Best 3651 quotes in «new york quotes» category

If you will excuse me, your coat lapels are badly twisted downward, where they have been grasped by the pertinacious New York reporters.

I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.

i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.

I get out of the taxi and it's probably the only city which in reality looks better than on the postcards, New York.

I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.

I get questions from Richard Sandomir at the New York Times or Michael Hiestand at USA Today about issues .., 'well, there's a blog site that says you root too hard for the Red Sox. Or people don't like you because you're rooting against their team ...'I don't want to say it's bad. There are certainly things you learn from the internet. You certainly learn from people's opinions. I think you're going to get some of the negative a lot more than the positive, but I think you can learn from it.

I get mad at the New York-based environmentalists because if you were truly environmentalists you wouldn't have a storm surge system and a sanitary system hooked together here that requires you to close your beaches 10 times a year.

I go down to New York, do the project, and leave. I have no interest in participating in the rat race down there. Hip jazz fans know who I am. There's a generation of musicians in New York who know my records better than I do.

I got a hotel room at New York New York in Las Vegas and I was very happy. They've got that rollercoaster encircling the entire premises, just like Manhattan.

I got a job when I was 15 because my allowance was about $20 a week which in New York was impossible. So I used to waitress across the street from where I grew up.

I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.

I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.

I go and I keep friends with [Abe] Rosenthal at the New York Times and people of that sort, you know. And all - I mean, not all the Jews, but a lot of the Jews are great friends of mine, they swarm around me and are friendly to me because they know that I'm friendly with Israel. But they don't know how I really feel about what they are doing to this country. And I have no power, no way to handle them, but I would stand up if under proper circumstances.

I got a liberal arts education just because I felt like I should to keep my parents happy, but it was for them. If it was up to me, I would've just moved to New York.

I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.

I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".

I got involved in fashion by accident. When I got to New York, my intention was to have enough money to eat and to stay and I don't have to leave. I just loved New York - the energy, the culture, the freedom.

I got my first job as a card-carrying actor in New York in 1967. Before that, I was a very desperate wannabe.

I got my job through the New York Times. [Written underneath:] So did Castro.

I got my heel stuck in a drain as I was crossing the street and cars were coming. It was really scary. A girl in heels in New York is a hard combination.

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

I got to do something I never do, which is go to Starbucks and read 'The New York Times' until 7 a.m. I took my daughter to school on the East Side, which was a lot of fun. And I admit I played Call of Duty, one of those war video games.

I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.

I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.

I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.

I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.

I grew up about 60 miles northwest of New York, in Middletown, NY.

I grew up as a really sick kid; I had really bad childhood asthma and was at home all the time in New York.

I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up Backstage magazine auditions and grinding.

I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.

I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.

I graduated from high school early so I could move to New York to do 'A Little Night Music' out of the New York City Opera.

I grew up as a horseback rider and a volleyball player so honestly when I got a gym membership in New York, I thought I was going to die.

I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.

I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.

I grew up in New York, I love New York.

I grew up in suburban New York City and London, England, where my dad was working.

I grew up in a small Southern town, and there were white people and black people. Coming to New York to go to Columbia, every time I went into the subway I was absolutely astounded because you see people from all over the world who actually live here - who aren't just here as tourists.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.

I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.

I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.

I grew up in New York, and I have that in me, that be-honest-at-all-costs, don't b.s. me attitude. I say, If you've got something to say about me, say it to my face. And then we'll either talk about it or fight about it.

I grew up in New York in an English-speaking environment.

I grew up in New York, so I fell in love with acting on a stage, not in front of a camera.

I grew up in New York till I was 5, and I remember going to see 'Annie' and some musicals as a kid, and I remember my parents being somewhat okay with us watching 'Rocky Horror Picture Show,' which, it boggles my mind that they allowed me to watch it.

I grew up in northern New Jersey - the banlieue of New York - and I now live in Brooklyn. I am separated from my parents by about 50 miles, but really there is almost no distance between us. I speak to them nearly every day.

I grew up in Queens, in New York City, in a middle class Jewish family. My mother was a public school teacher, my father was a lawyer. They were Democrats - kind of middle-of-the-road democrats.

I grew up in New York City, where we played highly unorganized sports: stick ball, stoop ball, and the occasional game of baseball with no adult supervision.

I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.