Best 3651 quotes in «new york quotes» category

If you're bored in New York, it's your own fault.

If you're looking for a New York Times best-seller, I may or may not give you that.

If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.

If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.

If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.

If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. I was talking to Liz and she said maybe coming back to your old life would be too painful, that maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay.

If you think customers are impatient in New York, wait to you see how impatient they are here in L.A.

If you've ever hauled a 28-pound two-year-old around New York, you'll find that men fold at the knees a lot quicker than women.

if you want to be a little bit solitary and work very hard, you can do it more easily in New York than in a town like Paris or London. Because you depend so much for human relationships here on the phone. If you don't answer your phone, you are quite a lonely couple.

If you want to be a theater actor, where do you live now? Young actors struggle on a Broadway salary. A lot of them live in shoe boxes; some of them are literally three to a shoebox. New York has gotten prohibitively expensive.

If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.

If you want to be a stand-up comedian or an artist, you move to New York.

If you want to be in the automotive business, you go to Detroit, and you figure it out. If you want to be in entertainment, go to where it's at. Go to Hollywood, go to New York.

If you want to find out what it means to have a society without any rituals, read the New York Times.

If you want to get an education in how to get a story and how to survive, then get a street reporter job in New York City.

If you were back in the Cretaceous Period - the last of the time of the dinosaurs - and you were driving from New York to Philadelphia on the New Jersey Turnpike, you would be driving across water.

If you were smart in 1807 you moved to London, if you were smart in 1907 you moved to New York City, and if you are smart in 2007 you move to Asia.

If you want to surf, move to Hawaii. If you like to shop, move to New York. If you like acting and Hollywood, move to California. But if you like college football, move to Texas.

If you will excuse me, your coat lapels are badly twisted downward, where they have been grasped by the pertinacious New York reporters.

I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.

i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.

I get out of the taxi and it's probably the only city which in reality looks better than on the postcards, New York.

I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.

I get questions from Richard Sandomir at the New York Times or Michael Hiestand at USA Today about issues .., 'well, there's a blog site that says you root too hard for the Red Sox. Or people don't like you because you're rooting against their team ...'I don't want to say it's bad. There are certainly things you learn from the internet. You certainly learn from people's opinions. I think you're going to get some of the negative a lot more than the positive, but I think you can learn from it.

I get mad at the New York-based environmentalists because if you were truly environmentalists you wouldn't have a storm surge system and a sanitary system hooked together here that requires you to close your beaches 10 times a year.

I go down to New York, do the project, and leave. I have no interest in participating in the rat race down there. Hip jazz fans know who I am. There's a generation of musicians in New York who know my records better than I do.

I got a hotel room at New York New York in Las Vegas and I was very happy. They've got that rollercoaster encircling the entire premises, just like Manhattan.

I got a job when I was 15 because my allowance was about $20 a week which in New York was impossible. So I used to waitress across the street from where I grew up.

I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.

I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.

I go and I keep friends with [Abe] Rosenthal at the New York Times and people of that sort, you know. And all - I mean, not all the Jews, but a lot of the Jews are great friends of mine, they swarm around me and are friendly to me because they know that I'm friendly with Israel. But they don't know how I really feel about what they are doing to this country. And I have no power, no way to handle them, but I would stand up if under proper circumstances.

I got a liberal arts education just because I felt like I should to keep my parents happy, but it was for them. If it was up to me, I would've just moved to New York.

I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.

I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".

I got involved in fashion by accident. When I got to New York, my intention was to have enough money to eat and to stay and I don't have to leave. I just loved New York - the energy, the culture, the freedom.

I got my heel stuck in a drain as I was crossing the street and cars were coming. It was really scary. A girl in heels in New York is a hard combination.

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

I got my first job as a card-carrying actor in New York in 1967. Before that, I was a very desperate wannabe.

I got my job through the New York Times. [Written underneath:] So did Castro.

I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.

I got to do something I never do, which is go to Starbucks and read 'The New York Times' until 7 a.m. I took my daughter to school on the East Side, which was a lot of fun. And I admit I played Call of Duty, one of those war video games.

I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.

I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.

I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.

I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up Backstage magazine auditions and grinding.

I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.

I grew up about 60 miles northwest of New York, in Middletown, NY.

I grew up as a really sick kid; I had really bad childhood asthma and was at home all the time in New York.

I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.