Best 659 quotes in «architecture quotes» category

I have no requirements for a style of architecture.

I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

I have tried to get close to the frontier between architecture and sculpture and to understand architecture as an art.

I just hand shoes on the wall. They're architecture you know.

I know we can't have a great architecture while it is only for the landlord.

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

I like to play with architecture! It's my favorite game.

I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.

I love antique architecture, so if I have any indulgences, I have owned and renovated and reconstructed a lot of old houses.

I love light in my work but I was never influenced by neon signage in itself, rather its effect on nature and architecture. You can't ignore what's around you, but at the same time, an artist who has a sophisticated form language knows how to pull in different elements, and readjust and redirect those. . . . So it becomes an engineering process, too.

I love cloisters, which are the architectural equivalent of a theological concept: perfect freedom within set boundaries.

I love a lot of things, and I'm pretty much obsessive about most things I do, whether it be gardening, or architecture, or music. I'd be an obsessive hairdresser.

I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination.

In addressing a task, one almost always has several possible options, sometimes only a few, and they may all be practical and functional. But they lack the aesthetic aspect that raises it to architecture.

I'm a designer, which includes interiors, architecture, fashion, furniture, and lifestyle.

I'm convinced Apple has been doing the core/clock speed architecture right, while other OEMS are more caught up in this core count race that isn't really going anywhere.

Immature artists imitate. Mature artists steal.

I'm totally into architecture for all strata of society. High design should not just be for rich people.

In any architecture, there is an equity between the pragmatic function and the symbolic function.

I'm drawn to furniture design as complete architecture on a minor scale.

I'm involved in everything from highly progressive lighting systems to airline interiors. In the field of transportation I can go from the micro to the macro: architecture, transportation, industrial product design, right across the board. It's Russian dollism, because they all interrelate: one goes into the other.

I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.

in architecture, mediocrity is more glaringly obvious than in other lines - because there's a huge, physical object such as a building to demonstrate it.

In architecture, the demand was no longer for box-like forms, but for buildings that have something to say to the human emotions.

In Architecture there is a part that is the result of Logical Reasoning and a part that is created through the Senses. There is always a point where they Clash. I don't think Architecture can be created without that Collision.

In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.

I never talked about architecture with my father, which I regret

Infrastructure is much more important than architecture.

In fact, the public will accept any city plan and skyline provided that its architecture is traditional.

In music I do not look for logic. I am quite intuitive on the whole and know no theories. I never like a work if I cannot intuitively grasp its inner unity (architecture).

In Los Angeles, by the time you're 35, you're older than most of the buildings.

In my head, my business is architecture and furniture; it's 70 percent Prouvé, and Corbusier, Royer, Jeanneret - they all passed away. So it's retrospective, I'm looking back.

In one point of view, Gothic is not only the best, but the only rational architecture, as being that which can fit itself most easily to all services, vulgar or noble.

In the Renaissance there wasn't a distinction. Bernini was an artist and he made architecture, and Michelangelo also did some great architecture.

I see architecture as a form of communication over time.

I participated in the transformation of my era. I did it with clothes, which is surely less important than music, architecture, painting but whatever it's worth I did it.

I quit college. I was studying architecture for about a year.

I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.

I search for surprise in my architecture. A work of art should cause the emotion of newness.

I see music as fluid architecture.

I see the task of architecture as the defense of the authenticity of human experience

I only like decoration if it plays second to the architecture of a dress.

I really wanted to study with Bruce Goff [one of the masters of "organic architecture"] at the University of Oklahoma.

Istanbul is inspiring because it has its own code of architecture, literature, poetry, music.

I think about my work every minute of the day.

I started to draw buildings. I called them Proposed Colossal Monuments - they weren't for real, not for actual building. It was more a critique of architecture.

I suppose I'm trying to build an architecture that's as timeless as possible, although we're all creatures of our age.

I think buildings should imitate ecological systems.

I think architecture, to be really intense and fulfilling, doesn't have to be large.

It is perhaps the principal admirableness of the Gothic schools of architecture, that they receive the results of the labour of inferior minds; and out of fragments full of imperfectionraise up a stately and unaccusable whole.