Best 18573 quotes in «real quotes» category

For better or for worse, I've watched people die in front of me. I see how they are in the end. And they're not cynical. In the end, they wanna hold somebody's hand. And that's real to me.

For Builders, the real definition of success is a life and work that brings personal fulfillment and lasting relationships and makes a difference in the world in which they live.

For decades, media companies have largely controlled the tools through which consumers were told what to buy, wear or think. Now consumers possess the same ability to produce, distribute and curate content and distribute it to their peers in real time across social media platforms.

For children, diversity needs to be real and not merely relegated to learning the names of the usual suspects during Black History Month or enjoying south-of-the-border cuisine on Cinco de Mayo. It means talking to and spending time with kids not like them so that they may discover those kids are in fact just like them.

For economist the real world is often a special case.

For external beauty, you put on things; for real beauty, you have to drop all things. For external beauty you have to have make-up; for real beauty you only have to realize that you are already made up.

For fear, real fear such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.

For example, the supporters of tariffs treat it as self-evident that the creation of jobs is a desirable end, in and of itself, regardless of what the persons employed do. That is clearly wrong. If all we want are jobs, we can create any number--for example, have people dig holes and then fill them up again, or perform other useless tasks. Work is sometimes its own reward. Mostly, however, it is the price we pay to get the things we want. Our real objective is not just jobs but productive jobs--jobs that will mean more goods and services to consume.

For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.

For example, if I make money, I put it in real estate. I always did very well. Location, location, location.

Forget the Beatles and all the rest. This is the real Liverpool sound. It's real singing, and it's what the Kop is all about.

Forgetfulness of your real nature is true death; remembrance of it is rebirth.

Forgiveness and reconciliation are not just ethereal, spiritual, other-worldly activities. They have to do with the real world. They are realpolitik, because in a very real sense, without forgiveness, there is no future.

Forget about being impressive and commit to being real.

Forget about good. Good is a known quantity. Good is what we all agree on. As long as you stick to good, you'll never have real growth.

Forget about your life situation and pay attention to your life. Your life situation exists in time. Your life is now. Your life situation is mind-stuff. Your life is real." "Instead of asking 'what do I want from life?,' a more powerful question is, 'what does life want from me?'

Forget land, buildings, or machines-the real source of wealth today is intelligence, applied intelligence. We talk glibly of "intellectual property" without taking on board what it really means. It isn't just patent rights and brand names; it is the brains of the place.

Forget politics. The real story is the advancements being made in medicine. We're on the verge of conquering cancer and Alzheimer's and numerous other diseases. The DNA revolution has just begun. Scientific advancement usually trumps politics.

Forgiving and being reconciled to our enemies or our loved ones are not about pretending that things are other than they are. It is not about patting one another on the back and turning a blind eye to the wrong. True reconciliation exposes the awfulness, the abuse, the hurt, the truth. It could even sometimes make things worse. It is a risky undertaking but in the end it is worthwhile, because in the end only an honest confrontation with reality can bring real healing. Superficial reconciliation can bring only superficial healing.

For God's sake stop making people in your image. Harry was real. He wasn't just your hero and my lover. He was Harry. He was in a racket. He did bad things. What about it? He was the man we knew.

For he, indeed, who looks into the face of a friend beholds, as it were, a copy of himself.

For liberalism is a delicate thing. It encompasses so much -- constitutional government, democratic elections, freedom of worship, civil rights, free trade -- that we think of it as timeless and universal. But liberalism came into being in a real place and time, like a flame it has wavered in various eras, and it can be snuffed out.

For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.

For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water-conversationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule.

For it is unknown what is the real nature of the soul, whether it be born with the bodily frame or be infused at the moment of birth, whether it perishes along with us, when death separates the soul and body, or whether it visits the shades of Pluto and bottomless pits, or enters by divine appointment into other animals.

For many people, the mortgages they took out before 2008 are so high that they would be better off walking away from their houses. That is called "jingle mail," returning the keys to the bank and saying, "You can have the house. I can buy the house next door that's just like this for 20% less, so I'm going to save money and switch." That's what someone like Donald Trump or a real estate investor would do. But the banks are trying to convince the mortgage debtors, the homeowners, not to act in their own self-interest.

For me becoming a filmmaker was about taking back my voice - crafting stories that would move away from the problematic narratives that the studio system would put out about Latinos. I think this is why people like my films. They're refreshing. They feel more real.

For many years the stakes were clear. There were the Arabs attacking us and us defending ourselves, so basically there were no real problems [between the United States and Israel]. Now there are many small cells, and each of them can destroy on their own. Some can arrive at New York and kill thousands of people.

For me, a good thriller must teach me something about the real world.

For mankind, science is the only real candle in this dark universe; all other candles are fake! Science is our only real hope; all other hopes are fake! Remember this!

For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.

For me, as a documentary filmmaker, I'm interested in telling stories of real people whose experiences tell us something about ourselves or our history, or who we are and our potential.

For me, I believe in God, God is real.

For me, every human is a little bit an exaggerated version of a real human - in most cases, they are versions of myself. I am someone deeply motivated by extremes - the poles not only become home for me, but they also become, strangely, my comfort zones.

For me, digital is just another avenue. It doesn't mean that it has to be poor quality or poor content. But, you still run into the same struggles. You can't have full-on language, violence or sexual situations. You can't run rampant with the fact that it's digital. You can't do anything you want. You still have a responsibility to tell a story first, and show what the character is going through first, and then maybe you have a little bit of lee-way to show a more real side of life.

For me, directing is like writing with meat. I can write live, in real time, and change things and be confident that I'm helping the movie.

For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.

For me George Bush is just as scary, if not more. Because he doesn't look like a scary guy, because he's shaved and he has a tie on. But he's a real fanatic - a fanatic by definition is the one who says, if you are not with me, you are against me, and that's exactly the position he takes. The mullahs in my country, it's obvious. But a guy who says I am the president of the biggest secular democracy in the world and asks people to read the Bible and make crusades and says he's God's best friend - this guy is even more scary because you don't see it at the beginning.

For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

For me, fantasy has always been a means of exploring reality: it explores the fact that your internal life, your dreams and the weird images and the things that come to you are things that are actually important tools for dealing with real issues.

For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.

For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.

For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.

For me one of the most important things is not feeling like you have to protect yourself if you're with a real friend.

For me, it's a multitude of things. In the modern world, there's a real genuine fear of loss of individuality and I think the undead speak to that. I also think the idea of the dead coming back to life, and this unstoppable foe that just keeps coming and coming, but rather slowly just chases you, is a real primal fear. It's like a fear of claustrophobia, heights or water.

For me it's more important to look at each constituency individually and find a community I feel I can serve to the best of my abilities, and where I feel I can make a real difference, and further their cause.

For me, luxury isn't just the real thing. It's also fake. Swarovski crystals or real diamonds? It's a game. You have to be luxurious nude.

For men tied fast to the absolute, bled of their differences, drained of their dreams by authoritarian leeches until nothing but pulp is left, become a massive, sick Thing whose sheer weight is used ruthlessly by ambitious men. Here is the real enemy of the people: our own selves dehumanized into the masses. And where is the David who can slay this giant?

For me, personally, I think drugs are sacred and should be used for work. That's what I believe in. Drugs have a real shamanistic value. I can handle drugs. I've never had a problem.

For memory, we use our imagination. We take a few strands of real time and carry them with us, then like an oyster we create a pearl around them.