Best 18573 quotes in «real quotes» category

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    Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.

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    Working with Jim Sheridan for instance, we did this movie Brothers. Jim will ask anybody - we'll get a delivery on set, and like the poor delivery guy will be like, "Here's your pizza," and he'll be like, "Come over here. Come here. I want to ask you a question. Do you think this is real? What do you think? Should we do another take?" And they're like, "I, uh, you want your pizza?" There's no shame in everybody's ideas. There's no shame in somebody not knowing.

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    Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.'

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    Working with Jada, Tiffany and Queen Latifah was great. It's so special to get to work with women you've respected for so long, and to get to know them as people. It was like we were on a real girls trip.

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    Working with Moschino, a real high fashion Italian brand, maybe I'm under tighter deadlines, but sometimes under tight deadlines you do your best work.

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    Work on what is real rather than worry about what is unreal.

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    Worldly wealth is the Devil's bait; and those whose minds feed upon riches recede, in general, from real happiness, in proportion as their stores increase, as the moon, when she is fullest, is farthest from the sun.

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    Would that God would make hell so real to us that we cannot rest; heaven so real that we must have men there, Christ so real that our supreme motive and aim shall be to make the Man of Sorrows the Man of Joy by the conversion to him of many.

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    Worry is the most popular form of suicide. Worry impairs appetite, disturbs sleep, makes respiration irregular, spoils digestion, irritates disposition, warps character, weakens mind, stimulates disease, and saps bodily health. It is the real cause of death in thousands of instances where some other disease is named on the death certificate.

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    Would a real man get caught eating a twinkie?

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    Would like to join me? (Astrid) I think I’d look strange in a bikini. (Zarek) Was that a joke? Can it be you made a real joke? (Astrid) Yeah, I must be possessed or something. (Zarek)

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    Worship in truth is worship that arises out of an actual encounter with God, a response to the experience of knowing God's real presence and activity in our daily lives. This has nothing to do with sentiment, thinking religious thoughts or having aesthetic experiences in church buildings; any religion can give you that sort of thing.

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    Worship...is evoked by Christ, through the Spirit, in such a way that He is the One who acts in us and through us, so that our worship becomes real worship in Spirit and in Truth.

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    Worship is to feel in the heart . . . it is an attitude and a state of mind. It is a sustained act, subject to varying degrees of intensity and perfection . . . Real worship is, among other things, a feeling about the Lord our God . . . It is in our hearts. And we must be willing to express it in an appropriate manner. If we love the Lord and are led by His Holy Spirit, our worship will always bring a delighted sense of admiring awe and a sincere humility on our part.

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    Wouldn't Ponochio II be a great musical, now that he has to face the real world and get a wife... job. Now he wants to be a toy again.

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    Would that God would make hell so real to us that we cannot rest; Heaven so real that we must have men there.

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    Worship isn't destructive, Martin. I know that. I don't. I only know it's the core of his life. What else has he got? He can hardly read. He knows no physics or engineering to make to world real for him. No paintings to show him how others have enjoyed it. No music except television jingles. No history except tales from a desperate mother. No friends. Not one kid to give him a joke, or make him know himself more moderately. He's a modern citizen for whom society doesn't exist.

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    Wrangel pretended to combat the Bolsheviks, Bolshevism is Jewry. In order to retain the favor of the Jews holding the real power in England, France and the United States, Wrangel showed to the Jews signs of his submission to them. Thereafter the Russian masses abandoned Wrangel as a traitor or as a comedian. It is impossible simultaneously to be an auxiliary of the Jew and an enemy of the Bolsheviki who are Jews. Be it incoherence or treason, Wrangel deserved the same fate as Denikin and he got it.

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    Wrestling used to be interesting. There was a bit of sham involved, of course, but there was some real wrestling involved. They're just characters now. It's unrecognizable. There's no fighting in American bloody wrestling. They just yell at each other and jump around like overweight ballet dancers.

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    Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.

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    Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.

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    Writers have no real area of expertise. They are merely generalists with a highly inflamed sense of punctuation.

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    Writers are socially observant. We find people endlessly fascinating, and real life is mysterious. Sometimes it's hard to stop staring at the strut and squawk of my fellow man. They can be quite inspiring. Sometimes it's hard to stop talking to them to see what in the world they're thinking.

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    Writers, as they gain success, feel like outsiders because writers don't come together in real groups.

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    Writer's block is real. It happens. Some days you sit down at the old typewriter, put your fingers on the keys, and nothing pops into your head. Blanko. Nada. El nothingissimo. What you do when this happens is what separates you from the one-of-thesedays- I'm-gonna-write-a-book crowd.

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    Writers really do that. We weep over our characters. We are saddened sometimes for days when we say goodbye to a world or a character. They do become our best friends. I've probably spent more time with them over the past 22, 24 years than I have spent with most of the real members of my family.

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    Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.

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    Writers of novels live in a strange world where what's made up is as important as what's real.

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    Writers only think they are interested in politics, they are not really, it gives them a chance to talk and writers like to talk but really no real writer is really interested in politics.

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    Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.

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    Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.

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    Writing a novel is a very hard thing to do because it covers so long a space of time, and if you get discouraged it is not a bad sign, but a good one. If you think you are not doing it well, you are thinking the way real novelists do. I never knew one who did not feel greatly discouraged at times, and some get desperate, and I have always found that to be a good symptom.

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    Writing doesn't come real easy to me. I couldn't write a novel in a year. It wouldn't be readable. I don't let an editor even look at it until the second year, because it would just scare them. I just have to trust that all these scraps and dead-ends will find a way.

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    Writing is a lonely job. Even if a writer socializes regularly, when he gets down to the real business of his life, it is he and his type writer or word processor. No one else is or can be involved in the matter.

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    Writing itself is a bad enough trade, rightly held up to ridicule and contempt by the greater part of mankind, and especially by those who do real work, plowing, riding, sailing

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    Writing is my way of trying to understand vast things that probably I'll never truly understand, a way of exploring a Big Question, of wrestling meaning from the chaos of life. Consequently, when I choose to write overtly or even secretly about my real life, it's always something difficult and complicated that I'm longing to make sense of.

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    Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.

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    Writing is my therapy. In addition to my real therapy. God knows where I'd be without it. I'd probably still be at my last job, working in HR at a religious organization. I was horribly miscast.

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    Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

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    Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.

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    Writing Part of the Scenery has been a very different experience. I have been reminded of people and events, real and imaginary which have been part of my life. This book is a celebration of the land which means so much to me.

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    Writing scripts is a laborious job that can be a real pain.

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    X is not my real name. But if you study history, you'll find why no Black man in the Western Hemisphere knows his real name. Some of his ancestors kidnapped our ancestors from Africa and took us into the Western Hemisphere and sold us there, and our names were stripped from us and so today we don't know who we really are. I am one of those who admit it, and so I just put X up there to keep from wearing his name.

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    Yanukovych has changed everything in Ukrainian jails - real criminals have been released, while representatives of the middle class and politically rebellious free-minded people have filled the prisons.

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    [Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.

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    Writing was my real life and I was more at home with the people of my imagination than with the best I met in the objective world.

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    Yeah. A real date. Something official. You. Me. Tonight. We're long overdue.

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    Yeah, it is, because it's a real discovery of your inner resources, you know. That's what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

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    Yeah, my real name is Coppola. I changed it because they'd think I was some nepotism-oriented kid.

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    Yeah, that's funny, huh?...Something hurts you real bad and you get used to it. Like being hurt becomes part of who you are.