Best 18573 quotes in «real quotes» category

I tell you, Heaven is a real, literal, physical place, a city as material, as physical, as literal as Chicago or London or New York or Tokyo.

I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to be too conscious is an illness — a real thorough-going illness.

I tell young girls, "The world is going to exploit and manipulate your sexuality. If you benefit from that financially, then you are part of the problem." That said, I thought all those parents flipping out over the Video Music Awards were ridiculous - women have been twerking in clubs for 20, 30 years. There's a real lack of awareness about what's going on across many layers of our culture.

I tended to give a book a chance and another chance and another, sometimes seeing it all the way to the end, still hoping for for it turn out different. Maybe I was confused about what you owed a book. What you owed people, for that matter, real or fictional.

I testify that the tender mercies of the Lord are real and that they do not occur randomly or merely by coincidence. Often, the Lord's timing of His tender mercies helps us to both discern and acknowledge them.

It feels better there. In real life you can eventually learn to deal with the pain and trauma, learn to cope on some level, you know? But you can never undo death, and even if you think they deserve it, killing doesn’t take away your pain, just puts you on dangerous ground that can collapse out from beneath you at any time.

I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.

It gets better. It seems hard, you know, I think being different is always gonna be a tough climb. There's always gonna be people that are scared of it. But at the end of the day you give those bullies, those people, that are so ignorant, if you give them the power to affect you, you're letting them win. And they don't deserve that. What you're doing by being yourself is you're keeping it real, and you're being really brave.

It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she'd abandoned it here. Now it's a whisper from the past. Is that what writing amounts to? The voice your ghost would have, if it had a voice?

It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.

It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.

It had been a great career. I mean, how many guys can say they averaged two points a game in their careers? It's too bad he's retiring too soon. The league is going to miss him. The fans are going to miss him. A real classy person and a great guy.

It had the effect of cementing the Anglo-American alliance. What's the good of having bases if when you want to use them you're not allowed to by the home country. It made America realise that Britain was her real and true friend, when they were hard up against it and wanted something, and that no one else in Europe was. They're a weak lot, some of them in Europe you know. Weak. Feeble.

It felt good to be writing in her own room, in her own bed. To get lost in the World of Mages and stay lost. To not hear any voices in her head but Simon's and Baz's. Not even her own. This was why Cath wrote fic. For these hours when their world supplanted the real world.

It gives me real concern to observe ... that you should think it necessary to distinguish between my personal and public character, and confine your esteem to the former.

It has been obvious all along, to anyone paying attention, that the politicians shouting loudest about deficits are actually using deficit hysteria as a cover story for their real agenda, which is top-down class warfare. To put it in Romneyesque terms, it's all about finding an excuse to slash programs that help people who like to watch Nascar events, even while lavishing tax cuts on people who like to own Nascar teams.

It has a sound and rational circulating medium, a real and definite representative of wealth.

It has been a long time since I believed in Reality. I prefer the loveliness and the terror of my subjective experiences to those coldly scientific explanations which in the long run turn out to be no more real, and far less fun, than my own fantasies and musings.

It has always been a peculiarity of the human race that it keeps two sets of morals in stock-the private and the real, and the public and the artificial.

It has long been my personal view that the separation of practical and theoretical work is artificial and injurious. Much of the practical work done in computing, both in software and in hardware design, is unsound and clumsy because the people who do it have not any clear understanding of the fundamental design principles of their work. Most of the abstract mathematical and theoretical work is sterile because it has no point of contact with real computing.

I think about everyone in my life that was harsh with me or who gave me tough love and told me things that I didn't want to hear in that moment; fortunately it ended up being really good for me and I have nothing but respect for them today and those are the people I return to when I need that real honest advice.

I think actually under scrutiny, Hillary's [Clinton] promotion of equal wages at poverty level and of healthcare for children but not for their families, of childcare when there are no jobs, it just doesn't cut it. I think women need a real agenda of justice because women are care-givers, because women are instruments of justice for our families and for our communities.

I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.

I think all actors are on the constant search for a real challenge just to keep things interesting.

