Best 230 quotes in «body image quotes» category

It's my choice to be beautiful. It's my choice to be ugly. And it's my choice to decided what those words actually mean.

It's never been true, not anywhere at any time, that the value of a soul, of a human spirit, is dependent on a number on a scale. We are unrepeatable beings of light and space and water who need these physical vehicles to get around. When we start defining ourselves by that which can be measured or weighed, something deep within us rebels. We don't want to EAT hot fudge sundaes as much as we want our lives to BE hot fudge sundaes. We want to come home to ourselves. (p. 174-5)

It wasn't a perfect body but it was the body she deserved. Not just from every bar of chocolate or bag of crisps or laden plate of food that she'd eaten. This body was also testament to all the hours in the gym and cycling up hills on her bike and glugging down two litres of water a day and learning to love vegetables and fruits that didn't come as optional extra with a pastry crust. She'd earned this body. This was her body and she had to stop giving it such a hard time.

I used to never get in a swimsuit. I used to feel so embarrassed about my skin and scars. I'm over that, it wasted too much of my time and I missed out on too much.

I’ve been chained to my bathroom scale for two decades now. I’ve used the number on my scale to tell me if I’m valuable or not. I’ve let the number on my scale destroy many beautiful opportunities in my life such as scheduling family photos, having fun at the beach, or giving myself 100% in intimacy. I’ve let the number on the scale tell me if I should be confident in who I am. I’ve let the number on the scale tell me if I am worthy of kind thoughts from others. Ultimately, I’ve always let some ridiculous number on the bathroom scale tell me whether or not I should love myself.

I've got two backs, me - and I'm glad! Tits can be . . . mwa, I know, but they're always in the bloody road. Even in bed.

I've learned that in order to be an efficacious woman with any sort of spiritual power, I first have to love my body.

I was back in disgust. I stood in the centre of the big room, naked, letting the heat strike me from the three points of heat, and I knew, and it was an illumination — one of those things one has always known, but never really understood before — that all sanity depends on this: that it should be a delight to feel the roughness of a carpet under smooth soles, a delight to feel heat strike the skin, a delight to stand upright, knowing the bones are moving easily under flesh. If this goes, then the conviction of life goes too. But I could feel none of this. The texture of the carpet was abhorrent to me, a dead processed thing; my body was a thin, meagre, spiky sort of vegetable, like an unsunned plant; and when I touched the hair on my head it was dead. I felt the floor bulge up under me. The walls were losing their density. I knew I was moving down into a new dimension, further away from sanity than I had ever been. I knew I had to get to the bed fast. I could not walk, so I let myself down on my hands and knees and crawled to the bed and lay on it, covering myself.

I was on a path, and I became determined to give it everything I had — no matter what.

Maggie, when will you believe me when I say you're beautiful?" "I'm not twenty-five," she replied. "I need to lose ten pounds--" "Hush." Angel placed a hand over her mouth. "Don't talk about the woman I'm crazy about like that. It pisses me off, because she's perfect as is.

Like, yes, Olivia is kind of curvy, and Mina didn’t say it like an insult. I know it’s not an insult. But I just hate when people talk about bodies.

Let go of toxic control, in order to regain healthy control.

Looks are worth nothing, she thought, dismissing the butterflies in her stomach.

Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.

Maybe beauty had nothing to do with the garbage TV tried to sell us. It was more a matter of confidence. Either way, I had none.

May I see the beauty in others without denigrating my own.

My body is a work of art, I told myself. The scars, the loose skin, the slight bulges where there once were none—they were like battle wounds. Motherhood, divorce, and everything in between shaped me, molded me. I made myself see the beauty in it.

My body is like a Temple in Nepal. It is sacred, but has a lot of damage from the earthquake of my youth!

Most of us know that the media tell us our bodies are imperfect - too fat, to smelly, too wrinkled, or too soft. And, even though we may know it’s horseshit, these messages still seep into our brains and mess with our self-esteem. In a media-saturated country where most images of women and men have been photoshopped to perfection, it’s hard to find a living supermodel (much less a computer programmer), who doesn’t wish she had sexier earlobes or a tighter ass. So, buck up, even the prettiest bombshell has body insecurities. You can spend your life thinking your butt’s too big (or your cock’s too small) or feeling sexy as hell. Make the choice to appreciate your body as it is.

