Best 18573 quotes in «real quotes» category

Ideas are like dreams; they will disappear unless we record them. Write a book, a blog, build a company, anything that makes the ideas real.

Ideas are very important to the shaping of society. In fact, they are more powerful than bombings or armies or guns. And this is because ideas are capable of spreading without limit. They are behind all the choices we make. They can transform the world in a way that governments and armies cannot. Fighting for liberty with ideas makes more sense to me than fighting with guns or politics or political power. With ideas, we can make real change that lasts.

Ideals are great in theory ... but they don't work too well in real life.

Ideas emerge when a part of the real or imagined world is studied for its own sake.

Idealism, though just in its premises, and often daring and honest in their application, is stultified by the exclusive intellectualism of its own methods: by its fatal trust in the squirrel-work of the industrious brain instead of the piercing vision of the desirous heart. It interests man, but does not involve him in its processes: does not catch him up to the new and more real life which it describes. Hence the thing that matters, the living thing, has somehow escaped it; and its observations bear the same relation to reality as the art of the anatomist does to the mystery of birth.

Ideas aren't real estate, they grow collectively and that knocks out the egotistical loneliness that generally infects art.

Ideal love is fostered only between two sincere, mature and independent people. Real love is not two people clinging to each other; it can only be fostered between two strong people secure in their individuality.

I decided to work on hand animate because the animators work as authors in every little scene and it brings real soul for characters.

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!

I definitely feel that we cannot do the fantastic things based on the real, unless we first know the real.

I definitely have a real self-destructive streak.

I decided that not talking is like a litmus test for a real friend. You can just sit there and be. Not always be filling up the air with words

I definitely prefer directing, hands down. I'm a lazy writer and it wasn't until I got into directing that I now have a real impetus when I'm sitting at my computer. Now that I know what it's like to get to bring characters and their stories to fruition, I'm addicted. I'm a junkie. I want more.

I design for real people. I think of our customers all the time. There is no virtue whatsoever in creating clothing or accessories that are not practical.

I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.

Ideologies are cultural memes. They are the most confining of the cultural memes. That's where culture gets real ugly. It is when you rub up against its ideologies.

Ideology represents the imaginary relationship of individuals to their real conditions of existence.

I desire you in friendship, and I will one way or other make you amends.

I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.

I desire to have a dialogue that's positive, and communicative and moves forward, and is about something real, not just consumption.

I despise the fact that the youth today acts as if being youthful is the answer to everything. It's a very young minded perspective and if you're not smart enough to realize that in life evolution is real. What that means is, we all are evolving and getting older every second of the day. That means it's about what you know, what you do and how hard you press the button to make it go. If you're not willing to put it in the time, energy and work in, then it doesn't matter how young you are. You'll be here and gone tomorrow if you don't learn something.

I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.

I detest tradition for tradition's sake; the half-alive; that which is not real. I feel no hatred of individuals, but of customs, traditions; superstitions that go against life, against truth, against the reality of experience, against the spontaneous living out of the sense of wonder-of fresh experience, freshly seen and communicated.

I'd hasten to say that the prejudice in Dust City isn't completely analogous to racism in the real world.

I did a lot before [being cast] because I knew how important it would be for playing somebody real, or attempting to - to show the team [the role] was something I would be fascinated to do. I read a couple of biographies and I watched everything I could find [about princess Margaret].

I did a real boot camp once which with The Thin Red Line which was learning military exercises and this was far less strenuous. I really had a blast. We were all kind of thrown into the woods and we didn't have any of the modern conveniences that we take for granted. Learned how to survive without anything.

I did indulge myself in a lot of history reading, to inform myself as to who the real woman was. As far as other actresses’ portrayals, though, I tried to stay clear. It muddles your process, I find.

I did my last year of high school as an exchange student. I lived south of the Atlanta, in a quite strange place - real southern. I formed my first band that year and we just started playing my songs live. It was way in for me to get to know people and to really feel at home there - through music.

I did extensive research on media and anorexia and found out that the fashion magazines are to blame in a way. They project an image of a woman that is completely absurd, but girls and women believe they should be very skinny. They don't look like real woman anymore.

I did meet Steve Wozniak on several occasions leading up to the filming of the movie. It wasn’t really written how he is. So the second I met him, it almost was a relief, because I was like, "OK, good, the real Steve Wozniak is like one of the least confrontational people you would ever meet in your entire life.

I did almost every job in the bank. It was real life, waking up in the morning, putting on a suit and tie and then having to go to work.

I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.

I did, but I'm not real fond of giving interviews.

I did. I did see Bigfoot when I was a kid and I still believe it to this day. I saw a big furry man outside my window. It's not funny! It was real.

I did an embed in Afghanistan on the Pakistan border in 2008. One of the things you realize when you're talking to low-ranking enlisted men is that no one listens to them. So when I showed up they loved having someone to talk to. That's a real privilege for me. The guys on the ground are the guys I care about. I've had the most satisfaction telling their stories. There is trust and there is stuff that you learn to hold back, especially when you're dealing with younger guys or lower ranking officers. That's different from the top brass who are basically just politicians anyway.

I didn't even know what acting was at 11 years old. I truly believed that acting was hidden cameras everywhere. And I felt that these actors on the screen were somehow real people.

I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.

I didn’t care…about heroes who could read minds or walk through walls or do magic. The heroes I liked had courage and knew more real stuff than those who opposed them.

I didn't cry at my father's funeral, and I felt guilty about that. Of course, he got sick not too long after he and I had had that final altercation, and I felt real guilty because of that, too. Then years later, one day, I was probably in my late twenties, early thirties, and I just broke down crying, because I finally got my father.

I did not go to Boston, for with regard to that place I sympathize with one of my neighbors, an old man, who has not been there since the last war, when he was compelled to go. No, I have a real genius for staying at home.

I didn't always have time to practice as much as I wanted to do, that was a real problem for me in high school and college.

I didn't end up going bankrupt... I made some great investments and I held on to my money, which also enables me to have the freedom to do what I want now. But it's not about finances. No matter what, it's about keeping it real.

I didn’t find it difficult to live in the “Inherent Vice” world or play those scenes, because they just seemed so real.

I didn't grow up with my mother, and so losing her for real was like, some sort of latent childhood, some sort of unresolved issue. When she left for real, it was sort of like, I was done.

I didn't have any real art training, but when I was about twelve nad thirteen, another boy and I went to a sign painter's house every Friday night and took lessons.

I didn't have time for talent shows and stuff like that. I was into books and studying real hard.

I didn't really enjoy modeling in Bombay. I floated through it in the hopes that I would get my ticket to the next big thing. There was no real joy that I got out of it, to be really honest.

I didn't know writers could be real live people, because I never knew any writers.

I didn't want to be a victim of my own message [in Trust film]. I didn't want to take advantage of a 14-year-old actor. I didn't want there to be any nudity, or any real overt violence. I think it's more terrifying that there is no violence, in that moment. There's control and there's power, but there's no violence.

I didn't want to see George Hamilton playing me, I wanted the real thing.