I think all kids understand from a very tender age that dinosaurs were real. They really walked around. That instantly sets them apart from monsters. And it instantly makes them safe. Because you can love 'em, and they're never going to bite you. They're not like a dog. They're safer than a pet, in a weird way.

I think a good novel can be a doorstop to despair. I also think the real bravery comes with those who prepared to go through that door and look at the world in all its grime and torment, and still find something of value, no matter how small.

I think a good role model has to be sexy. Real, empowered, self-possessed women are sexy. When you're really in control of your choices, your mood, your body, and your opinions, people find you sexy.

I think a huge part is how we're socialized growing up to see our value and worth as being tied into a relationship and how our culture teaches us a distorted sense of romantic love - can't live without you, can't breathe without you, I'll die without you. As teenage girls we believe that level of emotional intensity and dramatics equates with real love. We're also taught that if we date lots of people, then we're sluts, so at an early age we put all our eggs into one basket, so to speak, and concentrate on "the one".

I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.

I think all of us in the pursuit of more perfect version of the truth and the story need to reckon with what we bring to the story, and I think that I'm confronting that in a very real way everyday. I'm extremely proud of who I am and it's nice to see it celebrated, but if someone were to ask me to list in order the biography, you know journalist comes first.

I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.

I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.

I think a lot of female actors have a real fear of not looking their best. They learn to prize their vanity over a role in which they have to look like a moron. They're worried they'll damage their sex appeal. Thankfully, I have no problem looking like a moron!

I think a lot of people mistake my confidence on stage for cockiness in real life, and that's actually farthest from the truth. When I'm on stage I'm that confident and that cocky, because I have a microphone in my hand, and there's a few thousand people staring at me. And I know they're there to laugh.

I think a lot of people get so obsessed with the wedding and the expense of the wedding that they miss out on what the real purpose is. It's not about a production number, it's about a meaningful moment between two people that's witnessed by people that they actually really know and care about.

I think a lot of philosophers get so absorbed and distracted from the real matters of the world that they get lost in irrelevant sub-details.

I think America just needs to get real when it comes to the way our kids speak and communicate. They need to understand what happens in rap.

I think an erotics of place may be one of the reasons why environmentalists are seen as subversive. There is a backlash now:... [ellipsis in source] take all the regulations away; weaken existing legislation; the endangered species act is too severe, too restrictive; let there be carte blanche for real-estate developers. Because if we really have to confront wildness, solitude, and serenity, both the fierceness and compassionate nature of the land, then we ultimately have to confront it in ourselves, and it's easier to be numb, to be distracted, to be disengaged.

I think anyone loves to play a character that is either evil to a certain extent or has a real definable character flaw. Those are always really fun, and, I think, funny.

I think architecture could be understood as the construction of realities, or the construction of worlds. One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds, and in our case, the realities we create can be as real as concrete. These kinds of ideas, of wild imagination, go into the question of how you make a world.

I think an ashtray is the most fantastically real thing.

I think "artistic" simply means there's more of the creator in the thing. Whether it's painting or song or movie or game, the creator puts more of themselves into the piece, so when the audience see it, they feel something real, they feel something human, they feel something that's like a person.

I think Americas food culture is embedded in fast-food culture. And the real question that we have is: How are we going to teach slow-food values in a fast-food world? Of course, its very, very difficult to do, especially when children have grown up eating fast food and the values that go with that.

I think any film that is based on life or real events you want it to be accurate but what really matters is that it's truthful. That is not always the same thing. You really want to convey the spirit of the enterprise rather than ticking every single factual box.

I think anyone can fall in love, if you're open and you're willing, but the real test is sustaining it after all the excitement has worn off.

I think any actor will tell you that they always assume they'll never work again, so every job becomes important. But Better Call Saul is a real capstone for me, a once-in-a-career opportunity, I think. I'm so happy they decided to invite me to their party. I can't wait to see where it takes me.

I think a painting is more like the real world if it's made out the real world.

I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence.

I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.

I think, at the end of the day, the real antagonist is the brokenness of humanity.