My BODY isn't flawed, your thinking is. #UniquelyMe

My dad will win, I silently countered, even as I smiled sweetly. I couldn’t wait to spike the ball right through her block, no matter how tall she was. In health class we’d learned that if Barbie were human, she’d be six feet tall and weigh one hundred pounds, and Gisele seemed pretty close to those dimensions. By contrast, my doll representation would be more like Barbie’s Fat Mexican-American Republican sidekick.

My parents never recognized the things that for me were achievements. I was praised for the things that came naturally to me, like my intelligence, but when I really put all my effort into looking nice (trying to), it went unrecognised. No-one ever told me I looked pretty or nice, or that I was a beautiful person (to them) and I needed them to...

Never," enjoins a women's magazine, "mention the size of his [penis] in public...and never, ever let him know that anyone else knows or you may find it shrivels up and disappears, serving you right." That quotation acknowledges that critical sexual comparison is a direct anaphrodisiac when applied to men; either we do not yet recognize that it has exactly the same effect on women, or we do not care, or we understand on some level that right now that effect is desirable and appropriate. A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.

Never underestimate the Power of Working-out!"-Serena Jade

One humid summer afternoon, Remy got to missing his dad, who was in Japan doing fieldwork. After searching around the house, I found him in the backyard sitting on a rock and crying tears that were so sincere and alone that I immediately cried right along with him--out of both empathy and also a sense of joy that he, after a mere five years on this earth, was able to feel so deeply for someone else. Because I was crying, I was short on words, but I carried him inside to an overstuffed chair and let his little heaving body fill in every space on my stomach and chest. We stayed there for a long time without speaking while he calmed--he seemed to want to melt right into me until any hurt he felt was gone. I had already been thinking a lot about bodies and the spirit, but that moment brought new clarity to my abstract ideas and tentative conclusions. My body is home to my children. I lie between my children each night while they fall asleep, and they reach out in the dark and stroke my face or reach for my hand. It's like the reaffirmation of both their place in the world and their place in a larger plan, as they run their tiny hands across the familiar and tangible landscape of my body. My body for them is a manifestation of home, and home is what the spirit has always felt like for me. There have been times in my life, more than I'd like to admit, that I've spent copious amounts of thought and energy trying to rearrange the home of my body. Roughly pushing furniture around with dissatisfaction, barging in with the latest trend, sitting at the window wishing my home was anything other than what it was. I think, like many, I've been harsh to my body, spoken unkindly to and about it. Watching Thea move through the world with almost comical confidence has shifted my paradigm. Since she has been around, I slowly, one step and one day at a time, began reclaiming confidence in my body. I feel fierce in protecting her confidence, and I've learned in order to do that I have to protect my own. I've learned that in order to be an efficacious woman with any sort of spiritual power, I first have to love my body.

No one has to tell her that her body makes her irrelevant to that entire conversation. Grace has never questioned her body's place in the world. She's always believed the laws of movies and TV shows: Chubby girls are sidekicks, not romantic leads; sometimes they get to be funny, but more often they're the butt of jokes; if they're powerful, they'e evil- they're Ursula the sea witch from The Little Mermaid: they are not heroines and they are certainly not sexy. These are the rules. This is the script.

No one really cares what you look like." I'm such a hypocrite, I think, and pull my shirt up over my head. I want it to be true so I decide to act like it is. If a pretty thin girl can be self-conscious about people looking at her in a bathing suit, then maybe the problem isn't what other people think so much as what we think of ourselves.

Only on a few occasions had I ever been comfortable showing my body off, and now here I was, taking a job where Asian boobs and ass ran free.

Our culture is obsessed with perfection, especially when it comes to the way women look. The parameters of acceptability as far as physical appearance go are so limiting that only a handful of women actually fall into this category. And the rest of us are left to either squeeze ourselves into molds that don't fit, hating ourselves all the while, or we just give up entirely.

