Best 1227 quotes in «singing quotes» category

I also have to support my speaking voice by sitting in a way that engages the diaphragm in the way I would for singing.

I always feel like the less I think of stage presence, the better, because then I have to face the fact that I have really complicated guitar parts, I'm singing almost all the time, and I have like six pedals I've got to keep on top of

I always loved music. You know, my parents said I started singing when I was 4, in the car.

I always loved singing and writing poetry. I always loved music, and I’ve loved writing my whole life. When I put them together it was probably in my early 20s, where I put words to music for the first time.

I always made sure that I kept the dignity, or tried to keep the dignity that they showed, by standing there and singing and not doing too much else, because I didn't know what else to do. But you know, sometimes you can get carried away and I don't know, lose your composure or something.

I always loved singing, but I thought it was like drawing - just something you do in your own little corner to calm yourself down. But when my friend, the French songwriter Etienne Daho, listened to my songs, he was so moved that told me that I had to do a demo, share them with the world.

I always love to see singing on television; any form of a musical is exciting to me.

I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.

I always said, 'A blind dog with three legs could get a standing ovation for singing 'I'm Still Here!''

I always thought I was singing American folk music.

I always wanted to be a comedian. I loved comedy since I was a little kid, and while I was at university I started doing stand up shows. Once I realized that I was good at it I quit college and left although I had six months left. I went to England. I could have done the last six months but I realized that I was better at standup comedy than I was at singing opera.

I always want to bring emotion across in a straightforward way. I don't want to get histrionic when I'm singing. For me that's just not interesting; it goes too far down one road.

I am a karaoke purist and I don't like that. I don't think it's enough for you to just be there with your friends singing. I think you need to be in front of a crowd of hostile strangers for it to truly count.

I am a pop girl! And I'm on a major label. I enjoy singing pop songs.

I am connected to the market and now I am singing songs that my mother loves as well, it's amazing!

I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.

I am incredibly emotionally aware and connected with other people. You know, when you come see me live, you can see that different kind of connection and that connection with what I'm saying, and the things I'm singing about. So it really is about just keeping my eyes open.

I am getting to the point where the only love worth being in is the love worth singing about.

I am the all-singing, all-dancing crap of this world.... I am the toxic waste by-product of God's creation.

I am singing a genre of music that people are very protective of. I am being compared to the greatest vocalist of all time.

I approach the singing kind of like with dialect thoughts in my mind. I have to sound like this on certain things to give that Frankie Valli flavor.

I am usually always singing about the same god damn person so I will love him forever but you know, it's all good. It's all good!

I am working on my nightclub act, definitely want to do more singing.

I became a tabla-player at the the age of five. However, I should have learned singing also. I mean I know about singing, but I have been never practicing it.

I believe in singing.

I believe in singing. I believe in singing together.

I began dabbling in writing when I was 12, and there was never an official start to singing... I just sang my songs because there was no one else to sing them and no one told me to shut up!

I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.

I bet Maurice Gibb's heart monitor was singing the tune of Stayin' Alive.

I blame it [never taking a break] on my mother. She was a born entertainer. Leave the songwriting, the singing and all that behind, and I still would have found some way to be an entertainer. I would have never been an actress, though, because I realized early in my life, in like sixth grade, I was a terrible actress.

I came up in Brooklyn singing doo-wop music from the time I was 13 to the time I was 20. That music served a purpose of keeping a lot of people out of trouble, and also it was a passport from one neighborhood to another.

I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know.

I can change the arrangements on stage while I am playing or singing, doing signs to the musicians to change things because the audience is dancing or singing with us. That's the interesting part of the live show, actually, because everything is possible and everything can change.

I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.

I can never stand in one place on stage for more than a minute and am always singing, dancing and jumping.

I can only sing songs my way. I don't know any other way.

I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier.

I can read music, but I have no technique, and singing was never an option even though I sang a lot growing up.

I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.

I can't imagine life without singing.

I can't seem to stop singing wherever I am. And what's worse, I can't seem to stop saying things - anything and everything I think and feel.

I can't even remember the first time I started singing.

I consider myself a method singer, not a method actor. I applied method acting to singing.

I certainly never imagined 80-year-olds singing along, like they were watching Cats. I'm fascinated by that kind of pop cultural zeitgeist that it's attached itself to.

I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.

I could have easily been too afraid to say 'yes' to Chicago, because it requires so much I haven't done before. If I am a flop at singing and dancing, maybe my love for it will carry me through.

I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that.

I'd been taking singing lessons and I had taken dance, because I loved to dance, but I had never considered myself a professional at all.

I did not want vocal groups. I was not interested in singing with a group because there's too much problem with groups in the first place.

I definitely don't see myself as much of a singer, because my upbringing is really based around the guitar, learning chord progressions and that sort of thing. So the singing aspect of what I do has been a secondary adventure.