Best 546 quotes in «movie quotes» category

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    The actual process of filmmaking, the many hours out of your life- it is very slow and boring. I'm not interested in that now unless an opportunity was provided for me.

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    The biggest thing people tell me is that I'll be jaded real soon and that the allure of filmmaking will lose its magic. Not necessarily the fame, but that special thing you create onscreen.

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    The Bollywood distribution system is so corrupt that they have trouble making money off movies. So they sell shoes that an actress stepped in. If they turned up the amps some, maybe they could sell the actresses.

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    The difference between a movie star and a movie actor is this - a movie star will say, 'How can I change the script to suit me?' and a movie actor will say. 'How can I change me to suit the script?'

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    The fact is, when I wrote 'Juno' - and I think this is part of its charm and appeal - I didn't know how to write a movie. And I also had no idea it was going to get made!

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    The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking.

    • movie quotes
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    The embarrassing thing is that my salad dressing is out-grossing my films.

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    The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.

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    The great thing about the movies ... is-you're giving people little ... tiny pieces of time ... that they never forget.

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    The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.

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    The only thing worse than watching a bad movie is being in one.

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    The manner in which Americans ''consume'' music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movie --it's consumed that way without any regard for how and why it's made.

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    The moral of filmmaking in Britain is that you will be screwed by the weather.

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    Then I went through a whole bunch of crap with my lousy movies and pop records. I had people behind me kind of steering me in that direction, but it wasn't really my bag.

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    The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street.

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    The plot of a movie is its motor. It is not an accident that people call pictures 'vehicles' for stars. A vehicle has to move. A plotless story is like an expensive car with a wonderful body design, luxurious seats, upholstery, headlights (production, direction, cast) - and no motor under its hood. That is why it gets nowhere.

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    The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.

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    The problem with being a film actress or a movie star is that people see you so huge that somehow you're visually massive or somehow you're in some removed space, which is a television or wherever. It somehow takes your humanity.

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    The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies.

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    There are a lot of movies that are unbelievable successes that I would be mortified to be a part of.

    • movie quotes
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    There are some movies I can watch over and over, never get sick of.

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    The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored.

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    There's a lot of great movies that have won the Academy Award, and a lot of great movies that haven't. You just do the best you can.

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    These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.

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    There's always an imbalance with actors and actresses in the industry. And I think because there are just fewer movies overall being made, it's that trickle down effect.

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    There's such good people out there where there filmmaking world is alive.

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    The secret to film is that it's an illusion.

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    There was nothing to react to except wind and trees [in Cast Away]. It was like making a silent movie.

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    The sorrow of not being movie stars overwhelms millions.

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    The so-called film star's lot is an infantile and precarious one.

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    The sound and music are 50% of the entertainment in a movie.

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    The thing about movies these days is that the commerce end of it is so inflated and financiers are just expecting this enormous return on their investment.

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    Thinking back to those earlier days, I felt I was weak when I wasn't making movies, and then when I was, I thought I was weak as a family member.

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    The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.

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    The wonderful thing about films is how they can be understood by so many different people on so many different levels.

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    They may take our lives, but they'll never take our freedom!

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    This film cost $31 million. With that kind of money I could have invaded some country.

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    This was truly guerilla filmmaking. We shot out in the middle of nowhere in a place called Delta Flats, where basically every day was some new minor catastrophe.

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    Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.

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    To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.

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    Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.

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    Though films become more daring sexually, they are probably less sexy than they ever were. There haven't been any convincing love scenes or romances in the movies in a while. (Nobody even seems to neck in theaters any more.) ... when the mechanics and sadism quotients go up, the movie love interest goes dead, and the film just lies there, giving a certain amount of offense.

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    Vasectomy means never having to say you're sorry.

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    Unfortunately, 'chick flick' has become a term to describe most movies that I don't even like. They're these movies that, yes, have women in them but they really don't reflect who women are, and there's something kind of silly or shallow or gossipy about them.

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    We did this two-week boot camp before we filmed the movie. I got to know everybody in the group and we became friends. We got really tight throughout those two weeks.

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    We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

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    Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.

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    We lay out our lives in a narrative we understand, like a movie, but are you enjoying making it or are you wondering who's watching my movie.

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    We're trying to set up a movie for me in the near future. It's going to be similar to the story of how I got discovered. Kinda like my own version of '8 Mile.'

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    Well, I started thinking about what you were saying about how your movies need to make a profit. Now, what is the one thing, if you put it in a movie, it'll be successful?