Best 305 quotes in «fairy tale quotes» category

I suspect that it refers to that friend of our childhood, the prince of the old folk tale; the young man who travels for seven miles and comes to seven gates guarded by seven dragons, and passes through all sorts of perils, which are marked at once by moral heroism and mathematical symmetry. It is he who is to be exhibited in as a despot and oppressor; as a despot of elfland and an oppressor of seven-headed dragons. As he is rather a remote as well as a romantic figure, it may be a little difficult for historians to discover what were his true colours. His true colours, so far as I am concerned, are silver and gold and crimson, and all the colours of the rainbow.

It’s a funny thing to be the product of a fairy-tale romance. It’s another thing to think you might find one yourself. You can read the stories and watch the movies, and you can think you know how it’s all supposed to unfold. But the truth is, love is as much fate as it is planning, as much a beauty as it is a disaster. Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you’ve been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes.

It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine.

It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine. Parker and Danielle

It's like a fairy tale. . . on crack!

It's going to be a grand adventure and a fairy tale of marvels. But it's my fault that you'll find a dragon at the end, my darling knight.

It was a glistening citadel of limestone, hard and smooth with creamy whites and speckled grays. This was, no doubt, the place mighty kings called home, and with awe, it stole Fawn’s breath away.

It was not until much later when, after a deep and satisfying orgasm, I suddenly realised the true meaning of the fairy tale and the nature of the magic kiss of which it speaks.

I want to tell you all of myself, show you the nicks and dents and scars of my life, and have you love me even though I be grievously flawed.

It was only as part of the civilizing process that storytelling developed within the aristocratic and bourgeois homes, in the seventeenth and eighteenth centuries through governesses and nannies, and later in the eighteenth and the nineteenth centuries through mothers, who told bedtime stories.

I’ve got the word of an eight-year-old girl, an old fairytale I used to know, and a shred of faith... It’s not pixie dust, but I’d like to think it’s enough.

I was his “little girl with the William Burroughs mind,” his “secret fairy,” “female Frank Zappa” and “window onto a magical world.” He said I fell to earth, leaving wing-marks on the ceilings of our dreams.

My heart, it yearns for Cadoett, blessed kingdom by the sea. Though far away, I’m sent to roam, my soul it sings, ‘my city–my home, my city–my home.

Life can be a piece of art, a magic enchantment, a fetching fairy tale or an adventurous story trimmed with alluring episodes. But it may as well be a delusive or hazardous act with many wildcat players seeming to be what they are actually not.

Magic isn’t something that can be explained: it simply is. It takes while it gives. So” – the spinner steps closer, his outstretched hand demanding – “I have given you magic, and now it must be paid.

Many people say ‘Better to die’ until the time comes to do it,” Morozko returned.

Mary Poppins is not a fairy-tale." "She's even better!" said Alfred loyally. "She's a fairy-tale come true.

Life is a fairy tale that was written by hopes, dreams, and desires.

Love is a fairytale blah, blah, blah.

Man, Grandma, what big hair you have." "The better to style with, my dear.

Me father always said if ya can find a lass who's brilliant in the kitchen and in the bed ya best not let her go.

Never interrupt a faerie circle ceremony. And, if a faerie has appeared to you, visually, do not speak to it until it has spoken to you. These two transgressions are considered so rude, that the faeries may literally attack you, on the spot.

Never run for an elevator. It looks needy.

No one on this earth simply succeeded in stopping feelings from running wild, and surely not because his or her thoughts wanted it badly.

None of this was part of the plan all the girls I'd grown up with had been given. Not a written plan, unless the book about Cinderella counted. The plan was in the water we drank, the air we breathed. It was poured into the pavement on the streets we called home. Marry a nice man, one who was a good provider, and live happily, or at least comfortably, ever after. Safe to say I'd followed the plan. I'd married a banker. Had a baby. But the plan had failed me. It left me alone huddled in a window seat with every emotion I'd refused to let myself feel seeping through my pores until the air in my bedroom was heavy with sadness and angst and confusion. (p. 235)

Now it seemed unbelievable, the innocence of a girl in a fairy tale.

