Best 18573 quotes in «real quotes» category

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    I have, throughout my private war, been a she, a you,a Donna, a me, and finally, an I....If you sense distance,you're not mistaken; it's real. Welcome to my world.

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    I have to be able to shake my imaginary life from my real life when I walk through the door with my children who immediately need a lot from me. It's actually kind of a relief, especially if it was a dark day on set.

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    I have to be below 140 to really look good. I have to work my legs like crazy. Actually, do you want my real goal? My real goal's always too low. I love the way I look at, like, 128.

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    I have to admit I've rarely been happier in my life. I have been absolutely thrilled to be back in New York and living a block from where I grew up. Just to be back in New York and, quite honestly, away from Hollywood has been an absolute thrill for me. I feel like I'm a real actor again.

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    I have to give props to my stunt double, who is the real deal and gets to do all the fun stuff and make me look good.

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    I have to deal with some dumb folks. It's a real drag.

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    I have to say that in 1981, making those decisions, I felt like I was providing enough freedom for 10 years. That is, a move from 64k to 640k felt like something that would last a great deal of time. Well, it didn't - it took about only 6 years before people started to see that as a real problem.

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    I have traveled with Jessy Dixon for the past several years and never have I been with an artists with more heart. He is the real thing.

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    I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.

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    I have to start my real life soon, before I die of boredom and frustration.

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    I have tremendous respect for fighters and I always tell people that boxing in movies is one thing but when you get into the ring for real, even the worst heavyweight in the world is going to murder you. You've just got to appreciate the pain and the suffering and the glory and skill that goes into what they do. That's why I love the sport so much.

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    . . I have written a couple of screenplays for studios, and each time has been less gratifying than the last. In my experience, they want no real representations of homosexuality, they want no complexity, they are terrified of ambiguity and unanswered questions - they don't know what they want, except that they want to make lots of money. The only freedom I've ever had as an artist has been in the theatre.

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    I heard black people sing and the emotion was overwhelming to me. The power of that with all the built in sorrow and joy was just overwhelming to me as a little kid. It was the real deal.

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    I have very fond memories of the 80s; they were very formative years for me. I certainly remember the Cold War. It was a closer doorstep for the Brits than the Americans, so it was a very real and palpable threat at the time.

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    I have very real concerns about the civil liberties implications of ultimately requiring every resident to submit themselves for compulsory fingerprinting or some other biometric test.

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    I heard somebody open and shut the gate to the barn lot, but I didn't look around. If I didn't look around it would not be true that somebody had opened the gate with the creaky hinges, and that is a wonderful principle for a man to get hold of... What you don't know know don't hurt you, for it ain't real. They called that Idealism in my book I had when I was in college, and after I got hold of that principle I became an Idealist... If you are an Idealist it does not matter what you do or what goes on around you because it isn't real anyway.

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    I heard once that real love doesn't ask what is in it for me; it just gives unconditionally. It just tries to take the weight out of somebody else's pack, lessen his load, and if it gets reciprocated, that's great, but that isn't what you did it for.

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    I have yet to meet the famous Rational Economic Man theorists describe. Real people have always done inexplicable things from time to time, and they show no sign of stopping.

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    I have witnessed firsthand the anguish of this humanitarian tragedy - in Palestine, Iraq, Syria, Pakistan, and other conflict and post-conflict zones. The destruction of lives and hopes, the emotional trauma, and the economic, social, and political marginalization of the displaced, the human insecurity, with real and potentially devastating consequences over generations, in ever-widening arenas of conflict. We can and must ensure the human rights of the displaced. That begins by making their voices heard.

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    I hear all the time that 'unemployment is greatly reduced, but the people aren't feeling it.' When the media, talking heads, the White House and Wall Street start reporting the truth - the percent of Americans in good jobs; jobs that are full time and real - then we will quit wondering why Americans aren't 'feeling' something that doesn't remotely reflect the reality in their lives. And we will also quit wondering what hollowed out the middle class.

