Best 1227 quotes in «singing quotes» category

I was 17 when I auditioned for 'Miss Saigon.' I really grew up doing that show. I pretty much knew, almost a year into 'Miss Saigon,' that I was going to be a performer, that I was going to be singing and acting.

I was about 17 or 18 when I first started performing in public. I had a teacher when I was a freshman in college and she came up to me afterwards and said she had been crying while I had been singing, and it really shocked me.

I was always singing and dancing for my mother when I wasn't glued to the television watching I Love Lucy or the Carol Burnett Show.

I was always musical - yelling when I was a baby, singing into a brush and singing in the shower.

I was always a bit reluctant with anything like fame and the limelight and it didn't sit very well with me, although I love singing and writing.

I was always singing the way I felt, and maybe I didn't exactly know it, but I just didn't like the way things were down there-in Mississippi.

I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out

I was going through troubles with my marriage, and I was just trying to focus and center myself. I was already rich and famous. I've got to figure out where I want to go and just get this thing aimed. I wrote this song ["Right Now"] and I kept singing it every day .

I was just in the middle of singing a song about how broke we were and now my cell phone rings.

I was never trying to be the voice for anybody else. I was just trying to sing about what I was going through, and was singing about those things specifically because I knew there was an audience not being served.

I wasn't really the most charming person, socially - it took me a long time to develop my people skills - but the one place I was always comfortable was onstage, acting or singing.

I was really psyched about crooner types like Frank Sinatra or Scott Walker. Something that comes more from the stomach than the throat. There's an emotional thrust to singing that way that I wanted to try on my own. I can't really sing deep and strong like that, but I wanted to just aim in that direction.

I was singing about six notes higher than I had to, in a range that kept me up in a bubblegum sound.

I was so shy and so quiet, and the only time I had my own voice and I could really connect with people was when I was singing or on stage.

I was the worst bricklayer in the world. I can show you buildings I worked on - they're a hazard. I closed a window one time. I forgot to set back a brick and I just kept going - there I was singing 'There's no business like show business'.

I was the youngest of three kids, and from the age of four, singing was my way of getting attention.

I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.

I went to Canada and played in this tiny bar where the windows were steaming up and everybody was so animated and singing along right there at the foot of the stage, looking up, and I got my mojo back .

I will be singing primarily all the songs from the musicals that I have been in from over the years.

I will always try to turn sights and sounds into words. I will always try to shape words into my singing poems.

I will play my part by singing the spirit into every open heart.

I wondered how people would take me being a country music singer. I thought about deviating from that and singing other things. But... it doesn't really make sense for me to try to be something that I'm not.

I would much rather be a better mother or better human being than I would be a singer. Fortunately for me singing makes me a living.

I won't be indulging in anger anymore, vehemently and self-righteously singing protest songs, and expecting them to bring peace to me or anyone else.

I would like to be remembered as a man who brought an innovation to popular singing.

I would love to sing. I would love to do a musical, but I wouldn't say that that singing is my strong suit.

I wouldn't make it through the day without singing. It is my solace and my meditation and my release. It lets me know how I'm processing things, what I'm processing, if I'm out of touch in some area.

I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.

I would rather be remembered by a song than by a victory.

I write a lot of lyrics and I'm involved in the producing process, because it's like, if I'm singing it, I want it to be something that I can relate to.

I would still be singing, because it's part of my heart and my soul, and it lifts me up. Find something you would do for free.

I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.

I would sing myself with a tambura and just regular a cappella singing and practicing. I did that around 1973 and 1974, and I finally developed my own style of singing.

[Jazz singing] is like pornography. You can't say what it is, but you know it when you see it.

Lectures should go from being like the family singing around the piano to high-quality concerts.

Jewelry should not upstage you. I pick one hot point on my body that I'm going to highlight. Let one area do the singing - you don't want to hear three songs at once.

Jesus is infinite. he does not finish. there is no start time for Jesus. he has always existed and will always exist. and his love for us is vaster than we are able to comprehend...And i have to remind myself that God is not 30 minutes of accessible group singing.

Like when I'm singing live I can't hear myself. I'm just listening to the rest of the band. To listen to my voice, it doesn't even feel like it's me.

Let this be the criterion always: anything that makes you festive, anything that gives you celebration, anything that makes you dance and sing to such an extent that you disappear in your dancing, in your singing, in your celebration... is the only true religion I know of.

Like the lark that soars in the air, first singing, then silent, content with the last sweetness that satiates it, such seemed to me that image, the imprint of the Eternal Pleasure.

Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.

Life is singing also in the sand crunching under the slow and heavy steps of the guards, when we know how to listen to it.

Like many musicians, I can hear the weight in the sound. Sound is matter. We speak of the colour of an instrument, of transparency... We can demand more sombre or lighter colours, deeper playing and singing, heavier or lighter sound. And manipulating those means is like creating a painting.

Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.

Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches, nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.

Love without hope, as when the young bird-catcher Swept off his tall hat to the Squire's own daughter, So let the imprisoned larks escape and fly Singing about her head, as she rode by.

Lyrics always fall short with the amount of energy thrown into the playing. Lyrics to some extent are just the product of a singer's insecurity with singing.

Madonna's not the best singer in the world, but she was awesome with her entertainment and all of her shock tactics and stuff and that's where it began. She then inspired all sorts of other girls to do that. But I don't know, I just think music's kind of important too. So you've gotta know where that line is especially when you are good at singing.

Make sure that your song is fun and catchy. Make sure that you enjoy singing, and drink tea.