Best 4756 quotes in «voice quotes» category

I tried a couple of pop writers - none of the big, big, big ones - but it didn't work for me. I do have a commercial voice; I'm not quirky. I'm very normal and that's probably why I like people like Barbra Streisand and Whitney Houston. It's no-nonsense. They sing well, and that's it.

I tried his cell over and over but he never answered. Then I’d call just to hear his voice on the outgoing message, until eventually that was gone too.

I tried singing in a deeper voice by lowering my voice that used to be more delicate.

I tried writing adult romances, but it just didn't fit my voice.

I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.

I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.

I try to have a different relationship with the bike. I don't give it a name, but I always speak with it. I don't know if the other riders do the same. This is not only a piece of metal - there is a soul. The bike talks back too. But not with a voice, with the components

I try to do stories that make a difference -- stories that affect the way people think, stories that people need to hear -- and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.

I try to keep my voice in writing, and I think that's why I get so many complaints about how I write.

I try to please people, to give them a good time, but I refuse to make my act conform to traditional show-biz standards of entertainment. There's a little voice that says, 'Oh, no, you can't do that, that's breaking all the rules.' That's the voice of show business. Then this other little voice says, 'Try it.' And most of the time, when the voice comes on and says, 'No,' that's the time it works.

I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.

I try to take what voice I have and I give it to those who don’t have one at all.

It's about realizing, painfully, you've kept that voice inside yourself, locked away from even yourself. And you step back and see that your jailer has changed faces. You realize you've become your own jailer.

It's a big culture of mind control too, MK-Ultra mind control rules in Hollywood. If you don't know that, google it and look into it. It's really hard for artists to find their voice in the media. It's levels of brainwashing and mind control.

It's about people who take their frustration out on everyone around them. I never raise my voice. Cutting myself or hurting myself is the way I deal with anger.

It's a dead give away of an inexperienced writer if every character speaks with the same voice

It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.

Its a fact of being in love that we often pay no attention whatsoever to the substance of what a lover says, while being intoxicated to ecstasy by the way it's said. I was in love with her eyes, but I didn't read them. I loved her voice, but I didn't really hear the fear & the anguish in it.

It's a little strange, after all these years of working on camera, but once you start to watch the other people who do this a lot and realize how much of what you're doing has to just come through your voice, I found it really interesting.

It's a little weird accepting your voice coming out of an animated character. You don't buy it at first because it's your voice and none of us like our voices when we hear them recorded back.

It's a lot more than clicking the shutter...it's the ideas, it's the visual voice, it's the telling the story, it's kind of going beyond that initial thing that just means you happened to be there at the right time.

It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.

It's always fun to be able to have a voice, because it helps me to stay in tune with the project and the people that I am working with. Ther's nothing worse than being on a project and not being able to have a voice. I don't like that.

It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.

It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.

It's an absolute blast to be a voice actor, but also kinda scary that the vocal baby you just birthed out at a mic is then taken by other folks and becomes something else.

It's an important point, and every little bit helps not least because those who make those kinds of changes are more likely to make their voices heard as citizens. But the ultimate solutions are going to come through policies.

It's a taboo subject. How the dead are betrayed by the living. We who are living--we who have survived--understand that our guilt is what links us to the dead. At all times we can hear them calling to us, a growing incredulity in their voices, You will not forget me -- will you? How can you forget me? I have no one but you.

It's clear that the true problems of our Nation are much deeper - deeper than gasoline lines of energy shortages, deeper even than inflation or recession. And I realize more than ever that as President I need your help. So, I decided to reach out and listen to the voices of America.

It's black women as perpetual sidekick. We need to hear from more women's voices. And it would be nice to see some books geared toward us.

It's dialogue that gives your cast their voices, and is crucial in defining their characters.

It seems that the brain always has to be active, and if the auditory parts of the brain are not getting sufficient input, then they may start to create hallucinatory sounds on their own. Although it is curious that they do not usually create noises or voices; they create music.

It seems to me that all of us, in our own way, have our own personal lagos. We all have within us a voice that is whispering doubt, that is whispering suspicion, that's telling us there's something wrong, there's something missing, there's something that should be different. And we easily become hypnotized by that voice of doubt.

It's extremely important that, as writers, we give a voice to those who don't have voices, including the other animals that we share the planet with and the places that are endangered or being lost.

It's funny," she said, with a strange hitch in her voice, "but I never wanted to be tied to anyone. Never wanted to be owned or to belong to another person. But now I realize that belonging with someone is completely different. I belong with you, Con." "And I with you." He kissed her, sealing them together with a bond she didn't mind, and one that would never be broken.

It's funny because the voice-over world is definitely another career. It's another outlet to be creative. But, I'm just not invested, in the way that I am with film and television.

It's good to find common ground with people. When you find common ground and you see things from other people's perspective, you can have a voice in their lives, you can have an influence.

It's great to win a few prizes early on. It helps a writer to get noticed and to get some sales. It can also be a pain in the arse because it gets in the way of the quiet, contemplative time every writer needs, but which is particularly important when you are a new writer finding your own voice, and pursuing the things that interest you.

It's hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.

It's important that I get time to run, to just go for a jog for about 30 minutes. It helps with my voice, but it also kind of gives me a little bit of time to myself - and you get to see a city.

It's incredible when women tell me that they've read things that I've said or have been inspired by things that I've done. To hear them say that because of something I did, they felt more positive about themselves and or had more of a voice to stand up for things that were right. It's been empowering for me to be able to help other women feel that way about themselves.

It's important to have a non-nostalgic view and say, let's look forward, because if we don't, all we'll hear are voices telling us to go back.

It's incumbent on good public servants to maintain their voices and originality of thinking.

It’s much better to be a tribal writer, writing for all people and reflecting many voices through us, than to be a cloistered being trying to find one peanut of truth in our own individual mind. Become big and write with the whole world in your arms.

It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.

It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.

It's like the most profound accomplishment that I've had in my career, that I can finally be that voice.

It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.

It's nice when they notice the deep voice from across the house, and they know it's papa. They know it's Dad.

It’s not about finding your voice, it’s about giving yourself permission to use your voice.