Best 252 quotes in «movies quotes» category

The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it was not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Wells in the doorway in the Third Man.

The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly residents of Saltram had left a pan on the oven in her flat. Apparently this happens all the time. The tenant in question is appearing as an extra -- playing one of the cooks.

The fundamental difference between books and movies is that the length of a book does not depend upon the capacity of the human bladder.

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

The movies remind me of the Triangle Club at Princeton. I used to belong to it, and we always started out firm in our decision to create new and startling things. We always ended up by producing the same old show. In the beginning, our enthusiasm and ideals discarded as rubbish all the old fossilized plots.

There's a line in David Lean's punishingly long 1962 desert flick, Lawrence of Arabia: 'Truly for some men nothing is written unless they write it.' Duh.

There's a time when a man needs to fight and a time when he needs to accept that his destiny's lost, the ship has sailed and that only a fool will continue. The truth is I've always been a fool.

The good thing of TV movies/books... TV series... audiobooks is that you can choose the genre and you have plenty of choice.

The most memorable science-fiction movies are ones that defy our expectations.

the problem is, lahat na lang kasi ng pelikula pinipilit gawing pampamilya. one size fits all. kaya tuloy ang material for movies nagiging too mature for kids and too cheesy for adults.

There's never any telling what you'll say or do next, except that it's bound to be something astonishing. By God, sir, you are a character.

The Runaway Five's obvious influence is The Blues Brothers. During localization, their black and white suits were made more colorful to avoid legal action from Universal Pictures or the film's producers. When I told my wife Aviva about this, she admitted she had never seen The Blues Brothers film. Having grown up on a steady diet of Saturday Night Live-spawned movies, I told her that her innocence here was blasphemous. That night, we marveled together at James Brown's hair.

The strong man lit a cigarette. It looked too frail for his hand. They looked like King Kong and Fay Wray, that hand, that cigarette. There was a movie going on right under his nose and he didn't even know. The guy had about one brain cell and he was doing time in it.

The USA radio frequency (RF) radiation industry has turned zombie movies into reality.

They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.

This is a house full of misfits, everyone unmoored from the world outside these gates. They don’t belong out there. They live in a constantly moving dreamworld of imagined horrors, spurts of gore, skulking monsters---creatures more aberrant than themselves. After all, it takes true misfits to make believable monsters.

Transform into your dream.

Travelling the road will tell you more about the road than the google will tell you about the road.

Trekking means a travelling experience with a thrilling excitement.

Those are the only to verbalizations usually that we make in movies—either to scream or to laugh—because those two reactions are rather close. Most things we laugh at are things that are really horrible, when you think about them. It’s funny and you don’t scream, as long as it’s not you. If it’s somebody else you can laugh.

Travelling shouldn't be just a tour, it should be a tale.

Travel teaches as much as a teacher.

Wanna see how creepy I can be?" -Mr Teatime

TV takes away our freedom to have whatever thoughts we want. So do photographs, movies, and the Internet. They provide us with more intellectual stimuli, but they construct a lower, harder ceiling.

Use filmmaking to eliminate racism – use to it terminate misogyny – use it to destroy homophobia and all other primitiveness.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.

Unlike in the movies, the weather seemed indifferent to his personal predicament and refused dramatic contribution. It was a rather pleasant day, in fact.

Use filmmaking for a greater purpose, than to just entertain some drowsy minds. Wake the whole world up with your movies. It has been sleeping for long. Its eternal sleep has become its darkest nemesis. Now is the time to wake it up.

Usually when you see females in movies, they feel like they have these metallic structures around them, they are caged by male energy.

Watching a movie for the first time is a flirt. Rewatching it, is a date.

Watching black and white movies at the cinema is like seeing the world in several different dimensions, as much as seeing the colors in the eyes of the spectators.

Watching movies simply is a promiscuous experience. The voracity it breeds! That quantity of quiddity compressed and quickened and sent at you! It's a little bit mad, isn't it, to hold a faithful flame for the one you've picked, when no such choice is required of you? The sane response to a rainbow is not to pick your favourite colour.

...we’re not even really hiking, more like meandering in cinematic light.

