Best 305 quotes in «fairy tale quotes» category

Seriously man, what are you waiting for? Get in there - or I will." - Marek Montvene

She crossed her legs and kicked out her feet, clad in thick wool socks and boots big enough to house a little old lady.

She had not been much to look at in her youth, and she knew well that only courage is required for an adventure.

She is a figure of legend and fairy tale, one to be taken seriously, or she might knock you off your feet with a quick whirl of the staff she carries everywhere.

She squinted at his nametag. Her eyes weren't quite working. "What's your name?" "Stig." "Stick?" she asked, half ready to believe it. He shook his head and pointed his long index finger at the name stitched on his uniform. "S-T-I-G. Stig." Harriet's breath caught. "I can't believe it. I've been looking for you.

Smartass Disciple: Master, I don’t need a fairytale.I need you to tell me the truth. Master of Stupidity: It is not funny if you just found it. No drama if no lost at first.

Since these wonder tales have been with us for thousands of years and have undergone so many different changes in the oral tradition, it is difficult to determine the ideological intention of the narrator, and when we disregard the narrator's intention, it is often difficult to reconstruct (and/or deconstruct) the ideological meaning of a tale. In the last analysis, even if we cannot establish whether a wonder tale is ideologically conservative, sexist, progressive, emancipatory, etc., it is the celebration of wonder that constitutes its major appeal. No matter what the plot may be, this type of tale calls forth our capacity as readers and potential transmitters of its signs and meanings to wonder. We do not want to know the exact resolution, the "happily ever after," of a tale - that is, what it is actually like. We do not want to name God, gods, goddesses, or fairies, who will forever remain mysterious and omnipotent. We do not want to form graven images. We do not want utopia designated for us. We want to remain curious, startled, provoked, mystified, and uplifted. We want to glare, gaze, gawk, behold, and stare. We want to be given opportunities to change, and ultimately we want to be told that we can become kings and queens, or lords of our own destinies. We remember wonder tales and fairy tales to keep our sense of wonderment alive and to nurture our hope that we can seize possibilities and opportunities to transform ourselves and our worlds.

Summer on the farm was glorious. Peter spent as much time out of doors as possible, and he had many playmates, since all the children were free from their spring and autumn duties of tending crops or going to school. Peter had become the leader of a merry band of youngsters, aged six to fourteen, who followed the Wild Boy wherever he went and seemed to understand his unintelligible noises. If they did not understand, then they pretended to. The life of a princess has many advantages, but I envied those children for their time with Peter and for what seemed to me to be a simple, carefree existence.

Somewhere in the far away distance, the briny, laughing sees of Cadoett rejoiced with a new heart-filled tune and beckoned sleepy eternity. Like intrepid, passionate sailors, two new lovers boldly faced everlasting, silver oceans of unfathomable mystique and sailed away toward love’s sweet shores.

Some women have kissed—and some are kissing—a lot of frogs, even though the very first man that they have each kissed was and is still a prince.

Soul bonds can't be broken. They only bend for a while . . .

Such is the passage, x. 14, where, after giving an account that the sun stood still upon Gibeon, and the moon in the valley of Ajalon, at the command of Joshua, (a tale only fit to amuse children). This tale of the sun standing still upon Motint Gibeon, and the moon in the valley of Ajalon, is one of those fables that detects itself. Such a circumstance could not have happened without being known all over the world. One half would have wondered why the sun did not rise, and the other why it did not set; and the tradition of it would be universal; whereas there is not a nation in the world that knows anything about it.

That's the tragedy of fairy tales. The whole world puts them on a pedestal. People want their lives to be magical, but what people don't understand is that happiness is sacrificed. There is so much more to the story than what is written. The Cinderella you think she's so unfortunate with her mean sisters and stepmom. You think she deserves a happy ending with a prince, but the twenty-page journey is all you see. You learn little about who she is. What if Cinderella's just a good actress who has everyone fooled, when really, she sucks. She more than sucks.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

That is what love is. A possibility that becomes a choice. A choice you keep making, over and over. Day after day. Year after year. Time after time.

The fox didn’t move, didn’t even seem to be breathing as the woman’s trembling fingers touched its red pelt, just between its ears. It closed its eyes as her hand moved over the back of its head.

