Best 4756 quotes in «voice quotes» category

Do the other kids make fun of you? For how you talk?' 'Sometimes.' 'So why don't you do something about it? You could learn to talk differently, you know.' But this is my voice. How would you be able to tell when I was talking?

During these hard times in the world we should always remember to keep our families and friends close.

Echo of the waves appears in the sky, their lights reflected in your eyes. I'm back in our world and happy again. The sound of your voice, compassionate embrace... The power in your touch, serenity of stride... The beating of your heart calms down my presence, gracing with eternal peace of mind... Bathing in the sunshine of your arms I'm deeply aware of the melodic stream that has no language...gliding beneath the quiet Heaven of your eyes...

Erase it from words. Give it no voice. Never speak of it again. Assume its death. Rip off its page, let it slide to the floor.

Ever heard someone's voice and it sounded like nails on a chalkboard? I finally know what that feels like.

Gankis lifted an arm to point at the distant shale cliffs. "And in the face of it there were thousands of little holes, little what-you-call-'ems..." "Alcoves," Kennit supplied in an almost dreamy voice. "I call them alcoves, Gankis. As would you, if you could speak your own mother tongue.

Every voice has its own beauty.

For scapegoating to occur, a community must agree on a target who can be blamed for anything that goes wrong. Sometimes a community just needs someone to BE wrong all the time, so they can know they are right. It really doesn’t matter if the person is actually guilty or wrong, as long as everyone agrees on it. That agreement allows the community to act against the scapegoat and feel justified. They can hate, abuse, ridicule, neglect, expel, wound or kill the scapegoat and actually experience feelings of joy and well-being afterward.

For the soul-wounded woman. Your healed voice is my favorite sound. Your hurts, they walk right into our hearts; but your story of healing --- that can change lives. Never be afraid to find and use your voice.

Every Nigerian must begin to raise their voice against our societal failures and call them as such at every juncture. In this way we could all bring about a modern, progressive and civilized society.

Forget your voice, sing! Forget your feet, dance! Forget your life, live! Forget yourself and be!

For Milady was well aware that her most seductive power was in her voice, which could run skilfully through the whole scale of tones, from mortal speech, upwards to the language of heaven.

for someone Special person is only that one Whose voice heart doesn't want to listen just last time but wish to listen till the last time

From time to time, we all must go unto a landscape—be it inner or outer landscape—where there are no hiding places. Allowing the stark awe and silence to aid us in both communing and confronting the depth of ourselves. We fear emptiness because we know that within those places of nothingness we will come face-to-face with who we are and gaze into the internal mirror. But what is the alternative? Shall we go our entire life without hearing our own voice . . . without ever having met who we are when isolated from all?

Had I raised my voice at that time, To save me from the pain I am in!

God is not looking for incredibly high notes, intricate riffs or award winning ad-libbing. God is looking at the heart.

God wants His people to be a voice in the wilderness

Had she been an old woman who long ago in her youth sang beautifully, one might have said that she had learned to use the diminished nature of her voice to maximum effect, that it was a lesson in how to live with damage, how to make peace with it and use it for what it can do. But she was not an old woman.

He had a clear, lyrical voice and his songs remained in her ears long after the music had ended.

Hello, Rylan,"Ivy greets me. Even with her transformation, her voice still has that magical quality about it. Her white arms wrap me in a hug, which I return. Throughout the room, I can hear disappointed sighs; the crazy-hot babe is taken.

He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.

Her laughter changed her voice from wind chimes to the jingling of sleigh bells.

Her voice makes perfume when she speaks, Her breath is music faint and low.

Her voice was like a portrait of her soul: wild as a fire, sharp as shattered glass, sweet and clean as clover.

Her voice is still pitched high, thanks to her youth, but it has a certain incipient darkness to it, a low richness that will mature in the coming years to the smoky tones of a priestess or a queen -- a woman of great natural power.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

He [satan] vies for the bedside position, hopping to be the first voice you hear. He covets your waking thoughts, those early, pillow-born emotions. He awakes you with words of worry, stirs you with thoughts of stress. If you dread the day before you begin your day, Mark it down; your giant has been in your head.

