Best 18573 quotes in «real quotes» category

I think that I was lucky that I was 30 when I did 'Love Story', which came with this extravagant pop celebrity. I had already done 15 years of what I call 'real' work.' I was a waitress, chambermaid, and a photographer's assistant, so I knew that I was tremendously lucky as a novice actor to have that big hit.

I think that it is very important if you know what you want, understand where you are heading towards, and try your best to get it. It is only when we use our hearts to do it, and fall in love with what we are doing, then can we really get real determination.

I think that political parties are fuelling this fear in order to create divisions. The more we bring up fear, the more we neglect real political issues. Political debate in France is crumbling since every single issue is brought to Islam now.

I think that one of the things that is happening in the so-called "clash of civilizations" is that the confidence that was once obvious in the Western Judeo-Christian tradition has been weakened tremendously. There's a feeling that there's a cynical, corporate layer that's really driving it - one that's ready to compromise - and that the real confident energy around the world is coming from Islam, that the believers take their own faith at face value and with great confidence and in far greater numbers.

I think that people are going to find more interest in the human condition, especially with them being weaned on so much reality television. They want character driven stuff along with real violence. Cage fighting is very popular with the kids right now. They see and know what one punch can do to someone's face. You can't give someone five hundred punches in a film anymore.

I think that public grieving is a good thing. People need to be grieved; loss needs to be acknowledged publicly, because it helps to confer a sense of reality on the loss but also because it makes it known that this was a real life.

I think that one of the things about music is it's supposed to be spontaneous, it's supposed to be real human beings bouncing off of each other whether its from the stage or to the audience, or jamming with friends.

I think that pretty much every form of fiction (I’d include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you’ve escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in. So no, they’re not escapist. They’re escape.

I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.

I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.

I think that Stevie Nicks is one of the greats. Steve Nicks and Grace Slick and Janis Joplin have the real rock voices, to me.

I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.

I think that sexuality is only attractive when it’s natural and spontaneous. This is where a lot of them miss the boat. And then something I’d just like to spout off on. We are all born sexual creatures, thank God, but it’s a pity so many people despise and crush this natural gift. Art, real art, comes from it, everything.

I think that something needs to be weird in order to have real beauty.

I think that's the most important thing you can do to be a real person - is to be honest with yourself.

I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you can make music in studios, music doesn't have to be made as a real-time experience. But now you see the results of that in people who are completely crippled unless they know that they have the possibility of "cut and paste" and "undo." And "undo" and "undo" and "undo" and "undo" and "undo" again.

I think thats what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.

I think that's the real shame: We spent the last 48 hours talking about these disgusting, disgusting comments and disgusting behavior instead of talking about hurricane relief or what's going on in Flint, Michigan. It's just appalling to have to be dealing with such nonsense and such disgusting, you know, criminal speech.

I think that social networking makes people more connected, yet more distant, so there are people with less ties to real friend groups and less a sense of self.

I think that's the real horror story for me, how little you can ever really know about your own motivations. How in the dark we all are about the concerns and the contents of our minds.

I think that's the real loss of innocence: the first time you glimpse the boundaries that will limit your potential.

I think that's what really separates me in the world of fashion is I have a real understanding of actual clothes and how they work and how they should fit and a reasonably good artistic version of photography that kind of captures that. I think that was really kind of the best combination.

I think that the audience wants to see women being put into real situations where they can relate to them, rather than seeing some glamorous woman in a 'Bond' film.

I think that the best companies are companies that have a real purpose.

I think that the idea of straight edge, the song that I wrote, and the way people have related it it, there's some people who have abused it, they've allowed their fundamentalism to interfere with the real message, which in my mind, was that people should be allowed to live their lives the way they want to.

I think that the most exciting thing is to find a tool, like an art, with an opportunity to share. Real roots come from everywhere in the world. Why call is congress? Because it is a congress.

I think that the exactitude of the photograph has a sort of compelling nature based in its power to duplicate life. But to me the real power of photography is based in death: the fact that somehow it can enliven that which is not there in a kind of stultifying frightened way, because it seems to me that part of one's life is made up of a constant confrontation with one's own death.

I think that the real tragedy of Greece - aside of the savagery of European bureaucracy, Brussels bureaucracy and northern banks, which was really savage - is that the Greek crisis didn't have to erupt. It could have been taken care of pretty easily at the very beginning. But it happened and Syriza came into office with a declared commitment to combat it, and in fact as I recall they actually called a referendum, which horrified Europe.

I think that the ideals of youth are fine, clear and unencumbered; and that the real art of living consists in keeping alive the conscience and sense of values we had when we were young.

I think that the fact that a relationship becomes public is a bit of a bummer. Because it can distract from the real reason why you're together, which is that you just like each other.

I think that the next two generations of Americans will be grappling with the very real specter of finding themselves living in a new and bizarre kind of digital totalitarian state - one that looks and feels democratic on the surface, but has a fierce undercurrent of fear and technologically enforced fascism any time you step out of line. I really hope this isn't the case, but it looks really bad right now, doesn't it?

I think that the real religion is about the understanding that if we can only still our egos for a few seconds, we might have a chance of experiencing something that is divine in nature.

I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?

I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.

I think that ultimately when life is not tragedy it should be a party and if you've faced the real stuff, if you've faced the ones closest to you being at death's door, passing on, you know, not to let the small stuff really harsh your mellow, as you put it.

I think that we see some cities that have developed living wage ordinances. I think that we see some efforts to actually put real restrictions on unscrupulous behavior by creditors. I think that the Consumer Finance Agency is a reflection of a political reaction to the abuses behind the financial disaster. I hope the system will continue to react.

I think that we see war as a virtual thing and we even get to believe that bombs fall on top of cardboard cutouts and stuff like that. They don't. They kill real people, real children, real mothers and millions of innocent people.

I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.

I think that you should definitely listen to what people say, because everyone says it: High school is not the real world.

I think the Arab awakening has changed everything and I think a lot will depend on what people there ask of us, may be nothing, it may be a lot. I think that really depends how they find their voice and what they see as their real interest, and hopefully that would be for more schools and not more tanks.

I think the barrier for a lot of people to actual, real, lasting love is the fantasy. The problem is that we think in "happily ever after" love, but real love grows over time, and priorities change.

I think the best advice I got is that acting isn't acting - you just want to just be, you want to be just real, be in the moment and react.

I think that with some education there are real possibilities at the high school and college level, but more so at the college level, to bring people into cycling.

I think that women of my generation have had a real need to form networks and friendships because it's been, as they say, a man's world, and women have felt excluded and isolated to a large degree. When women get together in numbers their strength compounds and is seen and felt by themselves and others.

I think the best comparable is Bryant Gumbel's "Real Sports," in the sense that it's quarterly as well. So that's what we're doing, a quarterly special, an hour, three to four stories each hour.

I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.

I think the best teachers had a real interest in the subject they were teaching and a love for children.

I think the best way people can connect to you is by being real