The End" is just the beginning.

The fairy tale of film—created with the magic of animation—is the modern equivalent of the great parables of the Middle Ages. Creation is the word. Not adaptation. We can translate the ancient fairy tale into its modern equivalent without losing the lovely patina and savor of its once-upon-a-time quality. We have proved that age-old kind of entertainment based on the classic fairy tale recognizes no young, no old.

The meal was full of jovial conversation and laughter. Everyone was as happy as if Peter was right there amongst them, for you see, it was true what the King and the doctor had observed- Peter had a way of infecting people with happiness that lingered even in his absence. The effect was stronger for some people than it was for others, but all of the company gathered here had come to love and trust Peter, and therefore his influence on them was very strong- strong enough, perhaps, to last them to the end of their days.

The kiss was fire and snow, laughter and tears--over-whelming in a thousand different ways and yet grounding her to the spot.

The literary fairy tale became an acceptable social symbolic form through which conventionalized motifs, characters, and plots were selected, composed, arranged, and rearranged to comment on the civilizing process and to keep alive the possibility of miraculous change and a sense of wonderment.

The little queen lived in a world where the sky swirled like the sea and nothing was itself for very long. Everything looked to be in brushstrokes.

the one who will jolt awake all the unwritten the unsung and the unlived in me. i am waiting for him.

Then I shall bid thee goodnight, my dear. Sweet pixies watch over the dusty moonlight of your dreams, Jessameine.

The strong floral fragrance was sickening, suffocating, and threatened to snuff out any lingering remainder of fragile lilac—of the mother she’d loved so, so much.

Theories about world literature, of which fairy tale is a fundamental part, emphasize the porousness of borders, geographical and inguistic: no frontiercan keep a good story from roaming. It will travel, and travel far, and travel back again in a different guise, a changed mood, and, above all, a new meaning.

There are some things even magic can’t fix.

There is nothing so nice as supposing. It's almost like being a fairy. If you suppose anything hard enough it seems as if it were real.

There was much work to be done in the crone's cottage, but the Princess was never heard to complain, for she was a true Princess with a pure heart. The happiest folk are those that are busy, for their minds are starved of time to seek out woe. Thus did the Princess grow up contented. She came to love the changing seasons and learned the satisfaction of sowing seeds and tending crops. And although she was becoming beautiful, the Princess did not know it, for the crone had neither looking glass nor vanity and thus the Princess had not learned the ways of either.

The peach siding created a gorgeous contrast to the stucco walls and the dark-brown roof tiles—a fairytale house in a fairytale suburban neighborhood. She rolled her eyes. Too bad life had been anything but.

The witch knew who had killed her and she snatched pieces of time, here and there, from the business of dying, to make her revenge.

The world is a fairy tale; we are its guardians.

The wolves in the woods have sharp teeth and long claws, but it's the wolf inside who will tear you apart.

The woman looked at her heart in all of its fragments. Its voice was clear and true as it reminded her of the injustices done to it. Nothing so forlorn and broken could lie to her — could it? However, the woman was not a rational woman, and did not heed the beings’ warning. “Strip my humanity away, that I may never again walk in the race of men,” was her one wish.

They’d sat under the starlight and shared quiet conversation and had both read together during the day, happy amidst all of nature’s splendor. On the days the urge to run away grew too strong to bear, she remembered for dear life.

…This place was once like your Enchanted Forest is- home to tens of thousands of fairies. But that was many ages ago, before the Kingdom of Britain was established. In those early days, the fairies ruled over the land.

Think of me,' she said because it seemed like something a girl in a fairy tale might say. Think of me. Remember me. Love me. Turn me into a story you tell again and again. The sister who was good as gold and became a queen.

Tous mes anciens amours vont me revenir.' - All my old loves will be returned to me

Today was the introduction, and introductions were important. The girl had to meet the boy in an equal setting – if they met any other way there’d always be a question about whether it was True Love or a more financially motivated desire that awakened the passions.

