Best 3626 quotes in «media quotes» category

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    The name of the regime where media is on the side of the government is undoubtedly fascism, a regime of the sick minds where freedoms are drowned in the cold waters of oppressions!

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    The mythology warped and twisted back along itself until Buffy Summers, the girl who once railed against the unfairness of being Chosen, looked at a squadron of girls who were just like she'd been and took away their right to Choose.

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    The networks at their worst (were) at once greedy and timid.

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    The only private sector industry where employees work with their lives on stake for the interest of common people is media industry.

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    The ordinary public is a puppet of worthless news and media.

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    The owners and top managers of most news media organizations tend to be conservative and Republican. This is hardly surprising. The shareholders and executives of multi-billion-dollar corporations are not very interested in undermining the free enterprise system, for example, income from offended advertisers. These owners and managers ultimately decide which reporters, newscasters, and editors to hire or fire, promote or discourage. Journalists who want to get a head, therefore, may have to come to terms with the policies of the people who own and run media businesses.

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    The people will act on the environment they perceive, not the one that is their reality.

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    The people are just the unwitting slaves of their representative governments, the best of which are like insatiable leeches that suck the lifeblood from their populations. The people then foolishly and euphorically rejoice when the body politic belches up a modest excess of their own blood for them to take back.

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    The person identifies with the image the others have created of him on Facebook, and this image in turn guides his life and actions. He comes to believe that his public image (with the comments underneath it) is who he is.

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    The person who says it is lonely at the top has no idea what the view looks like from above. ~ Aarush Kashyap

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    The picture of the world that's presented to the public has only the remotest relation to reality. The truth of the matter is buried under edifice after edifice of lies upon lies. It's all been a marvellous success from the point of view in deterring the threat of democracy, achieved under conditions of freedom, which is extremely interesting.

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    The pinnacle of the struggle for attention, which we are promised will surely pay off through wealth and fame, is the TED Talk. Purposely informal and limited to eighteen minutes, these punchy, pithy talks are meant to inspire and entertain. They don’t invite deliberation or debate. They don’t demand immersion or even background reading. They are capsules of knowledge. To deliver a TED Talk, however, is the apex of self-branding. And, not coincidentally, one of the major ways people discover TED Talks and other self-promotional videos is through Facebook.

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    The press, the media, the internet—they'll make the noise, make the screaming, the screaming all the time, and the truth and my voice will be lost. The blaming and the noise, human things, they'll make it about human things, not the truth. How can anyone live with it? How can anyone live with so much screaming in their lives, all the time?

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    The press can’t do shit about corruption in Africa without the masses. Everybody knows the offices that ask for bribes and everybody continues to pay. So reporting an incident of corruption in the media is like announcing that the sun rises in the morning.

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    The problem with the media - is that if you talk to it, it will use things against you. And that if you don't talk to it, it will use things against you

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    The propagandist naturally cannot reveal the true intentions of the principal for whom he acts... That would be to submit the projects to public discussion, to the scrutiny of public opinion, and thus to prevent their success... Propaganda must serve instead as a veil for such projects, masking true intentions.

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    The real problem here is a massive elephant in the room: our own culture. Our social values, our media - so influential on impressionable young girls - that have been allowed, for millenia, to send out this powerful, alienating message about girls and sport: that sport is unfeminine, that sport makes you sweaty and muscular, that sport is swearing and violence, that sport is ugliness in a world where women’s sole priority, value and focus should be beauty and becoming an object of desire.

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    There are four kinds of people in the world: Those who want to profit off others without changing anything. Those who want to profit off others and would try to improve the world in so doing. Those who want to profit off of others and are willing to destroy the world to do so and finally those who don’t care to profit off others and are the inevitable victims of the other three. The trick is to know which one of these people you are.

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    ...the ravenous monsters men called reporters; sub-human vermin who feed off misery and created it wherever they went.

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    There are a range of useful and illuminating analyses of the media construction of organised abuse as it became front-page news in the 1980s and 1990s (Kitzinger 2004, Atmore 1997, Kelly 1998), but this book is focused on organised abuse as a criminal practice; as well as a discursive object of study, debate and disagreement. These two dimensions of this topic are inextricably linked because precisely where and how organised abuse is reported to take place is an important determinant of how it is understood. Prior to the 1980s, the predominant view of the police, psychiatrists and other authoritative professionals was that organised abuse occurred primarily outside the family where it was committed by extra-familial ‘paedophiles’. This conceptualisation; of organised abuse has received enduring community support to the present day, where concerns over children’s safety is often framed in terms of their vulnerability to manipulation by ‘paedophiles’ and ‘sex rings’. This view dovetails more generally with the medico-legal and media construction of the ‘paedophile as an external threat to the sanctity of the family and community (Cowburn and Dominelli 2001) but it is confounded by evidence that organised abuse and other forms of serious sexual abuse often originates in the home or in institutions, such as schools and churches, where adults have socially legitimate authority over children.

