Best 18573 quotes in «real quotes» category

The fans always ask me, 'Is Si that crazy in real life?' and I said, 'No, hey, he tones it down for television.'

The fate of hundreds of thousands of species on this planet may be decided in the next decade. To slow the rush to extinction, we need to achieve real, substantive political power, and we need to get there fast.

The Federalist Society is this conservative legal organization. And I think, for the Bush administration, being a member of the Federalist Society meant you were - a reliable, ideological, partisan Republican. It wasn't enough just to be registered as a Republican, or to be - have a generally conservative judicial philosophy, or prosecutorial philosophy. It meant that, basically, meant that you were a real movement conservative, a Party regular. That's what being a Federalist Society member means.

The fear inside of loneliness: That only what others have is real.

The fear of death is indeed the pretence of wisdom, and not real wisdom, being the appearance of knowing the unknown.

The fear is not real, Dil Bahadur; it is only in your mind, like all other things. Our thoughts form what we believe to be reality.

The fears that assault us are mostly simple anxieties about social skills, about intimacy, about likeableness, or about performance. We need not give emotional food or charge to these fears or become attached to them. We don’t even have to shame ourselves for having these fears. Simply ask your fears, “What are you trying to teach me?” Some say that FEAR is merely an acronym for “False Evidence Appearing Real.” From Everything Belongs, p. 143

The feelings, myths and prejudices about the Negro American which now seem so valid and real to some of our white contemporaries will take their place on the shelf along with the belief in witches and the notion that the earth is the center of the solar system.  Nobody knows as yet whether the future [of the race situation] is hopeless. All we know is that it can be made hopeless, if enough people choose to consider it so.

The female characters in my books tend to be independent, frisky, spunky, witty, emotionally strong, erotically daring, spiritually oriented and intellectually generous; in short, the kind of women I admire in real life.

The films I do always have a happy ending. I hope it reflects back to real life.

The feeling that dreams show us the real nature of reality is something that's shared by many indigenous groups around the world.

The fetters imposed on liberty at home have ever been forged out of the weapons provided for defense against real, pretended, or imaginary dangers from abroad.

The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.

The fellow who wrote the post about sharing a bear suit with a girl at a party saw my illustration and emailed me, which was kind of thrilling. He sent a photo taken on the night, and that was a dream-like experience... but even though I've seen the "real" bear suit, my image of it feels real to me, and his photo the interpretation.

The fight against terrorism is something very real and practical for us. This is a fight to preserve our territorial integrity, and in this sense we need to have the instruments and create an environment in Russia that would make it impossible for the international terrorist organisations to achieve the aims they have set for themselves here.

the feminine journey is a story unfolding, and its epiphanies come through real things, through tangibles like walking sticks and dreams and deer antlers--all of which we might miss without taking time and space in Deep Being.

The fiction Im most interested in has lines of reference to the real world.

The film from the beginning is not the real world; it's an imaginary world. And this imaginary world is both inside and outside the normal world.

The film industry is an awkward business - you get together with strangers, get to know them very well and then you make a lot of promises to see each other and you don't. Maybe that is like a real family.

The film is therefore a form of science fiction, in which humans, beasts and machines are on the verge of extinction - 'sacred motors' linked together by a common fate and solidarity, slaves to an increasingly virtual world. A world from which visible machines, real experiences and actions are gradually disappearing.

The financial services industry has seemed to treat the crisis like a little rainfall - inconvenient, but no significant changes needed. The real question moving forward is how the industry will respond to Wall Street reform and growing public anger.

The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.

The finest and noblest ground on which people can live is truth; the real with the real; a ground on which nothing is assumed.

The first angle is, love questions not. It is not a beggar. ... When love asks nothing, [when it] gives everything. This is the real spiritual worship, the worship through love. Whether God is merciful is no longer questioned. He is God; He is my love. Whether God is omnipotent and almighty, limited or unlimited , is no longer questioned.

The finest friendships are between those who can do without each other.

The first great real intimacy between two people begins when secrets are told.

The first item I designed for a real person was when I was about 10 and I made my first item of clothing for myself.

The first goal is for the clinician to find the patient, and the patient to find the clinician, as both are required for a real alliance.

The first half [of Valley of Violence] was to endear you to all these people and give you all these archetypes that you're familiar with, and then the second half, just to see all those archetypes unravel like real people.

The first duty of a human being is to assume the right functional relationship to society - more briefly, to find your real job, and do it.

The first man to fence in a piece of land, saying "this is mine" and who found people simple enough to believe him, was the real founder of civil society.

The first real unhappiness I remember to have felt was when some one told me, one day, that I did not love God. I insisted, almost tearfully, that I did; but I was told that if I did truly love Him I should always be good. I knew I was not that, and the feeling of sudden orphanage came over me like a bewildering cloud.

The first principle, when you don't know anything about the subject of a thesis, is to let the candidate talk, nodding now and then with an ambiguous smile. He thinks you know, and are counting his mistakes, and it unnerves him... the second principle of conducting an oral, ... is to pretend ignorance, and ask for explanations of very simple points. Of course your ignorance is real, but the examinee thinks you are being subtle, and that he is making an ass of himself, and this rattles him.

The first real air-liner, carrying some five or six hundred passengers, will probably appear after or towards the end of the battle between fixed and moving-wing machines. And it will be a flying boat.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.

The first real thing was Divine as Jackie Kennedy [in Eat Your Makeup]. His mother found the bloody Jackie Kennedy outfit in the boot of his car and said, 'What is this?" and Divine said, "I am Jackie Kennedy!" His mother just changed the subject; she didn't know what to say.

The first thing about a song is that it has to be real, be lived; it has to be emotional, and melancholic. I don't mean sad. Melancholy is sort of a comfort. Melancholy has a sort of beauty to it. This attracts me to every other form of art.

The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.

The first time I tried to put a new diaper on my baby, I yanked the little Velcro strap too jerkily and actually punched the little guy in the jaw. A real solid shot, too. I knew instinctively that this could not be correct. Unless you're specifically trying to raise a welterweight, continual deliverance of powerful uppercuts is not advised when handling newborns.

The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call.

The first thing to realize about physics ... is its extraordinary indirectness.... For physics is not about the real world, it is about "abstractions" from the real world, and this is what makes it so scientific.... Theoretical physics runs merrily along with these unreal abstractions, but its conclusions are checked, at every possible point, by experiments.

The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.

The first time I was in Stockholm, everybody was real cordial, but I started having these nightmares that I was being watched by aliens, basically all the time. My theory on it was that it was really, really unnerving to be in a place where English isn't the first language.

The first time I met Prince he invented me to his birthday party in Minneapolis. It was a costume party and I came as a beatnik - a beret and a charcoal goatee. He was dressed like an executioner. I talked to him for awhile and he didn't know who I was, and when I told him he was real surprised.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.

The flight of most members of a profession to the high empyrean, where they can work peacefully on purely scientific problems, isolated from the turmoil of real life, was perhaps quite appropriate at an earlier stage of science; but in today's world it is a luxury we cannot afford.

The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.

The flaws, the mistakes I make - that's the real me.

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.