Best 18573 quotes in «real quotes» category

The boyfriend of the student music teacher came in: "Hey, kids, this is a real Air Force pilot." I asked him something to the effect of how it felt to be dropping bombs on children in Vietnamese villages. And it got very icy in there all of a sudden, and finally the teacher said, "Oh, well, Eric reads a lot of newspapers. Next question.

The brave man, the real hero, quakes with terror, sweats, feels his very bowels betray him, and in spite of this moves forward to do the act he dreads.

The brands that can connect with client in a real way will win.

The Buddha taught that all life is suffering. We might also say that life, being both attractive and constantly dangerous, is intoxicating and ultimately toxic. 'Toxic' comes from toxicon, Pendell tells us, with a root meaning of 'a poisoned arrow.' All organic life is struck by the arrows of real and psychic poisons. This is understood by any true, that is to say, not self-deluding, spiritual path.

The British often shy away from any cinematic interpretation of real sex. They sometimes have what I call "subtle sex," which is really introspective and has soft music in the background. Either that or it's played for comedy. The British are kind of hung up about sex. They find it kind of titillating and they make jokes about it because they're nervous.

The Buddha is your real body, your original mind. This mind has no form or characteristics, no cause or effect, no tendons or bones. It's like space. You can't hold it. It's not the mind of materialists or nihilists. If you don't see your own miraculously aware nature, you'll never find a Buddha, even if you break your body into atoms.

The British have their own conception of what constitutes the typical American. He must have a flavor of the Wild West about him. He must do spectacular things. He must not be punctilious about dignity, decorum and other refinements characteristic of the real British gentleman. The Yankee pictured by the Briton must be a bustler. If he is occasionally flagrantly indiscreet in speech and action, then he is so much more surely stamped the genuine article. The most typical American the British ever set their eyes on was, in their judgment, Theodore Roosevelt.

The budget is like a mythical bean bag. Congress votes mythical beans into it, then reaches in and tries to pull real ones out.

The Bully has a Jekyll and Hyde nature - is vile, vicious and vindictive in private, but innocent and charming in front of witnesses; no-one can (or wants to) believe this individual has a vindictive nature - only the current target of the serial bully's aggression sees both sides; whilst the Jekyll side is described as "charming" and convincing enough to deceive personnel, management and a tribunal, the Hyde side is frequently described as "evil"; Hyde is the real person, Jekyll is an act.

The California cemeteries make dying sound so attractive it's a real effort to keep breathing.

The camera's perspective exactly matches that of the assassin: it now shoots the tourists shooting their own memorial photos, and we can watch this in real time.

The capacity for not feeling lonely can carry a very real price, that of feeling nothing at all.

The capacity for imaginative reflex, for moral risk in any human being is not limitless; on the contrary, it can be rapidly absorbed by fictions, and thus the cry in the poem may come to sound louder, more urgent, more real than the cry in the street outside. The death in the novel may move us more potently than the death in the next room. Thus there may be a covert, betraying link between the cultivation of aesthetic response and the potential of personal inhumanity.

The capacity to blunder slightly is the real marvel of DNA. Without this special attribute, we would still be anaerobic bacteria and there would be no music.

The capital-T Truth is about life BEFORE death. It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over: "This is water." "This is water." It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out.

The cast of 'Vikings' is a real team, a true ensemble. It's a mad, eclectic, great bunch! But we support each other and trust each other completely. There are no egos.

The Catholic Church must be the biggest corporation in the United States. We have a branch office in every neighborhood. Our assets and real estate holdings must exceed those of Standard Oil, A.T.&T., and U.S. Steel combined. And our roster of dues-paying members must be second only to the tax rolls of the United States Government.

The casting directors that were aware of 'The Real World' looked at me as a joke. It was so hard to get away from that.

The cases involving the question of whether U.S. courts should be open to claims of international human rights violations brought by foreign persons against foreign government officials. And the State Department on the one side has got a very consistent and powerful view that U.S. courts should be open to those claims because there needs to be a place in the world where they can be brought. And those human rights norms ought to be real and enforceable, and we ought to be a beacon to the world.

The cause of misery, death, and all personal and collective problems is rooted in the mind, the false, copy mind. The real, divine mind is transcendental, the witness, without thinking. Divine mind is without thoughts, all knowing, and eternally blissful. Trying to solve problems by thinking about them never produces a permanent solution because this false mind creates all problems; whereas, divine mind and our inner guidance bring forth solutions for our greatest good and the greatest good for all.