He spoke in a trembling voice that didn’t seem to be entirely in sync with the movement of his lips. That’s because sound travels slower in halitosis.

His body walks out onto the darkened stage , and a roar goes up from the crowd. He stands in front of the mic, and he can feel his face twist in a sneer-the Elvis sneer from his dreams-though he never told it to move. He is powerless now, a spectator at his own moment of glory.

He was dimly angry with himself, he did not know why. It was that he had struck his wife. He had forgotten it, but was miserable about it, notwithstanding. And this misery was the voice of the great Love that had made him and his wife and the baby and Diamond, speaking in his heart, and telling him to be good. For that great Love speaks in the most wretched and dirty hearts; only the tone of its voice depends on the echoes of the place in which it sounds. On Mount Sinai, it was thunder; in the cabman's heart it was misery; in the soul of St John it was perfect blessedness.

His voice as smooth as silk, Grant started into his standard crowd-pleaser: Sinatra’s 'My Kind of Town.

His voice was deep, like a storm coming, but gentle, like the rain ending.

His voice was a deep and quiet rumble. It made me think of a freshly tuned tractor engine.. He didn't sound illiterate, but he didn't sound educated. In his speech as in so many other things, he was a mystery. Mostly it was his eyes that troubled me - a kind of peaceful absence in them, as if he were floating far, far away.

His voice is muddy, that's what it is. Dark and brown and muddy. A note to it like coffee left too long on the burner. And unsweetened, bitter chocolate. But there's dirt in it too, deep, dark dirt, like the garden in October.

How she would push her identity further down into a cacophony of fiend-infested darkness where she couldn't hear her proper voice anymore, just pleasing those who demanded a distorted version of her.

How strange it would now — like speaking without a voice. Is that what music is then, a ventriloquist with his doll ?

If we can only be still, we shall behold, the beauty of a still voice.

I am a story-teller, even a story-teller of renown. May I add now that I am not much to look at? No, I am serious. My face is hideous. A look at me reminds one of a little finger – brown - enlarged to the proportions of a human body, wrapped two thirds down with a cloth about the loins, the entire frame resting on two wobbly knees. I was born bald and not a single strand of hair has ever sprouted on this miserable head. Think of me as a faceless man; in fact, I would rather you think of me as just a voice.

... I deny your right to put words into my mouth.

If by years of patient suffering, God can manage to take the harshness out of my voice, then the time has been well-spent.

I felt his voice. Fingers rubbing moss. Smoke curling. Wood worn and smoothed over time. His voice had darkness in it that hovered close to the ground, like a mist hanging over a lake deep in a forest at dusk. A bolt of sea-green velvet. A sensation as much as a series of sounds. It reverberated inside me.

I aim to be lionhearted, but my hands still shake and my voice isn’t quite loud enough.

I am hearing a more resounding voice in the spirit saying,God is changing the guard in the Nigerian church.

I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.

I'd had much practice turning my mind away from certain memories of my childhood. I could quickly dial her remembered voice from a whisper to a silence.

I do not care what I labeled, as long as I am heard.

I don’t know why everyone is still trying to find out whether heaven and hell exist. Why do we need more evidence? They exist here on this very Earth. Heaven is standing atop Mount Qasioun overlooking the Damascene sights with the wind carrying Qabbani’s dulcet words all around you. And hell is only four hours away in Aleppo where children’s cries drown out the explosions of mortar bombs until they lose their voice, their families, and their limbs. Yes, hell certainly does exist right now, at this moment, as I pen this poem. And all we’re doing to extinguish this hellfire is sighing, shrugging, liking, and sharing. Tell me: what exactly does that make us? Are we any better than the gatekeepers of hell?

I don’t remember his face or the place we ate. I only remember how he grabbed my hand and his voice when he spoke of his dad.

I hear your voice, and all feels right with the world again.

. . . I had on . . . black jeggings under a fitted, sleeveless, flowered dress, so he could see my true shape as well as my eclectic style, which gave the middle finger to the coldness of winter.