Best 4756 quotes in «voice quotes» category

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    I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.

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    I never violate an inner rhythm. I loathe to force anything. I don't know if the inner rhythm is Eastern or Western. I know it is essential for me. I listen to it and I stay with it. I have always been this way. I have regards for the inner voice.

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    I never took any kind of vocal lessons or teachings of how to - I never even took piano lessons. And a voice just came to me and said, go play the piano in the church.

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    I never thought of myself as an impressionist, so when I do audition for voice-matching things, I have to work really hard and do a lot of listening and trial-and-error.

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    I never want to know the range of my voice. It has to be impulsive, and I don't want to kill the mystery.

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    I never wanted to sound clean and pretty. I always wanted to have kind of a certain natural quality to my voice, and I wish it were more rough than it is.

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    In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear.

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    In every moment God expresses Himself in, as, and through you. Built into you is an internal guidance system that shows you the way home. This is the voice that speaks to you always of your highest choice, that places before you your grandest vision.

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    In every generation there are voices that question the authority of Scripture. So in one sense this is merely part of the continuing stream. But there's a sense in which the questions that are raised against Scripture vary a wee bit from generation to generation.

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    In general, even if I'm dealing with a historical subject, I begin with invention rather than investigation, because I need to understand what is going to be the voice or the tone of the story.

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    In grad school, a friend and I gave ourselves the task of writing poems in the voice of Beyoncé and Lady Gaga after they did the collaboration for "Telephone." I just kind of kept going. That was quite a while ago - Beyoncé meant something very different then than she does now.

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    In her own special, provocative language, Tonya Bolden gives a voice to the voiceless, a name to the nameless. Revelations abound in Strong Men Keep Coming, her singular take on the endless parade of black men who have fought, sung, cajoled, tricked, worked, wrote, or roped their way into the American experience . She has assembled a most rewarding cast, a phenomenal coterie of role models and phantoms, and she has done a splendid job of telling their stories.

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    In law, what plea so tainted and corrupts, but being seasoned with a gracious voice obscures the show of evil.

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    In its power, clarity and shear beauty, Mack Bailey's voice reminds me of no one more than my friend, the late John Denver. I love to hear this man sing.

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    In live action, you go scene by scene, but in voice over you go line by line. In voice over you do a lot more takes.

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    In life, finding a voice is speaking and living the truth. Each of you is an original. Each of you has a distinctive voice. When you find it, your story will be told. You will be heard.

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    In many ways, Eulah-Beulah prepared me for literary criticism. After having a two-hundred-pound babysitter fart on your face and yell Pow!, The Village Voice holds few terrors.

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    In modern societies, some members of ethnic minority groups do not want to feel compelled to heed the voices of their communities when participating as citizens.

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    In my dressing room, you'll definitely find some Starbursts and Skittles. I have a lot of candles that remind me of home, and a humidifier for my voice. I also have some digital Kodak albums where I have pictures of my friends and family.

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    In my run-ins with Christians... I find that they really are good moral people. And we overlap on everything, and they don't seem to be the kind of people that are waiting to hear voices to tell them what to do.

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    In my ugly, elitist opinion we are not all entitled to voice our opinions, we are entitled to pass along our informed opinions.

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    In my world there's no room for hate or discrimination in the White House. I will be an outspoken voice against that every time.

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    In nearly everything I write, I am like a ventriloquist, throwing my voice into my characters, animating them by the slightest twitch as I register my anxieties and alarms. This is true even in my comedies.

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    Innocence has a single voice that can only say over and over again, "I didn't do it." Guilt has a thousand voices, all of them lies.

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    In Nigeria, if you say you're a singer, people say, 'So what? Everyone sings.' In Germany, my voice stood out more.

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    I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.

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    In order to be a lieutenant, you've got to have authority in your voice. No matter how young your face looks, you've got to let your guys know that you're in charge.

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    In order to have your voice be heard in Washington, you have to make some little contribution.

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    I notice the older I get, the more my speaking voice turns people around. Even if they have no idea who I am, they know they've heard this weird nasal disaster somewhere before.

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    I noticed whenever you call information, 411, there's always a computer voice, and they go, 'What number would you like? City and state, please.' 'Yeah, I'd like the number of Macy's in Century City, California.' 'Did you say 'pretzel nuggets'?

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    In our marginal existence, what else is there but this voice within us, this great weirdness we are always leaning forward to listen to?

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    In reality, there is only one true prayer, only one substantial prayer: Christ himself. There is only one voice which rises above the face of the earth, the voice of Christ. Prayer is oneness with Christ.

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    I noticed the plants growing around me. Tall with leaves like arrowheads. Blossoms with three white petals. I knelt down in the water, my fingers digging into the soft mud, and I pulled up handfuls of the roots. Small, bluish tubers that don’t look like much but boiled or baked are as good as any potato. “Katniss,” I said aloud. It’s the plant I was named for. And I heard my father’s voice joking, “As long as you can find yourself, you’ll never starve.

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    In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story.

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    Inside the museum infinity goes up on trial. Voices echo, 'This is what salvation must be like after a while.' But Mona Lisa must have had the highway blues; you can tell by the way she smiles.

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    In saying my prayers, I discovered the voice of an innermost self, the raw nerve of my identity.

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    In recent years it has become impossible to talk about man's relation to nature without referring to "ecology"...such leading scientists in this area as Rachel Carson, Barry Commoner, Eugene Odum, Paul Ehrlich and others, have become our new delphic voices...so influential has their branch of science become that our time might well be called the "Age of Ecology".

    • voice quotes
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    In Ronan's hand, the mask was as thin as a sheet of paper, still warm from Adam's gasped breaths. Orphan Girl buried her face in his side, her body shaking with sobs. Her tiny voice was muffled: "Tollerere me a hic, tollerere me a hic..." Take me away from here, take me away from here.

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    In singing and dancing is the voice of the Law.

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    In singing, what my voice lacked in quality it made up in volume.

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    In some traditional African dances, people wear masks in order to become the embodiments of particular spirits. I have heard that they often cover the mouth-piece with spider webs or something that resonates, so that their voice gets distorted, ceasing to be the voice of a human and becoming representative of a voice that comes from another world.

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    In some ways, you get to find your voice better in [a sequel] because you have to define how you're doing it differently.

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    In some ways, I've always approached singing as acting, and the voice is just like a way of carrying the song.

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    In television, the creator is really the voice...

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    Insurrection: Insurrection as soon as circumstances allow: insurrection, strenuous, ubiquitous: the insurrection of the masses: the holy war of the oppressed: the republic to make republicans: the people in action to initiate progress. Let the insurrection announce with its awful voice the decrees of God: let it clear and level the ground on which its own immortal structure shall be raised. Let it, like the Nile, flood all the country that it is destined to make fertile.

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    In suffocating the voice of conscience, passion carries with itself a restlessness of the body and the senses: it is the restlessness of the "external man." When the internal man has been reduced to silence, then passion, once it has been given freedom of action, so to speak, exhibits itself as an insistent tendency to satisfy the senses and the body.

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    In terms of drama school, what that will give you that you won't necessarily learn on a film set is the technical ability - ie, projecting your voice and stage craft.

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    In the adjustment of the new order of things, we women demand an equal voice; we shall accept nothing less.

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    In the 18th century we knew how everything was done, but here I rise through the air, I listen to voices in America, I see men flying- but how is it done? I can't even begin to wonder. So my belief in magic returns.

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    In the 20s, you were a face. And that was enough. In the 30s, you also had to be a voice. And your voice had to match your face, if you can imagine that.