The challenge is to write about real things magically.

The Center for Public Integrity is the real thing. A group of dedicated people who remember that great journalism is about grit and guts and stamina and razor-sharp instincts. They are, thank heaven, here to stay.

The challenges in this place are real and sometimes very difficult, but I've learned to slow down and look for beauty in my days, for the mysteries and blessings woven into everything, into the very words we speak.

The central problem of our age is not liberalism or modernism, nor the old Roman Catholicism or the new Roman Catholicism, nor the threat of communism, nor even the threat of rationalism and the monolithic consensus which surrounds us. All these are dangerous but not the primary threat. The real problem is this: the church of the Lord Jesus Christ, individually corporately, tending to do the Lord’s work in the power of the flesh rather than of the Spirit. The central problem is always in the midst of the people of God, not in the circumstances surrounding them.

The champion's management says let's do this for real, for charity. Rocky says no but decides to be true to himself even though he's going to be berated by everyone. Just to compete, not to win.

The Charkha is the symbol of nonviolence on which all life, if it is to be real life, must be based.

The chance to own a home; chance to own an education; chance to get access to capital. This is the real civil rights battle of the twenty-first century.

The characters in my films try to live honestly and make the most of the lives they've been given. I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.

The chief aim of their constitution is that, whenever public needs permit, all citizens should be free, so far as possible, to withdraw their time and energy from the service of the body, and devote themselves to the freedom and culture of the mind. For that, they think, is the real happiness of life.

The chief proof of man's real greatness lies in his perception of his own smallness.

The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.

The cheapness of man is every day's tragedy. It is as real a loss that others should be low, as that we should be low; for we musthave a society.

The chief element in the art of statesmanship under modern conditions is the ability to elucidate the confused and clamorous interests which converge upon the seat of government. It is an ability to penetrate from the na?ve self-interest of each group to its permanent and real interest. Statesmanship consists in giving the people not what they want but what they will learn to want.

The chief obstacle to success lies in the stubborn fact that if the favorable prospects of a concern are clearly apparent they are almost always reflected already in the current price of the stock. Buying such an issue is like betting on a topheavy favorite in a horse race. The chances may be on your side, but the real odds are against you.

The Chili Peppers have a real strict two-week on/two-week off policy - aside from me, everybody has families.

[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.

The child thinks of growing old as an almost obscene calamity, which for some mysterious reason will never happen to itself. All who have passed the age of thirty are joyless grotesques, endlessly fussing about things of no importance and staying alive without, so far as the child can see, having anything to live for. Only child life is real life.

The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.

The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.

The Christian faith is meant to be lived moment by moment. It isn't some broad, general outline--it's a long walk with a real Person. Details count: passing thoughts, small sacrifices, a few encouraging words, little acts of kindness, brief victories over nagging sins.

The Christmas season is also that time of year when the business world implores us to consider the material as more important than the spiritual, all in the spirit of 'the holidays.' So we celebrate the arrival on Christmas Day of iPods and DVDs... Then again, maybe this is precisely the kind of seasonal silliness that causes the Christian faithful to shut out the noise and contemplate the real nativity scene and its eternal promise.

The Christ within who is our hope of glory is not a matter of theological debate or philosophical speculation. He is not a hobby, a part-time project, a good theme for a book, or a last resort when all human effort fails. He is our life, the most real fact about us. He is the power and wisdom of God dwelling within us.

The circuited city of the future will not be the huge hunk of concentrated real estate created by the railway. It will take on a totally new meaning under conditions of very rapid movement. It will be an information megalopolis.

The City of London and Wall Street are not going to be great places to be in the next two or three decades. It's going to be the people who produce real goods in charge – the farmers and the miners.

The cinema camera doesn't make movies; it allows movies to be made. It's the creative people who make it real to people.

The clergy converted the simple teachings of Jesus into an engine for enslaving mankind and adulterated by artificial constructions into a contrivance to filch wealth and power to themselves...these clergy, in fact, constitute the real Anti-Christ.

The closer you get to heaven, the less air there is, because when you get to heaven for real, you don't need to breathe anymore.

The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.

The closer you get to your dream, the more your personal legend becomes your real reason for living.

The closer you get to real matter, rock air fire and wood, boy, the more spiritual the world is.