Best 18573 quotes in «real quotes» category

As a kid, I said, 'I want to write for movies.' When I finally had that opportunity it was like I was able to exhale. 'Wow, I'm finally doing this for real.

A saint is Christ's bride, totally attached, faithful, dependent. A saint is also totally independent, detached from idols and from other husbands... A saint is higher than anyone else in the world. A saint is the real mountain climber. A saint is also lower than anyone else in the world. As with water, he flows to the lowest places - like Calcutta.

As a kid growing up in the back streets of Dublin I used to pretend I was playing in the World Cup with my mates out on the streets, and now I will be doing it for real.

As a kid, I grew to define what I didn't want my life to be like by sitting behind moaning women on the bus, hearing them bang on about their aches and pains, both real and imagined.

As a little girl I used to daydream about my real father coming on a white horse to rescue me.

As an actor going into screenwriting, I was able to understand what type of dialogue feels natural. A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.

As an actor, I function from a place of compassion and empathy - you have to believe 100 percent what your character is doing, because otherwise it will look like it's not real.

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.

As a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing,but does only and wholly what he must do.

As a live stand-up comedy performer, I have the benefit of choosing real entrance music.

As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.

As an actor, I relish and delight in doing things that I'm not necessarily the demographic for. This is a demographic that is touching the psyche of a certain age group, facing the real internal questions of people who are going through rites of passage into adulthood. It's earth-shaking stuff.

As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.

As an actor, you are aware of how a role can seep into your real life.

As an adult after college and as an artist I thought about what was real, what sustained me - it was Christian Science. I was using that when I didn't know it. Saying yes to the Light and your better instinct.

As an astronaut, when you're getting ready to go out of that hatch, you know that's the pinnacle of both your career and your life. The view completely blows you away. The real challenge is getting past the excitement and getting focused and down to work.

As an advocate for kids for over twenty years, I have watched things change since I was in school. Thankfully, this book made me face what I intuitively knew was real but pretended wasn't: The youth of our culture have been deeply wounded by our collective neglect and adult-driven self-focus. Young people need adults to understand what they are going through and people to care about them without a personal agenda. This book was very helpful to me, and my attitude toward teens will never be the same.

As an actor, you can do what you want with your role. That's why they hire you; to take the role and make it real.

As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.

As a native Washingtonian, I am well aware that childhood obesity is a real problem in our nations capital.

As an actor, the minute you start getting real in interviews, you lose mystery.

As an actress you're perpetually about to be unemployed. That fear - when you have two parents who worked 9-to-5 jobs and went through periods of being unemployed - is real. Those were not welcome times in my childhood. Working 14 hours a day isn't sustainable, but I prefer it to doing fewer films. I might as well be doing the thing that I wanted to do my whole life.

As an American I must say I haven't been very encouraged by the way in which the people who run the government in the United States have been listening to those contrary voices. And so long as the power to run the world lies in the hands of people who are quite happy to see it get warmer, or fuel be used more, then would those people who oppose it are crying in the wilderness - that's the real problem.

As an automobile needs premium fuel to operate well, our bodies need real, fresh food to maintain health. Packaged food creates dis-ease. There’s no nourishment in it. The body can only handle it for so long. Then, when you do have a problem, you usually take an over-the-counter or prescription drug. This is another form of poison.

As a person, I'm pretty much the same except that I've come to terms with who my real friends and supporters are. I don't get particularly friendly with new people at first go.

As an athlete, you'll never feel bad about losing, but what you will feel bad about is underperforming. That's a real thing and it happens a lot when we don't live up to our potential. And that keeps you up at night and can give you years and years of regret. It could be a relationship, it could be a homework assignment, or it could be an athletic competition. If you don't go out and perform to the best of your ability, it will really bother you.

As an improviser, I always find it jarring when I meet someone in real life whose first answer is no. “No, we can’t do that.” “No, that’s not in the budget.” “No, I will not hold your hand for a dollar.” What kind of way is that to live?

