Best 202 quotes in «ireland quotes» category

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    Old, is it?" the man asks. "Yes, very." "Pre-war, is it?" "Yes," I say. "If by war you mean the Norman invasion.

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    One cannot think well, love well, or sleep well, if one has not dined well.

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    One person can do quite a lot." ~ Kevin

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    Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.

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    Ralph Waldo Emerson observed that there are always men who like to feel a natural superiority which is not dependent on accomplish­ment and does not need to be proved.

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    Our place is here, our time is now!" Killian firmly declared.

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    Quelles sont les probabilités de se perdre dans la campagne irlandaise sur un trajet de moins de dix kilomètres ? Très faibles. Cette probabilité devient nulle lorsqu'on s'arme d'un système de localisation dernière génération. Et pourtant je peux désormais dire que j'ai réussi cet exploit.

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    Refusing to lean back against him, Colleen sat ramrod straight until they reached the road. “I guess I should say thank you for saving my life,” she muttered then turned and slapped Faolán hard across the face. “And that’s for you having to save it in the first place. And I’m not your woman, you big, arrogant, lying, betraying…faery loving…” She searched for the perfect insult and couldn’t find one, “…Scot.” She gave a very unladylike snort. “Happy now? That fiery enough for you?

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    Redmond Howard, a politically aware witness to the Rising and a critic of the rebels, wrote in its aftermath: 'There never was, I believe, an Irish crime -- if crime it can be called -- which had not its roots in an English folly.

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    Rick tenderly lifted her chin upwards and said, "I have an assignment for the Moore Detective Agency. Actually, for the boss. It's of great importance." "And what's that?" asked Amelia as she gazed into his eyes. "I've lost my heart and I need you to find it for me. Is that at all possible?" When he pulled her into his arms, Amelia swallowed. "Well... where did you last see it?" "I loaned it to a beautiful woman." "Oh? Maybe she doesn't know she's got it.

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    She drank in the sight of him, the power, the virility, the sheer sexiness. She knew just how well those lips of his kissed, how gentle and coaxing his hands could be, and how mouth-watering his body was.

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    Seamus, don’t jump!

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    Someone once told me that Fate will chew you up and spit you out many times, taking you away from those you love and dumping you into places you never wanted to be. It’s up to each of us where we choose to belong.

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    Since Ireland’s independence declaration was a century older, I could not be sure if his self-evident truths meant as much as they would in America.

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    So does nobody care about Ireland?" "Nobody. Neither King Louis, nor King Billie, nor King James." He nodded thoughtfully. "The fate of Ireland will be decided by men not a single one of whom gives a damn about her. That is her tragedy.

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    She leaned a shoulder against the tunnel wall and thought of Kellan. A Dragon King. A dragon and a King. A gorgeous man who kissed as if there were no tomorrow and made love skillfully, adeptly. He could have let her die. Instead, he took her on a journey that opened her eyes to an entirely new world both beautiful and frightening.

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    **spoken by Brigid** "The divine endeavors to course through all peoples and religions, Decius. It is only in Christianity that it has best found its home.

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    That guy in the corner. Never tells the truth, as a matter of principle. Why answer a question, he says, if you can tell a good story instead?

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    Submitted for your approval--the curious case of Colleen O’Brien and the gorgeous time traveling Scot who landed in her living room.” – Rod Serling

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    That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!

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    The matter on which I judge people is their willingness, or ability, to handle contradiction. Thus Paine was better than Burke when it came to the principle of the French revolution, but Burke did and said magnificent things when it came to Ireland, India and America. One of them was in some ways a revolutionary conservative and the other was a conservative revolutionary. It's important to try and contain multitudes. One of my influences was Dr Israel Shahak, a tremendously brave Israeli humanist who had no faith in collectivist change but took a Spinozist line on the importance of individuals. Gore Vidal's admirers, of whom I used to be one and to some extent remain one, hardly notice that his essential critique of America is based on Lindbergh and 'America First'—the most conservative position available. The only real radicalism in our time will come as it always has—from people who insist on thinking for themselves and who reject party-mindedness.