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    I hear a lot of cries of socialism and certainly real disguises of "Why should I share my money with these people?" We have to get back to "we." It's important to get back to "we" not just "I.

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    I hear you guys all the time talking about Daniel Bryan, trained by Shawn Michaels. One curious thing to me is, how come you guys never mention William Regal? William Regal did the real work with this young man. Shawn Michaels took $3,000 from him, that's all he ever did.

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    I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.

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    I held a blue flower in my hand, probably a wild aster, wondering what its name was, and then thought that human names for natural things are superfluous. Nature herself does not name them. The important thing is to know this flower, look at its color until the blends becomes as real as a keynote of music. Look at the exquisite yellow flowerettes at the center, become very small with them. Be the flower, be the trees, the blowing grasses. Fly with the birds, jump with a squirrel!

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    I hope Let Me In doesn't encourage it! I mean, vampires might be real! Honestly, I don't know. It's like saying aliens are real. I don't know. We are so tiny in the spectrum of the universe, we're a speck of dust compared to some galaxies, and so who knows what's out there? We barely even know our own - we know more about space than we know about our own sea.

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    I honestly in a lot of ways don't want to sing about my real life, because that's private.

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    I honestly try to have the approach that this is real life, this is the real world that we live in, and I don't really try to shelter [my son] from a lot of things that he's gonna see when he looks out of the window.

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    I hope I would leave a legacy of joy -a legacy of real compassion.

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    I hope many of you will be people that question why things are and why we have to do them the way we have always done them. I hope you will take some risks, exert some real leadership on issues, and if you will, dance along the edge of the roof as you continue for life.

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    I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.

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    I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.

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    I hope that the outside world will realise that Hitler's government has no idea of steering towards war, even though this has often been asserted abroad.  As Adolf Hitler himself has said, Germany has no need of another war to avenge the loss of her military honour, because she never lost that honour.  Germany does not want war of any kind.  Germany wants real and abiding peace.

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    I hope that women everywhere will wear this jewelry and feel the passion and love that is, to me, the real spirit of True Harmony.

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    I hope to go into a poem sober and come out a little drunk. And if I do then that's a real poem.

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    I hope we get a real diversity in perspectives from the good, the bad and the ugly. I love living in London so I hope there are submissions that celebrate the City while also showing that there are many challenges we need to face together.

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    I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.

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    I hope you liked them, Reader; that they did for you what any good story should do--make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know.

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    I intend to explode the myths about myself and get down to the real truth about the legend that is Batman.

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    I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.

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    I invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.

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    I interviewed Johnny Knoxville once. I was kind of scared to interview him because I thought he might be a real jerk, but he was really nice, and I ripped his chest hair out.

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    I imagined that if the surface of the package imitated the colour and texture of the fruit skin, then the object would reproduce the feeling of the real skin.

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    I joined church by myself in a borrowed suit at 13. I had my neighbor's bible. So my walk and my faith have always been very real.

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    I imagine a school system that recognizes learning is natural, that a love of learning is normal, and that real learning is passionate learning. A school curriculum that values questions above answers...creativity above fact regurgitation...individuality above conformity.. and excellence above standardized performance..... And we must reject all notions of 'reform' that serve up more of the same: more testing, more 'standards', more uniformity, more conformity, more bureaucracy.

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    I just can't vote to go to war unless I think there's a real clear-cut American purpose in the war, that we're going to win and that we're not going fight for stalemate.

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    I just don't think that a lot of the time the messages we send kids prepare them for real life.

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    I just encourage everyone to make real music and it will fuel the engine and the machine. Just make it real and put your heart into it. Don't make it because you heard someone on the radio.

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    I just can't stand to look plain, 'cause that don't fit my personality. I may be a very artificial-looking person, but the good news is, I'm very real on the inside.

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    I just don't accept that there is a trade off between trade and democracy ... what we've got now is an institution that has utterly outgrown its roots which were noble... the real difference was the introduction of the euro.

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    I just feel in a lot of ways black people are so much looser and cooler. Just as a culture, it's so much more real.