Best 20 quotes in «kodak quotes» category

How promising today's generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I'd like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination - things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.

In 1962 the president of the American Historical Association, Carl Bridenbaugh, warned his colleagues that human existence was undergoing a “Great Mutation”—so sudden and so radical “that we are now suffering something like historical amnesia.” He lamented the decline of reading; the distancing from nature (which he blamed in part on “ugly yellow Kodak boxes” and “the transistor radio everywhere”); and the loss of shared culture.

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn’t care. Super 8 had integrity, it wasn’t just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life’s best moments, and capturing something beautiful in only three minutes.

People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

…Maybe I’ll be watching super-8 home videos,” Alecto told her, smiling bleakly. “I love my super-8 camera, it’s an Eastman Kodak one… Kodak stopped manufacturing them, the world went digital and now Kodak has stopped making Kodachrome film and all kinds of traditional film products… it’s sad.” “Well, uh… well, have fun watching your home movies then,” Mandy finished, but she didn’t have the slightest idea what he was talking about.

In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother’s old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm. …And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks. …She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory.

photographs are very interesting, and you can look into them a million times and still find a new meaning in them, something in the past that was caught in the film itself…

What are you doing?” Alecto asked in surprise, stepping back. Laughing brightly, she dragged him towards the greenhouse, the shattered glass reflecting rainbows as brilliant as a million Kodak flashcubes, glittering as they were cascaded through the breeze. “See, don’t be afraid of the glass, it can’t hurt us,” Mandy laughed, spectacularly eccentric, her eyes reflecting the fallen glass. “I wasn’t afraid of the glass, but this isn’t a very secluded place that you just decided to vandalize,” Alecto cautioned, smiling despite his words. Before Mandy could reply, she heard loud whispering in the air, behind the trees… it sounded like a group of people, all whispering in unison… “Somebody’s out there,” she exclaimed nervously. “Yeah, you’re right,” Alecto replied. Suddenly a sharp new vibrancy seemed to fill his eyes and he smiled coldly, taking the tree branch from Mandy and rapidly smashing in all of Mrs. Matthias’ stained glass house windows with it. Blue, green, yellow, red, turquoise, purple and an array of other colors showered through the sky noisily, sounding like wind chimes and crashing waves. “They’ll go away,” he told her, glancing up at the sky. “…Alecto, do you like me?” Mandy questioned, holding out her arms like a lopsided scarecrow as the glass fell through her dark red hair. “Yeah, sure,” he answered. “Will you be my friend, then? A real friend, not just another person who feels sorry for me?” Mandy asked. “…Alright, Mandy Valems,” Alecto agreed.

There was a super-8 steel town somewhere, where all the forgotten things in the cruel world ended up eventually, Mandy was sure of it… this place, she decided, was called Smog City.

To be honest, I’ve always made films and I never really stopped, starting with little stop-motion experiments using my dad’s Super 8 camera. In my mind, it’s all one big continuum of filmmaking and I’ve never changed.

Super 8 film is the language of silence.

What goes up, must come down." Well, Issac Newton's law doesn't apply to the internet. That's what people don't realize. When you put something up, as long as there is an internet there will be that same stuff. When you're a senior citizen, what you uploaded to Facebook at a high school party will still be there. Whatever you upload to the internet, no matter how strong your passwords and security are, guaranteed the government or some advertising corporation will look at what you post someday. The only law that applies to the internet is, "For every reaction, there is an equal and opposite reaction." Post a photograph and you'll get attention. Post your old scanned Kodak slides and family home movies, you'll get a nostalgia rush and you'll reunite people with better days. But post a bad thing, thinking you can go unnoticed, and you'll never be able to crawl out from underneath it.

I have to stay in soaps to pay my bills to Kodak.

We make, see, and love films, not digitals. To convert all of our movies, home videos, theaters, photographs and television to digital would be like telling a painter to throw away his brushes and canvas for an I-Pad. Celluloid isn't just nostalgic, it's an art form and, like it or not, it's superior to digital. It lasts much longer, it provides grain and brighter colors, and it takes more effort so that it produces something wonderful. With the inferior binary codes, pixels and untested shelf-life of digital files, plus the fact that these days anyone with a digital camera, even a two-year-old, can make a video and pollute the world with self-photography and cat pictures, film has a lot more integrity and worth than digital.

Yeah, you’re right about having entire rooms full of film and photos… in that Sydney Mines house I have a darkroom, I have boxes of film and home movie footage… I have a few projectors, I have piles of Kodachrome slides… I like photographs. The world is always running away from society and the only way to keep the stuff that’s happened in the past is by taking photographs, I can keep memories of things alive with photographs,” Alecto responded. “People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines… The steel mill, the coal mines, the train tracks, the smog in the sky, I’ve been able to rescue it on super-8 and Kodachrome, and no one can remediate those photographs, I can keep them as long as I want to.

You should find something better to do with your time,” Mandy told him. “I spend my time shooting people, and then I take them to darkrooms and blow them up.” “…Come again?” Alecto questioned with a tone of alarm in his voice. “I take photographs and develop them myself, I’ve got my own darkroom… it was a joke,” Mandy laughed. “I love photography and I’m gonna be a photojournalist someday.” “Really?” Alecto asked. For the first time since she’d met him, he sounded slightly enthusiastic. “…I take photographs and I film my own home movies, I have a darkroom as well… but I can’t be a photojournalist like you… I can’t be anything… still, at least I can take photographs, it’s fun.

We were poor back then. Not living in a cardboard carton poor, not “we might have to eat the dog” poor, but still poor. Poor like, no insurance poor, and going to McDonald's was a really big excitement poor, wearing socks for gloves in the winter poor, and collecting nickels and dimes from the washing machine because she never got allowance, that kind of poor… poor enough to be nostalgic about poverty. So, when my mom and dad took me here for my tenth birthday, it was a really big deal. They’d saved up for two months to take me to the photography store and they bought me a Kodak Instamatic film camera… I really miss those days, because we were still a real family back then… this mall doesn’t even have a film photography store anymore, just a cell phone and digital camera store, it’s depressing…

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took.

The [Kodak is] the only witness I have encountered in my long experience that I couldn't bribe.

You push the button, we do the rest.