Rarely do wonder tales end unhappily. They triumph over death. The tale begins with "Once upon a time" or "Once there was" and never really ends when it ends. The ending is actually the beginning. The once upon a time is not a past designation but futuristic: the timelessness of the tale and its lack of geographical specificity endow it with utopian connotations - "utopia" in its original meaning designated "no place," a place that no one had ever envisaged. We form and keep the utopian kernel of the tale safe in our imaginations with hope. The significance of the paradigmatic functions of the wonder tale is that they facilitate recall for teller and listeners. They enable us to store, remember, and reproduce the utopian spirit of the tale and to change it to fit our experiences and desires, owing to the easily identifiable characters who are associated with particular assignments and settings ... The characters, settings, and motifs are combined and varied according to specific functions to induce wonder, It is this sense of wonder that distinguished the wonder tales from such other oral tales as the legend, the fable, the anecdote, and the myth; it is clearly the sense of wonder that distinguishes the literary fairy tale from the moral story, novella, sentimental tale, and other modern short literary genres. Wonder causes astonishment, and as manifested in a marvelous object or phenomenon, it is often regarded as a supernatural occurrence and can be an omen or a portent, It gives rise to admiration, fear, awe, and reverence. The Oxford Universal Dictionary states that wonder is "the emotion excited by the perception of something novel and unexpected, or inexplicable; astonishment mingled with perplexity or bewildered curiosity." In the oral wonder tale, we are to wonder about the workings of the universe, where anything can happen at any time, and these happy or fortuitous events are never to be explained. Nor do the characters demand an explanation - they are opportunistic, are encouraged to be so, and if they do not take advantage of the opportunity that will benefit them in their relations with others, they are either dumb or mean-spirited. The tales seek to awaken our regard for the miraculous condition of life and to evoke in a religious sense profound feelings of awe and respect for life as a miraculous process, which can be altered and changed to compensate for the lack of power, wealth, and pleasure that is most people's lot. Lack, deprivation, prohibition, and interdiction motivate people to look for signs of fulfillment and emancipation. In the wonder tales, those who are naive and simple are able to succeed because they are untainted and can recognize the wondrous signs. They have retained their belief in the miraculous condition of nature, revere nature in all its aspects. They have hot been spoiled by conventionalism, power, or rationalism. In contrast to the humble characters, the villains are those who use words intentionally to exploit, control, transfix, incarcerate, and destroy for their benefit. They have no respect or consideration for nature and other human beings, and they actually seek to abuse magic by preventing change and causing everything to be transfixed according to their interests. Enchantment equals petrification. Breaking the spell equals emancipation. The wondrous protagonist wants to keep the process of natural change flowing and indicates possibilities for overcoming the obstacles that prevent other characters or creatures from living in a peaceful and pleasurable way.

Once upon a time, there was a woman who lived in a cottage at the edge of the woods. She was neither young nor old, neither pretty nor unattractive. As such, people from the village didn’t take much notice of her. Nor did she take much notice of them. She spent her days foraging for roots and mushrooms in the forest, simmering broths in the cauldron at her hearth, and spinning wool into long strings that would be woven into shawls and mittens.

...One cannot help but consider the future- what will it be like when all the wild places of the earth have been taken over by civilization, and there is no more room for Indians, Pirates, and Wild Boys?

One of us will just have to stay at the cottage to keep an eye on her.' [...] Let's see if Widow Hazel wouldn't take her in during the day, maybe teach her something useful -' No, remember when she learned how to knit? Now we're stuck wearing these dreadful hats.' Not so loud! She'll hear you.' In a lower voice one of the dwarfs said, 'H.A.T.S.' Apparently Snow White didn't know how to knit or to spell.

Peter and the deer herd ranged over the forest together, and without words, Peter told the deer about his new life at the Palace, amongst people. The scents that lingered on him told a hundred stories. His expressions and movements too, echoed foreign influences. And in Peter’s eyes, the story was told plainly. They sensed that he had grown not just physically, but in his being he was bigger, more mature. The deer wanted the Wild Boy to return to the Enchanted Forest with them, but they were uncertain he would come. They called him by his forest name, and he replied, “Peter.” The strangeness of this intonation puzzled them.

Prince of the Enchanted Forest. Adopted son of the Fairy Folk. Wild Boy. Your reputation precedes you, child. All of Germany has been talking about you lately. And yet, no one knows your name.” The boy looked up at the King and smiled. The king smiled back, and took a deep breath. “…Henceforth, you shall be known as Peter.