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    The reason shadow histories remained in the shadows lay in the centralization of information: If an idea wasn't discussed on one of three major networks or on the pages of a major daily newspaper or national magazine, it was almost impossible for that idea to gain traction with anyone who wasn't consciously searching for alternative perspectives. That era is now over. There is no centralized information, so every idea has the same potential for distribution and acceptance. Researching the events of the 9/11 attack on the World Trade Center is no harder or easier than absorbing the avalanche of arguments from those who believe 9/11 was orchestrated by the US government. There will be no shadow history of the 2008 financial crisis or the 2014 New England Patriots' "Deflategate" scandal, because every possible narrative and motive was discussed in public, in real time, across a mass audience, as the events transpired. Competing modes of discourse no longer "compete." They coexist.

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    There is filth on the floor, and it must be scraped up with the muck-rake.

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    There is a huge trapdoor waiting to open under anyone who is critical of so-called 'popular culture' or (to redefine this subject) anyone who is uneasy about the systematic, massified cretinization of the major media. If you denounce the excess coverage, you are yourself adding to the excess. If you show even a slight knowledge of the topic, you betray an interest in something that you wish to denounce as unimportant or irrelevant. Some writers try to have this both ways, by making their columns both 'relevant' and 'contemporary' while still manifesting their self-evident superiority. Thus—I paraphrase only slightly—'Even as we all obsess about Paris Hilton, the people of Darfur continue to die.' A pundit like (say) Bob Herbert would be utterly lost if he could not pull off such an apparently pleasing and brilliant 'irony.

  • By Anonym

    The reason why she had chosen journalism was because of those who had done so before her. Stalwart women and men who reported stories in the days before the Internet. Before it was fashionable to learn Mass Communication. A long time before being a TV reporter and calling up your family to see your face beamed to their homes was an in thing. They were those who had left their families behind as they pursued the truth, opting to go to jail when the government hounded them to reveal their sources. Men and women that would rather quit than write editorials the management wanted them to write. Journalists who never wrote a word they would have to disown. Journalists who took their last breath as they wrote an article was true to what they believed in. They would never sit down and take stock of the stories they had covered and written saying, “So what if twenty of these are non-stories, I at least had five I believed in.

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    The religion or pulpit of a nation is the most powerful source of value formation in any country. Followed by the family, the educational system and the media.

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    There is so much diversity in Indie films and books already. Saying there is a lack of Asians in films or in television is not accurate. It is out there, but not so much on the big screen. Rather than saying let's make more big studio Asian American films, let's say, let's bring more and highlight more Asian American films - indie or big studio out prominently in the press and media so there are more different Asian voices heard. - The Asian American Experience Anthology By Kailin Gow

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    The representation of women in the society, especially through mass media has been the most delusional act ever done on the grounds of human existence.

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    The Republic of Venice used to boast that, in the space of three months, it could know all the events of the Mediterranean. We see the astronauts, from the distance of a few feet, at the very moment they land on the moon. Unfortunately the news almost swamps us with its frequency and abundance. It doesn't give us time to reflect: we are so constantly amazed that gradually we lose our capacity for being surprised at anything, and we don't enjoy even beautiful things.

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    There's no harm in reviewing the past from time to time; knowing where you've been is part of knowing where you are, and all that happy horse shit. But the American media have an absolute fixation on this. They rob us of the present by insisting on the past. If they were able, I'm sure they would pay equal attention to the future. Trouble is, they don't have any film on it.

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    There was and still is a tremendous fear that poor and working-class Americans might one day come to understand where their political interests reside. Personally, I think the elites worry too much about that. We dumb working folk were clubbed into submission long ago, and now require only proper medication for our high levels of cholesterol, enough alcohol to keep the sludge moving through our arteries, and a 24/7 mind-numbing spectacle of titties, tabloid TV, and terrorist dramas. Throw in a couple of new flavours of XXL edible thongs, and you've got a nation of drowsing hippos who will never notice that our country has been looted, or even that we have become homeless ourselves.

