Best 18573 quotes in «real quotes» category

I always felt like hanging around the pocket was trouble, but the truth is, the great players take the beatings in the pocket and expose themselves -- and that is the real risk.

I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.

I always feel the cynicism is reality with maybe an alternate spelling or something because I feel that I have real perspective on this particular issue of punishment in society.

I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity.

I always felt very secure and very safe with real estate. Real estate always appreciates.

I always feel freelance writers are leading a heroic life. I think that is the real writer's life. On the other hand, it's good to have another job. It gives you something to do.

I always feel that there's no violence in a movie - it's not real, it's a magic trick. Nobody is really dying. In fact, the people that die in my movies have gone on to become extremely successful!

I always considered an idle Life, as a real evil, but, a life of such hurry, such constant hurry, leaves us scarcely a moment for reflection or for the discharge of any other then the most immediate and pressing concerns.

I always felt strongly connected to the region where I was born. But after leaving school, the only clear thought I had about my life was to leave this provincial area and go to places where real life was happening.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

I always drastically changed my look for each role. It's gotten a little tedious in real life, also, because there's no hiding.

I always feel like I'm rehearsing. I'm a workaholic. But youve got to let go and trust and enjoy! I'm a real perfectionist. Its probably my biggest disadvantage. But as long as I can go out there, trust in the work and just have fun, thats what matters.

I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.

I always had one goal, and that was to be a real funny stand-up comic, and that's pretty much what I'm doing. And everything else is kind of like gravy - TV, movies.

I always get role models, people from real life who've lived the lives of the characters, and talk it through together, me, them and the actor, a lot. That helps. We certainly have our disagreements. But in the end we trust each other.

I always had a sense of people and would talk with them. I talk to my doorman. I talk to everybody I work with. I enjoy it. I like being part of a real life. I love dreams. I love glamour. I love being invited to great places. But I don't really care if I go, as long as I'm invited. I get invited to so many things, but I'd rather go have a hamburger or see a movie.

I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.

I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot a arrow and it goes real high, hooray for you.

I always have a pair of Ray-Bans in my bag and lots of pairs at home because they seem to go missing. They're a real staple.

I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.

I always had a larger view. I'm interested in real life - my family, my friends. I have tried never to define myself by my success, whatever that is. My happiness is way beyond roles and awards.

I always have this feeling that I'm losing everything, so I'm a real saver.

I always had a hard time with Nashville. I reluctantly live there. I've mellowed, and it's improved some, in the fact it has more immigrants. There's some real Mexicans there, some folks from India, some of this and that. I'm not satisfied at all with living there. It's a dilemma for me.

I always had a knack for putting the peanut butter on the bread. My brother Kevin knew how to spread the jelly around real good. When we found out Joe could cut off the crusts, well, that's when we knew we had something special.

I always have humour in my action movies. I think characters that make jokes under fire are more real. It somehow helps put you in their shoes.

I always have SK-II face masks in the fridge - they are excellent especially if you've been on a plane and your skin is puffy. I also love Rodin face oil with jasmine - it's delicious and gives you a real glow. I always use Chanel eye cream. I go to have my eyebrows waxed and lashes tinted, and then I always curl my eyelashes.

I always loved horror as a kid. On the one hand, I really love monsters, because in a way I feel like I related to their outsider status and like the sentimental romantic plight of the monster. More importantly though I feel like people are completely motivated by fear, especially with our political system here in America which is just degenerating into more and more fear mongering and it gets in the way of real discourse, plus it's just something I'm obsessive about and have always been a little bit of a paranoid guy.

I always like to make sense of things that, in theory, would not make any sense together. It's true that the core of Calvin Klein has been . . . I don't want to say conservative, but real clothes that are worn by everybody.

I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.

I always knew I wanted to write really imaginative fiction - fiction that was very different from my real life.

I always like when things [movies] are loosely based on real events. That always makes it more interesting because there's a lot of research you can do.

I always make this joke that I know you were expecting to see the big skirts and the hoops. But that was a long time ago. Artists aren't always seen as real people. If you start out as a teenager, sometimes people want to keep you locked as that. But I'm a woman now.

I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.

I always say one of my favorite things about making movies is finishing on that last day because I get to have my life back and let that go, and hopefully have a real sense of accomplishment at the end of it.

I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.

I always seem to be cast as slightly wan, ethereal, troubled intellectuals or physically ambivalent bad lovers. But I'm here to tell you I'm quite the opposite in real life. In fact I'm a f**king fantastic lover.

I always start with reality, in anything I do, everything I do, I always start from something real.

I always speak the truth. Not the whole truth, because there's no way, to say it all. Saying it all is literally impossible: words fail. Yet it's through this very impossibility that the truth holds onto the real.

I always tell people that if you gave me a pen and a piece of paper when I was a teenager and said, "Write out how you'd like your career to go," I would have probably short changed myself compared to what it's been for real. I'm just extremely excited about what I've accomplished.

I always said that I wouldn't use a teleprompter, and if I start to sing real flat, I'll hang it up.

I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.

I always say when you see that old black-and-white footage of the rocket on the launch pad and it falls over and explodes, that's because people had slide rules. Not having the decimal point is a real drawback. You want the decimal point, take it from me.

I always say you can never be extravagant with beauty. Beauty is God made real. Beauty is life.

I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.

I always thought that the movie had to be really raw, very edgy, that everything had to be super grounded and feel very real. If this was going to be a story about kids discovering time travel and building a time machine that we needed to believe that they really did it .

I always thought the real violence in Hollywood isn't what's on the screen. It's what you have to do to raise the money.

I always thought I'd go to university and then get a real job, you know. Now I want to do stuff that really makes me happy. Although I'm still trying to work out what that is. But for me there are always constants.

I always try to find something or some way of delivering the lines or playing the scene that you wouldn't normally expect. And I know that sounds weird, because it's not like I surprise people with shocking performances. But in an interesting way... Just being real and as interesting as possible. Usually, that stuff is the spine of the show. It's the humor that you need in a scene, in an intense moment or something.

I always try to get games of different genres. This is the reason Postal is a comedy, and Far Cry is a real, pure action movie - like Die Hard on an island - and In The Name Of The King: A Dungeon Siege Tale was my opportunity to do my epic, Braveheart, Lord Of The Rings, Gladiator movie. I try not to repeat myself in genres too much.

I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.