Best 18573 quotes in «real quotes» category

I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.

I look real good and feel even better, I make a burlap sack look like a cashmere sweater.

I lose myself in my performances so I wouldn't say that I ever act on stage. I don't find it to be an acting drill for me. I just find it to be something very real that comes from a very gut-driven, honest place.

I lost my phone and I just really didn't look for it. It was the nicest feeling, like six weeks. ... A couple of times I needed to use a telephone, and I was always able to touch someone that had a telephone and say, "Hey, can I use your phone? May I please?" And they'd say, "Sure." And that was it! So it was OK, it was a real vacation. I took a real vacation from myself.

I love a chance to shoot real locations, because in films in the earlier days before people traveled as much, it was exotic to see a film set in Switzerland, and that area has been taken over by CGI, mostly, and fantasy landscapes. It's unusual to see this much landscape, people say it's old fashioned. So what you're referring to is there was that period in the '50s and '60s when there were epics and you saw landscape.

I look upon the giving away of a religious tract as only the first step for action not to be compared with many another deed done for Christ; but were it not for the first step we might never reach to the second, but that first attained, we are encouraged to take another, and so at the last  There is a real service of Christ in the distribution of the gospel in its printed form, a service the result of which heaven alone shall disclose, and the judgment day alone discover. How many thousands have been carried to heaven instrumentally upon the wings of these tracts, none can tell

I love Adele. That's a lead singer; that's the real deal.

I lost my dad back in the fall, and my dad said something to me a long time ago. He said, 'Are you happy with who you are now?' because we just had a real serious talk. And I said, 'Yeah.' He said, 'Then you can't regret what got you to where you are. So whatever you do and whatever mistakes you make, learn from them and grow. And just always treat people with kindness,' which I've tried to do.

I love acting, and it was really important to me to give it a real shot.

I love being in cities with lots of other people, because I'm reminded that there are billions of people like me, and we are each stuck inside of our minds, feverishly trying to crawl out to make connections with other people.

I love art and I find myself at the MoMA all the time. Museums are a real refuge for me. I go to a museum for any break that I have, and I'm very inspired by art.

I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.

I love being vulnerable. It's scary. I feel like the best stuff that I have ever written can come from real vulnerable places.

I love being presented a character that boggles my mind. I have to do a lot of work and explore how I can make the guy absolutely real and absolutely believable to myself. And then, I go to work on doing that for other people.

I love black thighs, you sisters better realize That real hair and real eyes get real guys. So before you makeup your face, you better make up your mind.

I love coaching football, and winning a Super Bowl was a goal I've had for a long time. But it has never been my purpose in life. My purpose in life is simply to glorify God. We have to be careful that we don't let the pursuit of our life's goals, no matter how important they seem, cause us to lose sight of our purpose. I coach football. But the good I can do to glorify God along the way is my real purpose.

I love contemporary poetry because it moves between what we call poetry and what we call philosophy. It joins these fields and makes writing more natural, as in how it is lived in the person. We don’t separate thinking from feeling in real life, so why should we separate it in writing?

I loved 'Fantasia' as a kid because it filled me with wonder, enchantment and awe. It was my first real introduction into classical music. It was totally inspiring to me.

I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.

I loved [Real Madrid]. It was a real experience, playing with a great team. One of the first questions I'm often asked is 'What was Madrid like?' It's got that mystique about it. It's a magical place and a magical team, and everything about it is great.

I loved my friend for his gentleness, his candor, his good repute, his freedom even from my own livelier manner, his calm and reasonable kindness. It was not any particular talent that attracted me to him, or i anything striking whatsoever. I should say in one word, it was his goodness.

I love documentaries, I like observing real people.

I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.

I loved taking off. In my own house, I seemed to be often looking for a place to hide - sometimes from the children but more often from the jobs to be done and the phone ringing and the sociability of the neighborhood. I wanted to hide so that I could get busy at my real work, which was a sort of wooing of distant parts of myself.

I loved the Disney films, and Sterling Holloway was one of their chief talents. He never had to put on a voice, and that's what Mike [Mitchell] and I encourage. I love the voices that have a unique texture, but it's their real voice.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

I loved Hank Kingsley. He was very real to me. There was just something about that character. I really believed him. I didn't think he was a buffoon. I understood the inner workings of him, so I sort of felt sorry for him, the poor guy. He was very important to me.

I loved work and I loved pouring myself into the work, you know. It was the real life that I had trouble with.

I loved you for a long, long time I know this love is real It don't matter how it all went wrong That don't change the way I feel And I can't believe that time's Gonna heal this wound I'm speaking of There ain't no cure for love

I loved them all the way one loves at any age -- if it's real at all -- obsessively, painfully, with wild exultation, with guilt, with conflict; I wrote poems to and about them, I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world -- and in a way I suppose they were.

I love everything about Philadelphia, and its food is like the city itself: real-deal, hearty, and without pretension. We've always had an underdog vibe as a city, but that just makes us try harder, and I love our scrappiness and scruffiness.

I love escaping into character. It's a chance to try on people that you wouldn't be brave or stupid enough to be in real life.

I love free trade, but we need great leadership to have real free trade. And we don't have good leadership. We have leadership that doesn't know what it's doing.

I love histories. I love learning. I love books that talk about people who made a real impact on history, because it always has to do with who they were at that time and what their personalities were like and what their strengths and weaknesses were.

I love horror movies, so it's a real treat to be able to work on a television show of that genre, and have it actually be really, really good.

I love it here in Boston and I love studying medicine. But it’s not home. Dublin is home. Being back with you felt like home. I miss my best friend. I’ve met some great guys here, but I didn’t grow up with any of them playing cops and robbers in my back garden. I don’t feel like they are real friends. I haven’t kicked them in the shins, stayed up all night on Santa watch with them, hung from trees pretending to be monkeys, played hotel, or laughed my heart out as their stomachs were pumped. It’s kind of hard to beat that.

I love independent film making. So much real love and passion go into them and you can feel it while you watch. As for my career, I don't want to be famous. I just want to be a part of as many beautiful, crazy, unique films as possible.

I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.

I love having real conversations with entrepreneurs who have built their companies from the ground up, with nothing but their own drive, passion, and courage, and I'm constantly learning new things as I hear each one's unique journey.

I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards "How did they do that?

I love life - that’s my real weakness. I love it so much that I am incapable of imagining what is not life.

I love Morocco - it's a real challenge to all five senses. You think you know something, and you don't. It's wonderful. It keeps you on your toes that way.

I love making characters real and believable, through my own experience and choices.

I love music that has good catchy choruses and fits into many different genres. ... I like real artists, that write their own material and are great performers.

I love New York. It's kind of perfect. I'm in New York part of the time and in L.A. part of the time. That's always been a goal, to be bicoastal in a real way.

I love playing females that are put into these pressure-cooker situations, but they're real. I didn't want to be this kind of Lara Croft superwoman.

I love putting on an outfit or a costume and just looking at myself in the mirror. Baggy pants or some real funky shoes and a hat and just feeling the character of it. That's fun to me.

I love playing these characters that are crazy tough, though. Because I am not in real life. Not at all.

I love saying 'yes' and I love saying 'please.' Saying 'yes' doesn't mean I don't know how to say no, and saying 'please' doesn't mean I am waiting for permission. 'Yes please' sounds powerful and concise. It's a response and a request. It is not about being a good girl; it is about being a real woman.

I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about-POW! PIE IN THE FACE! The bust-up of certainty.