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    There was no ladylike behavior when it came to eating fresh homemade chocolate chip cookies. " - Kailin Gow, Saving You Saving Me (Book 1 of the You & Me Trilogy)

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    The rich run a global system that allows them to accumulate capital and pay the lowest possible price for labour. The freedom that results applies only to them. The many simply have to work harder, in conditions that grow ever more insecure, to enrich the few. Democratic politics, which purports to enrich the many, is actually in the pocket of those bankers, media barons and other moguls who run and own everything.

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    These women, these Shark Tank Mompreneurs are so passionate about what they created and what they are doing, and that just shines through. That's a major reason why they nailed their audition.

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    The same magazines which not long before advertised products which would quickly allow women to return to their war work now extolled elaborate recipes which women could attempt if they stayed home and vacated jobs for men.

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    The truth has no agenda.

    • media quotes
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    The Society of Professional Journalists believes that "public enlightenment is the forerunner of justice and the foundation of democracy." If that is so, can justice or democracy be secure in a media world where public enlightenment has been supplanted by the superficial?

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    The ten billion animals that are killed every year for meat and the virulent consequences of contemporary animal agricultural practices remain conspicuously absent from public discourse. How often have you seen media exposés on the violent treatment of farm animals and the corrupt practices of carnistic industry? Compare this with the amount of coverage afforded fluctuating gas prices or Hollywood fashion blunders. Most of us are more outraged over having to pay five cents more for a gallon of gas than over the fact that billions of animals, millions of humans, and the entire ecosystem are systematically exploited by an industry that profits from such gratuitous violence. And most of us know more about what the stars wore to the Oscars than we do about the animals we eat.

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    The truth will make you free, but it won’t make you particularly wealthy.

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    The truth is only a few hundred people are at the top of the media infrastructure…in America, and their worldview is what gets delivered to the people. It isn’t necessarily that there is a conspiracy…a humanist will promote humanist values. If we choose to see it as a conspiracy, we will demonize those we find to be culpable and will lack the insight necessary to instigate change.

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    The type of journalism that relies on the reporter's notion of what does or doesn't "seem" correct or controversial is self-indulgent and irresponsible. It gives credence to the belief that we can intuit our way through all the various decisions we need to make in our lives and it validates the notion that our feelings are a more reliable barometer of reality than the facts.

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    They want to see their expectation... Entertainment has nothing to do reality. Entertainment is antithetical to reality.

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    The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had.

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    The witch-hunt narrative is now the conventional wisdom about these cases. That view is so widely endorsed and firmly entrenched that so widely endorsed and firmly entrenched that there would seem to be nothing left to say about these cases. But a close examination of the witch hunt canon leads to some unsettling questions: Why is there so little in the way of academic scholarship about these cases? Almost all of the major witch-hunt writings have been in magazines, often without any footnotes to verify or assess the claims made. Why hasn't anyone writing about these cases said anything about how difficult they are to research? There are so many roadblocks and limitations to researching these cases that it would seem incumbent on any serious writer to address the limitations of data sources. Many of these cases seem to have been researched in a manner of days or weeks. Nevertheless, the cases are described in a definitive way that belies their length and complexity, along with the inherent difficulty in researching original trial court documents. This book is based on the first systematic examination of court records in these cases.

  • By Anonym

    ...they turned to the bloggers, who might be unfiltered and full of shit, but they were fast, prolific, and allowed you to triangulate the truth. Get your news from six or nine sources and you can usually tell the bullshit from reality.

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    The witch-hunt narrative is a really popular story that goes like this: Lots of people were falsely convicted of child sexual abuse in the 1980s and early 1990s. And they were all victims of a witch-hunt. It just doesn’t happen to line up with the facts when you actually look at the cases themselves in detail. But it’s a really popular narrative — I think it’s absolutely fair to say that’s the conventional wisdom. It’s what most people now think is the uncontested truth, and those cases had no basis in fact. And what 15 years of painstaking trial court research (says) is that that’s not a very fair description of those cases, and in fact many of those cases had substantial evidence of abuse. The witch-hunt narrative is that these were all gross injustices to the defendant. In fact, what it looks like in retrospect is the injustices were much more often to children.

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    The word love has been so abused by publicity and advertisements that we no longer know really what it means.

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    This culture of distraction was nothing new. Christianity was born into one.

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    They watch through cameras, listen to phone calls, read e-mail, record conversations; they don’t even need a court order to do it and then they do it under the guise of patriotism.

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    This is how it works now with the news: the story begins with a moral, then a narrative is fashioned to support it.

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    They were going to the house of a man who was shot dead. What was with all the exuberance? But maybe that was the only way you could move forward after mindlessly recording stories of brutality and violence for days on end? Maybe detachment was the only way. But if you could not be passionate about your job, what was the point in doing it?