Best 18573 quotes in «real quotes» category

I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.

I've been arrested a few times, but I've never been in real trouble. Because what I do is art and even if it is illegal, Art is a universal activity, and artists are generally respected.

I've been employed by the University of Helsinki, and that has been paying my bills. Obviously a ''real job'' pays better than most universities will pay, but I've been very happy with this arrangement I get to do whatever I want, and I have no commercial pressures whatsoever doing this.

I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.

I've been in real estate for a long time and I always try to stay on the edge. I'm really excited about the partnership with Trulia because it's centered around technology and the various social engagements it lends itself to. This is real estate going forward with a mobile and social application. It fits my profile and perspective.

I've been in so many love triangles on TV and in real life.

I've been on a real Credence Clearwater kick. I've been collecting their albums on CD -- right now I really like 'I Put a Spell on You.' I don't know who actually wrote it; it might be a traditional, or like, an old blues song, I haven't looked in the liner notes, but it's the first song on their first album. I love all the hits; I mean @#$%&, I like every one of them. I think my favorite song by John Fogerty is 'Have You Ever Seen the Rain?' They're my favorite American band of all time, totally.

I've been really happy just traveling and being Mrs. Johnny Cash all these years. But I'm also really happy and surprised that someone wanted me to make another album, and I'm real proud of what I've done.

I've been real fortunate to be on a lot of great teams.

I've been through hell. It's hard to think you have this life, and then all of a sudden - was it a lie? You're struggling because it wasn't real. But I survived. It was hard, but it didn't kill me.

I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.

..I've been trying to argue myself into thinking these things don't matter, A. Really,I have. But I've lost the argument. And I can't keep having it, when I know what the real answer is.

I've been talking to people all over the country, city council members, grassroots leaders, party leaders, members in Congress - and you know what? The truth is I'll have something to say real soon.

I've come to believe that part of lovesickness comes from this conflict between control and desire. In love we have no control. Our hearts and minds are tormented, teased, enticed and delighted by the overwhelming strength of emotions that make us try to forget the real world.

I've come to realize that real growth of character takes place in the valleys of life.

I've been working as an actress since I was very young, and I know a lot of people who are actors who don't have to deal with having a persona... You know, if you look up the word persona, it isn't even real. The whole meaning of the word is that it's made up, and it's like I didn't even get to make up my own. It can be annoying.

I've come to learn that there is a real difference between men and women. It's genetic.

I've come to the conclusion that the average person can do about four things a day, like four real things a day.

I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.

I've decided as an actor the only, the power I have really is in the performance. It's the only real place I get to sort of communicate.

I've done a bunch of collaborations where it goes well and you finish it, but then you're kind of like, "I just don't like it." And it sits there. It can be awkward, but a real musician understands that you're not always going to make what you want it to be. You can't just polish everything into perfection.

I've done experimental work, I've done real conventional documentaries that were very successful, like Las Madres that was nominated for an Academy Award. And, from that moment on I felt like, "Okay, I can make that. Now where am I going to go?

I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down; it becomes different. It becomes really powerful, and for me, real. It becomes out of control.

I've done a number of things based on real people or true stories or based on books, and I'm a great believer that you have to be true to the script.

I've decided that I am totally against jewelry. So I have all fake. There's no reason to have real diamonds. People think it's real anyway.

I've definitely had my hard partying moments. I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.

I've encountered a lot of people who sound like critics but very few who have substantive criticisms. There is a lot of skepticism, but it seems to be more a matter of inertia than it is of people having some real reason for thinking something else.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

I've even had people tell me that I must not be a Christian because I think climate change is real. But you know, there's nothing in the Bible that says that. The sad truth is that our thought leaders - many of them in the conservative media and politics - are the ones telling us this isn't real, and we are believing them.

I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.

I've found, however, that real change only comes when we let go of the struggle, when we stop trying, and that the greatest key to healing our vision is also the simplest one: expanding our awareness.

I've found that Hollywood's a really honest business. They don't pull any punches. They tell you exactly what you want-I want the fake breasts and the flat car and the big pool. You know, they're real up-front about it.

I've got a clear line between work and real life.

I've expressed concern about the assaults on our institutions, both from external sources - meaning the Russians - and internal sources. And I think this will be a real test of the resilience of our system and its pillars.

I've failed so many times in my life that my recovery time has improved. I'm better at redirecting my attention. I've trained in Radical Aliveness and Core Energetics over the past couple of years and that has allowed me to see how much we project our failures onto others. It has taught me to accept myself. There is real power in owning your truth.

I've found for the last couple of years that the things that I can become most deeply involved with are songs that reflect my real feelings about things and so that what I've been writing about.

I've gone from being a brilliant captain of a TV soccer team to an average rugby player on a real team. I've gotten so used to ruling the roost and just saying whatever the hell I wanted, and I had to get back to reality.

I've got a great support group, real and true friends and I'm moving forward with my life. I was sad and wanted to make things work but I'm completely fine now. I'm moving on.

I've found that if I say what I'm really thinking and feeling, people are more likely to say what they really think and feel. The conversation becomes a real conversation.

I've got a million people telling me why I can't do it. You know, that I'm not a real designer, that I'm not this. I'm not a real rapper, either!

I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.

I've got a solid grounding in history, sociology, anthropology, philosophy, etc etc. That means I actually have a good idea about how societies change and evolve. I know how a lot of them have actually functioned through the years. I can put together a culture that's cool and different, while still being logically consistent, so that it feels real. So many fantasy worlds are either implausible, cookie-cutter, or both. Mine aren't.

I've got to tell you, I've played real characters before and people always bring up this word 'impersonation,' and I'm never entirely sure what it means.

I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook.

I've got my one area I work in and I want to educate people about autism and I also want to improve, you know, animal handling and transport and make a real change out in the field on the ground.

Ive got to get my real skills up; like, I got to get my skills up, cause in case of a crazy catastrophe, I might have to learn how to swim.

I've got two little girls, I'm not scared about sex. I'll teach them, it's not going to kill them. But what could kill them is violence. Guns, drinking and driving, these are the real dangers in our society.

I've gradually fooled myself into becoming a real painter... I really just like to sit in my air-conditioned Rome painting studio surrounded by Medieval and Renaissance architecture and to hold a tube of Alizarin Madder Lake in my artist's hand and marvel at the shiny goop inside.

I've had an unbelievable life. I've been very lucky. You do create your own luck too, you know? I never forget where I'm from. Whenever I pass a building site or see somebody digging a ditch, I always think, 'That's real work.'

I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.