Best 18573 quotes in «real quotes» category

When you release the wrongdoer from the wrong, you cut a malignant tumor out of your inner life. You set a prisoner free, but you discover that the real prisoner was yourself.

When you're making a pilot, what you're mostly thinking is, 'Please let this be a real job, please.'

When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.

When you're really trying to make serious change, you don't want people to get caught up in emotion because change isn't emotion. Because change isn't emotion. Its real work and organization and strategy - that's just the truth of it. I mean, you pull people in with inspiration, but then you have to roll up your sleeves and you've got to make sacrifices and you have got to have structure.

When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.

[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.

When you're no longer seeing yourself, in some ways. You're as close to being as you can be.I suppose that's consistent with the moment that the mind actually turns off, and is no longer questioning what you're doing. When the questions stop, that's when the real acting takes over. And trying to get to the point where the questions stop, "Would I do this? How do I feel about that as a character?" When those stop, and it's just doing X, Y, and zed, because that's what you'd do as this character, because you're inside this character somehow - that's when it really kicks off.

When you're on stage, the real world just drops away for that time. It's pretty intense.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

When you're on screen with Mads, there's some real fireworks because your character is his intellectual equal. In a way, maybe your character has an instinct as to who this man really is.

When you're on your own you have control over most of the variables involved in the preparation and the race itself, whilst in a team event you are only a part of the overall picture. The real upside of being part of a team is the fact that when you're successful in a race you can share the celebrations together.

When you're playing a real character, you want to honor that person and receive inspiration from that person. They need to anoint you in some way that allows you to borrow just a small piece of their soul. That is the flame.

When you're playing cards you can't constantly think about what the money costs you in the real world. You can't be constantly concerned about that if you want to be successful.

When you're outside in those elements, there's something out there that takes it out of you, so you work real hard. It was physically demanding, but in a very good way. It's not a bad thing. It's a good thing, when things are physically demanding 'cause everyone is rising to the occasion.

When you're used to getting just a piece of bread for a meal, you don't realize that you can ask for a plate of pasta. You have never seen a plate of pasta. You don't even know it exists. So, to ask for it is totally out of your reality. Hopefully, at some point, either someone shows you a plate of pasta, you read about it, or you hear about it enough so that it becomes real, and it's not just a fantasy anymore, and then you start thinking "Hey, I want that pasta.

When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.

When you're young, you say it how it is, and even your views are, like, 'This is totally the truth', 'cos you don't know any difference, so there's a real confidence in your way of thinking.

When you're walking home at night, do you even get creeped out and even though it's silly and embarrassing you just want to run home?" It seemed too secret and personal to admit to virtual stranger, but I told her, "Yeah, totally." For a moment, she was quiet. Then she grabbed my hand, whispered, "Run run run run run," and took off, pulling me behind her.

When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.

When your head is smashing into the concrete you don't have question about whether it's a real sensation. And ultimately, that's what's going to unmake us all - smashing up against the physical reality of death and decay, and being unmade.

When your real, effortless, joyful grateful nature is realized, it will not be inconsistent with the ordinary activities of life.

When your so focused on what people say, how can your really be focused on the music? If you're concerned with what someone says, you aren't working on a real record. You're working on something that's just for now, to please people this very second... because you don't believe in yourself.

When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.

When your tongue is silent, you can rest in the silence of the forest. When your imagination is silent, the forest speaks to you. It tells you of its unreality and of the Reality of God. But when your mind is silent, then the forest suddenly becomes magnificently real and blazes transparently with the Reality of God.

When you say the tax system benefits the rich, there are a lot of people who respond, "That can't be true, look at the rate of tax. The people who are rich pay a higher rate than you or I." Well, yeah, but if you don't have to pay taxes on a lot of your income, then your real tax rate is a lot lower. And if you're allowed to pay your taxes thirty years from now instead of today then you're a lot better off. People need to have a sophisticated understanding of how the system works to appreciate that the posted tax rate really has very little to do with the taxes people pay.

When you see athletes like me win gold medals, you only see the finished product, you dont see the real effort that the likes of Ron have put into making that product. Without the Ron Roddans of this world, you would have no sport.

When you send out real love, real love will return to you.

When you sit in a café, with a lot of music in the background and a lot of projects in your head, you're not really drinking your coffee or your tea. You're drinking your projects, you're drinking your worries. You are not real, and the coffee is not real either. Your coffee can only reveal itself to you as a reality when you go back to your self and produce your true presence, freeing yourself from the past, the future, and from your worries. When you are real, the tea also becomes real and the encounter between you and the tea is real. This is genuine tea drinking.

When you see that sunset or that panoramic view of God's finest expressed in nature, and the beauty just takes your breath away, remember it is just a glimpse of the real thing that awaits you in heaven.

When you sit down to play a game you should think only about the position, but not about the opponent. Whether chess is regarded as a science, or an art, or a sport, all the same psychology bears no relation to it and only stands in the way of real chess.

When you spend so much time trying to father well, and failing, and trying again, and hopefully failing better, it's going to seep into your work. And when you give yourself permission to explore the grottiest bits of your psyche (like Louis CK) (who totally stole that move from me) (not really), to exaggerate the edge of the rustiest blades of your IRL mind, you'll occasionally come up with something that holds real power.

When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.

When you talk to people who have been in combat, there's a sensory overload that happens. The color becomes vivid. Sounds become more pronounced. People talk about how, for them, the war was technicolor and real life was black and white after the war.

When you start to doubt yourself the real world will eat you alive.

When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?

When you think about it, giving up your real personality is a small price to pay for the richness of living happily ever after with an actual man!

When you think of the "Exorcist" (1973) you think of Linda Blair and pea soup and all this madness, but really if you look at the first half of that film, the stuff between her and Ellen Burstyn is so naturalistic and so real.

When you've got a economy in which 40 percent of economic growth is happening in the financial sector, that turns out that was all an illusion, that it wasn't growth based on real products and services, but just a bunch of paper shuffling and a house of cards, then what's gonna emerge, at some point, is a sense of resentment, a sense that the system's rigged, and it's not working for ordinary people. And it's not fulfilling the basic American dream.

When you think about the real cost of so-called cheap energy that has driven our prosperity to unprecedented levels, for some of us, to our horror, we've realized that this has the potential for burning brightly and then snuffing out.

When you think of painting as painting it is rather absurd. The real world is before us - glorious sunlight and activity and fresh air, and high speed motor cars and television, all the animation - a world apart from a little square of canvas that you smear paint on.

When you touch the pain of the world as real, there is a solidarity, an engagement with the Gospel, a living faith that blossoms forth.

When you've been raised in care, rap music isn't just about guns and sexism. They're talking about real things you can hang on to, problems of identity that you have sympathy with. It's not just about the music, with rap: when I was in care, it meant a whole lot more than that.

When you've spent half your political life dealing with humdrum issues like the environment, it's exciting to have a real crisis on your hands.

When you walk on the beach at night, you can say things you can't say in real life.

When you were on stage, you could be absolutely open about your emotions and indulge them and express yourself in a way that - in real life - I wasn't doing.

When you write about real life, there's always a chance that somebody involved is going to see it and get upset.

When you want to succeed in Real Estate, you have to breath it..you have to want it as much as air

When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.

When you write the script, you're home in a room by yourself, and you're writing, and there's no connection with the real performing world. So you get a lot of things wrong and make a lot of mistakes and make a lot of bad choices.