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    The American definition of paganism is especially suspect among the Irish, too, when it seems to imply adherence to some British cult. The fact that most of the self-proclaimed "witches" in Ireland are English does not escape comment, and notice is also given to the number of American tourists who traipse through on pilgrimages to these minor celebrities and make no inquires about local beliefs.

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    The English imposed their language on Ireland, Scotland and Wales, and they weren't terribly nice about it.

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    The body is a fantastic machine,’ Hughes told Mackers in one of his Boston College interviews, recounting the grueling sequence of a hunger strike. ‘It’ll eat off all the fat tissue first, then it starts eating away at the muscle, to keep your brain alive.’ Long after Hughes and Price called an end to their strikes and attempted to reintegrate into society, the nursed old grudges and endlessly replayed their worst wartime abominations. In a sense, they never stopped devouring themselves.

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    The children looked like remnants of themselves. Spectral. Some were naked to the waist.Many of them had sores on their faces. None had shoes. He could see the structures of them through their skin. The bony residue of their lives.

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    The famous Northern reticence, the tight gag of place And times: yes, yes. Of the "wee six" I sing Where to be saved you only must save face And whatever you say, you say nothing. Smoke-signals are loud-mouthed compared with us: Manoeuvrings to find out name and school, Subtle discrimination by addresses With hardly an exception to the rule That Norman, Ken and Sidney signalled Prod And Seamus (call me Sean) was sure-fire Pape. O land of password, handgrip, wink and nod, Of open minds as open as a trap, Where tongues lie coiled, as under flames lie wicks, Where half of us, as in a wooden horse Were cabin'd and confined like wily Greeks, Besieged within the siege, whispering morse.

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    The 'most precious object of the Western world' is now a national monument of Ireland at the very highest level. It is probably the most famous and perhaps the most emotively charged medieval book of any kind. It is the iconic symbol of Irish culture. It is included in the Memory of the World Register compiled by UNESCO. A design echoing the Book of Kells was used on the former penny coin of Ireland (1971 to 2000) and on a commemorative twenty-euro piece in 2012. One of its initials was shown on the reverse of the old Irish five-pound banknote. It has been illustrated on the country's postage stamps. Probably every Irish bar in the world has some reflexion of its script or decoration.

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    There had been a time, until 1422, when a number of both Gaelic and Anglo-Irish students attended Oxford and Cambridge in England. But fellow students had complained that Irish living together in large numbers sooner or later got noisy and violent and there was no handling them. Accordingly, the universities imposed a quota system on Irishman, and decreed that those admitted must be scattered around among non-compatriots: exclusively Irish halls of residence were banned.

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    The original is displayed in a special darkened shrine now called the Treasury, at the eastern end of the library at Trinity College in Dublin, and over 520,000 visitors queue to see it every year, buying colored and numbered admission tickets to the Book of Kells exhibition. More than 10,000,000 people filed past the glass cases in the first two decades after the opening of the present display in 1992. The daily line of visitors waiting to witness a mere Latin manuscript are almost incredible. There are signposts to the 'Book of Kells' across Dublin. The new tram stop outside the gates of Trinity College is named after the manuscript. No other medieval manuscript is such a household name, even if people are not always sure what it is.

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    There was always a big party on the night before anyone left for the States. They called it an American wake, because the whole community stayed up to keep the emigrants company through their last night on the island, just as they would have bidden farewell to a soul beginning the long journey towards eternity. There was almost no chance that anyone present would ever see the departed again

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    There was a certain untamed energy about the west of Ireland – full of tragedy and struggle, sown with the flesh of the departed.

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    [These]were the legitimate acts of self-defense which had been forced upon the Irish people by English aggression... We did not initiate the war, nor were we allowed to choose the battleground.

