Best 8185 quotes in «artist quotes» category

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    The role of the artist I now understood as that of revealing through the world-surfaces the implicit forms of the soul, and the great agent to assist the artist was the myth.

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    The rôle of the artist is that of a soldier of the revolution.

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    The role of the artist, like that of the scholar, consists of seizing current truths often repeated to him, but which will take on new meaning for him and which he will make his own when he has grasped their deepest significance.

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    The role of the artist is to be the witness of life, timbuktu.

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    The rise of the Internet has caused the demise of the record labels, and has destroyed the music business of old, but it's also created new opportunities for young artists.

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    The Rock'n'Blues Fest is my kind of festival series! It's always great playing shows with my brother and, add to that, all the other great artists and their bands and this should make for one historic round of concerts.

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    The role of an artist is to awaken the deep life urge that is already in every person.

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    The role of the artist is like that of an explorer and a teacher - a teacher of seeing. No one is more capable of conveying this enlightenment than the artist.

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    The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.

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    The routines of almost all famous writers, from Charles Darwin to John Grisham, similarly emphasise specific starting times, or number of hours worked, or words written. Such rituals provide a structure to work in, whether or not the feeling of motivation or inspiration happens to be present. They let people work alongside negative or positive emotions, instead of getting distracted by the effort of cultivating only positive ones. ‘Inspiration is for amateurs,’ the artist Chuck Close once memorably observed. ‘The rest of us just show up and get to work.

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    The romantic artist, off alone in his storm-battered castle, fuming whole worlds from his brain, reflects his culture's most persistent myth, of God creating from a primal loneliness.

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    The same applies to any artist; we are the tools and instruments of our talent. We are outsiders; we have no place in society because society is what we’re watching, and dealing with.

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    The rush to books and universities is like the rush to the public house. People want to drown their realization of the difficulties of living properly in this grotesque contemporary world, they want to forget their own deplorable inefficiency as artists in life.

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    The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness.

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    The scientist and the artist are both passionate about their exploration. What leads to my work is that I'm equally an artist and an engineer.

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    The score of Pelleas and Melisande by Debussy, heralds that which will lift man from the earthly to the celestial, from the mortal to the immortal. Once again the ways of the artist and healer are merging.

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    The scholar seeks truth, the artist finds.

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    The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].

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    These are all voluntary resources which help parents sort out the choices without infringing on the artists rights to free speech, which is something that we respect.

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    These are dangerous days we live in and you, the artists, are our last defense.

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    These are very difficult times for new artists. Back in the day, a hit song could really seep into a person's DNA with radio and MTV. A hit today is not the same as a hit twenty years ago. Now there is so much competition, it is very hard to reach the people. The music scene is so overly saturated. There are no gatekeepers like there used to be.

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    The search for an equilibrium is essential for the artist, to be as aware of inner space as he is of outer space.

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    These artists all have some kind of message to the public. These messages can be quite personal, maybe about their own existential situation, and it can be about suffering, it can be about questioning of one's existence and so on. They are all telling us very genuine stories, which are touching us in different ways and they are enlightening in different ways. But it's not only the stories themselves, but it's how it is done - that creates the impact of the story. It is not what is said but how it is said. I don't think you can dissociate the content from the form.

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    The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.

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    The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.

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    The secret of 'fusion' is the fact that the artist's eye sees in nature... an inexhaustible wealth of tension, rhythms, continuities, and contrasts which can be rendered in line and color.

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    These critics with the illusions they've created about artists - it's like idol worship. They only like people when they're on their way up... I cannot be on the way up again.

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    These days, most nature photographers are deeply committed to the environmental message

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    The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished. He uses the simplest phrases without triviality, and the grandest without a suggestion of grandiloquence.

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    The seeds of Illumination's origin sprang from an idea lead singer Philip Bailey had of collaborating with new generation of soul artists for his next solo album. The idea of illumination is vibrant and positive. Earth Wind Fire collaborating with the new soul movement made sense because the thrust of their music is still about playing instruments and utilizing vintage sounds, only in today's setting.

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    These kids will make you cry, laugh... They make you feel all kinds of emotions through their writings and they share a lot with me, as an instructor, that they might not normally share with other people because they are young artists and they need a platform for pulling that stuff out.

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    The sense of having to be the best at everything gets in the way of anybody doing anything. I put all that aside; it's not worth thinking about when I'm there. My agenda as an artist doesn't go away when I teach. It actually gets intensified.

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    These people are artists. These people are musicians. They're taking it out and trying to express it that way.

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    The sensitive artist knows that a bitter wind is blowing.

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    These people [Bush Administration] are for the most part rip-off artists. Notice that they're all gas and oil men from Cheney, to the two Bushes; I think Rumsfeld also.

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    The serious revolutionary, like the serious artist, can't afford to lead a sentimental or self-deceiving life.

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    These things - the degree of vulnerability, the degree of skill, the degree of the longing to give - are influx all the time, And to lump all that under the word "creativity" assumes something much more static than it is. That's why an artist may be marvelous in her 20s, and be creating automatic crap in her 40s. A writer may be trivial in his 20s, and be writing incredibly in his 50s, because those things are always in flux.

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    The serious artist must be as open as nature. Nature does not give all of herself in a paragraph. She is rugged and not set apart into discreet categories.

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    The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.

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    The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.

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    The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work.

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    The so-called 'discoveries' of the Impressionists could not have been unknown to the old masters; and if they made no use of them, it was because all great artists have renounced the use of effects. And in simplifying nature, they made it all the greater.

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    The sociability of artists is a paradoxical and precarious thing, and ceases the instant they begin their actual artistic work.

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    The sonatas of Mozart are unique; they are too easy for children, and too difficult for artists.

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    The soul of sweet delight, can never be defiled.

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    The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.

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    The Spider as an Artist Has never been employed- Though his surpassing Merit Is freely certified.

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    The stage is not for me to practice. I'm not that artist. You practice at home and when you get on stage, it's time for a conversation.

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    The states of birth, suffering, love, and death, are extreme states: extreme, universal, and inescapable. We all know this, but we would rather not know it. The artist is present to correct the delusions to which we are all prey in our attempts to avoid this knowledge." - James Baldwin, "The Creative Process

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    The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.