As an independent filmmaker, the biggest challenge is finding the money. Whenever you have interest in a film project you need to find investors who are real. I think most independent filmmakers would echo that sentiment.

As an entrepreneur, I knew that if my company failed, I could always try again. So I often felt that the only real risk of true financial ruin came from the possibility of a serious illness that either exceeded my insurance plans lifetime limits, or was not covered due to rescission.

As a reporter having covered him for eight years in the White House, I am sure the media could have done a better job if we had known the real Ronald Reagan.

As a rule, software systems do not work well until they have been used, and have failed repeatedly, in real applications.

As a reader, I want a book to kidnap me into its world. Its world must make my so-called real world seem flimsy. Its world must lure me to return. When I close the book, I should feel bereft.

As a real person, he wouldn't last a minute, would he? But drama is about imperfection. And we've moved away from the aspirational hero. We got tired of it, it was dull. If I was House's friend, I would hate it. How he so resolutely refuses to be happy or take the kind-hearted road. But we don't always like morally good people, do we?

As a producer, it starts when I talk about privacy and silence. It starts before anybody believes in it. And I think that's, you have to have a real sense of self, and in order to push things through. And so often, what's interesting, is how many people dismiss an idea that eventually everybody [gloms] onto. So to me it's, that's what I mean by hard.

As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.

As a son of a man who pretended to be one thing for 33 years of my life and then was another thing, the questions of 'what is real' and 'what is not real' are very blurrily vivid to me.

As a toy fruit or a toy elephant reminds one of the real fruit and the living animal, so do the images that are worshipped remind one of the God who is formless and eternal.

As athletes, we think we're heroes, but when you witness firsthand what I saw yesterday, you realize who the real heroes are.

[As] authorities "over" us are removed, as we wobble out on our own, the question of whether to be or not to be arises with real relevance for the first time, since the burden of being is felt most fully by the self-determining self.

As Australians, we see the law as inherently bad. We have a real inherent distaste for authority in our makeup.

As by the fires of experience, so by commission of crime you learn real morals. Commit all crimes, familiarize yourself with all sins, take them in rotation (there are only two or three thousand of them), stick to it, commit two or three every day, and by and by you will be proof against them. When you are through you will be proof against all sins and morally perfect. You will be vaccinated against every possible commission of them. This is the only way.

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.

As a young performer, I didn't know that you can have a great time playing someone in terrible crisis. The more you know it's not real, the deeper you can go into it. And the easier it is to let it go when it's done.

As a young man... you don't know anything about yourself. And add on to that, you're on the cover of magazines. People are interviewing you about what you think. You feel like a real phony.

As compared with the college politician, the real article seems like an amateur.

A sedentary life is the real sin against the Holy Spirit. Only those thoughts that come by walking have any value.

As debate is rare in the House of Representatives, since nearly all real business is done in the committees, it is very natural that such debate as there is should be very oratorical, should be

A seed has to get buried in the soil for its real form as a plant to emerge. Only through modesty and humility can we grow. Pride and conceit will only destroy us. Live with the firm attitude, 'I am everyone's servant.' Then the whole universe will bow down to us.

As each Sister is to become a Co-Worker of Christ in the slums, each ought to understand what God and the Missionaries of Charity expect from her. Let Christ radiate and live his life in her and through her in the slums. Let the poor, seeing her, be drawn to Christ and invite him to enter their homes and their lives. Let the sick and suffering find in her a real angel of comfort and consolation. Let the little ones of the streets cling to her because she reminds them of him, the friend of the little ones.

A self-made man, if he is made at all, has already won the battle of life. . . . he has learned to resist. He has learned the value of money, and how to refuse to spend it. He has learned the value of time, and how the conversion of it into useful things will make of his life something worthwhile. He has learned to say no, to say no at the right time and then to stand by it. Without resistance, and the self-denial which it often imposes, there is no real happiness. In the quest for happiness man must learn that temptation resisted strengthens the mind and the soul.