We look at other people's lives, & we see what looks like a beautiful, adventurous, wonderful or tragic life. But so seldom do we see or even understand that what we see isn't their lives. Especially nowadays with news feeds, & statuses, we see only the surface, with not hint at the inner workings. To me, it's like a movie. We see the culmination of ones efforts, work, hardships, difficulties, progress, & pains. On a big screen that is life, but so rare & seldom, do we every acknowledge nor see the directorial point of view. The metaphorical behind the screens. So while we view others lives with a romantic envy, sweet longing, disheartened sympathy, or joyous reverence. We are so oblivious to the fact that their lives take the same trials, hardships, wonders, difficulties, & joys as we, it's merely manifested in a different on screen production. My longing, is to see that which is off screen. The inner workings, mundane & trivial, as well as the intense & breathtaking because without it, the picture it culminated in would not be. If we only take things at face value, we'll miss the wonders of the inner working. That which lies beyond sight, hidden away within. While it is what appears without that we all see, that which lies within makes what we see make sense. And it's in understanding someone's life & situation, that you can come to value their life & them.

We have reached a censorship barrier in Infidelity, to our infinite disappointment. It won’t be Joan’s [Joan Crawford's] next picture and we are setting it aside awhile till we can think of a way of halfwitting halfwit Hayes and his legion of decency. Pictures needed cleaning up in 1932-33...but because they were suggestive and salacious. Of course the moralists now want to apply that to all strong themes—so the crop of the last two years is feeble and false, unless it deals with children.

We suppress our emotions, edit our thoughts, and behave politely to the point of tedium. No wonder we seek solace in the emotional and psychological honesty of an unfiltered make believe world of novels, movies, and plays.

Whatever genre you deem suitable for your taste – romance, comedy, action, mystery, sci-fi or anything else, make sure it has the plain everyday human kindness.

We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistant director)] yelled 'Action'. ... Babies smiled all afternoon. Buddhist babies. They didn't cry once. We, however, were all in tears by 5 p.m.

What a life we live. Full of questions, adventures, stories, mistakes, good, quests, bad, miracles, lessons, people, blessings, journeys, inventions, music, animals, history, cultures, religions, prophecies, planets, stars, careers, movies, plants, hate, love, and so much more.

We told each other what movies we were currently watching and what books we were reading.

When you live in LA and work in the movies, you experience the collapse of some of that fantasy. You know that the eyes glow like that because of lights placed at a specific angle, and you see the actresses up close and, yes, they are beautiful, but they are human size and imperfect like the rest of us.

What makes movies magical is not that incredible things happen in them. Incredible things happen in real life. No, what makes movies magical is they end right after the incredible thing happens.

When an artist is asked to speak about form, you expect something different than when a critic talks about it. Because you think that somewhere between sentences and words, the secret will slip out. I am trying to give you that secret; it isn't a secret at all, but it is building solidly, not using secrets. I had been trying to extend into metaphysical extension; that film is changing, metamorphic; that is, infinite; the idea that the movement of life is totally important rather than a single life. My films were built on an incline, an increase in intensity. I hoped to make a form which was infinite, the changingness of things. I thought I would want to find a total form which conveyed that sense, particularly in reference to an Oriental subject. My impression was: one is walking down a corridor of a hotel. One hears a sound, opens a door and a man is playing; one listens for three minutes and closes the door. The music went on before you opened the door and it continues after you close the door. There was neither beginning nor end. Western music increases in intensity to a climax and then resolves itself. Oriental music is infinite; it goes on and on. The Chinese theater goes on for hours and hours with time for lunch moving scenery, etc.

When you are the only laowai in a village of 10,000 Chinese martial artists and you've sat through several dozen films where a white man shouts, "You Chinese dog," before getting his ass kicked, it starts to irritate you. We all need role models.

Yes, movies! Look at them — All of those glamorous people — having adventures — hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves — Goody, goody! — It's our turn now, to go to the south Sea Island — to make a safari — to be exotic, far-off! — But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!

When you use more than 3-5% of your brain, you don't want to be on Earth!" -Bob Diamond, Interdimensional Attorney, from the Albert Brooks' movie, Defending Your Life

Who cut him?' Sam liked saying things like 'Who cut him?' It reminded him of being a kid and watching prison movies, which is probably why prisoners talked like that, too.

Why don't you wear those tiny shorts when you run, like they do in the movies?" His voice was low and sexy, and he knew it. "Because I'm not in a movie. I know it's confusing, since you obviously live 'The Saxon Show' day and night, but some of us want to live a boring, old, normal high school life, you know?

Why wait for the movie tomorrow, when you can read the book today!

You don't learn what life is from movies or books, you learn what life is from living it.