Our first experience of life is primarily felt in the *body.* ... We know ourselves in the security of those who hold us and gaze upon us. It's not heard or seen or thought it's felt. That's the original knowing.

Our bodies were printed as blank pages to be filled with the ink of our hearts

People should just be allowed to look in the mirror and see all kinds of possibilities.

Our work is not to change what you do, but to witness what you do with enough awareness, enough curiosity, enough tenderness that the lies and old decisions upon which the compulsion is based become apparent and fall away. When you no longer believe that eating will save your life when you feel exhausted or overwhelmed or lonely, you will stop. When you believe in yourself more than you believe in food, you will stop using food as if it were your only chance at not falling apart. When the shape of your body no longer matches the shape of your beliefs, the weight disappears. (p. 80-81)

Proper posture sends a positive message since 90% of all communication occures through body language and how you carry yourself.

Por que ter coxas enormes e cheias de celulite me obriga a pedir desculpas à humanidade?

Perhaps a past of bingeing, restricting, or purging comes back to haunt you from time to time. Maybe you have to fight hard battles against vanity, gluttony, and shame. But with God’s saving power, every new day is a gift, an opportunity to detach yourself from tormenting thoughts about food or how you look and to attach yourself to God. Remember, we all hunger for God, more than we hunger for a big bowl of ice cream or a perfect physique.

Self-denial can lock women into a smug and critical condescension to other, less devout women. According to Appel, cult members develop..."an attitude of moral superiority, a contempt for secular laws, rigidity of thought, and the diminution of regard for the individual." A premium is placed on conformity to the cult group; deviation is penalized. "Beauty" is derivative; conforming to the Iron Maiden [an intrinsically unattainable standard of beauty that is then used to punish women physically and psychologically for failure to achieve and conform to it] is "beautiful." The aim of beauty thinking, about weight or age, is rigid female thought. Cult members are urged to sever all ties with the past: "I destroyed all my fat photographs!"; "It's a new me!

Rubenesque: the word for masterpiece curves. Screw you, unsalted rice cakes.

Serena’s body isn’t built to emulate the look of the model in an Ann Taylor shift dress. It’s built – through an exacting and grueling regimen – to decimate her opponents. And his suggestion that the body, too, is beautiful and sexy – in spite of, or even because of, its threat to the norms of white femininity – will continue to be threatening until the standards of beauty are decentered from those of the white upper class.

She had decided that because she couldn't love her body, she would try to love what she put on it.

Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves.

She may resent Playboy because she resents feeling ugly in sex--or, if "beautiful," her body defined and diminished by pornography. It inhibits in her something she needs to live, and gives her the ultimate anaphrodisiac: the self-critical sexual gaze. Alice Walker's essay "Coming Apart" investigates the damage done: Comparing herself to her lover's pornography, her heroine "foolishly" decides that she is not beautiful.

She was a tall woman with unfashionable hips and a long chestnut braid singing down her back.

She surrendered her body to the judgment of someone else's eyes- and that was a source of anxious uncertainty.

She was every inch the skeletal goddess that had been promised by the bones of her feet.

Simply being born female in our society is to grow up being told your worth as a person is tied to how slim and attractive you are. Even for those of us lucky enough to have evolved parents, the message is still driven home by the world at large.

She wore her body like a mistake she hoped to one day be forgiven for.

Somehow her getting naked breaks the tension. Her transformation is palpable: She seems easier, more confident; her body is how she asserts control.

Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation -- latent fears that we might be going too far.

So get up, pretty woman! And from your beautifully shaped body don’t be ashamed For we are meant to be different, Rounded shapes and squared We come in a small, medium and a large size And to each there is still a wide range This is to create a beautiful portrait for the eyes And we are not supposed to please the “media-thinking” and change! So woman up! Whether your size is infinity-X large or infinity-X Small In love with “you” you should fall Don’t let them and their meaningless words or shallow looks Make you lose it all As to this nature you belong, The beach, the mountains, the oceans And the colorful life this mother earth has to give So embrace this with your body and soul No matter how they evolve… For as long as you live!