Best 18573 quotes in «real quotes» category

I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.

I often suggest that my students ask themselves the simple question: Do I know how to live? Do I know how to eat? How much to sleep? How to take care of my body? How to relate to other people? ... Life is the real teacher, and the curriculum is all set up. The question is: are there any students?

I often wonder whether real conversation in real time may eventually give way to these sanitized and easier screen dialogues, in much the same way as killing, skinning and butchering an animal to eat has been replaced by the convenience of packages of meat on the supermarket shelf… Perhaps future generations will recoil with similar horror at the messiness, unpredictability and immediate personal involvement of a three-dimensional, real-time interaction.

I often get asked by people 'Is your Twitter real?' and things of that nature. I'm never sure how to respond to that. My Twitter account is completely 'real' in that everything I tweet is something I have earnestly thought or something that has actually happened to me.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

I often wonder if there are certain areas of real life that are roped off, with a sign saying, "Art, don't come in here." But that's maybe a deeper question.

I once heard two ladies going on and on about the pains of childbirth and how men don't seem to know what real pain is. I asked if either of them ever got themselves caught in a zipper.

I once picked up a woman from a garbage dump and she was burning with fever; she was in her last days and her only lament was: My son did this to me. I begged her: You must forgive your son. In a moment of madness, when he was not himself, he did a thing he regrets. Be a mother to him, forgive him. It took me a long time to make her say: I forgive my son. Just before she died in my arms, she was able to say that with a real forgiveness. She was not concerned that she was dying. The breaking of the heart was that her son did not want her. This is something you and I can understand.

I once heard my mother tell my sister love only comes at a price, there's no way around it. You give up parts of yourself for love, she said. If that's true, I thought, the cost of our love had risen. And despite wanting to be as real to you as you were to me, I couldn't afford us any longer. We were beyond my means.

I only really watch sport. That's where you see real joy. I don't like watching much else on TV, because it's generally either twisted or sad.

I once had someone say to me in an interview, 'You are more ugly on the screen than in real life.'

I once said, "You cannot go to a 7-Eleven or a Dunkin' Donuts unless you have a slight Indian accent." When Bobby Jindal entered the Republican campaign, my comment should have been covered again, more prominently. I mean, Jindal is not Native American, he's a real Indian.

I only want to fight real champions; I want to fight real opponents, so that I can climb the latter.

I owe much to my friends; but, all things considered, it strikes me that I owe even more to my enemies. The real person springs life under a sting even better than under a caress.

I passed blindly many things which belong to real and political life.

I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.

I only wish I could find an institute that teaches people how to listen. Business people need to listen at least as much as they need to talk. Too many people fail to realize that real communication goes in both directions.

I owe a great deal to Revenge Of The Nerds movie and I loved making it. But I've said this a lot: My character is as far from me as it's possible to be. People feel like they know who he is, and when they see me they just assume that I'm going to be like that guy. For me, to be that kind of anti-social misfit was something that I found to be a real challenge.

I ought not to doubt the steadiness of your affection. Yet such is the inconsistency of real love, that it is always awake to suspicion, however unreasonable; always requiring new assurances from the object of its interest, and thus it is, that i always feel revived, as by a new convinction, when your words tell me I am dear to you; and wanting these, I relapse into doubt and often into despondency.

I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.

I outline fairly extensively because I'm usually dealing with real events. I don't need to give myself as much information as I used to, but I still like to have two pages of outline for every projected 100 pages of manuscript.

I own a mortgage company and a real estate company funded by the music. Florida is a kinda gold mine.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.

I personally think honestly disclosing rather than hiding ones subjective values makes for more honest and trustworthy journalism. But no journalism - from the most stylistically objective to the most brazenly opinionated - has any real value unless it is grounded in facts, evidence, and verifiable data.

I play a bad boy on television, but in real life I have a passion for nature and nature conservancy, specifically bird rehabilitation.

I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.

I play a lot of sports. I'm not real good at any of them. I'm above adequate.

I played a security guard, and I think it was in the State Department. This was my first acting role, really, and I remember rehearsing it on the couch with my girlfriend at the time. I had a real problem with saying the word "incendiary." Most of my rehearsal was spent on pronouncing the word "incendiary.

I play Hank Hansen, a real guy. Youd be amazed at how much information they have on this guy: personality traits, nicknames, favorite color, you name it.

I play Rock Band, which is Guitar Hero times ten. You can play with four people, so when you have parties, you have a real band. Nobody ever wants to sing, so I'm always the one throwing down on the mic.

I play, in real life, Kim, who is actually Marshall Mathers ex-wife as of now. She lies and says she is pregnant because she really wants to keep him and he figures her out.

I played a lot of real normal, straight sessions.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

I poop in the backyard... I wear disposable diapers.

I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.

I play to win, whether during practice or a real game.

I pray that our leaders stop pointing fingers and playing the blame game and seek a real solution for the good of the planet and all who inhabit it.

I pray because I am real clear that what I am doing and how I am doing it is my service, is my ministry, and so I want to be in perfect alignment with my creator. I do not care who you are. If I do not get the okay on the inside, you will not be showing up on the outside.

I prefer to learn everything through music. If you want divinity, the music in every human being and their love for music is pretty much it. It's the big indication of their spirituality and their ability to love and make love, or feel pain or joy, and really manifest it, really be real.

I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.

I presume that each country will have a different response to each joke. But mostly what I've seen is that everyone has the same response. The line about: "He hasn't had this much fun since they burned all those kids at Waco..." I thought that might get a real.... it does in America, it gets a shock, as if they fall back in their seats, but then they still laugh.

I pretty much have made a career out of playing real life people.

I probably am very sensitive for energies that come together at the right moment. And that energy, I like to transform it into a party or a club. Something that becomes real.

I probably drive casting people crazy because I'm not thinking about actors so much as real people.

I probably still haven’t completely adapted to the world. I don’t know, I feel like this isn’t the real world. The people, the scene: they just don’t seem real to me.

I quit my last real job, as a writer at a magazine, when I was twenty-one. That was the moment when I lost my place of prestige on the fast track, and slowly, millimeter by millimeter, I started to get found, to discover who I had been born to be, instead of the impossibly small package, all tied up tightly in myself, that I had agreed to be.

I put a lot of emphasis on how to treat people. The reason for this is simple. The real success of our personal lives and careers can best be measured by the relationships we have with the people most dear to us - our family, friends, and coworkers. If we fail in this aspect of our lives, no matter how vast our worldly possessions or how high on the corporate ladder we climb, we will have achieved very little.

I randomly opened a Bible to the passages in Revelation about being lukewarm. I realized that I had been living lukewarm. I wanted the best of both worlds. I wanted to fit in. And there's nothing wrong with fitting in if it's within God's will, but I wasn't willing to sacrifice the things that I wanted. That's when my faith became real to me.

Iran is not a make-believe country. It is a real country populated by some 75 million people - real people; including, I daresay, a majority who are philosophically and by education inclined toward the modern, secular world, and particularly American values.