Best 18573 quotes in «real quotes» category

Fantasy is only a state of mind that you can employ when existing in a real context.

Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors besides battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fanstasy is good at thinking about those other ways.

Fantasy stories open our eyes to an unseen world and train our minds to see beyond the visible. In the New Testament context, this is where our real battles are fought. Good fantasy will reveal the hidden powers of evil that threaten the hero's life and upset his journey. Good fantasy focuses on how a hero finds victory when he learns that he can't win by himself, so he submits to the higher power in faith and obedience.

Far from being a material world, this is a psychic world, which allows us to make only indirect and hypothetical inferences about the real nature of matter. The psychic, alone has immediate reality, and this includes all forms of the psychic, even

Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.

Fantasy, in addition to being great storytelling, moves us at some unique and profound level. It has, I think, the power of mythology, or ancient dreams we have always and forever shared. In it, we find our real world and our real selves.

Fashion is the opposite of the real, its worst enemy. Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.

Fashion is about having a point of view, a taste and a personality. For us we always felt we could apply our DNA really to anything but you have to do it if it's true to you, feels authentic. It has to be real.

Fashion is, perhaps by necessity, in a world of its own - one that only rarely overlaps with anything resembling real life. This fantasy and exoticism is part of its appeal, of course.

Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.

Fascist is not just an epithet. Fascist is a proper noun that means a specific thing. It`s a real thing. It`s not always referring to ancient history.

Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.

Fascism recognises the real needs which gave rise to socialism and trade-unionism, giving them due weight in the guild or corporative system in which diverent interests are coordinated and harmonised in the unity of the State.

Fast food may appear to be cheap food and, in the literal sense it often is, but that is because huge social and environmental costs are being excluded from the calculations. Any analysis of the real cost would have to look at such things as the rise in food-borne illnesses, the advent of new pathogens, antibiotic resistance from the overuse of drugs in animal feed, extensive water pollution from intensive agricultural systems and many other factors. These costs are not reflected in the price of fast food.

Fast food is popular because it's convenient, it's cheap, and it tastes good. But the real cost of eating fast food never appears on the menu.

Fat girls aren’t real people.

Favour fresh, real food. You can be assured that you are offering your body anti-inflammatory nutrician.

.. Fear is often described as False Evidence Appearing Real.

Fear can supplant our real problems only to the extent -unwilling either to assimilate or to exhaust it -we perpetuate it within ourselves like a temptation and enthrone it at the very heart of our solitude.

FEAR is an acronym in the English language for 'False Evidence Appearing Real'.

Fear is contagious. You can catch it. Sometimes all it takes is for someone to say that they're scared for the fear to become real. Mo was terrified, and now Nick was too.

Fay has spirituality too, but she also has that very real sex appeal that takes hold of the hearts of men.

Fear is not real. The only place that fear can exist is in our thoughts of the future. It is a product of our imagination, causing us to fear things that do not at present and may not ever exist. That is near insanity. Do not misunderstand me danger is very real but fear is a choice.

Fears are a complete waste of your time. Nine times out of ten, whatever you're afraid of is not dangerous or life threatening. In fact, it's probably not even real.

Fear that comes from personal experience is far more real than fear based on someone else's ordeal.

Feeling real is more than existing; it is finding a way to exist as oneself... and to have a self into which to retreat for relaxation.

Feathers! spluttered Sargatanas. Feathers are for the birds, my boy. Flaking, peeling, scale-ridden wings, now that's what real beings wear. I'll tell you a secret. He said, and drew me closer. The eternal pain at having known Paradise and lost it is priceless. I wouldn't swap it for anything.

Feelings and stories of unworthiness and shame are perhaps the most binding element in the trance of fear. When we believe something is wrong with us, we are convinced we are in danger. Our shame fuels ongoing fear, and our fear fuels more shame. The very fact that we feel fear seems to prove that we are broken or incapable. When we are trapped in trance, being fearful and bad seem to define who we are. The anxiety in our body, the stories, the ways we make excuses, withdraw or lash out—these become to us the self that is most real.

Feelings, too, are facts. Emotion is a fact. Human experience is a fact. It is often possible to gain more real insight into human beings and their motivation by reading great fiction than by personal acquaintance.

Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly, art which is not based on the subjugation of one half of the species.

Feel like real time unfolding. It's going to smack of reality and feel as real as it can ... The buildings themselves aren't (shown) ... The movie's about what happened amongst this handful of men when the buildings came down.

[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.

Feel the power of your legs, hear the orchestra playing, see the audience - anything to make the image more real. The image has to be specific. You can't just say to yourself, 'I'll do my best.' You have to have a mental blueprint of that role in your mind.

Female leaders are more oriented toward real and long-lasting results of their policies.

Femininity, yes, effectively there is more in The First Man, not only in terms of women but stylistically, in its elements, the notes he wrote. You can see a real love story in it, a childhood love story, [Albert] Camus' first. Meursault [protagonist of The Outsider] and Marie were never up to much really. There is Dora in The Just and others in his plays, but they aren't so well known.

Feminism is ridiculous. Feminists are silly idealists who want to be on top. There is no real equality in sexual relationships - someone always wins.

Few real people appear in my two novels, actually. "Ari" appears on the edge of this book a couple of times - but on the edge, she's never in it, even if she's a determining force from the outside. Everybody in the first book was basically made up, if never from scratch.

Feudalism made land the measure and the master of all things.

Few males achieve any real freedom in their sexual relations even with their wives. Few males realise how badly inhibited they are on these matters.

Few Americans born after the Civil War know much about war. Real war. War that seeks you out. War that arrives on your doorstep - not once in a blue moon, but once a month or a week or a day.

Few faults of style, whether real or imaginary, excite the malignity of a more numerous class of readers, than the use of hard words.

Few persons enjoy real liberty; we are all slaves to ideas or habits.

Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths. As for nonfiction, for history, it may be real, but its truth is slippery, hard to access, with no fixed meaning bolted to it. If history doesn't become story, it dies to everyone except the historian.

Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.

Fiction is of the essence of poetry as well as of painting; there is a resemblance in one of human bodies, things, and actions which are not real, and in the other of a true story by fiction.

[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it.

Fiat justitia, ruat coelum. (Do the right thing even if the heavens fall.) It's not nearly as naïve a maxim as it seems, because in the real world it often turns out that doing what is morally the right thing is also, in practical terms, the right thing to do.

Fiction is truth. I think fiction is the truest thing there ever was. My whole effort is to remove that distinction. The writer is the midwife of understanding. It's very important for me to tell politics like a story, to make it real.

Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.

Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald.