Best 4756 quotes in «voice quotes» category

God is not looking for incredibly high notes, intricate riffs or award winning ad-libbing. God is looking at the heart.

God wants His people to be a voice in the wilderness

Had I raised my voice at that time, To save me from the pain I am in!

Had she been an old woman who long ago in her youth sang beautifully, one might have said that she had learned to use the diminished nature of her voice to maximum effect, that it was a lesson in how to live with damage, how to make peace with it and use it for what it can do. But she was not an old woman.

He had a clear, lyrical voice and his songs remained in her ears long after the music had ended.

Her laughter changed her voice from wind chimes to the jingling of sleigh bells.

He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.

Her voice was like a portrait of her soul: wild as a fire, sharp as shattered glass, sweet and clean as clover.

Her voice makes perfume when she speaks, Her breath is music faint and low.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

Hello, Rylan,"Ivy greets me. Even with her transformation, her voice still has that magical quality about it. Her white arms wrap me in a hug, which I return. Throughout the room, I can hear disappointed sighs; the crazy-hot babe is taken.

Her voice is still pitched high, thanks to her youth, but it has a certain incipient darkness to it, a low richness that will mature in the coming years to the smoky tones of a priestess or a queen -- a woman of great natural power.

He [satan] vies for the bedside position, hopping to be the first voice you hear. He covets your waking thoughts, those early, pillow-born emotions. He awakes you with words of worry, stirs you with thoughts of stress. If you dread the day before you begin your day, Mark it down; your giant has been in your head.

He spoke in a trembling voice that didn’t seem to be entirely in sync with the movement of his lips. That’s because sound travels slower in halitosis.

He was dimly angry with himself, he did not know why. It was that he had struck his wife. He had forgotten it, but was miserable about it, notwithstanding. And this misery was the voice of the great Love that had made him and his wife and the baby and Diamond, speaking in his heart, and telling him to be good. For that great Love speaks in the most wretched and dirty hearts; only the tone of its voice depends on the echoes of the place in which it sounds. On Mount Sinai, it was thunder; in the cabman's heart it was misery; in the soul of St John it was perfect blessedness.

His voice was deep, like a storm coming, but gentle, like the rain ending.

His body walks out onto the darkened stage , and a roar goes up from the crowd. He stands in front of the mic, and he can feel his face twist in a sneer-the Elvis sneer from his dreams-though he never told it to move. He is powerless now, a spectator at his own moment of glory.

His voice as smooth as silk, Grant started into his standard crowd-pleaser: Sinatra’s 'My Kind of Town.

His voice is muddy, that's what it is. Dark and brown and muddy. A note to it like coffee left too long on the burner. And unsweetened, bitter chocolate. But there's dirt in it too, deep, dark dirt, like the garden in October.

His voice was a deep and quiet rumble. It made me think of a freshly tuned tractor engine.. He didn't sound illiterate, but he didn't sound educated. In his speech as in so many other things, he was a mystery. Mostly it was his eyes that troubled me - a kind of peaceful absence in them, as if he were floating far, far away.

How strange it would now — like speaking without a voice. Is that what music is then, a ventriloquist with his doll ?

How she would push her identity further down into a cacophony of fiend-infested darkness where she couldn't hear her proper voice anymore, just pleasing those who demanded a distorted version of her.

I don’t remember his face or the place we ate. I only remember how he grabbed my hand and his voice when he spoke of his dad.

I am a story-teller, even a story-teller of renown. May I add now that I am not much to look at? No, I am serious. My face is hideous. A look at me reminds one of a little finger – brown - enlarged to the proportions of a human body, wrapped two thirds down with a cloth about the loins, the entire frame resting on two wobbly knees. I was born bald and not a single strand of hair has ever sprouted on this miserable head. Think of me as a faceless man; in fact, I would rather you think of me as just a voice.

I am hearing a more resounding voice in the spirit saying,God is changing the guard in the Nigerian church.

