Best 18573 quotes in «real quotes» category

It was bad enough when I thought your ghost was haunting me; I don't think I could handle the real thing.

It was a real dream come true just to get the job [in Moana], and yeah, and we sort of got right to work.

It was a real honor for me to get to be the first woman astronaut. I think it's really important that young girls that are growing up today can see that women can be astronauts too. There have actually been a lot of women, who are astronauts, that that's a career that's open to them.

It was a real revolution. But with one missing feature. That is the feeling in a people that "We have done it once, and if the new lot let us down, we can do it again!" It was that proud, menacing confidence which made the French revolution special. But it's not around in 21st-century Europe. After 1989, the people handed over liberty to the experts. Will they ever want it back?

It was as if personality itself had a 'face'. This non-physical face of personality seemed to be the real key to personality change. It remained scarred, distorted, 'ugly' or inferior the person himself acted out this role in his behaviour regardless of the changes in physical appearance. If this 'face of personality' could be reconstructed, if old emotional scars could be removed, then the person himself changed, even without facial plastic surgery.

It was a very strange, disappointing race in that no one wanted to take it out. That's why I took the lead. I wanted some people to run the real distance and that was frustrating. So I took the pace around the second lap, which in some ways is suicidal...but I wanted the pace to be honest.

It was dirty and hot, and you're on a horse, all day. It was physical work, but there wasn't one of us - cast or crew - who didn't have a smile on our face. Even when it got real hard and tempers would rise because things would get difficult and the day would get late, we all loved the job and loved doing it. When you finished that day of work, everyone was looking around and going, "Yeah, that was a good day, man.

It was both odd and unjust, a real example of pitiful arbitrariness of existance, that you were born into a particular time & held prisoner there whether you wanted it or not. It gave you an indecent advantage over the past and made you a clown vis-a-vis the future.

It was, at last, real life, with my heart safe and condemned to die of happy love in the joyful agony of any day after my hundredth birthday.

It was extremely important to show that Wilde's sexuality was not just some intellectual idea. It was real, and it was about the human body. To just have mentioned it and not shown it would have been, I think, peculiar and wrong.

It was good but it was just a tiny bit uncomfortable because it was a day of lying in the bushes and I think I got a major muscle thing going on there! But it was good. It was fun. That is one of the things you get to do in film that you don't do, or that I don't do, in real life. I can't speak for Dermot [Mulroney]! But it was fun.

It was heavy, and I staggered when I lifted it; but it was strangely satifying to have a real burden upon my shoulders – a kind of counterweight to my terrible heaviness of heart.

It was implicitly supposed that every living thing was distinctively plant or animal; that there were real and profound differences between the two, if only they could be seized.

It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?

It was just cool to see my friends so inspired, and I'm by no means the biggest rapper in the world, but I'm on my way up. I feel like I'm going to keep going and delivering good music every time. It was cool to show people that it's real to do what you want to do.

It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.

It was fun while it lasted, but it never seemed real to me. I could not believe I was in Van Halen.

It was easy to believe, between lessons on Shakespeare and Dickens and Austen, that all of the great stories had already been written by dead Europeans. But every time I saw 'The Outsiders', I knew better. It was the first time I'd realized that real people write books.

It was Frederick Douglass, John Brown, Harriet Tubman, Wendell Phillips - these were the people who made abolition real. Now, none of you guys is in favor of slavery, right?

It was Friday, July 24, 1992, when I stepped on the train. Every year I think of it. I see it as my real birthday: the birth of me as a person, making decisions about my life on my own. I was not running away from Islam, or to democracy. I didn't have any big ideas then. I was just a young girl and wanted some way to be me; so I bolted into the unknown.

It was hard to love my wife and kids because I was all wrapped up in loving only myself. I did what I wanted, when I wanted, without any real concern for them.

It was kind of a beautiful day, finally real summer in Indianapolis, warm and humid - the kind of weather that reminds you after a long winter that while the world wasn't built for humans, we were built for the world.

It was Einstein who made the real trouble. He announced in 1905 that there was no such thing as absolute rest. After that there never was.

It was inevitable: Yankel fell in love with his never-wife. He would wake from sleep to miss the weight that never depressed the bed next to him, remember in earnest the weight of gestures she never made, long for the un-weight of her un-arm slung over his too-real chest, making his widower's rememberences that much more convincing and his pain that much more real.

It was my Fat Elvis period. I was eating and drinking like a pig. I was depressed and I was crying out for help. It's real. And I meant it.

It was most essential for me to have a normal life in the real world as a counterpoise to that strange inner world. My family and my profession remained the base to which I could return.

It was new to play a woman who plays with her sincerity, and who is a seductress, a manipulator and a liar! I was able to compose a character as opposed to being very natural, so it was very interesting for me. It was great to realise that I could be this kind of real woman!

It was not very easy for a woman to impose herself as a modern artist in Germany… Most of our male colleagues continued for a long time to look upon us as charming and gifted amateurs, denying us implicitly any real professional status.

It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.

It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.

… it wasn’t pretend, I wasn’t in a fairytale or a fable. I shut my eyes and absorbed the silent whoomp that always accompanies this revelation. It’s the sound of the real world, gigantic and impossible, replacing the smaller version of reality that I wear like a bonnet, clutched tightly under my chin.

It was real for me and that's all that matters.

It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and just like really honestly being a little bit confused, quite frankly, about Harlem.

It was real Cheyenne. I would get the translations the night before, but it was very difficult because it was not like any other language you would be familiar with.

It was Schopenhauer who made me a philosopher. Real philosophy, I told my appalled colleagues at Auckland, is about sex, death, and boredom. Since then I have expanded my horizons, but I have always retained an affection for the sage of Frankfurt.

It were a real increase of human happiness, could all young men from the age of nineteen be covered under barrels, or rendered otherwise invisible; and there left to follow their lawful studies and callings, till they emerged, sadder and wiser, at the age of twenty-five.

It will be contributing to bring forward the moment in which, seeing clearer into the nature of things, and having learnt to distinguish real knowledge from what has only the appearance of it, we shall be led to seek for exactness in every thing.

It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature.

It was unbelievable. She was standing there, staring at him like he was a real rock star.

It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.

It was very difficult. We don't advertise this much, but those years that we went through were hell. I don't want to overstate the situation, but everything was mortgaged to the hilt, cash was a real problem, and it did limit what we were able to do.

It would be a horrible business, a horrible sort of culture if you didn't have the candy pop as well as the real hard-hitting stuff. And I love some pop music.

It would be a real failure if agreeing that it [abortion] was not an electoral issue provided an alibi for taking it seriously as a public issue.

It would be nice to design a real briefcase - you open it up and it's your computer but it also stores your books.

It would take a God with equal measures of truth, love, and justice to [give us a metanarrative]. Since I had abandoned that faith in God and considered myself secular, that wasn't a real option for me.

It would be very difficult to draw a line between holy wonder and real worship; for when the soul is overwhelmed with the majesty of God's glory, though it may not express itself in song, or even utter its voice with bowed head and humble prayer, yet it silently adores.

I type even faster than I talk. I'm very proud of that. I type so fast. And I have to because the characters are living in real time and I've got to keep up with them. It's a miracle they even give me a royalty.

I understood that pain was real and sometimes things didn't last. Sometimes you just had to enjoy it while it lasts and cherish it when it's gone.

I understood that menstruation - the indication that you're a real woman - stopped if you grew weak from illness

I use beauty as a way of helping people to receive difficult or upsetting ideas. The topical issues are merely a vehicle for making one aware of one's own perceptual shift-which is the real thrill.