Best 18573 quotes in «real quotes» category

I built an unbelievable company. Some of the greatest assets anywhere in the world, real estate assets anywhere in the world, beyond the United States, in Europe, lots of different places. It's an unbelievable company.

I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].

I call [ordinary people] real people, because they have in themselves an incredible treasure - stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.

I came into politics because of a real childhood concern about the Cold War. So to me the importance of the nuclear deterrent is actually really ingrained in me.

I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

I came back from university thinking I knew all about politics and racism, not knowing my dad had been one of the youngest-serving Labour councillors in the town and had refused to work in South Africa years ago because of the situation there. And he's never mentioned it - you just find out. That's a real man to me. A sleeping lion.

I came here looking for a Great Perhaps, for real friends and a more-than-minor life.

I came in with my idea of what a cowboy would wear, but then I met some real cowboys and they said that I rode the horses well, shoed the horses, but no good cowboy would be wearing a pair of Levi's. I had to get a good old pair of Wranglers.

I came to poetry because I felt I couldn't live properly in the real world.

I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.

I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.

I can bear to hear of imputed or real errors. The man who wishes to stand well in the opinion of others must do this; because he is thereby enabled to correct his faults, or remove prejudices which are imbibed against him.

I can be a real brat sometimes!

I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.

I came up in battling and just wanting to compete. Even if you had no real problem with someone, you just wanted to compete.

I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.

I can be a better me than anyone can.

I can honestly say and swear on my patch that I have never in my life hurt anybody that I really didn't feel had it coming, because they was either trying to hurt me or my friends. If everybody was like that it [life] would be real different.

I can imagine people actually working in virtual environments where productive, cooperative work is undertaken, and I think we will find people helping others to take advantage of masses of information that are inaccessible or too vast to process in real time today.

I can deal with conservatives in a democracy. With real conservatives, I don't agree with them, but I understand why they believe what they believe and I believe they're being honest with me about it.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn't choose acting. It chose me.

I can fill my cup up with real human interactions that allow me to be an actor. If I had no basis for relationships, as Kristen Bell, the human, I couldn't be an actress.

I can get caught in many things but there is one thing I will never get caught in, and that is acting - because I don't act. On screen I am like I am in real life.

I can imagine [the government] trying to tell Steven Spielberg 'We need 50 different cuts of your movie for each state.' It will screw us up in a real way.

I can do everything skinny girls can do, trust me. I honestly think Hollywood is getting real. They're saying, 'Hey this is what a lot of America looks like,' a lot of America doesn't wear a size 2. I think the studios and the media are starting to realize that overweight people want something they can relate to, so let's give it to them.

I cannot for the life of me understand why the American market keeps going up. Our economy has some real challenges. The infrastructure's falling apart. We're destroying jobs with technology. We are keeping the best and the brightest from around the world from coming to America to create new jobs and create new businesses. All of those things would give you pause to worry about the future.

I cannot get him to write or speak in real, solid earnest. I don't much mind it now, but if it be always so, what shall I do with the serious part of myself?

I can not but hate the prospect of slavery's expansion. I hate it because of the monstrous injustice of slavery itself. I hate it because it deprives our republican example of its just influence in the world-enables the enemies of free institutions, with plausibility, to taunt us as hypocrites-causes the real friends of freedom to doubt our sincerity.

I can mourn internally, just be quiet about it. I have my moments but I'm not a real, expressive person, especially when it comes to like sadness.

I can only play characters that I feel like are real people and in a complete way and in such a whole way that if I fake any aspect of it I will have failed them and literally they're slaughtered.

I can only say that one's individual situation is more real and important to oneself than the devastations of fates and empires especially when they do not vitally affect oneself

I cannot see any of these death penalty cases where there hasn't been a violation on the ground of either poverty or race. If we can ever get that straightened out, it will help. But, of course, the real answer to it is to do away with the death penalty.

I cannot too often repeat that Democracy is a word the real gist of which still sleeps, quite unawakened, notwithstanding the resonance and the many angry tempests out of which its syllables have come, from pen or tongue. It is a great word, whose history, I suppose, remains unwritten because that history has yet to be enacted.

I can play a lot of things, but I haven't mastered any one. I use music really as a form of raw expression; escape from the real world.

I can see he thinks he's the ultimate creation, and he seems to believe every woman here is his Eve, created from his ribcage for him to enjoy. I'm both aroused and infuriated, and this is the most confusing feeling I've ever felt in my life.

I can remember a couple of real fights when I ran. Because they were kinda dangerous.

I can remember the times when I started including humor in novels that were suspenseful. I was told you can't do that because you can't keep the audience in suspense if they're laughing. My attitude was, if the character has a sense of humor, then that makes the character more real because that's how we deal with the vicissitudes of life, we deal with it through humor.

I can't deceive myself out of the bare stark realization that no matter how enthusiastic you are, no matter how sure that character is fate, nothing is real, past or future, when you are alone in your room with the clock ticking loudly into the false cheerful brilliance of the electric light. And if you have no past or future which, after all, is all that the present is made of, why then you may as well dispose of the empty shell of present and commit suicide.

I can take this real world and superimpose upon it the world of illusion (which isn't, really), in order to either fix or prevent many of life's difficulties--or even better, create happiness and well-being for both myself and others. I can do this, and so can you ... if you really want to.

I can't bear small talk, it's awful. I want to get beyond that thing of discussing how the weather is a bit better today than it was yesterday, and how this is a nice restaurant. I want to get to what are the problems, what's really going on. Are you in love? Are you in a lot of pain? What's really going on in your life? I'm interested in that area, whether it's on stage or in real life.

I can't believe this is happening to me. The weirdest thing is it was just a dream, and now it's actually real. It's hard to believe sometimes.

I can't be naturalistic enough to make it sound real. So instead, I just wander around aimlessly knowing that I'll be funny enough with stream of consciousness until I get to the actual explosively funny part.

I can't blame the drivers for making the move, and I can't blame the owners for being upset. Keep in mind, this ain't like the real world where you work somewhere and you can stay 40 years. Being able to see where you are going just a few years ahead is a pretty cool deal, and it doesn't happen too often in any sport, much less stock car racing.

I can't do it. It would be like, say, trying to fall in love with somebody, or trying to convince yourself that your favorite food is pancakes. You don't decide those things, they just happen to you. If God is real, He needs to happen to me.

I can think of no greater happiness than to be clear-sighted and know the miracle when it happens. And I can think of no more real life than the adventurous one of living and liking and exclaiming the things of one's own time.

I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.

I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.

I can’t help feeling a little bit competitive and a little bit disappointed in myself that I’m already so far behind. After all, Yulikova thinks Barron has a real future with the Bureau. She told me so. I told her that sociopaths are relentlessly charming. I think she figured I was joking.

I can tell you that when I travel the state, when I talk to people, they are really struggling, in a very real way. They're losing their jobs, they're losing their homes, they're dealing with financial challenges.

I can't go on flying apart just for those who want the benefit of a few verbal kicks. My God, do you know what poems like that cost? They're not written vicariously: they come out of actual suffering, real madness.