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    These are the ashes of fiery weather, Of nights full of the green stars from Ireland, Wet out of the sea, and luminously wet, Like beautiful and abandonded refugees.

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    The Treaty is already vindicating itself. The English Die-hards said to Mr. Lloyd George and his Cabinet: ‘You have surrendered’. Our own Die-hards said to us: ‘You have surrendered’. There is a simple test. Those who are left in possession of the battlefield have won.

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    The 'voice of sanity' is getting hoarse.

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    They came together in a tangle of limbs as they touched each other, the kiss wild and feverish. A groan tore from him as her hands roved over his shoulders and down his back. Her caress was light and sensual, as if her desire seeped like magic from her fingertips into his skin everywhere she touched.

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    They entered the wild country. Broken fences. Ruined castles. Stretches of bogland. Wooded headlands. Turfsmoke rose from cabins, thin and mean. On the muddy paths, they glimpsed moving rags. The rags seemed more animate than the bodies within. As they passed, the families regarded them. The children appeared marooned with hunger.

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    They'd listen silenty, with grave faces: but once they'd turn to each other they'd smile cruelly. He couldn't have it both ways. He'd put himself outside and outside they'd make him stay. Neither brutality nor complaining could force a way in.

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    This book tells my story. I’m writing it in Ireland, in a house on a hillside. The house sits low in the landscape between a holy well and the site of an Iron Age dwelling. It was built of stones ploughed out of the fields by men who knew how to raise them with their hands and to lock one stone to the next so each was firm. It’s a lone house on the foothills of the last mountain on the Dingle peninsula, the westernmost point in mainland Europe. At night the sky curves above it like a dark bowl, studded with stars. … From the moment I crossed the mountain, I fell in love with the place, which was more beautiful than any I’d ever seen. And with a way of looking at life that was deeper, richer, and wiser than any I’d known before.

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    Though they are fine to see, horses frighten me because they are large and weak minded, which is a dangerous combination in horses, men, and gods.

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    Though we are the fair ones, women are not to be trifled with!

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    To have come from Ireland no matter how long ago is to be of Ireland in some part forever.

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    To attempt to write about Dun Aengus and bring some sort of freshness to it is rather like trying to perform a similar service for Stonehenge: so many people have attempted it before that one is tempted to give up what one is looking at is not only one of the wonders of Ireland, but of the entire Western world.

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    To me, Gothic fiction is the literary representation of the stormy gloom of the British Isles.

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    True the greater part of the Irish people was close to starvation. The numbers of weakened people dying from disease were rising. So few potatoes had been planted that, even if they escaped bight, they would not be enough to feed the poor folk who relied upon them. More and more of those small tenants and cottagers, besides, were being forced off the land and into a condition of helpless destitution. Ireland, that is to say, was a country utterly prostrated. Yet the Famine came to an end. And how was this wonderful thing accomplished? Why, in the simplest way imaginable. The famine was legislated out of existence. It had to be. The Whigs were facing a General Election.

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    Up and down' is Irish for anything at all--from crying into the dishes to full-blown psychosis. Though, now that I think about, a psychotic is more usually 'not quite herself'.

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    We had found nothing, and had been lost several times already in one morning, so this was shaping up into a top travel experience.

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    V slowly pulled her toward him. “You’re beautiful in the moonlight.

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    The Irish were poor, but not enslaved. He had come here to hack away at the ropes that held American slavery in place. Sometimes it withered him just to keep his mind steady. He was aware that the essence of proper intelligence was the embrace of contradiction. And the recognition of complexity was to be balanced against the need for simplicity. He was still a slave. Fugitive. If he returned to Boston he could be kidnapped at any time, taken south, strapped to a tree, whipped. His owners. They would make a spectacle of his fame. They had tried to silence him for many years already. No longer. He had been given a chance to speak out against what had held him in chains. And he would continue to do so until the links lay in pieces at his feet.

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    We are all works in progress, the authors of our own lives.