Best 18573 quotes in «real quotes» category

I try to do women's-point-of-view comedy. The joke is, 'This is what I think; there's the truth.' I try to think of stuff that's real broad, but the more personal it is, the more universal it is. All my friends go through the same stuff.

I try to get rid of people who always confidently answer questions about which they don't have any real knowledge.

I try to live with the idea that karma is a very real thing. So I put out what I want to get back.

I try to pester Christian Dunn from time to time. As soon as my schedule allows, I plan to make a real pest of myself and get some hot, slippery Chaos action.

I try to play real people who inspire me through something in their journey.

I try to show the children how every lesson I teach them is going to be something they use in their real life. That's why my kids work so hard, not because I'm so cool. They're working for themselves.

I try to stay level-headed and it's always the way I've been. Sometimes your personality out in the real world, you want to take that into your sport because that's where you feel comfortable. You never want to try to do something that's not you or you don't feel comfortable doing. That's where you get in trouble. It's the only way I've played sports and done things. I'm low-key, but I'm very competitive and hate to lose.

I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.

I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.

I try to open up my heart as much as I can and keep a real keen eye out that I don't get sentimental. I think we're all afraid to reveal our hearts. It's not at all in fashion.

I try to keep it real. I don't have time to worry about what I'm projecting to the world. I'm just busy being myself.

I try to shoot the first rehearsal because people are more spontaneous. People in real life don't really know where they are going to be either positioning themselves or how they will be saying their words. When people goof during the first take, it usually looks realistic.

I try to photograph what can't be photographed - psychological or subjective reality, which seems more real than physical or consensual reality.

Its about not letting the internal enemy, the real enemy, have his way because the more he does the stronger he becomes. The films about the devastating results that can manifest from the internal enemy being unbridled and allowed to unleash chaos.

I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.

It's a balance between getting the right string gauge that's thick enough where it sound good, and not rubber bands - but not too thick where your hands start to get real tired.

It's a big deal about whether or not gays can march in the St. Patrick's Day Parade and I have to say that on some level I kind of see their point. Because when you think about it, it is a real macho heterosexual event. Bunch of guys in short skirts on a cart made of rose pedals sharing a bag pipe. That's not for sissies.

I try to write about real women, real people - in other words flawed characters.

It's a basic, elemental universe, one of the last remaining zones where violence and domination sort out who is top dog. That's football's glory, and its curse. The game of football doesn't transfer well to the real world. You can't treat your friends, neighbors, or loved ones the way you treat your opponent on the football field.

I try to use models at least for the main characters because of the nature of my art. I tend to focus on the humanity of my subjects, the details of expression that add a certain reality to the work. Real faces = real art. That's the goal anyway.

I try to watch only real things, which basically amounts to C-Span for me. I like real people in real situations. I learn from that.

I try to write the books I would love to come upon that are honest, concerned with real lives, human hearts, spiritual transformation, families, secrets, wonder, craziness - and that can make me laugh.

It's a curse - this not wanting to look on naked realities. Until the war, life was never more real to me than a shadow show on a curtain. And I preferred it so. I do not like the outlines of things to be too sharp. I like them gently blurred, a little hazy.

It's a daunting thing to be playing a real person and to have contact with her and meet her and be in her circle a little bit. It's an odd thing. There's so much responsibility to tell the story honestly and truthfully, and at the same time, you start to develop a friendship with this person - or I did.

it's a funny thing about Hollywood. Once you've been out here awhile, it's hard to go someplace else, and it gets harder the longer you stay here. Takes some real propulsion to make you leave.

It's a burden to us even to be human beings-men with our own real body and blood; we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalized man.

It's a challenge to express real life in dramatic terms. In an entirely "made-up" story, you are sometimes overwhelmed by the infinite possibilities.

It's a class war, and a war on young people too... that's why tuition is rising so rapidly. There's no real economic reason for that. It's a technique of control and indoctrination. And this is really the first organized, significant reaction to it, which is important.

It's a cold night out tonight. The Padres better warm up real good because it's stiff out there.

It's a dark, cool, quiet place. A basement in your soul. And that place can sometimes be dangerous to the human mind. I can open the door and enter that darkness, but I have to be very careful. I can find my story there. Then I bring that thing to the surface, into the real world.

It's a great counter to doing the soap because it's a comedy. It's real physical comedy.

It's a little bit like talking about the life of writing. The life of writing may be about many things, but it always begins with the writer. With the kernel of an idea, or a character, or an idea or a theme, or even an outcome. But for documentary photographers, photographs begin at that intersection of the real world and the imaginative inner world.

It's a given that if you start your own business, you're going to be (1) in control of your destiny, and (2) real busy.

It's a hard line to walk, man. Cause you know you want to make this movie, you want to make it dark and real, you want to show all this stuff but unfortunately you can't always do that.

It's a journey, it's a fight everyday. There was a real effort to stay in the program... So far this has been a very successful rehab.

It's all a big hoax, honey. I never wrote a song in my life. I get one-third of the credit for recording it. It makes me look smarter than I am. I've never even had an idea for a song. Just once, mybe.

It's all about synthesis, you don't have to be a real musician. You just synthesize your own reality, synthesize your own talents. Welcome to the electronic age.

It's a lot more interesting to learn and discover real-life principles when they are revealed in the form of a story.

It's all real and it's all illusory: that's Awareness!This is quotes copyright © By Pumpkin Limited

It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.

...It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine.

It’s all risk. And if it isn’t, it needs to be. The real trick is to find the risk that is right for you, a risk that doesn’t take you so far out of your own identity that it’s not a you that you recognize who’s doing the writing.

It's almost like being trapped in some other form. The real me is so different from the way I look on the outside.

It's a long day's drive any way you look at it. With a man who has taken your sins - real and imagined - and stitched them onto the sackcloth of his own soul, it is endless.

It's all real in Outside, everything there is, because I saw an airplane in the blue between the clouds. Ma and me can't go there because we don't know the secret code, but it's real all the same. Before I didn't know to be mad that we can't open Door, my head was too small to have Outside in it.

It's almost is like God, in our case, gave us a shot of anesthesia, you know, to your body and to your heart in a way, that you can survive. That you're - there's enough of a numbness, you're very much alive and very aware of eternity, I mean, Heaven and the real world there. I talk a lot about how Heaven's never been more clear to me. I've never been more sure that we are made for eternity.

It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.

It's almost like you see too much, because when it happens for real, everything flies at you so fast, you never get a sense of the ice and where everyone is at that one moment.

It's always been difficult for me to find funding for a story that I want to follow in real time. Financiers are hesitant to support a project when they don't know the outcome.

It's always the thing when you're shooting out and about with real people and you could get a couple of bogeys like sticking their face in front of the camera, like 'Hey!'