Best 1227 quotes in «singing quotes» category

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    What's a farmer's market without some guy singing Here Comes The Sun in a way that makes you wish the sun would stop coming up.

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    Whenever somebody tells me they want me to stop singing, I'm gone.

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    When I am alone I can become invisible. I can sit on the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almost unhearable sound of the roses singing.

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    When I began singing, it was the first time I was happy in my life. As a baby, I would stop crying when I heard a great singer.

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    When I do book readings, I always incorporate music or singing.

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    When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

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    When I found out that I was going to be singing with Jennifer Holliday, I literally freaked out! I grew up listening to her, and I was going to cry because I sang with someone who is a huge inspiration to me.

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    When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.

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    When I first started seeing (the show) come together, I was blown away. It is unbelievable. And to see Vince singing, and behind him girls hanging by chains, and Harleys on the stage and the pyrotechnics going it's like, this is what I want to see in rock 'n' roll.

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    When I had my first experiences of choral singing, the dissonance of those close harmonies was so exquisite that I would giggle or I would tear up, and I felt it in a physical way.

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    When I'm on stage, I feel like a performer, for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful.

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    When I'm acting, I'm in a different place, singing is the last thing on my mind, and when I'm on stage, there's no acting at all involved, not even presentation, it's just who I am.

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    When I look back at what musical theatre music and show music meant to me, first of all - more than anything - what it meant to me was work. As I was growing up, I realized that singing and performing was my strong suit.

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    When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.

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    When I'm in the car and somebody comes on the radio singing the high notes, I try to sing along.

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    When I'm singing I try not be a singer with a capital S. I just try to get it out so I feel comfortable with it.

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    When I'm singing I'm always trying to get to the highest point possible. I'd fly to the top of Buckingham Palace to sing to the queen.

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    When I'm singing the blues, I'm singing life.

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    When I'm speaking, I'm more focused on the words as meaning. When I'm singing, I'm more focused on the words as sound. The emotion is more targeted when I'm speaking, more flowing when I'm singing.

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    When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!

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    When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.

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    When I started singing about my life and what I was going through, I felt more confident. It was my own life, I was being myself, I was telling people what was happening.

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    When I started singing, I weighed 153 pounds. I weigh 184 now. I haven't gotten any taller, but I'm putting on a little more weight.

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    When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.

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    When I was 12 and started to take singing lessons from a woman, she told me that I would probably spend the rest of my life taking care of my voice.

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    When I was 5 years old I started singing in church and I hated my voice because I sounded like a grown woman, not a child. I was ashamed of it.

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    When I was 15, all I knew was that I had to be somebody and that I could be somebody. So I exploited the only thing I knew, which was singing and songwriting.

    • singing quotes
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    When I was singing about 'All You Need Is Love' I was talking about something I hadn't experienced.

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    When I was at college - that was the first time I tried singing. I played in a band, and people seemed to like it.

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    When I was five I was touring, singing and dancing. Always gone, always out of school.

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    When I was growing up, we always had music playing in our household. I enjoy spending time with my father singing.

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    When I was singing "King of the Mountain," it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.

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    When I was writing this new bunch of songs, I was singing a lot lower, because they were more intimate in a way. I had to come up with a way to frame the music that was intimate.

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    When I would be on the stage singing, I would see a movie of something that happened, I would be telling the story. I would be describing the story in sound, but my goal would be to make somebody else run their own movie.

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    When I was in the hospital getting my sex change, I was just wishing I could be a pretty girl working in a mall. If I could have a crystal ball and see what I look like now - you know, modeling, David LaChapelle, hanging out with Daphne Guinness, singing with Lil' Kim, and traveling all over the world, I'd be like, "Wow, I can't believe this.

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    When Satan makes impure verses, Allah sends a divine tune to cleanse them.

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    When you go to karaoke with a professional singer and they really start singing, there's no bigger buzzkill than that.

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    When you're onstage and the audience is smiling and singing and bopping along and you're all on the same level, it's the best feeling in the world. It may sound dumb and corny to say it, but it's like pure love.

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    When you hear tracks everybody immediately thinks that nobody is really playing or singing. That's not the case at all.

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    When you're all singing together, it brings things together. I know the songs that my grandfather and my father sang.

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    When you're dressed up as David Bowie, with your eyebrows completely bleached, and you're doing this kind of strange dance with Paul McCartney while singing "Rebel Rebel" in the middle of the Met ball, and Madonna's looking at you . . . I was just thinking, It's become a bit weird.

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    When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.

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    When your target is too far away from you, continue walking singing the song you like.

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    When you hear Doc Watson singing Amazing Grace, something else enters the room.

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    When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!

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    When you're just singing a beautiful melody with a story that's true to the heart, you don't need a lot of embellishment.

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    When you're singing we all phrase each other in the most remarkable ways. I might hit some sort of thing I've never done before - some vocal pattern. Bonzo will pick it up - he'll phrase with me instantly and then Pagey may join in or start some other phrase - it's like a quadrant.

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    When you sing opera you are very far from the people, you are onstage, and between you and the people there is the orchestra. So you have to launch your emotions very, very far. When you sing pop, you are singing very close - the microphone is very close to your mouth. You can whisper your emotions into the microphone.

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    While I'm singing complete gibberish to my son when he's in his crib, I'll occasionally think, 'This song I'm making up is actually pretty good.'

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    Where is Arland?" "Rapunzel decided to walk around in the woods to get 'the feel of the battleground.' He won't leave the grounds and he promises to defend the inn with 'all the strength in his body.' I told him if he gets in trouble, he should try singing prettily so his woodland friends will come to the rescue. I don't think he got it.