Best 3651 quotes in «new york quotes» category

The Declaration of Independence says when government fails, the people have the right to replace it. Well, New York State government has failed and the people have the right, indeed the people have the the people have the obligation, to act.

The Democrats in the Senate adopted a resolution, an amendment, saying that there should be no Guantanamo detainees brought into this country. So, more and more, we're finding the American people on one side, the ACLU and the troglodytes from the New York Times on the other, where they belong.

The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.

The depression was the calculated 'shearing' of the public by the World Money powers, triggered by the planned sudden shortage of supply of call money in the New York money market....The One World Government leaders and their ever close bankers have now acquired full control of the money and credit machinery of the U.S. via the creation of the privately owned Federal Reserve Bank.

the Empire State Building was tall. So what? Just proved New York builders didn't know when to stop at a good story.

The egg creams of Avenue A in New York and the root beer float....are among the high points of American gastronomic inventiveness.

The dumping of the mentally ill, full of these new psychiatric drugs, into the streets is a scandal. It's been carried furthest in New York, where whole sections of the decayed Upper West Side are being filled with pensioners and psychotic patients on stelazine, lithium carbonate, and everything else under the sun. They can't diagnose the patient, so they give him the whole psychiatric pharmacopoeia at once, and he walks around in a psychotic trance beautifully painted all over with petrochemicals.

The Episcopalians don't demand much in the way of actual religious belief. They have girl priests, gay priests, gay bishops, gay marriages? it's much like the New York Times editorial board. They acknowledge the Ten Commandments? or "Moses' talking points"? but hasten to add that they're not exactly "carved in stone.

The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.

The Federal Reserve Bank of New York is eager to enter into close relationship with the Bank for International Settlements....The conclusion is impossible to escape that the State and Treasury Departments are willing to pool the banking system of Europe and America, setting up a world financial power independent of and above the Government of the United States....The United States under present conditions will be transformed from the most active of manufacturing nations into a consuming and importing nation with a balance of trade against it.

The fact that New York continues in the face of all of the chaos, of the crime, of the madness, you just think that it would just pop and vanish, just explode.

The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live.

The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'

The fact that the infrastructure is falling apart is not necessarily because it's built poorly. The New York City subways were built in 1903. The fact that they're still running at all is an enormous success. The fact that New York City's bridges have held up as long as they have is extraordinary, and the engineers didn't have computers to tell them about tolerance. They overbuilt these things - traffic on them is like an ant on an elephant.

The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.

The first book I fell in love with was 'Little Toot,' the story of an adorable tugboat operating out of New York Harbor.

The first mistake in the New York Times is worrying about granting Trump access. They're not "granting" Trump access. Trump is commanding access. Trump is taking access. Trump is dictating the daily narrative.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.

The first time I had sushi, I hated it. And the second time was no different, and then, I just started loving it. I actually crave for sushi. It's one of the healthiest meals. My experiments with food began when I was working in New York as an architect, be it Korean or Ethiopian food or fusion food.

The first time I was given money to shop for myself, I was 13 and staying with my godmother in New York. I went to Clinique and bought the three-step acne programme and felt so grown-up.

'The Food Network' was just starting in New York, and I was getting lots of attention from Mesa Grill. They had no money, so if you couldn't get there by subway, you couldn't be on. It wasn't like TV was something I really wanted to do - but I knew it would be great publicity for my restaurants.

The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.

The first time I landed in New York and got a cab to my hotel, I was completely struck by it: a feeling of life and chaos, 24 hours around the clock, just like in London. And whatever your problem is, it's insignificant. You're just a small part of something very big.

The first time I took acid, I made the decision that I would stay in New York and find an independent film company to get a job with.

The future of publishing lies with the small and medium-sized presses, because the big publishers in New York are all part of huge conglomerates.

The greatest number of drug addicts are to be found in Teheran and in Karachi, not in the West. Not in New York believe it or not. It's the same with the roles of slavery, racism and imperialism in the world. These institutions were present in other cultures. However, it was Western civilization which did something about slavery, about racism and voluntarily dissolved its empires leaving behind a very positive legacy of institutions not to mention buildings and roadways.

The glamour of it all! New York! America!

The great thing about doing a show in New York is that you can work until the night before.

The Hamptons are usually filled with what I had hoped to leave behind in New York City.

The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.

The guys in New York don’t know the new media. San Francisco takes more risks as a culture.

The French movies that are promoted abroad are the ones that give a trendy, cultural, petit bourgeois, upper class image of France, but it's true that people who are poor in France are the same in New York or in India.

The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.

The hardest thing about being at Sony was not the travel; it was being divorced from the public and private life I had in New York. Travelling as much as I did, while I didn't lose connection with my friends, I lost a sense of belonging.

The heroic New York doctor who caught Ebola has been declared Ebola free. President Obama called the doctor to thank him for his selflessness and compassion. Then to be safe, Obama threw his phone in a trash can and lit it on fire.

The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions.

The history of Wall Street is inseparable from New York.

The idea for Anthem the play began over twenty years ago. I was assisting in the production of another Ayn Rand work, Ideal. I moved to New York and began working on producing the play with my partners. And as a way to raise money to cover some venture debt, we decided to stage Anthem for a limited run at the Lex Theatre in Hollywood.

The idea is that there is a kind of memory in nature. Each kind of thing has a collective memory. So, take a squirrel living in New York now. That squirrel is being influenced by all past squirrels.

The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.

The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.

The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.

The implausible, well-nigh-miraculous functioning anarchy that we know as New York is adorned with every excellence of Western art. It is a city of manifold suggestions, which ministers to every ambition, engenders a thousand talents, nurtures ingenuity and experimentation.

The idea that the Tony committee and the New York theater community as a whole have embraced Billy Elliot is very, very exciting.

The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.

The important thing for me is that I try to understand the culture. Everything I thought I knew about the country was either through TV, music, movies or hopping in and out when I did shows. You can't just get the US through being in Miami, LA and New York. Middle America is the place to understand real America.

The hardest part about moving from nice California weather was the freezing cold New York.

The Internet makes it possible for people like me to live the way I do now. Without it, I'd have to be in New York or some other city. I think the Internet is the greatest invention in history after antibiotics.

Their problem is not me and the Democrats; their problem is themselves. Who are they? Are they these extreme conservatives who are right-to-life, pro-assault-weapon, anti-gay? Is that who they are? Because if that's who they are and they're the extreme conservatives, they have no place in the state of New York.

The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.