Best 123 quotes in «location quotes» category

Essentially every scientist, when posed with the question, "If you want to get science knowledge from Mars, do you want to send a geologist or do you want to send a robot?" Well, the real answer is, you can send 100 robots for the price of sending one geologist, so let's send 100 robots to 100 different locations, and then we would all benefit. So that's the answer you would get. And I agree with that answer.

Even in a bad market, location, location, location is a way to still buy and sell property.

Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.

For example, if I make money, I put it in real estate. I always did very well. Location, location, location.

GWEN is a superb system, in combination with cyclotron resonance, for producing behavioural alterations in the civilian population. The average strength of the steady geomagnetic field varies from place to place across the United States. Therefore, if one wished to resonate a specific ion in living things in a specific locality, one would require a specific frequency for that location. The spacing of GWEN transmitters 200 miles apart across the United States would allow such specific frequencies to be 'tailored' to the geomagnetic-field strength in each GWEN area.

I am so glad we met at an undisclosed location over the summer.

I always scout locations first. The apartments, the railway tracks, the café, the canal - I figure out the geography of the film.

I can remember when anything further downtown New York than Canal Street was risky and the whole area still looked like a 70s cop movie location; when the original loft-owners were more dash-than-cash, artistic types.

I don't get involved in casting, budgets, location or promotion. Just the script. And, of course, the promotional tour. Which is fine with me - I'm a novelist.

I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.

I don't like working in a studio, at all. I just prefer to be on location, rather than hearing the bells of the studio going off. It's like being in Las Vegas, where no one knows the time and there are no windows.

If I know what your messages are, if I can read those, I'll probably be able to conclude where you're going, who you're with, the location the message was sent.

I had found again and again that the most aberrant population of a species - often having reached species rank, and occasionally classified even as a separate genus - occurred at a peripheral location, indeed usually at the most isolated peripheral location.

If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.

I have a few cavities. I don't like to call them cavities, though - I like to call them 'places to put stuff'. 'Do you know where I can store a pea' 'Yes, I have some locations available.'

I have an instinct for finding the odd location, the dismissed face, the eerie atmosphere, the oppressed mood.

I liked working in a series, going to work every day and not having to leave town for long locations. I was producing them and building an audience.

I like to drink to suit my location.

In any situation, location is crucial.

I march to a different drummer, whose location, identity, and musical training haven't yet been established.

In fact, if you are faced with the prospect of running across an open field in which lightning bolts are going to be a problem, you are much better off if their timing and location are determined by something, since then they may be predictable by you, and hence avoidable. Determinism is the friend, not the foe, of those who dislike inevitability.

In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.

It's not the physical location of birth that defines citizenship, but whether your parents are citizens, and the express or implied consent to jurisdiction of the sovereign.

In film, the possibilities are greater. You can go beyond the fourth wall. You can go to these incredible locations and you're put into circumstances that are physically sensuous. It sometimes requires much more of a physical talent.

For me, it was the challenge of doing a movie that is in one location. Usually, there are a few scripts obviously always going around with stories that happen in one location.

I pile on the weight when I work. All that location catering's not good for the love handles. I lose a bit when I'm not working, but I love my food and the occasional snifter.

It all depended on the cut. Some of them were really on the ship. Some were really on the set. Like if they had the stars for a week, the stars coming off, that was usually on the set, except if we were on location for that particular show.

I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.

It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.

It's so unique. Wilson Park is just such a gem. It's in a convenient location.

It's so much harder to recreate something than it is to shoot at the actual place. It's not without its problems. You've got a lot of bystanders and security issues, but it's always a lot easier and a lot more fun to shoot at the actual location.

I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.

It was their intention to start twelve new civilizations similar to Atlantis in these locations.

I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.

I've been acting for 25 years, living out of suitcases on theater tours or film locations.

I've noticed that just about every time I find a large program with known glitches that no one seems able to fix, that program is written in C and is likely written by a programming team in a remote location.

I've shot films in locations that have seemed haunted. I shot a film in a maximum-security prison in Russia. Part of it was on a psychiatric ward - there were definitely some creepy vibes there.

I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.

Like everything, personal relationships and all that stuff is sort of put on ice while you go off to your location for five or six months. So, do I feel more settled in my life and in my work? Absolutely, yeah.

I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.

Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes.

Location is the key to most businesses, and the entrepreneurs typically build their reputation at a particular spot.

My criteria for doing theater has always been slightly different than my criteria with movies, in that there are a lot of reasons to do films, having to do with location, money, and first and foremost having to do with script and role and director.

Luck is being in the right place at the right time, but location and timing are to some extent under our control.

Making love to a woman is like buying real estate: location, location, location.

Mars could very well be a staging location for the resources of the asteroid belt. We have to learn how to get a payback somewhere, but it's beyond Mars that the real payoff will come from minerals.

My mom was always active. She was always an active voter, whether it was local, state, or federal elections. My mom would take us to polling locations when we were kids.

San Francisco would be a good location for a murder mystery.

McDonald's has been extraordinary at site selection; it was a pioneer in studying the best places for retail locations. One of the things it did is study very carefully where sprawl was headed.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat