not the good kind either.

In high school I was good at math and everybody wanted me to do something with that - mathematics or engineering - which was a nightmare scenario for me. Meeting other artists and going to punk rock shows at that age, there was a feeling of freedom and community that I wanted to partake in.

In his attempt to develop the beauty he sees, the artist develops himself.

In his garden every man may be his own artist without apology or explanation. Here is one spot where each may experience the "romance of possibility".

In his garden, every man may be his own artist without apology or explanation.

In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.

In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.

In intercourse with scholars and artists one readily makes mistakes of opposite kinds: in a remarkable scholar one not infrequently finds a mediocre man; and often, even in a mediocre artist, one finds a very remarkable man.

In Japan, artists and fans are rather far apart from each other.

In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.

In mathematical science, more than in all others, it happens that truths which are at one period the most abstract, and apparently the most remote from all useful application, become in the next age the bases of profound physical inquiries, and in the succeeding one, perhaps, by proper simplification and reduction to tables, furnish their ready and daily aid to the artist and the sailor.

In medieval times, artists had patrons that supported them and this is a similar thing, ... We're basically saying, 'Wouldn't you like to be a part of this'

In minority communities there's a sensitivity, often a knee-jerk reaction, to critical representations. There's a misunderstanding of what an artist does.

In most writers, style is a welcome, an invitation, a letting down of the drawbridge between the artist and the world. Shaw had no time for such ruses. Unlike most of his countrymen, he abominated charm, which he regarded as evidence of chronic temperamental weakness.

In modern times we are often encouraged to protect our ego-force and individuality by securing a private world in which to develop our unique artistic voice. Many artists find themselves solo-paddling along a private and unchallenging river... Could rivalry be a productive system?

In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.

In my day artists wanted to be outcasts, pariahs. Now they are all integrated into society

In my early days, I was about 145 pounds. I was really a starving artist; the poster child for starving artists.

In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses. 'Port Blue' is my attempt at re-creating the music I want to hear and the emotions I want to feel." "If by chance you ever feel as though you’ve come to know these songs, please consider yourself a friend because in a manner of speaking, you know me. This music is my heart and soul. This is who I am." (Adam R. Young, 2006)

In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.

In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea.

In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.

In order to even begin to learn how to play his instrument, it takes the guitarist weeks to build calluses on his fingertips; it takes the saxophonist months to strengthen his lip so that he might play his instrument for only a five-minute stretch; it can take the pianist years to develop dual hand and multiple finger coordination. Why do writers assume they can just “write” with no training whatsoever-and then expect, on their first attempt, to be published internationally? What makes them think they're so much inherently greater, need so much less training than any other artists?

In Nirvana, it is you, my friend, who goes away. You take an eraser and erase yourself. It's like the Road Runner cartoons where in the middle of the cartoon, the hand of the artist appears on the screen and erases the Road Runner.

In order to be an artist and an actor, like tackling the classics in the theater as well as film, there's lots of discipline, lots of work, physical work put in.

In order to be artists we need to be in our studios, in our private rooms... in our private personal space... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share.

In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well stocked fish pond... If we don't give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked... As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them - to re-stock the trout pond, so to speak.

In order to be an artist, one must be deeply rooted in the society.

In order to work and to become an artist one needs love. At least, one who wants sentiment in his work must in the first place feel it himself, and live with his heart

In order to thrive as artists we need to be available to the universal flow. When we put a stopper on our capacity for joy by anorectically declining the small gifts of life, we turn aside the larger gifts as well.

In other things the knowing artist may Judge better than the people; but a play, (Made for delight, and for no other use) If you approve it not, has no excuse.