Rap un zeal' Demon within. I might as well put up a giant 'Come and Get Eaten' sign for the good those warning runes do.

Now that I think about it, this might all have been inevitable. The reason we all ended up here, the reason I couldn't leave her alone...it all had to be a ridiculous fairy tale.

October knew, of course, that the action of turning a page, of ending a chapter or shutting a book, did not end the tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.

Painful memories, they can mend, love’s powerful, but it can rend, through the treacherous act of jealousy. A passion that seeks to destroy, the soul when it deploys, the vicious sin that is envy. Take heed my friends, when contemplating the end of an imagined rival for the heart’s true amour. Acts of envy bode not well, for they cast an evil spell, and in the end you’ll suffer forevermore. For jealously can blight, the harmonious light of all the love you’d hoped to see, because envy has power, and can inhumanly devour, everything you wanted from love, for thee.

Perhaps the only happily ever after is to survive to tell the story

Quickly and quietly, the Princess returned to the cottage, for she knew what she must do. The crone had sacrificed her eyes to provide the Princess with shelter and now must this kindness be repaid. Although she had never traveled beyond the forest rim, the Princess did not hesitate. Her love for the crone was so fathomless that if all the grains of sand in the ocean should be stacked up end to end, they would not run so deep.

Rain turned to ice, and lightning splintered, it spliced the black sky, it seeped a bright white. All animals they fled, from the sky as it bled, pale death that fell veiling the night.

She had not been much to look at in her youth, and she knew well that only courage is required for an adventure.

Seriously man, what are you waiting for? Get in there - or I will." - Marek Montvene

She crossed her legs and kicked out her feet, clad in thick wool socks and boots big enough to house a little old lady.

She is a figure of legend and fairy tale, one to be taken seriously, or she might knock you off your feet with a quick whirl of the staff she carries everywhere.

She squinted at his nametag. Her eyes weren't quite working. "What's your name?" "Stig." "Stick?" she asked, half ready to believe it. He shook his head and pointed his long index finger at the name stitched on his uniform. "S-T-I-G. Stig." Harriet's breath caught. "I can't believe it. I've been looking for you.

Smartass Disciple: Master, I don’t need a fairytale.I need you to tell me the truth. Master of Stupidity: It is not funny if you just found it. No drama if no lost at first.

Since these wonder tales have been with us for thousands of years and have undergone so many different changes in the oral tradition, it is difficult to determine the ideological intention of the narrator, and when we disregard the narrator's intention, it is often difficult to reconstruct (and/or deconstruct) the ideological meaning of a tale. In the last analysis, even if we cannot establish whether a wonder tale is ideologically conservative, sexist, progressive, emancipatory, etc., it is the celebration of wonder that constitutes its major appeal. No matter what the plot may be, this type of tale calls forth our capacity as readers and potential transmitters of its signs and meanings to wonder. We do not want to know the exact resolution, the "happily ever after," of a tale - that is, what it is actually like. We do not want to name God, gods, goddesses, or fairies, who will forever remain mysterious and omnipotent. We do not want to form graven images. We do not want utopia designated for us. We want to remain curious, startled, provoked, mystified, and uplifted. We want to glare, gaze, gawk, behold, and stare. We want to be given opportunities to change, and ultimately we want to be told that we can become kings and queens, or lords of our own destinies. We remember wonder tales and fairy tales to keep our sense of wonderment alive and to nurture our hope that we can seize possibilities and opportunities to transform ourselves and our worlds.

Somewhere in the far away distance, the briny, laughing sees of Cadoett rejoiced with a new heart-filled tune and beckoned sleepy eternity. Like intrepid, passionate sailors, two new lovers boldly faced everlasting, silver oceans of unfathomable mystique and sailed away toward love’s sweet shores.

Some women have kissed—and some are kissing—a lot of frogs, even though the very first man that they have each kissed was and is still a prince.

Summer on the farm was glorious. Peter spent as much time out of doors as possible, and he had many playmates, since all the children were free from their spring and autumn duties of tending crops or going to school. Peter had become the leader of a merry band of youngsters, aged six to fourteen, who followed the Wild Boy wherever he went and seemed to understand his unintelligible noises. If they did not understand, then they pretended to. The life of a princess has many advantages, but I envied those children for their time with Peter and for what seemed to me to be a simple, carefree existence.

Soul bonds can't be broken. They only bend for a while . . .