I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.

I'd had much practice turning my mind away from certain memories of my childhood. I could quickly dial her remembered voice from a whisper to a silence.

I do not care what I labeled, as long as I am heard.

I aim to be lionhearted, but my hands still shake and my voice isn’t quite loud enough.

... I deny your right to put words into my mouth.

I don’t know why everyone is still trying to find out whether heaven and hell exist. Why do we need more evidence? They exist here on this very Earth. Heaven is standing atop Mount Qasioun overlooking the Damascene sights with the wind carrying Qabbani’s dulcet words all around you. And hell is only four hours away in Aleppo where children’s cries drown out the explosions of mortar bombs until they lose their voice, their families, and their limbs. Yes, hell certainly does exist right now, at this moment, as I pen this poem. And all we’re doing to extinguish this hellfire is sighing, shrugging, liking, and sharing. Tell me: what exactly does that make us? Are we any better than the gatekeepers of hell?

If by years of patient suffering, God can manage to take the harshness out of my voice, then the time has been well-spent.

If we can only be still, we shall behold, the beauty of a still voice.

I felt his voice. Fingers rubbing moss. Smoke curling. Wood worn and smoothed over time. His voice had darkness in it that hovered close to the ground, like a mist hanging over a lake deep in a forest at dusk. A bolt of sea-green velvet. A sensation as much as a series of sounds. It reverberated inside me.

. . . I had on . . . black jeggings under a fitted, sleeveless, flowered dress, so he could see my true shape as well as my eclectic style, which gave the middle finger to the coldness of winter.

If your altar is not active, your voice will not be strong

I hear your voice, and all feels right with the world again.

I hear the fear and hope fighting in my voice.

I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone. Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.

I lost my voice and my best friend too On swift, fierce winds and wings of blue, The cold rain fell where beams had shone, So I wrapped up tight and safe. Alone. But I missed my friend, I missed my voice, And my heart still whispered of another choice To break out of my binding, safe, and warm, And see what the world looked like after the storm. So I struggled free and was greeted by Colorful brushstrokes across the sky, The melody of the summer breeze And blue wings like mine in hazel trees. On the soft, sweet air of the mountain glade, We gathered together in cool, green shade, And told our stories, beginnings to ends, And found our song in the hearts of new friends.

In a snow-white field near Moscow, I want you above all to hear how sad my living voice is.

I just want your voice aimed at me again. I want to absorb the direction of your eyes…

I like your voice the most in this world.

I looked at him and the other two people whose names I’d just learned. “So . . . so this is home then?” Akinli looked at me, perplexed, then turned to Ben and Julie. “She said some girls left her here and told her it was home. That’s all she knows. She doesn’t even know you.” Julie wiped at her tears, trying to calm herself. He moved his eyes back to me as quickly as he could manage. “Kahlen? You remember me, right?” I stared into this face, searching for something familiar. I didn’t recognize the angle of his chin, the length of his fingers. I didn’t know the slope of his shoulder or the shape of his lips. “Akinli, right?” I asked. This poor boy. I pitied him in the depths of my heart. Clearly, he’d already been going through something, and I could see the last scrap of fight he had in him dying with those words. “Yes.” “I don’t remember ever seeing you before in my life. I’m sorry.” He pressed his lips together as if he was swallowing the urge to cry. “But,” I said, “I know your voice. I know it as if it were my own.

In most cases, verbal prayer alone does not change anything; when actions are branded with prayer, wonderful things happen. Actions alone do not make it as well; they lead to success when guided to labour by answered prayers. Pray and work!

I’m fulfilling my calling when I raise my voice concerning injustice

I’m fulfilling my calling when I raise my voice for the truth

I’m fulfilling my calling when I raise my voice high

In facing our shattered life stories, we must reach deep inside our pain -- for it is here that we can break our silence and find our new voice.

In solitude, you listen to sacred voice.