Ultimately, the definition of both the wonder tale and the fairy tale, which derives from it, depends on the manner in which a narrator/author arranges known functions of a tale aesthetically and ideologically to induce wonder and then transmits the tale as a whole according to customary usage of a society in a given historical period. The first stage for the literary fairy tale involved a kind of class and perhaps even gender appropriation. The voices of the nonliterate tellers were submerged, and since women in most cases were not allowed to be scribes, the tales were scripted according to male dictates or fantasies, even though they may have been told by women. Put crudely, it could be said that the literary appropriation of the oral wonder tales served the hegemonic interests of males within the upper classes of particular communities and societies, and to a great extent this is true. However, such a statement must be qualified, for the writing down of the tales also preserved a great deal of the value system of those deprived of power. And the more the literary fairy tale was cultivated and developed, the more it became individualized and varied by intellectuals and artists, who often sympathized with those society marginalized or were marginalized themselves. The literary fairy tale allowed for new possibilities of subversion in the written word and in print, and therefore it was always looked upon with misgivings by the governing authorities in the civilization process.

Twenty-five minutes ago, I was blissfully invisible. No laughing. No evil grins. No drama. And now? It couldn’t be more dramatic. I’ve got a stepsister masquerading as Cinderella, the chauvinistic villagers think I’m the ugly stepsister, and the boy coming to my side is more likely to snag a prince than I am.

Unfortunately for him he looked more like an innocent man on America’s terror watch-list rather than a gallant Viking possessing all the benefits of modernity. More like a villain in a Western fairy tale with his slicked-bouffant obsidian hair rather than the long sun-like curls that all great saviors of the poor have been obliged to possess. I squinted to the side towards him for a second and he caught my gaze almost immediately; his inky irises were comfortable enough to hold my stare indefinitely, his pupils seemed entirely ravenous as opposed to the feminist preferred oceanic turquoise, which for them is a physical demarcation of emotional sensitivity. He seemed like an uncanny bad guy any which way I looked at him, except of course, by his actions thus far…

Under the thousand crystal candelabras I danced with ten elderly gentlemen who had nothing to say but did not let that stop them. I answered only, Indeed and Oh yes and Do you think so?

We have grown dull toward this world in which we live; we have forgotten that it is not normal or scientific in any sense of the word. It is fantastic. It is fairy tale through and through. Really now. Elephants? Caterpillars? Snow? At what point did you lose your wonder at it all?

Usiwe na wasiwasi, Peter. Hizo ni hisia zangu tu. Huwezi kuwa mpelelezi. Lakini, kusema ule ukweli, ningependa sana kuonana na John Murphy. Kuna kazi binafsi ningependa kumpa. Wewe unatoka Afrika, hujawahi kumwona?” Debbie alizidi kumshtua Murphy. “Nani?” Murphy aliuliza huku akitabasamu. “John Murphy wa Afrika.” “Sijawahi kumwona. Mbona unamuulizia hivyo?” Debbie alitulia. Kisha akarusha nywele ili aone vizuri. “Nampenda sana!” “Kwa nini?” “Simpendi kwa mahaba, lakini.” “Ndiyo. Kwa nini?” “OK. Nampenda kwa kipaji chake. Alichopewa na Mungu, cha ujasusi. Kusaidia watu.” “Ahaa!” Murphy alidakia, sasa akifikiri sana. “Murphy ana mashabiki wengi hapa Meksiko bila yeye mwenyewe kujua, kwa sababu ya kupambana na wahalifu wa madawa ya kulevya – hasa wa huku Latino. Tatizo lake haonekani. Wengi hudhani ni hadithi tu, kwamba hakuna mtu kama huyo hapa duniani.” “Hapana! Murphy yupo! Ni mfanyabiashara maarufu huko Tanzania. Lakini ndiyo hivyo kama unavyosema ... Haonekani!

We’ll hop home, as we hares have done since time immemorial.

What magic is this?' the muse says to the man. 'A flower, a dream, a fairy-tale wish,' the man says to his muse. The muse smiles.

What if Cinderella had been sent to kill the prince?" - Kayden

When your legs and arms are being torn from your body, you console yourself that you've not yet been beheaded. Of course, right? When your nerves are being extracted strand by strand and your flesh is being dried drop by drop, you simply see past the blood and the bones and think: Hey, at least they haven't torn me apart at the cellular level yet. Unnerving logic.

When fiction has become reality, life may turn into a fairy tale or a firestorm. Tina, time has come to pull up one’s socks and start relearning and reassessing living. ("Another empty room")