Best 4756 quotes in «voice quotes» category

I was never afraid to step out and make a decision. It might have been the wrong decision. I'm not afraid to tell somebody if I think they're wrong, as long as I know that I'm right. I would always try to make sure that I was right and then I'd voice my opinion.

I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.

I wasn‘t—" I began. I didn‘t—" He began. How charming," V‘lane cut us off. His voice arrived before he did. "The very portrait of human domestic bliss. She‘s on the floor, you‘re towering over her. Did he strike you, MacKayla? Say the word and I‘ll kill him.

I wasn't so stupid that I didn't realize the implications of what they were saying. In my live work I was going for the quick thrill, rather than spending time concentrating on my voice. I figured I'd get on, make as many quick movement as possible, dance my ass off for five minutes, move into the insult portion of the evening, and then, at the end, create some kind of chaos until the 55 minutes were up.

I wasn't the typical pageant girl - I was a little more nerdy, and they gave me a voice. I created the Queen of the Universe pageant, which is charity-based, to benefit UNESCO. For me, the most important thing is that contestants have a charity-based platform or charity ambition.

[I was] particularly eager to give voice to the women of my mother's place and generation, who grew up in turn-of-the-century, privileged New England households, who really never had a chance to flower and assess themselves and find out who they were. More than anything, I wanted to give voice to the sort of anger that women of that generation could never express for themselves.

I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.

I was raised in a family where none of us ever raised a voice, so there was no room to express feelings of rage or even unabashed joy - a little bashed joy, here or there, or being mildly disgruntled.

I was so shy and so quiet, and the only time I had my own voice and I could really connect with people was when I was singing or on stage.

I was summoned by my Country, whose voice I can never hear but with veneration and love.

I was the original voice of Mattels Barbie for an 80s claymation workout video.

I was the world's smallest man, covered in freckles with a squeaky, scratchy voice. And I still am, but I've learned to love myself.

I was trying to do something that seemed very natural and easy but which bridged that gulf between the singing voice and the speaking voice.

I was very frightened when I turned forty. I suddenly thought I ought to wake up and be speaking with the voice of God.

I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.

I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.

I watch 'The Voice' and 'American Idol,' and I sit in my Brookstone foot massager. It's so exciting at my house.

I watched him, and I watched him die, and it was so painful for me, because I really loved Freddie Mercury, the way that he just truly went with his voice.

I went through voice coaching. I was absolutely terrified. I thought my knees were going to buckle, and the first couple of takes I sounded like a pubescent boy. I didn't realise I was going to have to do it live.

I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.

I went home each night dizzy and sick. He was murdering me with the sound of his voice.

I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.

I went from doing something that was very original, sort of subversive, and specific in its voice - The Grinder - and loved every minute of it, but having done that, I was anxious to do something that had more broad appeal and to embrace the good things about that.

I went through a period of pulling away from everything - acting, people - not sure if I would ever have a voice in this business.

I went to school. I went to Juilliard. You spend 13 hours a day on voice and speech. Now I realize why.

I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.

I went up on stage, and said, "Why did the chicken cross the road? To check out the chicks." I was a genius at 10. Try telling that at 21, and you look hacky and stupid. That was the only joke I've ever told. Everything since has been character voices, doing impressions or just telling stories.

I will never forget Oprah's [Winfrey] major contribution to my success by having me perform on her show (March '91) and introducing me as, "the voice that brought her out of the shower!

I will go down as the voice of this generation, of this decade, I will be the loudest voice.

I will neither yield to the song of the siren nor the voice of the hyena, the tears of the crocodile nor the howling of the wolf.

I will find her." "And when you do?" Roger asked. "I will make her mine," the warrior answered in a hard, determined voice. "She will be mine." The vow was made.

I will get to the truth, if not in Ukrainian courts, then in international ones. I will fight to my last breath. They want to put me in prison but that won't help. My voice will be heard even louder from prison than now, and the whole world will hear me.

I will go to the UN General Assembly and, in a clear voice, tell the nations of the world the truth about Iran's terrorist regime, which constitutes the greatest threat to world peace.

I will raise my voice as long as God gives me sound or ability, against this Communistic idea that the Government will take care of us all, and everything belongs to the government. It is wrong!

I will sit here but an hour or two, then leave." I yawn. "So very long as that?" When he answers, there is a wry note in his voice. "I do have my reputation to protect.

I wished for eternal and intriguing muteness. I would be the Mysterious Dumb Girl, the Enigmatic Elf. The human voice no longer interested me.

I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.

I wish I could sing. I don't technically have a terrible voice, but it's certainly not as good as most of my friends. Whenever I hear myself on a record, it just reminds me I'm not a very good singer.

I wish I had time to explain everything I did. Almost everything was done with an eye on the GLBT movement...last week I got a phone call from Altoona, Pennsylvania, and the voice was young, my election gave one more young person, hope

I wish to make add my voice to the cry which rises up with increasing anguish from every part of the world, from every people, from the heart of each person, from the one great family which is humanity: it is the cry for peace!

I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.

I would certainly use my voice to try and avoid anything that undermines confidence, so that parents are using vaccines fully.

I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I worry about my voice 24/7 when I'm on tour. It's like a pitcher and his arm. It's constantly the thing that my whole life revolves around.

I would get in fights a lot. My voice was so heavy, kids would say you sound like a boy, so I would start beating them up.

I would like to sound like James Mason. I reckon if I'd had a better voice I could have been prime minister. It is the most irritating voice in public life.

I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, 'Let's talk about something that matters'.

I would never scream at my kids, never raise my voice. But as they often tell me, they were so well behaved that screaming was not necessary.

I would love to put out music that was just stunning or soul-baring or whatever. But I don't think I have the voice for it.

I would mimic what I saw in Grease and Guys and Dolls in front of my mom's mirror and I would practice voices and songs. When you put me alone in a room, that's what I would do.