Best 18573 quotes in «real quotes» category

I've seen a lot of real out-of-line attitudes since I have been in the WWF and those people are still there or are getting a second or third chance or something like that.

I've seen golems. They don't behave like a real person.

I've seen it around the world, in the poorest countries and in countries riven with conflict, It is women who are the key to breaking out of poverty, breaking out of stagnation. It's women who can contribute to achieving real security - not bombs and bullets and repressive governments.

I verily believe that a man's way with women is in inverse ratio to his prowess among men. The weakling and the saphead have often great ability to charm the fair sex, while the fighting man who can face a thousand real dangers unafraid, sits hiding in the shadows like some frightened child.

I very often get that question: 'What is your real profession?' That's because in Sweden, it is 'not allowed' to have more than one profession - there's something suspicious about it! But nowadays it's more accepted that one can do a lot of things.

I've seen the real extreme diva behaviour and I don't think that's who I am.

I've started a little independent record label called 'Six String Productions' and recorded a couple of tunes, and I hope to do some more with some future artists next year. It's a real passion project of mine.

I've told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you're not necessarily able to tell what's real and what's not.

I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.

I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.

I've talked to a few writers who have had childhood illnesses. The sense of convalescence - the feeling that you're waiting to become a real person - is quite an interesting thing. You're seeing all of your friends doing amazing things and you're just there, in a void, feeling a bit stupid. I wouldn't be able to say what I'd have been like without it, but maybe I'd be incredibly high-powered and successful. It also forced me to spend most of my time in my imagination.

I've talked to a lot of pretty good lawyers around the world. I'm non-extraditable. That's the real reason the US government was pissed off, even when I was initially in Hong Kong.

I've talked with people of stature-of military and government credentials and position-and heard their stories, and their desire to tell their stories openly to the public. And that got my attention very, very rapidly.... The first hand experiences of these credible witnesses that, now in advanced years are anxious to tell their story, we can't deny that, and the evidence points to the fact that Roswell was a real incident, and that indeed an alien craft did crash, and that material was recovered from that crash site.

I’ve spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like

I’ve starred in a lot of science fiction movies and, let me tell you something, climate change is not science fiction, this is a battle in the real world, it is impacting us right now.

I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is just to get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.

I've written 17 novels, and I've found out that fiction can't keep up with real life.

I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.

I've worked hard to remember it...The problem is I'm not sure what's real memory and what's my brain filling in details, like a guy whose heart stops and he thinks he sees a bright light. Except I'm sure of my bright light.

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.

I view it as a real competition. We're in a business where, you know what, there's no babies here. You go out, win the job and take it. I've been told by management, for the most part, that we're going to play the best people. Obviously, you've got to consider stuff like contracts - that's a reality of the game. But still, when it gets down to it, we're going to try and pick the guy that deserves to win the job.

I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.

I've worked with a lot of great glamorous girls in movies and the theater. And I'll admit, I've often thought it would be wonderful to be a femme fatale. But then I'd always come back to thinking that if they only had what I've had - a family, real love, an anchor - they would have been so much happier during all the hours when the marquees and the floodlights are dark.

I've worked really hard on getting into the box more and being closer to the goal, which I think has brought real benefits to my game. It's definitely improved my goal scoring.

I've written enough books with real celebrities, such as Walter Payton and Hank Aaron and Billy Graham, to know that fame looks good only to people who don't have it.

I walked away from everybody I knew. I locked myself in a loft that I rented, like I told you, where I was rolling quarters for cigarettes. I was having to borrow money off of the rent guy... the real estate agent that was renting me the loft.

I wanna go to the clubs and actually have a good time too, but at the same time, when the party's over, I have to go back to the real world and try to figure out who I am.

I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.

I walked over, my eyes scanning Luna Blu, my house, and Dave's. But it was the building behind them, that empty hotel, that had the tiniest light, provided by one word, written in fluorescent paint. Maybe it wasn't what was once there, in real life. But in this one, it said it all: STAY.

I wanna run through the halls of my high school, I wanna scream at the top of my lungs. I just found out there's no such thing as the real world, just a lie you've got to rise above.

I wanted people to trust me, despite anything they'd heard. And more than that, I wanted them to know me. Not the stuff they thought they knew about me. No, the real me. I wanted them to get past the rumors. To see beyond the relationships I once had, or maybe still had but that they didn't agree with.

I wanted it to look like real cooking in someone's real home or just so out-of-there bizarre that it would be fun.

I want a script to affect me in some way. I am usually drawn to character studies, scripts about real people and the world we live in not some fantasy.

I wanted a do over. A time machine. That magic wand. But real life didn't have any easy outs, and very few happily-ever-afters. The real world was more like a Choose Your Own Adventure book, with most of the choices ripped out before you even opened the cover.

I wanted people to see that I really am a real person. I'm not just some guy who was on a TV show, some guy engulfed in the Hollywood life. I'm just a normal guy when it comes down to it.

I want a girl who looks good when she wakes up in the morning. We could take her face and dip it in dough and she'll make some nice-face cookies. Some girls wake up, man, you could put their face in dough and you'll get a gorilla cookie, for real!

I want a real take-home quality to the sermon, so I built the whole sermon series around the word grace, those five letters.

I wanted a real band. I wanted the Rolling Stones, the Beatles.

I wanted people to kind of take a peek to see that the pain, even though you may see them out at the Democratic National Convention or at Essence [Festival] or any of these other places, that the pain is still very real for these women [from the "Mothers of the Movement"].

I want an iPhone 5, someone said something nasty on twitter, or my boyfriend isn't texting me back, like whatever the thing is that seems so major in your life, when a real disaster hits you suddenly strips it all away and you see what's really important and who you really are.

I want a real encounter with something true and disconcerting about peoples' natures.

I wanted to be as close as I could to the Really Real, and I'll capitalize both of those R's, because God is a word that means different things to different people, but we might all agree it's what is most real.

I wanted to be an actor. That was my real goal. But I wasn't any good at it, so I wrote my own material and acted through that. That's my idea of fun. I get to be all these things in the songs.

I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.

I wanted to create a game (EarthBound) with real characters; characters whom players would recognize in the people around them.

I wanted to dissolve the boundary between the outside world and the world of the relationships. Those events, with exception of the Mt. Saint Helens explosion, were happening in the real time of the book, as I was writing.

I wanted to be an archaeologist. But in school you have to take a tremendous amount of statistics for that, and I am not good at statistics. So I hit a real wall with archaeology. It's probably like wanting to be an architect - you think it's all fun and games, and then you have to get out a calculator and you're done.

I wanted to be an artist, even at the age of 15, and people used to laugh at me. It was the late '90s, the time of pop stars and navel-dancing, where you were showing your midriff. I wanted to be a real singer.

I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.

I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.